USDMi Idioma
Mi Divisa
Ayuda
Cómo hacer un pedidoProblemas al hacer un pedidoPreguntas más frecuentesContáctenosContact Us (Suppliers)Acerca de JunoJuno DailyEstrenos de esta semanaDJ & Studio StoreTagsComentariosPolítica de privacidadReturns & refundsCondiciones de usoFinanceJuno Vinyl DistributionJuno Vinyl WholesaleJuno Marketing and PR departmentPromote your label / releases
Filter
Studio Equipment preorders
Welcome to our preorders page, Here, you can preorder vinyl, CDs, and DJ & studio equipment set for release in the coming weeks and months.
All preorders are despatched as soon as they are released, and you won’t pay until they ship!
FORTHCOMING
Related products...
Koma Elektronik Chromaplane Analogue & Polyphonic Electromagnetic Synthesiser (analogue electromagnetic synthesiser)
Cat: 1050564 Rel: 30 Apr 25
Analogue & polyphonic electromagnetic synthesiser
Notes: The Chromaplane is an instrument created in collaboration between KOMA Elektronik & Passepartout Duo.
The Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.
The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.
The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.
The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.
The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual
… Read moreThe Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.
The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.
The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.
The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.
The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Apr 25 $360.05
(No payment required now - pay when released)
FORTHCOMING
Related products...
Buchla & TipTop Quad Sample & Hold/Polyphonic Adapter Model 264t Module (sample & hold synth module)
Cat: 1069586
Quad sample & hold, CV modulation module - 18hp
Notes: Quad Sample And Hold Model 264t
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $278.36
(No payment required now - pay when released)
FORTHCOMING
Related products...
Dreadbox Artemis 6-Voice Polyphonic Analogue Synthesiser (analogue desktop synthesiser)
Cat: 1054559
6-Voice Polyphonic Analogue Synthesiser
Notes: Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!
From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.
At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.
These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.
Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.
This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.
… Read moreFrom classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.
At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.
These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.
Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.
This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,187.59
(No payment required now - pay when released)
FORTHCOMING
Related products...
Notes: Unlock Limitless Creativity.
Experience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.
Redefined sensitivity.
ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.
The most playable surface yet.
ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.
A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.
Complete musical articulation.
Add polyphonic portamentos, slides and after-touch to your musical creative process.
Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.
Expressive looping.
Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.
Every gesture recorded on the fly is replayed visually, creating a show for the eyes.
Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.
Modular mastermind
Multi-dimensional connectivity.
ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!
Different skins.
ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.
This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.
Expressive Controller Looper
Erae Touch is a polyphonic MIDI Controller & Looper.
Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.
Built with unrivalled sensitivity and offering infinite configurability.
User-friendly configuration
No more back & forth menu diving.
Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.
The ERAE Lab
Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.
ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.
Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.
An open canvas.
This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).
A new kind of arpeggiator.
Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).
Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!
What's in the box:
Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable
… Read moreExperience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.
Redefined sensitivity.
ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.
The most playable surface yet.
ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.
A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.
Complete musical articulation.
Add polyphonic portamentos, slides and after-touch to your musical creative process.
Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.
Expressive looping.
Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.
Every gesture recorded on the fly is replayed visually, creating a show for the eyes.
Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.
Modular mastermind
Multi-dimensional connectivity.
ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!
Different skins.
ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.
This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.
Expressive Controller Looper
Erae Touch is a polyphonic MIDI Controller & Looper.
Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.
Built with unrivalled sensitivity and offering infinite configurability.
User-friendly configuration
No more back & forth menu diving.
Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.
The ERAE Lab
Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.
ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.
Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.
An open canvas.
This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).
A new kind of arpeggiator.
Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).
Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!
What's in the box:
Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $869.48
(No payment required now - pay when released)
FORTHCOMING
Related products...
Matthews Effects The Technician Dual Channel Auditory Manipulator Effect Pedal (time effects pedal)
Cat: 1062851
A dual-channel audio manipulator crafted for musical exploration, combining reverb, delay, modulators, a resonance filter, and a stereo looper to build everything from basic delays to complex layered soundscapes
Notes: Delay modes
Digital
Starting as a crisp digital delay, this mode, when paired with the tap footswitch, covers a lot of ground for your delay needs. The "Red" modulator lets you adjust the dampening of the delay, making the repeats either brighter (emulating towards a tape or HIFI sound) or darker
Reverse
Instead of reading the delay buffer in a forward direction like the "Digital" delay we read the buffer backwards creating unique sound possibilities. You can further modify this sound with the "Red" modulator to adjust the dampening of the repeats to grow brighter or darker.
Granular
Takes the delay buffer and chops it up into "Grains" and then plays those grains back. The size of the grains, direction (forward/reverse), the speed (pitch) and location in the buffer is all randomized so every time you experience this mode it will be a unique exploration into granular synthesis. The "Red" modulator allows you to adjust the max size of the randomized "size" of the grains and the amount of grains from 1-5.
Re-sample
What if you want a more complex soundscape like other instruments are playing with you? Re-sample accomplishes this by playing the delay buffer at different speeds which changes the pitch and timing of the delayed phrases creating a more complex musical expression of what you are playing. "Red" lets you adjust the mix of the octave down and the octave up.
Reverb modes
Hall
The least diffused of the reverb modes "Hall" allows you hear the reflective nature of the hallway your sound is in.
Plate
Emulating a classic plate reverb sound that is diffuse and reflective.
Chasm
An exploration into reverb design feedback networks that can allow for unnaturally large decay lengths.
Grim
Takes the "Chasm" mode and splits the output to a parallel octave down so you get the normal output + the octave down for a deep rich soundscape.
Looper modes
Gives you latching control over the rec/dub of your looper.
Momentary
Only rec/dub while holding the rec/dub switch.
Quantise
Works like the latching but will trim your loop to a division of the existing delay time.
MOD ONE and MOD TWO allow you adjust the following modulators
Modulators
Delay
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Reverb
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Looper
Clock: fine detail adjustment of the speed and direction of the clock.
Quantized Clock: Quantized adjustment of the speed and direction of the clock locked to octave intervals.
Loop Start: Adjust the starting point of the loop.
Loop End: Adjust where the loop will end.
MIDI: 3.5MM IN/OUT
USB: USB-C
Expression: TRS input
Controls
MIX (mod one)- The mix of the Reverb DSP block
DECAY (mod two)- The time it takes for your instruments reverberations to fade away, or die.
FEEDBACK (mod two)- How many repeats the delay will have
MIX (mod one)- The mix of the Delay DSP block
CLOCK (pre-delay)- Adjusts the "size" of the reverb DSP block
MIX (mod one)- The mix of the Looper DSP block
FREQUENCY (resonance)- Adjusts the Frequency of the Filter DSP block
TIME (dry mix)- Set the time of the Delay DSP block up to 2 sec
Modifiers
Reverb Mode (modulators)- Sets what Reverb Algorithm is active
Looper Mode (modulators)- Sets how you control the Looper DSP block
Tap Division (effect order)- Sets which tap division is active for the Delay DSP block. 1/2: Half note, 1/4: Quarter note, .1/8th: Dotted eighth note, 1/8th: Eighth note
Delay Mode (modulators)- Sets which Delay Algorithm is active
Input/Output: Stereo / mono - stereo / stereo - mono / parallel mono
Bypass: True Bypass / Tails
Power: 9v 400MA
Dimensions: 4.8 x 5.5
MIDI: Yes. 3.5mm Jack
USB: Yes
Jacks: Top Mounted Input And Output Jacks
… Read moreDigital
Starting as a crisp digital delay, this mode, when paired with the tap footswitch, covers a lot of ground for your delay needs. The "Red" modulator lets you adjust the dampening of the delay, making the repeats either brighter (emulating towards a tape or HIFI sound) or darker
Reverse
Instead of reading the delay buffer in a forward direction like the "Digital" delay we read the buffer backwards creating unique sound possibilities. You can further modify this sound with the "Red" modulator to adjust the dampening of the repeats to grow brighter or darker.
Granular
Takes the delay buffer and chops it up into "Grains" and then plays those grains back. The size of the grains, direction (forward/reverse), the speed (pitch) and location in the buffer is all randomized so every time you experience this mode it will be a unique exploration into granular synthesis. The "Red" modulator allows you to adjust the max size of the randomized "size" of the grains and the amount of grains from 1-5.
Re-sample
What if you want a more complex soundscape like other instruments are playing with you? Re-sample accomplishes this by playing the delay buffer at different speeds which changes the pitch and timing of the delayed phrases creating a more complex musical expression of what you are playing. "Red" lets you adjust the mix of the octave down and the octave up.
Reverb modes
Hall
The least diffused of the reverb modes "Hall" allows you hear the reflective nature of the hallway your sound is in.
Plate
Emulating a classic plate reverb sound that is diffuse and reflective.
Chasm
An exploration into reverb design feedback networks that can allow for unnaturally large decay lengths.
Grim
Takes the "Chasm" mode and splits the output to a parallel octave down so you get the normal output + the octave down for a deep rich soundscape.
Looper modes
Gives you latching control over the rec/dub of your looper.
Momentary
Only rec/dub while holding the rec/dub switch.
Quantise
Works like the latching but will trim your loop to a division of the existing delay time.
MOD ONE and MOD TWO allow you adjust the following modulators
Modulators
Delay
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Reverb
Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.
Looper
Clock: fine detail adjustment of the speed and direction of the clock.
Quantized Clock: Quantized adjustment of the speed and direction of the clock locked to octave intervals.
Loop Start: Adjust the starting point of the loop.
Loop End: Adjust where the loop will end.
MIDI: 3.5MM IN/OUT
USB: USB-C
Expression: TRS input
Controls
MIX (mod one)- The mix of the Reverb DSP block
DECAY (mod two)- The time it takes for your instruments reverberations to fade away, or die.
FEEDBACK (mod two)- How many repeats the delay will have
MIX (mod one)- The mix of the Delay DSP block
CLOCK (pre-delay)- Adjusts the "size" of the reverb DSP block
MIX (mod one)- The mix of the Looper DSP block
FREQUENCY (resonance)- Adjusts the Frequency of the Filter DSP block
TIME (dry mix)- Set the time of the Delay DSP block up to 2 sec
Modifiers
Reverb Mode (modulators)- Sets what Reverb Algorithm is active
Looper Mode (modulators)- Sets how you control the Looper DSP block
Tap Division (effect order)- Sets which tap division is active for the Delay DSP block. 1/2: Half note, 1/4: Quarter note, .1/8th: Dotted eighth note, 1/8th: Eighth note
Delay Mode (modulators)- Sets which Delay Algorithm is active
Input/Output: Stereo / mono - stereo / stereo - mono / parallel mono
Bypass: True Bypass / Tails
Power: 9v 400MA
Dimensions: 4.8 x 5.5
MIDI: Yes. 3.5mm Jack
USB: Yes
Jacks: Top Mounted Input And Output Jacks
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $407.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Notes: The ultimate way to experience audio
Full bass immersion
SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.
The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.
One Subpac. One system.
SUBPAC X1 is Designed for Dual Use
For your chair
Anywhere you sit and engage with audio
For you to wear
Big Bass, Anywhere
Connect to the deepest feeling
Unparalleled Bass Response.
Customise & control
Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.
Power & precision
Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.
Comfort & flexibility
Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.
Modular
Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.
Bluetooth wireless freedom
Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.
Pro grade
Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.
A unified experience
The SUBPAC X1 System Combines Hardware & Software
Inputs:
3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP
Outputs:
3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O
Power:
Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:
Adjustable between 1-250hz
Mobile Control App:
iOS and Android compatible
… Read moreFull bass immersion
SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.
The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.
One Subpac. One system.
SUBPAC X1 is Designed for Dual Use
For your chair
Anywhere you sit and engage with audio
For you to wear
Big Bass, Anywhere
Connect to the deepest feeling
Unparalleled Bass Response.
Customise & control
Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.
Power & precision
Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.
Comfort & flexibility
Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.
Modular
Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.
Bluetooth wireless freedom
Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.
Pro grade
Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.
A unified experience
The SUBPAC X1 System Combines Hardware & Software
Inputs:
3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP
Outputs:
3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O
Power:
Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:
Adjustable between 1-250hz
Mobile Control App:
iOS and Android compatible
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $643.78
(No payment required now - pay when released)
FORTHCOMING
Related products...
Enjoy DeFeel Modular Monotony Degenerator Module (CV modulation synth module)
Cat: 1078333
The first sequencer manipulator module to generate autofills using lines and vectors.
Notes: With DeFeel, Enjoy Electronics have redesigned and applied the Fill concept to make it usable in the world of modular synthesizers.
This device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.
A modular device that's not going to generate anything, but is created to degenerate the monotony.
DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.
With DeFeel, we offer musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.
… Read moreThis device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.
A modular device that's not going to generate anything, but is created to degenerate the monotony.
DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.
With DeFeel, we offer musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $407.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Nakedboards MC-24 Knobs USB & MIDI Controller (USB/MIDI controller)
Cat: 1069985
MC-24 is a powerful yet incredibly easy-to-use MIDI controller designed to bring your music to life
Notes: MC-24 is a powerful yet incredibly easy-to-use MIDI controller designed to bring your music to life. Whether you're producing in the studio or performing live, MC-24 gives you intuitive, hands-on control over your instruments, effects, and mixer.
Simply plug it in via USB, and the knobs instantly respond, ready to be assigned to volume, filters, synth parameters, or anything else in your favorite music software.
Corresponding Software: VCV Rack, Ableton Live, Apple Logic, Apple GarageBand, Steinberg Cubase, Max/MSP, Pure Data, NI Reaktor, Cakewalk SONAR, Avid Pro Tools, MOTU Digital Performer and other software that can be controlled by control change messages.
Supported hardware: Elektron (Digitakt, Digitone, Octatrack), Akai MPC, Native Instrument Maschine and others.
Supported OS: Mac OS X 10.4 or later, Windows XP/ Vista/ 7/ 8/ 10/ 11, Linux 2.5 kernel or later, iOS
Connectors: USB, MIDI out 3.5mm mini-jack (adapter included)
Dimensions: 237x111x50 mm
Weight: 620 g
… Read moreSimply plug it in via USB, and the knobs instantly respond, ready to be assigned to volume, filters, synth parameters, or anything else in your favorite music software.
Corresponding Software: VCV Rack, Ableton Live, Apple Logic, Apple GarageBand, Steinberg Cubase, Max/MSP, Pure Data, NI Reaktor, Cakewalk SONAR, Avid Pro Tools, MOTU Digital Performer and other software that can be controlled by control change messages.
Supported hardware: Elektron (Digitakt, Digitone, Octatrack), Akai MPC, Native Instrument Maschine and others.
Supported OS: Mac OS X 10.4 or later, Windows XP/ Vista/ 7/ 8/ 10/ 11, Linux 2.5 kernel or later, iOS
Connectors: USB, MIDI out 3.5mm mini-jack (adapter included)
Dimensions: 237x111x50 mm
Weight: 620 g
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $106.40
(No payment required now - pay when released)
FORTHCOMING
Related products...
ADDAC System ADDAC511 VC Stochastic Voltage Generator Module (voltage generator synth module)
Cat: 1080319
This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer
Notes: This module greatly expands on the principles of the ADDAC501 Complex Random from 2013.
This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.
The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.
Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.
The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.
Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V
… Read moreThis is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.
The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.
Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.
The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.
Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $564.24
(No payment required now - pay when released)
FORTHCOMING
Related products...
Crows Electromusic LORE Two-Oscillator Analogue FM Synthesiser (analogue desktop synthesiser)
Cat: 1081199
A standalone all-analog tool for exploratory sound synthesis.
Notes: Lore takes two of the lush all-analog oscillators from OVUM, and adds frequency modulation to unlock a wild new range of sounds. It's designed for exploring tones, drones, and frequency modulated textures. Each voice is made of an independently controlled triangle-core oscillators, with separate control for volume, pitch, and can be crossfaded between a bright square wave and a crisp triangle wave.
Lore is frequency modulation. The left oscillator can be sent to the audio output, where it will create harmony or dissonance with the right oscillator, or it can be switched to modulate the frequency of the right oscillator. This is a simplified and analog version of the kind of FM synthesis you'll find in digital synthesizers like the DX7 and it's descendants. It's hand-built from 100% analog circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.
Lore is enclosed in a sturdy transparent-green petroleum-free bioplastic case. It has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.
To reduce waste, by default Lore comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. Lore is portable, but does not contain a battery. It can be powered by any USB powerbank.
… Read moreLore is frequency modulation. The left oscillator can be sent to the audio output, where it will create harmony or dissonance with the right oscillator, or it can be switched to modulate the frequency of the right oscillator. This is a simplified and analog version of the kind of FM synthesis you'll find in digital synthesizers like the DX7 and it's descendants. It's hand-built from 100% analog circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.
Lore is enclosed in a sturdy transparent-green petroleum-free bioplastic case. It has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.
To reduce waste, by default Lore comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. Lore is portable, but does not contain a battery. It can be powered by any USB powerbank.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $59.11
(No payment required now - pay when released)
FORTHCOMING
Related products...
Cat: 1025150
Portable synthesiser & sequencer
Notes: Wee Noise Makers PGB-1 is an advanced yet portable synthesizer and sequencer that allows you to craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn't just an instrument-it's your gateway to the world of music production and audio synths.
PGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
… Read morePGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $306.30
(No payment required now - pay when released)
FORTHCOMING
Related products...
VoicAs Multi-Rover Stereo Multi-Band LED OverDrive Module (effects synth module)
Cat: 948245
Stereo multi-band overdrive module in 20HP.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $382.60
(No payment required now - pay when released)
FORTHCOMING
Related products...
SoMa Laboratory Flux 37-key Magnetic Keyboard Synthesiser (magnetic keyboard synthesiser)
Cat: 1065362
Digital magnetic synthesiser inspired by the theremin
Notes: Flux brings forth the musicality and expression of classical instruments, such as violin or vocals, enriched by new timbres and the flexibility of postmodern instruments, harnessing the power of current technology. It is a high end professional synthesizer with unique expressive possibilities, an innovative interface design with top quality digital-to-analog converters and analog components.
Flux features a unique continual touchless keyboard that offers seamless control over a number of sound parameters without quantisation. In many ways, it is inspired by the Theremin, offering the unique opportunity of controlling sound by moving your hands in the air without touching any object.
Unlike the Theremin - which works by virtue of the capacitive coupling of hands and antennae - Flux is based on magnetic principles. Two magnetic bows are pressed between your fingers, and the interface is a multipolar magnetic sensor, registering the bows' positions and movements. The X coordinate of the artist's right-hand bow controls the note's pitch, while the Z coordinate controls volume. The left-hand bow's X, Y and Z coordinates control the various synthesis parameters. Since a magnet has two poles, Flux not only detects the bows' spatial coordinates, but also the bows' angle. This means that flipping the right-hand bow on the Y-axis changes the octave, which allows a range of six continuous octaves without transposing the keyboard. With transposition you can get a range from sub-bass all the way to ultrasonic. The left-right tilting of the right-hand bow on the X-axis controls two independent modulation parameters.
The left-hand bow controls the timbres. The timbral sensor, placed in the left part, has six poles, and independently registers positive and negative magnetic fields. This lets you change which parameters you control by flipping the bow, allowing you to control up to twelve independent sound parameters. Together with the pitch, volume and two additional tilt parameters on the right-hand bow, you have access to a total of sixteen sonic controls that you can use during performance, without ever touching the surface of the instrument.
Summing up the concept of Flux: the most direct and immediate way to play with a large number of synthesis parameters in a musical way, creating a dynamic timbre composition. Different synthesis algorithms (engines) will be created as complete musical instruments for direct timbral control. All engines will be available in a single firmware and any engine can be launched in a fraction of a second. Presets will allow the user to save and recall the entire state of the synth including engine and all tunings.
SoMa Laboratory developed Flux with the aim to create a modern instrument for academic music, offering powerful sonic tools such as distortion, complex FM and physical modelling of non-existent, surrealistic musical instruments. It works in monophonic, duophonic and polyphonic modes. Staccato-enabling and quantisation modes are available. The quantization function has an adjustment parameter for vibrato. Flux has a stable, even, and clearly marked note scale. This makes it much easier to learn and to intone cleanly than on the Theremin.
Flux's synthesis is DSP-based. It features built-in spatial FX. The digital-to-analog converters and the analog circuit are based on our in-house designs using Hi-End principles
… Read moreFlux features a unique continual touchless keyboard that offers seamless control over a number of sound parameters without quantisation. In many ways, it is inspired by the Theremin, offering the unique opportunity of controlling sound by moving your hands in the air without touching any object.
Unlike the Theremin - which works by virtue of the capacitive coupling of hands and antennae - Flux is based on magnetic principles. Two magnetic bows are pressed between your fingers, and the interface is a multipolar magnetic sensor, registering the bows' positions and movements. The X coordinate of the artist's right-hand bow controls the note's pitch, while the Z coordinate controls volume. The left-hand bow's X, Y and Z coordinates control the various synthesis parameters. Since a magnet has two poles, Flux not only detects the bows' spatial coordinates, but also the bows' angle. This means that flipping the right-hand bow on the Y-axis changes the octave, which allows a range of six continuous octaves without transposing the keyboard. With transposition you can get a range from sub-bass all the way to ultrasonic. The left-right tilting of the right-hand bow on the X-axis controls two independent modulation parameters.
The left-hand bow controls the timbres. The timbral sensor, placed in the left part, has six poles, and independently registers positive and negative magnetic fields. This lets you change which parameters you control by flipping the bow, allowing you to control up to twelve independent sound parameters. Together with the pitch, volume and two additional tilt parameters on the right-hand bow, you have access to a total of sixteen sonic controls that you can use during performance, without ever touching the surface of the instrument.
Summing up the concept of Flux: the most direct and immediate way to play with a large number of synthesis parameters in a musical way, creating a dynamic timbre composition. Different synthesis algorithms (engines) will be created as complete musical instruments for direct timbral control. All engines will be available in a single firmware and any engine can be launched in a fraction of a second. Presets will allow the user to save and recall the entire state of the synth including engine and all tunings.
SoMa Laboratory developed Flux with the aim to create a modern instrument for academic music, offering powerful sonic tools such as distortion, complex FM and physical modelling of non-existent, surrealistic musical instruments. It works in monophonic, duophonic and polyphonic modes. Staccato-enabling and quantisation modes are available. The quantization function has an adjustment parameter for vibrato. Flux has a stable, even, and clearly marked note scale. This makes it much easier to learn and to intone cleanly than on the Theremin.
Flux's synthesis is DSP-based. It features built-in spatial FX. The digital-to-analog converters and the analog circuit are based on our in-house designs using Hi-End principles
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,166.11
(No payment required now - pay when released)
FORTHCOMING
Related products...
VoicAs Reduxer Stereo Sample RateReducer Module (effect synth module)
Cat: 948268
Stereo sample rate reducer module in 8HP.
Notes: Reduxer is a stereo sample reducer effect module.
Depends on it's signal, It can produce dynamic range of sounds from knurly bitcrushing to formant/vowel style effects.
Extra resolution
Custom made Redux potentiometer with 300 degrees rotation for extra crashing resolution.
Double the power
Two proprietary sample reduction circuits with extra offset control on channel 2 via the "Spread", lets you create motion in the streo field for wider effect.
Stereo operation
Inputs are normelized - supporting mono to stereo configuration.
Reduction under control
Redux CV input with attenuator for external control of the bit reduction rate.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width: 8HP
Depth: 20mm
Current draw
+12V: 25mA
-12V: 25mA
… Read moreDepends on it's signal, It can produce dynamic range of sounds from knurly bitcrushing to formant/vowel style effects.
Extra resolution
Custom made Redux potentiometer with 300 degrees rotation for extra crashing resolution.
Double the power
Two proprietary sample reduction circuits with extra offset control on channel 2 via the "Spread", lets you create motion in the streo field for wider effect.
Stereo operation
Inputs are normelized - supporting mono to stereo configuration.
Reduction under control
Redux CV input with attenuator for external control of the bit reduction rate.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width: 8HP
Depth: 20mm
Current draw
+12V: 25mA
-12V: 25mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $155.83
(No payment required now - pay when released)
FORTHCOMING
Related products...
Omni-Tone Melodi Semi-Random Sequencer Module (sequencer synth module)
Cat: 1078387
Melodi generates sequences based on the mood you set so you can create the sound you're searching for
Notes: Melodi generates sequences based on the mood you set so you can create the sound you're searching for- it can be tweaked to create anything from a powerful bassline to a sparkly melody.
Ships with version 2 of firmware
Improvements: Skip, tie, length are now LIVE knobs. Added a ping-pong trend line and a blues scale.
GENERATE
1. NEW - will prompt Melodi to generate a new sequence.
2. TRIGGER IN - accepts a trigger to prompt Melodi to generate a new sequence.
CYCLE
1. ON/OFF - determines if the sequence will loop or require retriggering.
2. TRIGGER - button and jack trigger the sequence to restart at the beginning.
TUNE
* While adjusting tunable parameters, the light bar will reflect the current selection. For continuous parameters the light bar shows amount from 0-100%, for quantized parameters the light bar shows steps.
1. SKIP (continuous) - sets the probability that a note will be skipped in a sequence.
2. PLUCK (continuous) - sets the length of the gate, from short plucks to gliding between notes (portamento).
3. TIE (continuous)- sets the probability that a note gets tied to the next (effectively making the note last two clock cycles).
4. TREND (continuous) - sets whether the sequence trends upwards or downwards in pitch.
5. SCALE (quantized) - select the quantization of the notes used in the sequence. Choose from perfect notes, pentatonic scale, diatonic scale, chromatic scale and completely unquantized.
6. RANGE (continuous) - sets the range of notes from 1 to 4 octaves (unquantized)
7. LENGTH (quantized) - select the number of notes to play in a sequence (from 1-16, or infinitely generating at the max position).
8. SPEED (continuous) - sets the tempo of the internal clock, between 20 and 2000 BPM.
OUT
1. GATE - outputs the gate of the notes in the sequence.
2. PITCH - outputs the pitch (in V/OCT) of the sequence.
CLOCK
1. SELECT - Melodi will generate internal clock signal if select switch is up, and will use external clock signal when down
2. IN - connect external clock signal
3. OUT - output clock signal
Technical specs:
- Module Size: 3U X 8HP X 25 Mm Deep.
- Current Draw: 85mA @ 12V, 10mA @ -12V.
What's in the box:
- Ready to use Assembled Module
- Mounting Screws
- Power Cable
- User Manual
… Read moreShips with version 2 of firmware
Improvements: Skip, tie, length are now LIVE knobs. Added a ping-pong trend line and a blues scale.
GENERATE
1. NEW - will prompt Melodi to generate a new sequence.
2. TRIGGER IN - accepts a trigger to prompt Melodi to generate a new sequence.
CYCLE
1. ON/OFF - determines if the sequence will loop or require retriggering.
2. TRIGGER - button and jack trigger the sequence to restart at the beginning.
TUNE
* While adjusting tunable parameters, the light bar will reflect the current selection. For continuous parameters the light bar shows amount from 0-100%, for quantized parameters the light bar shows steps.
1. SKIP (continuous) - sets the probability that a note will be skipped in a sequence.
2. PLUCK (continuous) - sets the length of the gate, from short plucks to gliding between notes (portamento).
3. TIE (continuous)- sets the probability that a note gets tied to the next (effectively making the note last two clock cycles).
4. TREND (continuous) - sets whether the sequence trends upwards or downwards in pitch.
5. SCALE (quantized) - select the quantization of the notes used in the sequence. Choose from perfect notes, pentatonic scale, diatonic scale, chromatic scale and completely unquantized.
6. RANGE (continuous) - sets the range of notes from 1 to 4 octaves (unquantized)
7. LENGTH (quantized) - select the number of notes to play in a sequence (from 1-16, or infinitely generating at the max position).
8. SPEED (continuous) - sets the tempo of the internal clock, between 20 and 2000 BPM.
OUT
1. GATE - outputs the gate of the notes in the sequence.
2. PITCH - outputs the pitch (in V/OCT) of the sequence.
CLOCK
1. SELECT - Melodi will generate internal clock signal if select switch is up, and will use external clock signal when down
2. IN - connect external clock signal
3. OUT - output clock signal
Technical specs:
- Module Size: 3U X 8HP X 25 Mm Deep.
- Current Draw: 85mA @ 12V, 10mA @ -12V.
What's in the box:
- Ready to use Assembled Module
- Mounting Screws
- Power Cable
- User Manual
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $166.59
(No payment required now - pay when released)
FORTHCOMING
Related products...
Enjoy DeFeel Modular Monotony Degenerator Standalone Sequencer Manipulator (audio sequencer manipulator)
Cat: 1078325
The first sequencer manipulator to generate autofills using lines and vectors.
Notes: With DeFeel Enjoy Electronics have redesigned and applied the Fill concept to make it usable in the world of modular synthesizers.
This device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.
A modular device that's not going to generate anything, but is created to degenerate the monotony.
DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.
With DeFeel, we offer musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.
… Read moreThis device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.
A modular device that's not going to generate anything, but is created to degenerate the monotony.
DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.
With DeFeel, we offer musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $514.81
(No payment required now - pay when released)
FORTHCOMING
Related products...
VoicAs LedPressor Stereo Diode Compressor Module (dynamics synth module)
Cat: 948230
Full stereo LED based compressor module in 12HP.
Notes: The LedPressor is a full stereo Diode-based compressor module.
Its unique core adds character and color to any signal passed through it.
The LedPressor can be used as a normal compressor with low input levels, but as the input volume increases and the "nuke" LED lights up, it enters a new territory that combines compressor and overdrive, creating a dynamic overdrive effect.
Get it pumping with the Side Chain
The module features an external sidechain input that accepts audio and CV signals. Only the sidechain signal passes through a high pass filter, which gives the user greater control over the sound shape. The audio signal itself is not affected by the filter.
Parallel compression
The module also includes a mix knob that can be controlled with a dedicated mix CV input, allowing for greater flexibility when blending dry and wet signals. Additionally, it features a momentary bypass button to easily adjust the levels of dry and wet signals.
Feed-Back Or Feed-Forward - it's your choice
The module can be configured with a feed-back or feed-forward topologies with a jumper in the back.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 34mm
Current Draw
+12V
: 20mA
-12V
: 15mA
… Read moreIts unique core adds character and color to any signal passed through it.
The LedPressor can be used as a normal compressor with low input levels, but as the input volume increases and the "nuke" LED lights up, it enters a new territory that combines compressor and overdrive, creating a dynamic overdrive effect.
Get it pumping with the Side Chain
The module features an external sidechain input that accepts audio and CV signals. Only the sidechain signal passes through a high pass filter, which gives the user greater control over the sound shape. The audio signal itself is not affected by the filter.
Parallel compression
The module also includes a mix knob that can be controlled with a dedicated mix CV input, allowing for greater flexibility when blending dry and wet signals. Additionally, it features a momentary bypass button to easily adjust the levels of dry and wet signals.
Feed-Back Or Feed-Forward - it's your choice
The module can be configured with a feed-back or feed-forward topologies with a jumper in the back.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 34mm
Current Draw
+12V
: 20mA
-12V
: 15mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $283.72
(No payment required now - pay when released)
FORTHCOMING
Related products...
VoicAs 2^VCA 1U Dual Mono/Stereo VCA Module (VCA synth module)
Cat: 948256
1U dual VCA module in 12HP.
Notes: 2^VCA is a dual vca module in 1u Intellijel format.
Both of the VCA's are normlised so it can be used a stereo VCA, as a dual mono VCA , mono to stereo VCA and many more combinations.
Technical Specifications
1u Intellijel format
Noise filtering and resettable fuses on the module's power input.
Reverse current protection.
Dimensions
Width
: 12HP
Depth
: 20mm
Current Draw
+12V
: 10mA
-12V
: 10mA
… Read moreBoth of the VCA's are normlised so it can be used a stereo VCA, as a dual mono VCA , mono to stereo VCA and many more combinations.
Technical Specifications
1u Intellijel format
Noise filtering and resettable fuses on the module's power input.
Reverse current protection.
Dimensions
Width
: 12HP
Depth
: 20mm
Current Draw
+12V
: 10mA
-12V
: 10mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $63.41
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tobinski Interpolating Scanner Module (VCA scanner synth module)
Cat: 1073608
Tobinski 8-Channel interpolating scanner with integrated VCAs
Notes: Tobinski 8-Channel interpolating scanner with integrated VCAs
This Eurorack module combines an 8-channel interpolating scanner with a powerful array of 8 independent VCAs, providing unparalleled flexibility for dynamic audio and CV routing for creative sound design.
Key Features:
1. Interpolating Scanner
8-Channel Interpolation: Smoothly blend between up to 8 stages with high precision, using either bipolar CV or manual control.
Scan Stage & Width Control: Dedicated controls for selecting active stages and defining the range of the interpolation window.
Multiple Outputs: Individual outputs for odd stages, even stages, and a combined all stages output provide versatile routing options.
2. Integrated VCAs
8 VCAs with CV Control: Each VCA has its own dedicated control voltage input, allowing for intricate amplitude shaping.
Mix Outputs: Summed outputs for odd channels, even channels, and all channels, perfect for mixing duties or creating complex stereo effects.
Subtractive Mixing: Individual VCA outputs are excluded from the mix outputs when patched, allowing for flexible routing and advanced signal processing.
3. Parallel and Flexible Signal Flow
Parallel Input Routing: The 8 inputs feed both the scanner and VCAs simultaneously, making it easy to use the module in multiple roles at once.
Switchable Sliders: 8 high-quality sliders can control input levels to the scanner, the VCAs, or both, adapting to your workflow needs.
Creative Patching Examples:
Stereo Mixer:
Use 2 scanner channels and route their outputs through the odd and even mix outputs to create a dynamic stereo mix.
4-Channel Mixer:
Combine 4 inputs through the VCA sections and use the mix outputs to create a versatile sub-mixer for blending multiple signals.
VCA Control:
Independently use 2 or more VCAs for precise amplitude modulation of separate signals.
All the above options can be implemented simultaneously, making this module an exceptionally powerful tool for complex patches.
Expandable with Tobinski Harmonic Timing Generator (HTG):
This module seamlessly integrates with the Tobinski Harmonic Timing Generator (HTG) via an internal ribbon cable that goes to the switched (normalled) connections of the input jack sockets. The scanner inputs automatically link to the HTG outputs via sine shaping circuitry, enabling the two modules to function as a sinewave harmonic oscillator. This pairing unlocks harmonic interpolation and complex timbre creation, expanding your sonic palette.
Connections:
Inputs:
8 for audio or CV
Outputs:
8 individual VCA outputs
Mix outputs for odd, even, and all channels
Scanner outputs for odd stages, even stages, and all stages
Control Inputs:
Bipolar CV for scan stage and scan width
Dedicated CV inputs for each VCA
Sliders: 8, switchable between scanner, VCAs, or both
Power consumption: 205mA at +12V and 190mA at -12V
Depth: 27mm
18 HP
… Read moreThis Eurorack module combines an 8-channel interpolating scanner with a powerful array of 8 independent VCAs, providing unparalleled flexibility for dynamic audio and CV routing for creative sound design.
Key Features:
1. Interpolating Scanner
8-Channel Interpolation: Smoothly blend between up to 8 stages with high precision, using either bipolar CV or manual control.
Scan Stage & Width Control: Dedicated controls for selecting active stages and defining the range of the interpolation window.
Multiple Outputs: Individual outputs for odd stages, even stages, and a combined all stages output provide versatile routing options.
2. Integrated VCAs
8 VCAs with CV Control: Each VCA has its own dedicated control voltage input, allowing for intricate amplitude shaping.
Mix Outputs: Summed outputs for odd channels, even channels, and all channels, perfect for mixing duties or creating complex stereo effects.
Subtractive Mixing: Individual VCA outputs are excluded from the mix outputs when patched, allowing for flexible routing and advanced signal processing.
3. Parallel and Flexible Signal Flow
Parallel Input Routing: The 8 inputs feed both the scanner and VCAs simultaneously, making it easy to use the module in multiple roles at once.
Switchable Sliders: 8 high-quality sliders can control input levels to the scanner, the VCAs, or both, adapting to your workflow needs.
Creative Patching Examples:
Stereo Mixer:
Use 2 scanner channels and route their outputs through the odd and even mix outputs to create a dynamic stereo mix.
4-Channel Mixer:
Combine 4 inputs through the VCA sections and use the mix outputs to create a versatile sub-mixer for blending multiple signals.
VCA Control:
Independently use 2 or more VCAs for precise amplitude modulation of separate signals.
All the above options can be implemented simultaneously, making this module an exceptionally powerful tool for complex patches.
Expandable with Tobinski Harmonic Timing Generator (HTG):
This module seamlessly integrates with the Tobinski Harmonic Timing Generator (HTG) via an internal ribbon cable that goes to the switched (normalled) connections of the input jack sockets. The scanner inputs automatically link to the HTG outputs via sine shaping circuitry, enabling the two modules to function as a sinewave harmonic oscillator. This pairing unlocks harmonic interpolation and complex timbre creation, expanding your sonic palette.
Connections:
Inputs:
8 for audio or CV
Outputs:
8 individual VCA outputs
Mix outputs for odd, even, and all channels
Scanner outputs for odd stages, even stages, and all stages
Control Inputs:
Bipolar CV for scan stage and scan width
Dedicated CV inputs for each VCA
Sliders: 8, switchable between scanner, VCAs, or both
Power consumption: 205mA at +12V and 190mA at -12V
Depth: 27mm
18 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $360.05
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tobinski Harmonic Timing Generator Module (oscillator/wave multiple synth module)
Cat: 1073604
The Harmonic Timing Generator is a versatile Eurorack module that combines advanced clock generation with harmonic waveform manipulation
Notes: The Harmonic Timing Generator is a versatile Eurorack module that combines advanced clock generation with harmonic waveform manipulation. Combined with the Tobinski Sequencer, the module is a great tool for rhythmic and sonic creativity in the modular system.
As a reference clock generator, the Harmonic Timing Generator produces a base frequency with analogue multipliers (x1 to x8) to generate complex timing signals. Three selectors provide manual or voltage-controlled frequency switching, offering flexibility for intricate sequencing patterns. An LFO mode enables slower clocking rates, ideal for driving sequencers or generating modulation sources.
When used with the Interpolating Scanner, the sawtooth outputs of the Harmonic Timing Generator are transformed into sine waves. This allows the module to function as a harmonic oscillator at audio rates or as a versatile modulation source in LFO mode. Its dual functionality ensures that it can adapt to a wide range of patching needs, from rhythm generation to rich harmonic exploration.
The Harmonic Timing Generator is a versatile and creative tool, offering rhythmic and harmonic possibilities that complement any modular synthesizer setup. Its integration with other Tobinski modules ensures a cohesive and expansive sonic palette.
Power consumption: 235mA at +12V and 176mA at -12V and 20mA at +5V
Depth: 27mm
18 HP
… Read moreAs a reference clock generator, the Harmonic Timing Generator produces a base frequency with analogue multipliers (x1 to x8) to generate complex timing signals. Three selectors provide manual or voltage-controlled frequency switching, offering flexibility for intricate sequencing patterns. An LFO mode enables slower clocking rates, ideal for driving sequencers or generating modulation sources.
When used with the Interpolating Scanner, the sawtooth outputs of the Harmonic Timing Generator are transformed into sine waves. This allows the module to function as a harmonic oscillator at audio rates or as a versatile modulation source in LFO mode. Its dual functionality ensures that it can adapt to a wide range of patching needs, from rhythm generation to rich harmonic exploration.
The Harmonic Timing Generator is a versatile and creative tool, offering rhythmic and harmonic possibilities that complement any modular synthesizer setup. Its integration with other Tobinski modules ensures a cohesive and expansive sonic palette.
Power consumption: 235mA at +12V and 176mA at -12V and 20mA at +5V
Depth: 27mm
18 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $450.32
(No payment required now - pay when released)
FORTHCOMING
Related products...
Korg miniKORG 700Sm 37-Key Analogue Synthesiser (analogue keyboard synthesiser)
Cat: 1066370
A compact tribute to the iconic miniKORG 700, the very origin of Korg's analogue synth history, enhanced to meet the needs of today's musicians
Notes: The miniKORG 700Sm is a compact tribute to the iconic miniKORG 700, the very origin of Korg's analogue synth history, enhanced to meet the needs of today's musicians. Featuring two oscillators for thick, detuned sounds, the miniKORG 700Sm sees the return of the signature Traveler controller, allowing for expressive filter adjustments. With advancements like aftertouch, spring reverb, an arpeggiator, and a range of connectivity options including USB and MIDI, this synth is both a powerful standalone instrument and an excellent companion to stage keyboards. Complete with a custom soft case and a free software bundle, the miniKORG 700Sm brings vintage analogue sound into the present day.
Released in 2021, the miniKORG 700FS was a spectacular recreation of the legendary 1970s miniKORG 700S analogue synthesizer, enhanced with additional functionality that wasn't possible in the original. The miniKORG 700FS was so popular that its limited production run sold out quickly, with significant demand for increased production. Korg has a long history of groundbreaking analogue synthesizers. The miniKORG 700Sm is a tribute to the miniKORG 700, the very origin of Korg's analogue synth history, while being enhanced to meet the needs of today's musicians.
Downsizing the miniKORG 700FS
The miniKORG 700Sm retains all the features of the miniKORG 700FS in an instrument approximately 86% the size of the original. Additionally, the miniKORG 700Sm weighs just 5.8 kg (12.8 lbs), making it easy to transport.
The elements vital to an analogue synth
The character and richness of the sounds produced by the miniKORG 700 could not be realized through analogue modelling. Although it's possible to replicate a circuit by using the same parts and copying the design schematics or circuit board, there's no guarantee that this will reproduce the original sound. This is because the components age over time, dramatically altering the sound. To accurately recreate the original sound, Korg had to rely on the experience and skill of the technicians who worked on the original product.
Korg were able to bring the original sound to life thanks to their team of technicians, who have gained invaluable expertise over the years through their work on numerous synthesizer revival projects. This team was guided by the legendary Fumio Mieda, a Korg engineer since the early 1970s and one of the designers of the original miniKORG 700S. Working closely with Korg's sound designers, they meticulously reproduced the original sound as faithfully as possible. Those who play the miniKORG 700Sm will experience it as a beautifully crafted and authentic recreation of the original.
Beautiful synth leads, thick bass - and more
The miniKORG 700 was Korg's first synthesizer, and produced some of the most recognizable, rich and fattest analogue sounds of the time. The new miniKORG 700Sm features oscillators with an unmistakeable tone and an authentic recreation of the Traveler controller- a signature element of the miniKORG 700- designed to add extraordinary colour and expression to performances. Its sound fits seamlessly in today's music, especially with its standout lead and bass synth tones.
Secondary keyboard possibilities
The miniKORG 700 was originally designed as a secondary keyboard, often placed on top of an organ to expand their sound palette. The miniKORG 700Sm, with its compact and portable form factor, stands out as a powerful solo instrument but also complements stage keyboards like electric pianos and organs perfectly.
The controls on the miniKORG 700 were laid out below its keys in a row, allowing players to easily access them when it was placed on top of another instrument. This intuitive layout remains unchanged, offering simplicity, ease of use, and a unique look that sets it apart from any other instrument.
Expanded functionality When the miniKORG 700 was originally released, electronic components were larger in size, limiting functionality due to the small space inside. Thanks to advancements in technology, there is now room to include a spring reverb as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack. Korg have also added memory programs to store settings, something that wasn't available in the early 1970s.
Traveler controller
A unique feature of the miniKORG 700, the Traveler controller, consisted of two parallel sliders located below the keyboard. With these controls, players could adjust the cutoff frequency, with the upper lever controlling the low-pass filter and the lower lever controlling the high-pass filter. This gave players the freedom to adjust the expressive character of the sound according to the position of the levers. By moving the levers to the left and right while playing the keys, wah-wah and muted sounds could be created along with the iconic "traveling" sound.
Since the sound passing through the filter has a lower cutoff frequency and higher cutoff frequency than the frequencies set by the sliders, all frequencies are filtered and thus no sound is heard when the positions of the two sliders are inverted. In other words, making the two sliders cross would in theory produce no sound. To address this, the original miniKORG 700 featured protrusions on the sliders to physically prevent them from crossing.
The design was both a benefit and limitation of analogue circuitry. In the past- and even today- it's impossible to design a filter with perfect characteristics. During the time that the miniKORG 700 was sold, some players would shave off the protrusions on the sliders to allow them to cross, in an attempt to create new sounds. In fact, some models sold internationally did not even have the protrusions to begin with. The miniKORG 700Sm also does not have the protrusions, opening endless sound design possibilities and allowing players to create patches in unique ways.
A second oscillator The miniKORG 700 was a single-oscillator mono synth. One year later 1974, the miniKORG 700S was released with more space added to the left of the keyboard for a controller. This version also introduced a second oscillator, a ring modulator, and other enhancements. The new Sm model is a revival of the 700S, with its expanded functionality, including two oscillators that deliver powerful detuning and thick, penetrating sounds, particularly for bass and lead sounds.
Includes a made-to-fit soft case
The miniKORG 700Sm comes with a custom-made soft case designed to perfectly fit the instrument, ensuring both protection and portability. This case makes it easy to take your miniKORG 700Sm wherever you go, whether you're performing, recording, or traveling, keeping your synth safe and secure.
Free music software bundle
The miniKORG 700Sm comes with a diverse variety of music software including Izotope (featuring "Ozone Elements" which lets you not only create songs but also master them using AI), "Skoove" which will help you improve your keyboard playing skills, "miniKORG 700S" from the Korg Collection software, as well as a wide range of software synths from Korg and other developers.
Specifications
Keyboard: 37 keys (Slim-key, with aftertouch, no velocity sensitivity)
Range: 7 octaves
Waveform: Triangle wave, Square wave, Sawtooth wave, Chorus I, Chorus II
Programs: 14
Input: USB connector (Type B), MIDI IN connector, SYNC IN and SYNC OUT jack (3.5mm monaural mini phone jack), CV IN and GATE IN jack (3.5mm monaural mini phone jack), AUDIO IN jack (6.3mm monaural phone jack, TS unbalanced)
Output: OUTPUT L/MONO and R jack (6.3mm stereo phone jack, TS unbalanced), Headphones jack (6.3mm stereo phone jack)
Power supply: AC adapter (DC 12V)
Power consumption: 9W
Dimensions (W × D × H): 641 x 228 x 107 mm/25.24" x 8.98" x 4.21"
Weight: 5.8 kg/12.79 lbs.
Included items: AC adapter, Traveler knob (without protrusions type) x 2, Soft case Accessories (sold separately)
SQ-CABLE-6 (Patch Cable)
… Read moreReleased in 2021, the miniKORG 700FS was a spectacular recreation of the legendary 1970s miniKORG 700S analogue synthesizer, enhanced with additional functionality that wasn't possible in the original. The miniKORG 700FS was so popular that its limited production run sold out quickly, with significant demand for increased production. Korg has a long history of groundbreaking analogue synthesizers. The miniKORG 700Sm is a tribute to the miniKORG 700, the very origin of Korg's analogue synth history, while being enhanced to meet the needs of today's musicians.
Downsizing the miniKORG 700FS
The miniKORG 700Sm retains all the features of the miniKORG 700FS in an instrument approximately 86% the size of the original. Additionally, the miniKORG 700Sm weighs just 5.8 kg (12.8 lbs), making it easy to transport.
The elements vital to an analogue synth
The character and richness of the sounds produced by the miniKORG 700 could not be realized through analogue modelling. Although it's possible to replicate a circuit by using the same parts and copying the design schematics or circuit board, there's no guarantee that this will reproduce the original sound. This is because the components age over time, dramatically altering the sound. To accurately recreate the original sound, Korg had to rely on the experience and skill of the technicians who worked on the original product.
Korg were able to bring the original sound to life thanks to their team of technicians, who have gained invaluable expertise over the years through their work on numerous synthesizer revival projects. This team was guided by the legendary Fumio Mieda, a Korg engineer since the early 1970s and one of the designers of the original miniKORG 700S. Working closely with Korg's sound designers, they meticulously reproduced the original sound as faithfully as possible. Those who play the miniKORG 700Sm will experience it as a beautifully crafted and authentic recreation of the original.
Beautiful synth leads, thick bass - and more
The miniKORG 700 was Korg's first synthesizer, and produced some of the most recognizable, rich and fattest analogue sounds of the time. The new miniKORG 700Sm features oscillators with an unmistakeable tone and an authentic recreation of the Traveler controller- a signature element of the miniKORG 700- designed to add extraordinary colour and expression to performances. Its sound fits seamlessly in today's music, especially with its standout lead and bass synth tones.
Secondary keyboard possibilities
The miniKORG 700 was originally designed as a secondary keyboard, often placed on top of an organ to expand their sound palette. The miniKORG 700Sm, with its compact and portable form factor, stands out as a powerful solo instrument but also complements stage keyboards like electric pianos and organs perfectly.
The controls on the miniKORG 700 were laid out below its keys in a row, allowing players to easily access them when it was placed on top of another instrument. This intuitive layout remains unchanged, offering simplicity, ease of use, and a unique look that sets it apart from any other instrument.
Expanded functionality When the miniKORG 700 was originally released, electronic components were larger in size, limiting functionality due to the small space inside. Thanks to advancements in technology, there is now room to include a spring reverb as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack. Korg have also added memory programs to store settings, something that wasn't available in the early 1970s.
Traveler controller
A unique feature of the miniKORG 700, the Traveler controller, consisted of two parallel sliders located below the keyboard. With these controls, players could adjust the cutoff frequency, with the upper lever controlling the low-pass filter and the lower lever controlling the high-pass filter. This gave players the freedom to adjust the expressive character of the sound according to the position of the levers. By moving the levers to the left and right while playing the keys, wah-wah and muted sounds could be created along with the iconic "traveling" sound.
Since the sound passing through the filter has a lower cutoff frequency and higher cutoff frequency than the frequencies set by the sliders, all frequencies are filtered and thus no sound is heard when the positions of the two sliders are inverted. In other words, making the two sliders cross would in theory produce no sound. To address this, the original miniKORG 700 featured protrusions on the sliders to physically prevent them from crossing.
The design was both a benefit and limitation of analogue circuitry. In the past- and even today- it's impossible to design a filter with perfect characteristics. During the time that the miniKORG 700 was sold, some players would shave off the protrusions on the sliders to allow them to cross, in an attempt to create new sounds. In fact, some models sold internationally did not even have the protrusions to begin with. The miniKORG 700Sm also does not have the protrusions, opening endless sound design possibilities and allowing players to create patches in unique ways.
A second oscillator The miniKORG 700 was a single-oscillator mono synth. One year later 1974, the miniKORG 700S was released with more space added to the left of the keyboard for a controller. This version also introduced a second oscillator, a ring modulator, and other enhancements. The new Sm model is a revival of the 700S, with its expanded functionality, including two oscillators that deliver powerful detuning and thick, penetrating sounds, particularly for bass and lead sounds.
Includes a made-to-fit soft case
The miniKORG 700Sm comes with a custom-made soft case designed to perfectly fit the instrument, ensuring both protection and portability. This case makes it easy to take your miniKORG 700Sm wherever you go, whether you're performing, recording, or traveling, keeping your synth safe and secure.
Free music software bundle
The miniKORG 700Sm comes with a diverse variety of music software including Izotope (featuring "Ozone Elements" which lets you not only create songs but also master them using AI), "Skoove" which will help you improve your keyboard playing skills, "miniKORG 700S" from the Korg Collection software, as well as a wide range of software synths from Korg and other developers.
Specifications
Keyboard: 37 keys (Slim-key, with aftertouch, no velocity sensitivity)
Range: 7 octaves
Waveform: Triangle wave, Square wave, Sawtooth wave, Chorus I, Chorus II
Programs: 14
Input: USB connector (Type B), MIDI IN connector, SYNC IN and SYNC OUT jack (3.5mm monaural mini phone jack), CV IN and GATE IN jack (3.5mm monaural mini phone jack), AUDIO IN jack (6.3mm monaural phone jack, TS unbalanced)
Output: OUTPUT L/MONO and R jack (6.3mm stereo phone jack, TS unbalanced), Headphones jack (6.3mm stereo phone jack)
Power supply: AC adapter (DC 12V)
Power consumption: 9W
Dimensions (W × D × H): 641 x 228 x 107 mm/25.24" x 8.98" x 4.21"
Weight: 5.8 kg/12.79 lbs.
Included items: AC adapter, Traveler knob (without protrusions type) x 2, Soft case Accessories (sold separately)
SQ-CABLE-6 (Patch Cable)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,256.39
(No payment required now - pay when released)
FORTHCOMING
Related products...
UDG Creator Ableton Move Case (groovebox case)
Cat: 1071127
A super lightweight EVA hardcase designed for life on the road
Notes: Are you a digital DJ/producer looking for a professional, durable case solution for your Ableton Move? UDG has developed a super lightweight EVA hardcase designed for life on the road. Constructed from durable, lightweight compression-molded EVA material with a laminated durable fabric exterior, this case provides protection against drops, scratches & liquids. Skillfully designed & molded to fit the Ableton Move, this case is perfect for the traveling DJ/producer who needs to protect their equipment.
Colour: Black
Weight: 0.43 kg / 0.95 lb
Outer Dimensions (W x H x D): 39.3 x 16.0 x 6.3 cm | 15.5 x 6.3 x 2.5 inch
Material: Durashock molded EVA foam
Protection
Cover main material 600D polyester with 5 mm EVA durashock molded body
Water repellent durable fabric exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks
Extras
Removable divider for extra cables or power adapter
Convenient carry handles
Easy grip zipper pulls
Fits
Ableton Move
… Read moreColour: Black
Weight: 0.43 kg / 0.95 lb
Outer Dimensions (W x H x D): 39.3 x 16.0 x 6.3 cm | 15.5 x 6.3 x 2.5 inch
Material: Durashock molded EVA foam
Protection
Cover main material 600D polyester with 5 mm EVA durashock molded body
Water repellent durable fabric exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks
Extras
Removable divider for extra cables or power adapter
Convenient carry handles
Easy grip zipper pulls
Fits
Ableton Move
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $46.21
(No payment required now - pay when released)
FORTHCOMING
Related products...
DigiTech HammerOn Pitch Shifter Effects Pedal (pitch shifter effects pedal)
Cat: 1069003
Instantaneous pitch jumps over a 4-octave range, adding sonic complexity to your guitar riffs and chord progressions
Notes: Hands-free Hammer-Ons
Hammer-on notes in conjunction with your hands to create never-before-heard licks and riffs - the only limit is your imagination.
7 pedals in 1
Seven modes range from pitch jumps and harmony effects to pitch sequences and drop/capo tunings - HammerOn is like seven pedals in one.
Play the Impossible
Impossible Mode allows you to hammer-on pitch shifts that alternate between two selectable pitch amounts.
The DigiTech HammerOn is a versatile effects pedal with an amazing amount of flexibility and options to create and channel your musical ideas. Take the time to get to know the many options and see if it sparks new creative ideas.
The PITCH 1 footswitch is dedicated to always be a hammer-on selectable momentary pitch shift above or below what you are playing. PITCH 2 footswitch has 3 different modes of operation selectable using the MODE button. There is a button called DRY+ that can turn on the dry signal and a button called TRILL that can mimic rapid presses of the footswitches.
With all these options it's like having 7 pedals in one:
1. HAMMER-ON: An instantaneous momentary pitch shifter pedal
2. HAMMER-ON with TRILL: A rapid fire hammer-on action pedal
3. HARMONY-ON: An instantaneous harmony creation pedal
4. The IMPOSSIBLE Pedal: A dual alternating momentary pitch shift pedal
5. DROP/CAPO SEQUENCE: A multi-setting pitch transposition pedal
6. SEQUENCE with TRILL: An automatic guitar riff sequencer
7. SEQUENCE with DRY and TRILL: An automatic techno guitar sequencer
Specifications
Electronics
Sample Rate: 44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response: 20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio: > -106dB (A weighted); ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1kHz; ref= 1 dBu w/ unity gain
A/D/A Conversion: 24-bit
Input / Output
Input Type: 1/4" Unbalanced TS
Max Input Level: +5 dBu
Input Impedance: 1MO
Output Type: 1/4" Unbalanced TS
Max Output Level: +10 dBu
Output Impedance: 1kO (Effect enabled or effect bypassed), True Bypass
Physical
Dimensions: 5.12"(13.00cm) x 3.57"(9.06cm) x 1.84"(4.67cm) (L x W x H)
Weight: 1.12 lbs. (508g)
Power
Power Consumption: 2.3 Watts (258 mA @ 9VDC) typical
Power Requirements: External Adapter (included), 9 VDC 1300 mA
… Read moreHammer-on notes in conjunction with your hands to create never-before-heard licks and riffs - the only limit is your imagination.
7 pedals in 1
Seven modes range from pitch jumps and harmony effects to pitch sequences and drop/capo tunings - HammerOn is like seven pedals in one.
Play the Impossible
Impossible Mode allows you to hammer-on pitch shifts that alternate between two selectable pitch amounts.
The DigiTech HammerOn is a versatile effects pedal with an amazing amount of flexibility and options to create and channel your musical ideas. Take the time to get to know the many options and see if it sparks new creative ideas.
The PITCH 1 footswitch is dedicated to always be a hammer-on selectable momentary pitch shift above or below what you are playing. PITCH 2 footswitch has 3 different modes of operation selectable using the MODE button. There is a button called DRY+ that can turn on the dry signal and a button called TRILL that can mimic rapid presses of the footswitches.
With all these options it's like having 7 pedals in one:
1. HAMMER-ON: An instantaneous momentary pitch shifter pedal
2. HAMMER-ON with TRILL: A rapid fire hammer-on action pedal
3. HARMONY-ON: An instantaneous harmony creation pedal
4. The IMPOSSIBLE Pedal: A dual alternating momentary pitch shift pedal
5. DROP/CAPO SEQUENCE: A multi-setting pitch transposition pedal
6. SEQUENCE with TRILL: An automatic guitar riff sequencer
7. SEQUENCE with DRY and TRILL: An automatic techno guitar sequencer
Specifications
Electronics
Sample Rate: 44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response: 20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio: > -106dB (A weighted); ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1kHz; ref= 1 dBu w/ unity gain
A/D/A Conversion: 24-bit
Input / Output
Input Type: 1/4" Unbalanced TS
Max Input Level: +5 dBu
Input Impedance: 1MO
Output Type: 1/4" Unbalanced TS
Max Output Level: +10 dBu
Output Impedance: 1kO (Effect enabled or effect bypassed), True Bypass
Physical
Dimensions: 5.12"(13.00cm) x 3.57"(9.06cm) x 1.84"(4.67cm) (L x W x H)
Weight: 1.12 lbs. (508g)
Power
Power Consumption: 2.3 Watts (258 mA @ 9VDC) typical
Power Requirements: External Adapter (included), 9 VDC 1300 mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $235.37
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tascam DR-07XP 2-Channel 32-Bit Float Portable Handheld Recorder With USB-C Audio Interface (portable handheld recorder)
Cat: 1070822
The TASCAM DR-07XP portable handheld recorder makes it easy to capture pro-quality recordings for music, audio-for-video, meetings, dictation, and more
Notes: DR-07XP
2-Channel 32-Bit Float Handheld Recorder With USB-C Interface and Adjustable Mics
Pro-Quality Portable Recording, Simplified
The TASCAM DR-07XP portable handheld recorder makes it easy to capture pro-quality recordings for music, audio-for-video, meetings, dictation, and more. With 32-bit float recording mode, you'll never need to worry about setting audio levels, and adjustable stereo condenser microphones give you full control over your sound. With easy one-handed operation, the DR-07XP makes it simple to start recording with minimal setup time.
Capture Pro-Level Recordings Every Time
With its 32-bit float recording mode, the DR-07XP ensures your audio recordings will always be clear, distinct, and free of distortion that could ruin your recording - and you'll never need to worry about setting input levels.
Adjustable Stereo Condenser Microphones
The DR-07XP features unidirectional stereo condenser microphones with adjustable A/B or X/Y configurations, allowing you to capture incredibly vivid stereo recordings in any setting.
Simplicity in Your Palm
With the DR-07XP, the complexities of audio recording are a thing of the past. Easily access every feature from the palm of your hand. Plus, the backlit LCD screen means no squinting; just clear and concise navigation any time of day, in any environment.
Your Portable Recording Studio
The DR-07XP isn't only a powerful portable recorder - it's also a 2-in/2-out USB-C audio interface you can use to record anywhere, directly to audio recording software on your Mac or PC.
Ideal for Musicians
The DR-07XP is a fantastic portable recording solution for musicians with its high-quality microphones, 32-bit float recording, built-in tuner, reverb, overdubbing and more.
On Location
With its compact size, the DR-07XP can travel anywhere for exceptional field recording. Choose from three different low cut filter options for getting rid of unwanted noises. As a companion for video, the DR-07XP can attach easily to tripods and the Auto Tone output for cameras makes post-production a simple task.
Record Anything, Anywhere
From dialogue to vlogs, whether you're in an alley or a recording booth, the DR-07XP captures clear, crisp audio with ease. In addition to the built-in mics, use the stereo mini jack to add microphones with plug-in power or external line inputs to capture audio from any source in mono or stereo. Connect the unit to a computer via USB-C for use as a USB microphone.
Features
2-channel portable handheld audio recorder with microSDXC card storage
32-bit float recording mode ensures low-noise, distortion-free recordings
Stereo AB/XY condenser microphones handle loud environments and sources (up to 125dB SPL)
2-in/2-out USB-C audio interface for recording directly to your computer
Up to 17.5 hours operation with 2 x AA alkaline batteries
Recording modes include 32-bit float/24-bit/16-bit, 96kHz/48kHz/44.1kHz
microSDXC (up to 512GB) cards can be used as recording media
USB Type-C port
Stereo mini jack for external stereo microphones (provides plug-in power) / External line input
Support multiple menu languages (ENG/FRA/DEU/ITA/ESP/RUS/PRT/JPN/CHI/KOR)
Long recordings as MP3 files possible
Various recording function (Auto rec, Self timer, Pre rec)
Overdubbing function
Limiter and Peak reduction
Three low-cut filter levels (40/80/120Hz)
Auto Tone output for use with DSLR camera
Reverb effect for vocal and instrument resonance
Mark function
128×64 pixel graphic LCD with backlight
Tripod mounting point attaches to any standard tripod
Stereo mini line output and headphone output
Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
Playlist function
Built-in monaural speaker makes it easy to check your recordings
Chromatic tuner for tuning musical instruments before recording
* WS-11 Windscreen sold separately
* SD card not included
Recorder specifications
Recording media/file systems: microSD cards, microSDHC cards, microSDXC cards (up to 512 GB)
Recording/playback formats
WAV (BWF)
Sampling frequency: 44.1 kHz, 48 kHz, 96 kHz
Quantization bit depth: 16-bit / 24-bit / 32-bit float
MP3
Sampling frequency: 32 / 64 / 96 / 128 / 192 / 256 / 320 kbps
Quantization bit depth: 24-bit / 32-bit float
Maximum number of input channels: 2
Maximum number of recordable tracks: 2
Analogue audio input/output ratings
MIC/EXT IN jack (can provide plug-in power)
Connector: 3.5mm (1/8") stereo mini jack
Input Impedance: 18 kO or more (when plug-in power is turned off)
2 kO or more (when plug-in power is turned on)
Nominal input level: - 20 dBV
Maximum input level : -4 dBV
PHONES/LINE OUT jack
Connector: 3.5mm (1/8") stereo mini jack
Output impedance: 12 O
Nominal output level : - 14 dBV (10kO loaded)
Maximum output level: +2 dBV (10kO loaded)
Maximum output: 20 mW + 20 mW (32 ? load)
Working impedance: 16 - 250O
Built-in Speaker
Output: 0.3W (monaural)
USB
Connector: USB Type-C
Format:USB 2.0 High Speed Mass Storage Class
USB 1.1 Full Speed Audio Class
USB Audio
Sampling rate : 44.1 / 48 kHz
Quantization bit depth: 24-bit
Number of inputs: 2 channels (output from this unit)
Number of outputs: 2 channels (input to this unit)
General
Power 2AA batteries (alkaline or NiMH)
USB bus power (5V/0.5A) from a computer, etc.
TASCAM PS-P520U AC adapter (sold separately)
Power consumption: 1.7 W (maximum)
Weight: 184 g / 0.406 lb (including batteries)
136 g / 0.30 lb (not including batteries)
Operating temperature range: 0 - 40 -C / 32 - 104 -F
Dimensions
Mic closed: 68 x 159.6 x 27.0 mm
2.68 x 6.28 x 1.06 inch
Mic opened: 90.3 x 159.6 x 27.0 mm
3.56 x 6.28 x 1.06 inch
Included items:
DR-07XP x1
Safety guide (including warranty) x1
TASCAM ID registration guide x1
*Note:0 dBV=1 Vrms, 0 dBu=0.775 Vrms
… Read more2-Channel 32-Bit Float Handheld Recorder With USB-C Interface and Adjustable Mics
Pro-Quality Portable Recording, Simplified
The TASCAM DR-07XP portable handheld recorder makes it easy to capture pro-quality recordings for music, audio-for-video, meetings, dictation, and more. With 32-bit float recording mode, you'll never need to worry about setting audio levels, and adjustable stereo condenser microphones give you full control over your sound. With easy one-handed operation, the DR-07XP makes it simple to start recording with minimal setup time.
Capture Pro-Level Recordings Every Time
With its 32-bit float recording mode, the DR-07XP ensures your audio recordings will always be clear, distinct, and free of distortion that could ruin your recording - and you'll never need to worry about setting input levels.
Adjustable Stereo Condenser Microphones
The DR-07XP features unidirectional stereo condenser microphones with adjustable A/B or X/Y configurations, allowing you to capture incredibly vivid stereo recordings in any setting.
Simplicity in Your Palm
With the DR-07XP, the complexities of audio recording are a thing of the past. Easily access every feature from the palm of your hand. Plus, the backlit LCD screen means no squinting; just clear and concise navigation any time of day, in any environment.
Your Portable Recording Studio
The DR-07XP isn't only a powerful portable recorder - it's also a 2-in/2-out USB-C audio interface you can use to record anywhere, directly to audio recording software on your Mac or PC.
Ideal for Musicians
The DR-07XP is a fantastic portable recording solution for musicians with its high-quality microphones, 32-bit float recording, built-in tuner, reverb, overdubbing and more.
On Location
With its compact size, the DR-07XP can travel anywhere for exceptional field recording. Choose from three different low cut filter options for getting rid of unwanted noises. As a companion for video, the DR-07XP can attach easily to tripods and the Auto Tone output for cameras makes post-production a simple task.
Record Anything, Anywhere
From dialogue to vlogs, whether you're in an alley or a recording booth, the DR-07XP captures clear, crisp audio with ease. In addition to the built-in mics, use the stereo mini jack to add microphones with plug-in power or external line inputs to capture audio from any source in mono or stereo. Connect the unit to a computer via USB-C for use as a USB microphone.
Features
2-channel portable handheld audio recorder with microSDXC card storage
32-bit float recording mode ensures low-noise, distortion-free recordings
Stereo AB/XY condenser microphones handle loud environments and sources (up to 125dB SPL)
2-in/2-out USB-C audio interface for recording directly to your computer
Up to 17.5 hours operation with 2 x AA alkaline batteries
Recording modes include 32-bit float/24-bit/16-bit, 96kHz/48kHz/44.1kHz
microSDXC (up to 512GB) cards can be used as recording media
USB Type-C port
Stereo mini jack for external stereo microphones (provides plug-in power) / External line input
Support multiple menu languages (ENG/FRA/DEU/ITA/ESP/RUS/PRT/JPN/CHI/KOR)
Long recordings as MP3 files possible
Various recording function (Auto rec, Self timer, Pre rec)
Overdubbing function
Limiter and Peak reduction
Three low-cut filter levels (40/80/120Hz)
Auto Tone output for use with DSLR camera
Reverb effect for vocal and instrument resonance
Mark function
128×64 pixel graphic LCD with backlight
Tripod mounting point attaches to any standard tripod
Stereo mini line output and headphone output
Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
Playlist function
Built-in monaural speaker makes it easy to check your recordings
Chromatic tuner for tuning musical instruments before recording
* WS-11 Windscreen sold separately
* SD card not included
Recorder specifications
Recording media/file systems: microSD cards, microSDHC cards, microSDXC cards (up to 512 GB)
Recording/playback formats
WAV (BWF)
Sampling frequency: 44.1 kHz, 48 kHz, 96 kHz
Quantization bit depth: 16-bit / 24-bit / 32-bit float
MP3
Sampling frequency: 32 / 64 / 96 / 128 / 192 / 256 / 320 kbps
Quantization bit depth: 24-bit / 32-bit float
Maximum number of input channels: 2
Maximum number of recordable tracks: 2
Analogue audio input/output ratings
MIC/EXT IN jack (can provide plug-in power)
Connector: 3.5mm (1/8") stereo mini jack
Input Impedance: 18 kO or more (when plug-in power is turned off)
2 kO or more (when plug-in power is turned on)
Nominal input level: - 20 dBV
Maximum input level : -4 dBV
PHONES/LINE OUT jack
Connector: 3.5mm (1/8") stereo mini jack
Output impedance: 12 O
Nominal output level : - 14 dBV (10kO loaded)
Maximum output level: +2 dBV (10kO loaded)
Maximum output: 20 mW + 20 mW (32 ? load)
Working impedance: 16 - 250O
Built-in Speaker
Output: 0.3W (monaural)
USB
Connector: USB Type-C
Format:USB 2.0 High Speed Mass Storage Class
USB 1.1 Full Speed Audio Class
USB Audio
Sampling rate : 44.1 / 48 kHz
Quantization bit depth: 24-bit
Number of inputs: 2 channels (output from this unit)
Number of outputs: 2 channels (input to this unit)
General
Power 2AA batteries (alkaline or NiMH)
USB bus power (5V/0.5A) from a computer, etc.
TASCAM PS-P520U AC adapter (sold separately)
Power consumption: 1.7 W (maximum)
Weight: 184 g / 0.406 lb (including batteries)
136 g / 0.30 lb (not including batteries)
Operating temperature range: 0 - 40 -C / 32 - 104 -F
Dimensions
Mic closed: 68 x 159.6 x 27.0 mm
2.68 x 6.28 x 1.06 inch
Mic opened: 90.3 x 159.6 x 27.0 mm
3.56 x 6.28 x 1.06 inch
Included items:
DR-07XP x1
Safety guide (including warranty) x1
TASCAM ID registration guide x1
*Note:0 dBV=1 Vrms, 0 dBu=0.775 Vrms
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $161.20
(No payment required now - pay when released)
FORTHCOMING
Related products...
Matthews Effects The Botanist 3-Algorithm Modulation Effect Pedal (modulation effects pedal)
Cat: 1062852
This compact and multifaceted pedal delivers a powerful impact with its trio of distinct algorithms: Phaser, Chorus, and Harmonic Tremolo, opening up a realm of limitless creative opportunities for shaping your sonic landscape
Notes: Meet "The Botanist" - the definitive modulation pedal for musicians of all kinds. This compact and multifaceted pedal delivers a powerful impact with its trio of distinct algorithms: Phaser, Chorus, and Harmonic Tremolo, opening up a realm of limitless creative opportunities for shaping your sonic landscape.
Easily tailor your sound using the three intuitive knobs: Mix, Rate, and Depth. Employ the Mix knob to smoothly blend your wet signal, fine-tune the Rate knob to govern the effect's tempo, and adjust the Depth knob to modulate the effect's intensity to your liking.
"The Botanist" is equipped with MIDI capabilities, granting you remote control over bypass, presets, algorithms, and features. Engage the 'Hold' function by holding down the "Bypass/Hold" switch, which instantly maxes out the Depth control and seamlessly restores it to its previous setting upon release.
With six presets at your fingertips, "The Botanist" simplifies switching between your preferred sounds, and its compact design ensures it's the ideal companion for gigging musicians. Whether you find yourself in an intimate club or a sprawling stadium, count on "The Botanist" to consistently deliver your ideal tone.
For musicians seeking a compact, versatile, and top-tier effect, "The Botanist" stands as the quintessential guitar pedal. Featuring three distinct algorithms, MIDI functionality, a convenient Hold function, and an array of six preset slots, "The Botanist" becomes your ultimate musical companion, opening doors to uncharted sonic horizons.
Highlights
The futurist can send any kind of MIDI message allowing you control of anything that has MIDI!
16 messages per preset
Send a total of 16 MIDI messages per preset on any MIDI channel!
Plenty of presets!
The Futurist has 210 total presets organized into 30 banks of 7 !
Programable footswitches
Program each footswitch to be a preset, tap, bank up, bank down, preset up, and preset down. Customize your Futurist to meet your needs!
MIDI Clock
The Futurist can generate its own MIDI clock or pass along MIDI clock from an outside source!
Message triggers
The Futurist supports Press, Release, Long Press, Long Release, Toggle On and Toggle Off as message triggers
Unique features
Midi communication over USB, manage presets and update firmware (with Matthews Effects Editor), and power The Futurist.
3.5MM TRS MIDI IN/OUT
connect directly to devices that use a TRS connection for MIDI and can be used with adapters to connect to 14 inch MIDI connections.
5-pin MIDI IN
Connect to devices that use the traditional 5 pin midi connector.
Utility jack
Configurable to send analogue tap tempo signals or as a latching or momentary switch.
Control jack
Plug in an expression pedal to dynamically send Control Change messages over MIDI or configure the jack to accept 3 additional switches to expand the functionality of the futurist.
Technical
High-grade components selected for their superior quality
3.5mm, traditional 5 pin and USB MIDI connections
Utility jack lets you send analogue tap or switch signals
Control jack lets you use expression or add 3 additional switches
Foot-switches designed to last against the abuse of the road
9V 50MA
Computer Editor
The Matthews Effects Editor allows you to manage presets, update firmware and improve the control ability of your Matthews Effects products from the ease of your Mac or PC!
… Read moreEasily tailor your sound using the three intuitive knobs: Mix, Rate, and Depth. Employ the Mix knob to smoothly blend your wet signal, fine-tune the Rate knob to govern the effect's tempo, and adjust the Depth knob to modulate the effect's intensity to your liking.
"The Botanist" is equipped with MIDI capabilities, granting you remote control over bypass, presets, algorithms, and features. Engage the 'Hold' function by holding down the "Bypass/Hold" switch, which instantly maxes out the Depth control and seamlessly restores it to its previous setting upon release.
With six presets at your fingertips, "The Botanist" simplifies switching between your preferred sounds, and its compact design ensures it's the ideal companion for gigging musicians. Whether you find yourself in an intimate club or a sprawling stadium, count on "The Botanist" to consistently deliver your ideal tone.
For musicians seeking a compact, versatile, and top-tier effect, "The Botanist" stands as the quintessential guitar pedal. Featuring three distinct algorithms, MIDI functionality, a convenient Hold function, and an array of six preset slots, "The Botanist" becomes your ultimate musical companion, opening doors to uncharted sonic horizons.
Highlights
The futurist can send any kind of MIDI message allowing you control of anything that has MIDI!
16 messages per preset
Send a total of 16 MIDI messages per preset on any MIDI channel!
Plenty of presets!
The Futurist has 210 total presets organized into 30 banks of 7 !
Programable footswitches
Program each footswitch to be a preset, tap, bank up, bank down, preset up, and preset down. Customize your Futurist to meet your needs!
MIDI Clock
The Futurist can generate its own MIDI clock or pass along MIDI clock from an outside source!
Message triggers
The Futurist supports Press, Release, Long Press, Long Release, Toggle On and Toggle Off as message triggers
Unique features
Midi communication over USB, manage presets and update firmware (with Matthews Effects Editor), and power The Futurist.
3.5MM TRS MIDI IN/OUT
connect directly to devices that use a TRS connection for MIDI and can be used with adapters to connect to 14 inch MIDI connections.
5-pin MIDI IN
Connect to devices that use the traditional 5 pin midi connector.
Utility jack
Configurable to send analogue tap tempo signals or as a latching or momentary switch.
Control jack
Plug in an expression pedal to dynamically send Control Change messages over MIDI or configure the jack to accept 3 additional switches to expand the functionality of the futurist.
Technical
High-grade components selected for their superior quality
3.5mm, traditional 5 pin and USB MIDI connections
Utility jack lets you send analogue tap or switch signals
Control jack lets you use expression or add 3 additional switches
Foot-switches designed to last against the abuse of the road
9V 50MA
Computer Editor
The Matthews Effects Editor allows you to manage presets, update firmware and improve the control ability of your Matthews Effects products from the ease of your Mac or PC!
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $155.83
(No payment required now - pay when released)
FORTHCOMING
Related products...
Michigan Synth Works Xena 6-Voice Polyphonic Hybrid Desktop Synthesiser (Polivoks LPF filter option) (hybrid desktop synthesiser)
Cat: 1075648
Xena is a rework of the legendary Mutable Instruments Ambika DIY synthesiser
Notes: Xena is a rework of the legendary Mutable Instruments Ambika DIY synthesiser. Now fully machine assembled with an updated layout and an improved modern power supply. Available with all original 3 voice cards and compatible with 3rd part operating systems as well as a new AS3109 (modern reissue of the original Roland filter chip) filter
Xena Features:
6 voices with individual outputs, one Mix output (Mono)
2 digital oscillators per voice, with 36 oscillator algorithms/wavetables.
1 sub-oscillator, also configurable as a transient generator.
Pre-filter overdrive and bit-crushing effect.
Analogue 4-pole filter (or 2-pole multimode filter depending on the type of voicecard used) and VCA.
3 ADSR envelopes, 3 patch-level LFOs, 1 voice-level LFO.
Modulation matrix with 14 slots and 4 modulation modifiers.
1 arpeggiator, 1 note sequencer and 2 step sequencers per part.
Flexible mapping of the 6 voices. A single patch with 6 voice-polyphony, 6 independent mono parts, 2 layered patches with 3-voices polyphony, a 3-voice unison bass line on the lower half of the keyboard with a 3-voice unison lead on the upper half... all are possible!
MicroSD storage allows the storing of a life-long of patches, programs and multis, along with the history of editing operations for undo/redo.
Easy to change voice cards
Case size: 10.5"x6.5"x1.75"
Filter Options:
The device is available with the original 3 Mutable voice cards (more will be added later one). Mixing voice cards is possible but not recommended.
SMR Filter: This filter uses the same topology as the Shruthi SMR4mkII. It is a low pass 4 pole OTA-C filter. Its is a smooth "Roland-ish" type filter.
4P Filter: This filter uses the same core as the Shruhti 4-Pole Mission but only offers the LP4 output. The 4P filter is perhaps a a bit fuzzier than the SMR type.
SVF Filter: This filter board features a 2-pole state variable filter with low-pass, band-pass and high-pass modes. It is half of the Shruthi SVF Filter.
Includes:
Xena Desktop Synth
12V DC universal (100-240V) Power Supply
Preformatted SD card
… Read moreXena Features:
6 voices with individual outputs, one Mix output (Mono)
2 digital oscillators per voice, with 36 oscillator algorithms/wavetables.
1 sub-oscillator, also configurable as a transient generator.
Pre-filter overdrive and bit-crushing effect.
Analogue 4-pole filter (or 2-pole multimode filter depending on the type of voicecard used) and VCA.
3 ADSR envelopes, 3 patch-level LFOs, 1 voice-level LFO.
Modulation matrix with 14 slots and 4 modulation modifiers.
1 arpeggiator, 1 note sequencer and 2 step sequencers per part.
Flexible mapping of the 6 voices. A single patch with 6 voice-polyphony, 6 independent mono parts, 2 layered patches with 3-voices polyphony, a 3-voice unison bass line on the lower half of the keyboard with a 3-voice unison lead on the upper half... all are possible!
MicroSD storage allows the storing of a life-long of patches, programs and multis, along with the history of editing operations for undo/redo.
Easy to change voice cards
Case size: 10.5"x6.5"x1.75"
Filter Options:
The device is available with the original 3 Mutable voice cards (more will be added later one). Mixing voice cards is possible but not recommended.
SMR Filter: This filter uses the same topology as the Shruthi SMR4mkII. It is a low pass 4 pole OTA-C filter. Its is a smooth "Roland-ish" type filter.
4P Filter: This filter uses the same core as the Shruhti 4-Pole Mission but only offers the LP4 output. The 4P filter is perhaps a a bit fuzzier than the SMR type.
SVF Filter: This filter board features a 2-pole state variable filter with low-pass, band-pass and high-pass modes. It is half of the Shruthi SVF Filter.
Includes:
Xena Desktop Synth
12V DC universal (100-240V) Power Supply
Preformatted SD card
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $407.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Arturia KeyLab 88 MK3 USB MIDI Keyboard Controller (white) (USB MIDI keyboard controller)
Cat: 1073735
A pro-grade MIDI controller combining a hammer-action keybed with software integration and an array of advanced controls and features.
Notes: Building on the success of their recent rev3. releases (Minilab 3, Keylab Essential 3 and Keylab MK3) Arturia are delighted to share their next gen 88 note controller keyboard, the Keylab 88 MK3.
With a full-size hammer-action aftertouch keybed and next-level software integration encased in hard wearing high-quality materials and hard-wood panelling - KeyLab mk3 88 not only looks the part but will stand the test of time on stage and in the studio.
Keylab 88 MK3 features all of the refinements found in the other MK3 keyboards, but it sports a massive upgrade to it's keybed over previous models, now equipped with a FATAR TP/110 the Keylab 88 MK3 delivers a stunning playing experience, unlike any other 88 note controller on the market.
With a stunning visual display that shows a range of contextual information on-screen alongside touch-sensitive controls and advanced creative features; it enhances every aspect of the music-making process. From integrating effortlessly with Analog Lab Pro and all major DAWs to supporting musical ideation, keyboardists, producers and composers alike can take full command of their setup like never before.
From customizable MIDI settings and intuitive controls to advanced creative features that support musical ideation - KeyLab mk3 is a powerful ally both in the studio and on stage
KeyLab mk3 offers advanced connectivity with all major DAWs including MCU/ HUI protocols, allowing you to view contextual information on-screen, create user programs and have complete control of your music making software and instruments.
With Analog Lab Pro, Ableton Live Lite and a range of timeless instruments from the world-renowned V Collection, discover a suite of pro-grade software to start making music right away.
… Read moreWith a full-size hammer-action aftertouch keybed and next-level software integration encased in hard wearing high-quality materials and hard-wood panelling - KeyLab mk3 88 not only looks the part but will stand the test of time on stage and in the studio.
Keylab 88 MK3 features all of the refinements found in the other MK3 keyboards, but it sports a massive upgrade to it's keybed over previous models, now equipped with a FATAR TP/110 the Keylab 88 MK3 delivers a stunning playing experience, unlike any other 88 note controller on the market.
With a stunning visual display that shows a range of contextual information on-screen alongside touch-sensitive controls and advanced creative features; it enhances every aspect of the music-making process. From integrating effortlessly with Analog Lab Pro and all major DAWs to supporting musical ideation, keyboardists, producers and composers alike can take full command of their setup like never before.
From customizable MIDI settings and intuitive controls to advanced creative features that support musical ideation - KeyLab mk3 is a powerful ally both in the studio and on stage
KeyLab mk3 offers advanced connectivity with all major DAWs including MCU/ HUI protocols, allowing you to view contextual information on-screen, create user programs and have complete control of your music making software and instruments.
With Analog Lab Pro, Ableton Live Lite and a range of timeless instruments from the world-renowned V Collection, discover a suite of pro-grade software to start making music right away.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $901.72
(No payment required now - pay when released)
FORTHCOMING
Related products...
VoicAs Q Mix 4-Channels CV/Audio Polarising Mixer Module (mixer synth module)
Cat: 948252
Four channels CV/Audio polarising mixer module in 6HP.
Notes:
Q^Mix
4 channels CV/Audio polarising mixer
Q^Mix is a four-channel CV and audio mixer designed to take simple signals and combine them into something altogether new.
The four DC-coupled inputs feature a switch that selects between linear attenuation or bi-polar attenuversion.
Q^Mix can be used to sum simple signals to create much more complex results.
perfect for use as a final volume control when used as an audio mixer.
Technical Specifications
All inputs are DC-coupled.
Four-channel audio and CV mixer.
Logarithmic attenuation on the output stage.
Input impedance: 100k for all inputs.
Noise filtering and resettable fuses on the module's power input.
Reverse current protection.
Dimensions
Width
: 6HP
Depth
: 10mm
Current Draw
+12V
: 5mA
-12V
: 5mA
… Read moreQ^Mix
4 channels CV/Audio polarising mixer
Q^Mix is a four-channel CV and audio mixer designed to take simple signals and combine them into something altogether new.
The four DC-coupled inputs feature a switch that selects between linear attenuation or bi-polar attenuversion.
Q^Mix can be used to sum simple signals to create much more complex results.
perfect for use as a final volume control when used as an audio mixer.
Technical Specifications
All inputs are DC-coupled.
Four-channel audio and CV mixer.
Logarithmic attenuation on the output stage.
Input impedance: 100k for all inputs.
Noise filtering and resettable fuses on the module's power input.
Reverse current protection.
Dimensions
Width
: 6HP
Depth
: 10mm
Current Draw
+12V
: 5mA
-12V
: 5mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $63.41
(No payment required now - pay when released)
FORTHCOMING
Related products...
VoicAs Mult Passive Multiplier Module With 2x4/1x8 Configuration (multiple synth module)
Cat: 948266
Passive multiple or signal spliter module in 2HP.
Notes: Mult is a passive multiple/signal spliter.
passive multiple with a little twist
By changing the jumper located on the back of the module you can change the Mult configuration from 2 groups of 4 to 1 group of 8
Dimensions
Width
: 2HP
Depth
: 20mm
Current Draw
+12V
: None
-12V
: None
… Read morepassive multiple with a little twist
By changing the jumper located on the back of the module you can change the Mult configuration from 2 groups of 4 to 1 group of 8
Dimensions
Width
: 2HP
Depth
: 20mm
Current Draw
+12V
: None
-12V
: None
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $24.99
(No payment required now - pay when released)
FORTHCOMING
Related products...
Zoom H5studio Handy Recorder (handheld recorder)
Cat: 1080762
Handheld recorder with high grade microphones and preamps.
Notes: The H5studio was made for seamless and professional production. Creators can record flawless audio with stunningly clear microphones, studio-grade preamps, and 32-bit float recording.
The 19.4mm microphones capture audio with incredible frequency response, 140 dB max SPL, and an expansive dynamic range. Their increased size captures recordings with unmatched depth and clarity.
The H5studio features Zooms F-series preamps, giving your audio unmatched clarity (-127 dBu EIN). With dual AD converters and 32-bit float, it delivers an impressive 132dB dynamic range, capturing everything without noise or distortion.
32-bit float and 16/24-bit formats each have their advantages. 32-bit float prevents clipping but requires post-production. 16/24-bit eliminates the need for post-processing but requires gain adjustment to prevent clipping. The H5studio offers the best of both worlds with 32-bit float and dedicated gain knobs - no clipping and no need for post-production.
The H5studio captures up to six tracks (four iso-tracks plus a stereo mix) with sample rates up to 192 kHz.
Carefully engineered RF shielding keeps interference from smartphones and Wi-Fi routers out of your recordings, anywhere you go.
The H5studio features "advanced look-ahead" limiters which anticipate potential overloads and prevent distortion before it reaches your track.
The two locking XLR/TRS inputs support +48V phantom power and +4dBu line level. There is also a 3.5mm stereo jack with plug-in power.
The H5studio's 3.0 capsule system supports 32-bit float and gives creators more options to use the right mic for their recording.
Monitor input levels and real-time waveforms with the full color LCD, making it easy to adjust and monitor audio in real time.
Use the loud 20 mW headphone output to monitor or listen back to your recordings in any environment.
Use the 3.5mm stereo LINE OUT to connect directly to a camera, easily syncing your audio and video.
The built-in speaker has a maximum output of 250mW for previewing recordings on the spot.
The H5studio is a 4-in/2-out USB audio interface for Mac, Windows, iOS, and Android, supporting 32-bit float and 16/24-bit recording. Stream live and simultaneously record a backup to microSD.
… Read moreThe 19.4mm microphones capture audio with incredible frequency response, 140 dB max SPL, and an expansive dynamic range. Their increased size captures recordings with unmatched depth and clarity.
The H5studio features Zooms F-series preamps, giving your audio unmatched clarity (-127 dBu EIN). With dual AD converters and 32-bit float, it delivers an impressive 132dB dynamic range, capturing everything without noise or distortion.
32-bit float and 16/24-bit formats each have their advantages. 32-bit float prevents clipping but requires post-production. 16/24-bit eliminates the need for post-processing but requires gain adjustment to prevent clipping. The H5studio offers the best of both worlds with 32-bit float and dedicated gain knobs - no clipping and no need for post-production.
The H5studio captures up to six tracks (four iso-tracks plus a stereo mix) with sample rates up to 192 kHz.
Carefully engineered RF shielding keeps interference from smartphones and Wi-Fi routers out of your recordings, anywhere you go.
The H5studio features "advanced look-ahead" limiters which anticipate potential overloads and prevent distortion before it reaches your track.
The two locking XLR/TRS inputs support +48V phantom power and +4dBu line level. There is also a 3.5mm stereo jack with plug-in power.
The H5studio's 3.0 capsule system supports 32-bit float and gives creators more options to use the right mic for their recording.
Monitor input levels and real-time waveforms with the full color LCD, making it easy to adjust and monitor audio in real time.
Use the loud 20 mW headphone output to monitor or listen back to your recordings in any environment.
Use the 3.5mm stereo LINE OUT to connect directly to a camera, easily syncing your audio and video.
The built-in speaker has a maximum output of 250mW for previewing recordings on the spot.
The H5studio is a 4-in/2-out USB audio interface for Mac, Windows, iOS, and Android, supporting 32-bit float and 16/24-bit recording. Stream live and simultaneously record a backup to microSD.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $383.67
(No payment required now - pay when released)
FORTHCOMING
Related products...
SoMa Laboratory Flux Hard Case (black) (synthesiser hardcase)
Cat: 1065370
Flight case for the SoMa Laboratory Flux
Notes: Offering optimum protection for transporting and storing your Flux synthesiser, this case of coated multiplex, with aluminium edge protection and two butterfly locks. Foam padding inside for protection and multiple accessory compartments contained within.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $370.78
(No payment required now - pay when released)
FORTHCOMING
Related products...
BlaknBlu Oscar Tria Triple Mode Stereo VCO Module (oscillator synth module)
Cat: 1081156
VCO module that functions as a stereo oscillator, a super saw/square/triangle/sub and a chord engine,
Notes: Oscar Tria packs a lot of VCO into 10HP. There are three main modes described below.
Green Mode:
A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.
… Read moreGreen Mode:
A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $311.67
(No payment required now - pay when released)
FORTHCOMING
Related products...
Jaspers 2DT-105B 2-Tier Synthesiser Desktop Stand (synthesiser stand)
Cat: 1076466
Adjustible and durible aluminium keyboard stand
Notes: Made of black powder-coated aluminum for 2 keyboards. With height-adjustable and tiltable shelves, each equipped with 1 pair of 30 cm long holders. The stand is delivered pre-assembled, the assembly time is approx. 15 minutes.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $177.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Cat: 1073677
Portable 10-channel analogue mixer with enhanced FX, USB recording modes & Bluetooth
Notes: Mackie ProFX10 GO is a professional analog mixer and USB-C audio interface that can run on a rechargeable, swappable battery for up to 8 hours, so you're always ready to mix on the GO.
ProFX10 GO gives you up to 8 hours of professional mixing and recording on a single charge with the included GB-10 battery. It's the best way to get quality live sound for remote gigs and outdoor events.
Connect your phone or tablet to the dedicated Bluetoothr channel to stream songs, perform over backing tracks or broadcast your gig or live event online. You can even take calls through ProFX10 GOiMix Minus makes sure the caller doesn't hear themselves.
Enhance your sound using high-resolution GigFX+ effects including reverbs, delays, choruses and more. Edit and save your own presets on the fly via the full-size LCD screen, so you always have polished, professional sound when it's showtime.
Capture your event or performance with three USB-C recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.
ProFX10 GO lets you go anywhere and bring the incredibly low-noise, high-headroom performance of four award-winning Onyx preamps. With up to 60 dB gain, 100 Hz low-cut filters and 48V phantom power, these preamps can handle any mic you throw at them.
Even under battery power at a remote event or show, ProFX GO gives you the raw analog power of a professional live mixing board, including essentials like three-band EQ to shape your sound and one-knob compression to help keep levels in check.
Mix your entire live setup under battery power with all the inputs and outputs you need for mics, instruments, stereo playback devices, smartphones, loudspeakers and more, plus a high-quality headphone output for crystal-clear personal monitoring.
… Read moreProFX10 GO gives you up to 8 hours of professional mixing and recording on a single charge with the included GB-10 battery. It's the best way to get quality live sound for remote gigs and outdoor events.
Connect your phone or tablet to the dedicated Bluetoothr channel to stream songs, perform over backing tracks or broadcast your gig or live event online. You can even take calls through ProFX10 GOiMix Minus makes sure the caller doesn't hear themselves.
Enhance your sound using high-resolution GigFX+ effects including reverbs, delays, choruses and more. Edit and save your own presets on the fly via the full-size LCD screen, so you always have polished, professional sound when it's showtime.
Capture your event or performance with three USB-C recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.
ProFX10 GO lets you go anywhere and bring the incredibly low-noise, high-headroom performance of four award-winning Onyx preamps. With up to 60 dB gain, 100 Hz low-cut filters and 48V phantom power, these preamps can handle any mic you throw at them.
Even under battery power at a remote event or show, ProFX GO gives you the raw analog power of a professional live mixing board, including essentials like three-band EQ to shape your sound and one-knob compression to help keep levels in check.
Mix your entire live setup under battery power with all the inputs and outputs you need for mics, instruments, stereo playback devices, smartphones, loudspeakers and more, plus a high-quality headphone output for crystal-clear personal monitoring.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $483.62
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tobinski Dual LPG/VCA Module (lowpass gate synth module)
Cat: 1073613
This versatile dual-function Eurorack module offers both a Low Pass Gate (LPG) and a Voltage-Controlled Amplifier (VCA), inspired by two iconic designs in synthesiser history
Notes: This versatile dual-function Eurorack module offers both a Low Pass Gate (LPG) and a Voltage-Controlled Amplifier (VCA), inspired by two iconic designs in synthesiser history.
Low Pass Gate (LPG)
The LPG is modeled after the classic Buchla design, delivering a rich, organic sound that blends amplitude control with low-pass filtering. Ideal for producing natural-sounding dynamics, the LPG responds to control voltages to create plucky, percussive tones and smooth, woody textures. Its distinctive vactrol-based architecture provides a warm and unique character, adding depth and nuance to your patches.
Voltage-Controlled Amplifier (VCA)
The VCA draws its inspiration from the legendary Minimoog, ensuring a clean, dynamic, and responsive performance. Known for its iconic smoothness and headroom, this design is perfect for traditional amplitude shaping, allowing precise control over audio signals with minimal distortion. The VCA section excels in both subtle modulation and aggressive signal sculpting, making it a versatile choice for any patch.
Power consumption: 30mA at +12V and 47mA at -12V
Depth: 27mm
6 HP
… Read moreLow Pass Gate (LPG)
The LPG is modeled after the classic Buchla design, delivering a rich, organic sound that blends amplitude control with low-pass filtering. Ideal for producing natural-sounding dynamics, the LPG responds to control voltages to create plucky, percussive tones and smooth, woody textures. Its distinctive vactrol-based architecture provides a warm and unique character, adding depth and nuance to your patches.
Voltage-Controlled Amplifier (VCA)
The VCA draws its inspiration from the legendary Minimoog, ensuring a clean, dynamic, and responsive performance. Known for its iconic smoothness and headroom, this design is perfect for traditional amplitude shaping, allowing precise control over audio signals with minimal distortion. The VCA section excels in both subtle modulation and aggressive signal sculpting, making it a versatile choice for any patch.
Power consumption: 30mA at +12V and 47mA at -12V
Depth: 27mm
6 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $224.63
(No payment required now - pay when released)
FORTHCOMING
Related products...
Black Corporation ISE-NIN Voice Module (synth voice synth module)
Cat: 1073596
(ISE-NIN) VOICE brings the legendary Japanese discrete analogue sound into a compact 100% analogue Eurorack creation
Notes: (ISE-NIN) VOICE brings the legendary Japanese discrete analogue sound into a compact 100% analogue Eurorack creation. Ideal for combination with an x0x techno rig, the full depth of rich sonic potential and programmability of ISE-NIN can now be patched into new modular concoctions. A full complement of iconic analog oscillators, filters, envelopes, and modulation make this at once a full-featured semi-modular synth on its own, and a powerful addition to any rig with the addition of ISE-NIN BREAKOUT.
Two Oscillators with Deep Modulation
This is a no-compromise compact recreation of a complete voice - lacking only the desktop synth's polyphony. Two oscillators each include multiple waveforms (triangle, ramp, pulse, and square on the VCO-1, with sine and noise replacing triangle and square on VCO-2). Hard sync is available, as is configurable modulation, with dedicated PWM (controlled manually, via LFO, or via envelope 1), and tweakable modulation amounts from both LFO and envelope 1 to VCO-1, VCO-2, or both. The LFO section provides access to waveform (sine, saw, square, random), rate, and delay.
Unmistakable Filter, Dual Envelopes, Musical Control
The unique classic 80s Japanese filter sound is fully embodied here, with highpass filter, lowpass with two slope options (-12 dB, -24 dB), and resonance, all with their own controls. Dual envelopes, each with four stages, are assignable to the filter, VCO modulation (ENV-1), and VCA (ENV-2), with an envelope mod fader. Envelope 1 also sports a polarity switch. As with our desktop synths, musical control is front and center, literally: you'll find dedicated controls for toggling keyboard input to each envelope, a keyboard amount to VCF fader. If you're using ISE-NIN alone as a voice, you'll have access to 1v/octave and gate inputs with glide control.
Unprecedented Patchability
Start with ISE-NIN VOICE (36HP), and you'll already have a deep semi-modular instrument on its own. But add ISE-NIN BREAKOUT (22HP), and you can place every single control under one-to-one voltage control for unmatched patchability and programmability. This is a level of sound possibility that could would normally require investing in several rows of modules; here, they're all readily accessible on one convenient, compact front plate. Not only do you get dedicated inputs for the oscillators, filters, and each separate envelope stage for both of the two envelopes, but there are separate FM inputs to each oscillator and every possible routing of the LFO, envelope, and keyboard. XMOD amount and VCO-2 quantized range each get their own input.
Power consumption: 110mA at +12V and 30mA at -12V
Depth: 38mm
36 HP
… Read moreTwo Oscillators with Deep Modulation
This is a no-compromise compact recreation of a complete voice - lacking only the desktop synth's polyphony. Two oscillators each include multiple waveforms (triangle, ramp, pulse, and square on the VCO-1, with sine and noise replacing triangle and square on VCO-2). Hard sync is available, as is configurable modulation, with dedicated PWM (controlled manually, via LFO, or via envelope 1), and tweakable modulation amounts from both LFO and envelope 1 to VCO-1, VCO-2, or both. The LFO section provides access to waveform (sine, saw, square, random), rate, and delay.
Unmistakable Filter, Dual Envelopes, Musical Control
The unique classic 80s Japanese filter sound is fully embodied here, with highpass filter, lowpass with two slope options (-12 dB, -24 dB), and resonance, all with their own controls. Dual envelopes, each with four stages, are assignable to the filter, VCO modulation (ENV-1), and VCA (ENV-2), with an envelope mod fader. Envelope 1 also sports a polarity switch. As with our desktop synths, musical control is front and center, literally: you'll find dedicated controls for toggling keyboard input to each envelope, a keyboard amount to VCF fader. If you're using ISE-NIN alone as a voice, you'll have access to 1v/octave and gate inputs with glide control.
Unprecedented Patchability
Start with ISE-NIN VOICE (36HP), and you'll already have a deep semi-modular instrument on its own. But add ISE-NIN BREAKOUT (22HP), and you can place every single control under one-to-one voltage control for unmatched patchability and programmability. This is a level of sound possibility that could would normally require investing in several rows of modules; here, they're all readily accessible on one convenient, compact front plate. Not only do you get dedicated inputs for the oscillators, filters, and each separate envelope stage for both of the two envelopes, but there are separate FM inputs to each oscillator and every possible routing of the LFO, envelope, and keyboard. XMOD amount and VCO-2 quantized range each get their own input.
Power consumption: 110mA at +12V and 30mA at -12V
Depth: 38mm
36 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,052.18
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tobinski LFOs Module (LFO synth module)
Cat: 1073612
The Dual LFO Module from Tobinski combines two low-frequency oscillators, each based on Electric Druid technology: the TapLFO3C and the LFO10
Notes: The Dual LFO Module from Tobinski combines two low-frequency oscillators, each based on Electric Druid technology: the TapLFO3C and the LFO10. This module provides a wealth of modulation possibilities, with flexible synchronization, waveform shaping, and dynamic CV control to suit any Eurorack setup.
The TapLFO3C (left side of the module), syncs to an incoming pulse, allowing precise alignment with external clocks or rhythmic triggers. Its built-in frequency multiplier/divider further extends its range, enabling intricate timing patterns. The output can also be set to +-5v bipolar or 0v to 10v unipolar.
The LFO10-based LFO, on the other hand, resets to an incoming pulse, ensuring repeatable, synchronized modulation. The output can also be set to sample and hold mode allowing the LFO waveform to act as the signal to be sampled and the reset pulse to act as the sample trigger.
Each LFO features 16 selectable waveforms split into two banks of eight, accessible via manual switches.
Power consumption: 40mA at +12V and 45mA at -12V and 11mA at +5V
Depth: 27mm
12 HP
… Read moreThe TapLFO3C (left side of the module), syncs to an incoming pulse, allowing precise alignment with external clocks or rhythmic triggers. Its built-in frequency multiplier/divider further extends its range, enabling intricate timing patterns. The output can also be set to +-5v bipolar or 0v to 10v unipolar.
The LFO10-based LFO, on the other hand, resets to an incoming pulse, ensuring repeatable, synchronized modulation. The output can also be set to sample and hold mode allowing the LFO waveform to act as the signal to be sampled and the reset pulse to act as the sample trigger.
Each LFO features 16 selectable waveforms split into two banks of eight, accessible via manual switches.
Power consumption: 40mA at +12V and 45mA at -12V and 11mA at +5V
Depth: 27mm
12 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $306.30
(No payment required now - pay when released)
FORTHCOMING
Related products...
Digitech MonoNeon Whammy Pitch Shifter Effects Pedal (pitch shifter effects pedal)
Cat: 1069471
The MonoNeon Whammy delivers mind-blowing pitch manipulation for guitar and bass alike.
Notes: Make your music Hypersonic
Send your tone soaring with the HyperSonic 3-octave pitch rise.
New octaver blend modes
Create never-before-heard sonic textures with new octaver blend modes.
MIDI-capable
Ready to integrate with advanced performance rigs with support for 5-pin MIDI control.
Artist-inspired design
Unique artwork and signature style make the MonoNeon Signature Whammy a bold addition to your pedalboard.
The DigiTech MonoNeon Whammy pedal goes where no whammy pedal has gone before, with new octave blend modes and up to 3 octaves of HyperSonic pitch shifting. Developed in collaboration with trailblazing bassist MonoNeon, the MonoNeon Whammy delivers mind-blowing pitch manipulation for guitar and bass alike.
Included in the box:
MonoNeon Whammy Pedal
Power Supply
User's Manual
2 Guitar Case Stickers
Warranty Registration Information Card
Special MonoNeon Customizing Kit
> Gaffer's Tape - Neon Yellow & Neon Orange
> Mini Permanent Marker
Specifications
Input / Output
Instrument Input Type: Unbalanced 1/4" TS phone jack
Max Input Level: +5 dBu
Input Impedance: 1 MO
MIDI Input: 5-Pin DIN
Output Type: Unbalanced 1/4" TS phone jack
Max Output Level: +10 dBu
Output Impedance: 1 kO
Electronics
Frequency Response: 20 Hz to 20 kHz
Signal to Noise Ratio: >105 dB (A-weighted): ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1 kHz; ref =1 dBu w/ unity gain
Sample Rate: 44.1 kHz
A/D Conversion: 24-bit
D/A Conversion: 24-bit
Physical
Dimensions: 6.5" (16.51cm) x 7.75" (19.68cm) x 2.5" (6.35cm) (WxDxH)
Shipping Weight: 3.8 lbs. (1720g)
Power
Power Consumption: 2.4 W (265 mA @ 9VDC)
Power Requirements: 9 VDC External Adapter (center negative)
Included Power Adapter: PS0913DC (9V DC @ 1.3 A) center negative
… Read moreSend your tone soaring with the HyperSonic 3-octave pitch rise.
New octaver blend modes
Create never-before-heard sonic textures with new octaver blend modes.
MIDI-capable
Ready to integrate with advanced performance rigs with support for 5-pin MIDI control.
Artist-inspired design
Unique artwork and signature style make the MonoNeon Signature Whammy a bold addition to your pedalboard.
The DigiTech MonoNeon Whammy pedal goes where no whammy pedal has gone before, with new octave blend modes and up to 3 octaves of HyperSonic pitch shifting. Developed in collaboration with trailblazing bassist MonoNeon, the MonoNeon Whammy delivers mind-blowing pitch manipulation for guitar and bass alike.
Included in the box:
MonoNeon Whammy Pedal
Power Supply
User's Manual
2 Guitar Case Stickers
Warranty Registration Information Card
Special MonoNeon Customizing Kit
> Gaffer's Tape - Neon Yellow & Neon Orange
> Mini Permanent Marker
Specifications
Input / Output
Instrument Input Type: Unbalanced 1/4" TS phone jack
Max Input Level: +5 dBu
Input Impedance: 1 MO
MIDI Input: 5-Pin DIN
Output Type: Unbalanced 1/4" TS phone jack
Max Output Level: +10 dBu
Output Impedance: 1 kO
Electronics
Frequency Response: 20 Hz to 20 kHz
Signal to Noise Ratio: >105 dB (A-weighted): ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1 kHz; ref =1 dBu w/ unity gain
Sample Rate: 44.1 kHz
A/D Conversion: 24-bit
D/A Conversion: 24-bit
Physical
Dimensions: 6.5" (16.51cm) x 7.75" (19.68cm) x 2.5" (6.35cm) (WxDxH)
Shipping Weight: 3.8 lbs. (1720g)
Power
Power Consumption: 2.4 W (265 mA @ 9VDC)
Power Requirements: 9 VDC External Adapter (center negative)
Included Power Adapter: PS0913DC (9V DC @ 1.3 A) center negative
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $289.11
(No payment required now - pay when released)
FORTHCOMING
Related products...
JHS Pedals 3 Series Oil Can Delay Effects Pedal (delay pedal)
Cat: 1076220
Delay pedal combining affordabilty and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
After being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay.
These delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal charge was written and read through rubber wiper heads. The playback speed was directly related to the drum's rotation speed. The oil acted as a protective layer to keep the audio signal "charge" electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: Why settle for less with a Leslie when you can get more with Morley? Morley manufactured oil can delays up until 1989.
At Wilco's Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they'd ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn't have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco's Cruel Country and now their latest release, Cousin.
Though the JHS Oil Can Delay isn't a signature artist pedal, we're still grateful to Nels Cline for inspiring it. We're proud to offer you this unique pedal for your own collection.
… Read moreAfter being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay.
These delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal charge was written and read through rubber wiper heads. The playback speed was directly related to the drum's rotation speed. The oil acted as a protective layer to keep the audio signal "charge" electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: Why settle for less with a Leslie when you can get more with Morley? Morley manufactured oil can delays up until 1989.
At Wilco's Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they'd ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn't have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco's Cruel Country and now their latest release, Cousin.
Though the JHS Oil Can Delay isn't a signature artist pedal, we're still grateful to Nels Cline for inspiring it. We're proud to offer you this unique pedal for your own collection.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $102.11
(No payment required now - pay when released)
FORTHCOMING
Related products...
JHS Pedals Flight Delay Time-Based Effects Pedal (blue) (time effects pedal)
Cat: 1076265
Delay pedal with analog, digital and reverse options alongside optional chorus or vibrato
Notes: The JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don't. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Analog, Reverse, and Digital) inspired by some all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 "Reverse Mode" - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $254.72
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rides In The Strom Stormnest 2x66HP Powered Synth Module Enclosure Case (synth module enclosure case)
Cat: 1080030
2x66HP aluminum Eurorack case
Notes: 2x66HP Aluminum Eurorack case
Inbuilt M3 Threads
PCB with 20 Power Sockets
Inbuild Power Supply +1A/-1A/+0,5A
ON/OFF Switch and Mini USB Power source (5V)
STORMBAG Case inclusive Shoulder Strap and Handle
Laptop stand with six heights
Power Wall with interchangeable Power Adaptors (UK/US/EU)
Size: 41cm x 32cm x 6cm (Bag), 35cm x 28,5cm x 3,5cm (Case)
Weight: 2kg (alltogether) / 1,1kg (case)
… Read moreInbuilt M3 Threads
PCB with 20 Power Sockets
Inbuild Power Supply +1A/-1A/+0,5A
ON/OFF Switch and Mini USB Power source (5V)
STORMBAG Case inclusive Shoulder Strap and Handle
Laptop stand with six heights
Power Wall with interchangeable Power Adaptors (UK/US/EU)
Size: 41cm x 32cm x 6cm (Bag), 35cm x 28,5cm x 3,5cm (Case)
Weight: 2kg (alltogether) / 1,1kg (case)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $254.70
(No payment required now - pay when released)
FORTHCOMING
Related products...
Michigan Synth Works Syncussion SY-1 Analogue Drum Synthesiser With Expanded I/O Configuration (white) (drum synthesiser)
Cat: 1075640
The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion
Notes: The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device.
Assembled versions come with the METAL back standard, the wood case is available as a DIY kit separately.
The Syncussion:
The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold.
OSC Modes:
A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.
B. Sound of one oscillator adjusting the other oscillator frequency; produces a metallic sound.
C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.
D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE
E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.
F. Sound of only noise
Triggering:
The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.
Tuning:
The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.
The inputs and outputs use 1/4" Stereo to 1/4" (3 included) to greatly expand the capabilities of the device. The Mod input is prewired to VCF freq but can easily be switched to decay via jumper on the voice cards.
The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.
Whats included:
SY-1 Synthesiser
Universal Power adapter (100-240V, 12V DC out, Tip Positive)
Expanded I/O: 3x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone
… Read moreAssembled versions come with the METAL back standard, the wood case is available as a DIY kit separately.
The Syncussion:
The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold.
OSC Modes:
A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.
B. Sound of one oscillator adjusting the other oscillator frequency; produces a metallic sound.
C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.
D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE
E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.
F. Sound of only noise
Triggering:
The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.
Tuning:
The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.
The inputs and outputs use 1/4" Stereo to 1/4" (3 included) to greatly expand the capabilities of the device. The Mod input is prewired to VCF freq but can easily be switched to decay via jumper on the voice cards.
The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.
Whats included:
SY-1 Synthesiser
Universal Power adapter (100-240V, 12V DC out, Tip Positive)
Expanded I/O: 3x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $611.54
(No payment required now - pay when released)
FORTHCOMING
Related products...
Jolin Rosa Infinite Morpher Module (mixer/switch synth module)
Cat: 1063029 Rel: 31 May 25
A multi-mode crossfader, scanner, and switcher that allows seamless morphing between up to four inputs and outputs
Notes: ROSA is a multi-mode crossfader, scanner, and switcher that allows seamless morphing between up to four inputs and outputs. With its three operating modes (Scan, Wave, and Pass), you can easily shape and route signals to fit any patch.
A quick overview:
Scan Mode: Morph between up to four inputs with adjustable curves using the KNEE control.
Wave Mode: Independently control the four VCAs for complex dynamic changes.
Pass Mode: Route a single input (or mix multiple inputs) to up to four outputs, perfect for quadraphonic setups or parallel processing.
Infinite Analogue Potentiometer: For smooth, continuous transitions.
Global SHUT Control: CV-controlled mute for immediate silence.
… Read moreA quick overview:
Scan Mode: Morph between up to four inputs with adjustable curves using the KNEE control.
Wave Mode: Independently control the four VCAs for complex dynamic changes.
Pass Mode: Route a single input (or mix multiple inputs) to up to four outputs, perfect for quadraphonic setups or parallel processing.
Infinite Analogue Potentiometer: For smooth, continuous transitions.
Global SHUT Control: CV-controlled mute for immediate silence.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 25 $284.80
(No payment required now - pay when released)
FORTHCOMING
Related products...
Studiologic SL88 Studio MK2 88-Key USB-C MIDI 2.0 Keyboard Controller (MIDI keyboard controller)
Cat: 1078589
Weighted 88 key MIDI keyboard with MIDI 2.0 functionality.
Notes: More than just master keyboards, the SL mk2 series is a new chapter in musical keyboard controllers. From the innovative UX Logic interface, seamless integration with the Numa Player, high-definition MIDI 2.0, to the immersive realism of our new keybeds, every detail is crafted to bring your music to life.
The SL gets smarter. With the revolutionary Studiologic UX Logic, first introduced with the Numa X Piano, the SL mk2 series redefines simplicity and elegance. A sleek, modern control panel empowers your creativity, making navigation intuitive and effortless. Create, explore, and control with unparalleled ease.
SL Link, Studiologic's groundbreaking protocol, bridges the gap between your gear and your imagination. With compliant external apps taking full control of the SL mk2, every nuance of your performance stays in perfect sync.
Seamlessly connect the SL mk2 with Numa Player 2, our cutting-edge music software is built now to complement the SL series perfectly.
Numa Player is cross-platform and designed for ultimate versatility, offering a rich selection of high-quality sound libraries. Best of all, these libraries are free for every SL user1, providing you with a full musical experience straight out of the box. Whether you're composing, performing, or exploring, SL Link and Numa Player ensure your creativity knows no bounds.
The SL mk2 takes a leap into the future with MIDI 2.0. Unlock the full potential of your music with greater resolution, richer dynamics, and unprecedented precision. It's not just MIDI; it's music at its most expressive.
Take charge of your studio with dedicated DAW transport controls. From playback to recording, essential features are just a touch away, so you stay immersed in the creative process without breaking stride.
The SL mk2 doesn't just control; it delivers. With dual audio outputs and a headphone jack, it functions as a professional-grade audio interface. Powered entirely by USB-C, it delivers pristine sound from computer or mobile device directly to your speaker system ino extra hardware needed.
Equipped with the TP/110, a high-end, weighted mechanismcombining feather-light portability with robust playability. With reduced bounce and aftertouch triggered by hammer action, every note feels authentic and effortless
… Read moreThe SL gets smarter. With the revolutionary Studiologic UX Logic, first introduced with the Numa X Piano, the SL mk2 series redefines simplicity and elegance. A sleek, modern control panel empowers your creativity, making navigation intuitive and effortless. Create, explore, and control with unparalleled ease.
SL Link, Studiologic's groundbreaking protocol, bridges the gap between your gear and your imagination. With compliant external apps taking full control of the SL mk2, every nuance of your performance stays in perfect sync.
Seamlessly connect the SL mk2 with Numa Player 2, our cutting-edge music software is built now to complement the SL series perfectly.
Numa Player is cross-platform and designed for ultimate versatility, offering a rich selection of high-quality sound libraries. Best of all, these libraries are free for every SL user1, providing you with a full musical experience straight out of the box. Whether you're composing, performing, or exploring, SL Link and Numa Player ensure your creativity knows no bounds.
The SL mk2 takes a leap into the future with MIDI 2.0. Unlock the full potential of your music with greater resolution, richer dynamics, and unprecedented precision. It's not just MIDI; it's music at its most expressive.
Take charge of your studio with dedicated DAW transport controls. From playback to recording, essential features are just a touch away, so you stay immersed in the creative process without breaking stride.
The SL mk2 doesn't just control; it delivers. With dual audio outputs and a headphone jack, it functions as a professional-grade audio interface. Powered entirely by USB-C, it delivers pristine sound from computer or mobile device directly to your speaker system ino extra hardware needed.
Equipped with the TP/110, a high-end, weighted mechanismcombining feather-light portability with robust playability. With reduced bounce and aftertouch triggered by hammer action, every note feels authentic and effortless
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $486.86
(No payment required now - pay when released)
FORTHCOMING
Related products...
VoicAs S&M 1U Active Split & Merge Module (multiple/mixer synth module)
Cat: 948262
1U splitter and merger module in 12HP.
Notes: S&M is a very useful utility module in 1u Intellijel format combining unity mixer and a precision active buffer.
CV and Audio Mixer
Audio grade dc-coupled unity mixer for mixing CV or Audio signals
Active Buffer/Splitter
Precision active buffer/splitter for splitting signals along your system without any signal loss (highly recommended for splitting Pitch CV).
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 20mm
Current Draw
+12V
: 10mA
-12V
: 10mA
… Read moreCV and Audio Mixer
Audio grade dc-coupled unity mixer for mixing CV or Audio signals
Active Buffer/Splitter
Precision active buffer/splitter for splitting signals along your system without any signal loss (highly recommended for splitting Pitch CV).
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 20mm
Current Draw
+12V
: 10mA
-12V
: 10mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $52.66
(No payment required now - pay when released)
FORTHCOMING
Related products...
SoMa Laboratory Flux Soft Case (synthesiser soft case)
Cat: 1065366
Soft case for the SoMa Laboratory Flux made of Cordura
Notes: This lightweight soft case has a carrying handle, shoulder strap and a padded interior to protect your Flux. It also contains a compartment for the power supple, cable and any other accessories.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $84.90
(No payment required now - pay when released)
FORTHCOMING
Related products...
Playtronica Biotron Bioelectric MIDI Controller (MIDI controller)
Cat: 1069653
The musical instrument that transforms plants into sound
Notes: Discover Biotron, the musical instrument that transforms plants into sound.
Play with your favourite plant and let nature compose your music. As the plant's natural electrical properties change, the sound evolves, creating a unique musical experience every time.
Ready to get started? Connect Biotron to a computer, tablet, or smartphone, and play with our online synth or your favourite music software/hardware. With no noticeable latency, Biotron responds just like any other MIDI controller.
What you can do
- Play using plants as your instrument
- Change the sound based on the plant's natural responses
- Interact with nature to create music
- No musical skill needed
How to use
- Connect Biotron to your PC, phone, or tablet using the provided USB cable.
- Attach the electrodes to your plant. Ensure they are securely connected to the stems or leaves for optimal conductivity.
- Open Google Chrome and navigate to synth.playtronica.com, then choose any synth you like. Alternatively, use your preferred music software or hardware that accepts MIDI input.
- Interact with your plant by moving your hands near it, touching its leaves, or adjusting environmental factors like light and moisture to influence the sound.
- Experience the unique music generated by your plant's natural electrical activity translated into MIDI signals
Kit includes
- Biotron MIDI-controller and packaging
- USB-C cable is sold separately to reduce waste in case you have one already
- Alligator clips and patches are also not included, make sure you add whichever you need
… Read morePlay with your favourite plant and let nature compose your music. As the plant's natural electrical properties change, the sound evolves, creating a unique musical experience every time.
Ready to get started? Connect Biotron to a computer, tablet, or smartphone, and play with our online synth or your favourite music software/hardware. With no noticeable latency, Biotron responds just like any other MIDI controller.
What you can do
- Play using plants as your instrument
- Change the sound based on the plant's natural responses
- Interact with nature to create music
- No musical skill needed
How to use
- Connect Biotron to your PC, phone, or tablet using the provided USB cable.
- Attach the electrodes to your plant. Ensure they are securely connected to the stems or leaves for optimal conductivity.
- Open Google Chrome and navigate to synth.playtronica.com, then choose any synth you like. Alternatively, use your preferred music software or hardware that accepts MIDI input.
- Interact with your plant by moving your hands near it, touching its leaves, or adjusting environmental factors like light and moisture to influence the sound.
- Experience the unique music generated by your plant's natural electrical activity translated into MIDI signals
Kit includes
- Biotron MIDI-controller and packaging
- USB-C cable is sold separately to reduce waste in case you have one already
- Alligator clips and patches are also not included, make sure you add whichever you need
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $102.11
(No payment required now - pay when released)
FORTHCOMING
Related products...
Mellotron M4000D Compact Polyphonic Digital Synthesiser (digital keyboard synthesiser)
Cat: 1076454
Mellotron have reintroduced the iconic tape-based machine in a compact digital version, the Mellotron M4000D, that retains the authentic sound, look and feel of the original keyboard while adding some significant improvements
Notes: The world first heard the instantly recognizable sounds of the Mellotron on hits from the Moody Blues ("Nights in White Satin") and the Beatles ("Strawberry Fields Forever") in the 1960s. In 2010, Mellotron reintroduced the iconic tape-based machine in a compact digital version, the Mellotron M4000D, that retains the authentic sound, look and feel of the original keyboard while adding some significant improvements.
The M4000D has been used onstage and in the studio by artists, musicians and producers including Foo Fighters, Red Hot Chili Peppers, Smashing Pumpkins, Wilco, Incubus, Queens of the Stone Age, Eels, Jackson Browne, Bruno Mars, Band of Horses, Fleet Foxes, Sean Lennon, Brendan Benson, Air, Kooks, Train, Elbow, Michael Beinhorn, Bob Rock, Raphael Saadiq, Noel Gallagher and Gotye.
Specifications
100 instantly accessible Mellotron and Chamberlin sounds, captured from original tape sources at 24-bits, uncompressed
Expansion slot for 100 additional sounds
A and B sound banks simultaneously accessible, with mix control
Controls for volume, tone, normal/half-speed play and pitch adjustment
A, B and Master outputs available on gold plated balanced XLR and gold plated unbalanced 1/4-in line connectors
1/4-in connectors for sustain, expression, and volume pedals, and for headphones
MIDI in, out, and thru
Dimensions: 34 in (W) x 19.5 in (D) x 5.25 in (H); weight: 38.5 pounds
… Read moreThe M4000D has been used onstage and in the studio by artists, musicians and producers including Foo Fighters, Red Hot Chili Peppers, Smashing Pumpkins, Wilco, Incubus, Queens of the Stone Age, Eels, Jackson Browne, Bruno Mars, Band of Horses, Fleet Foxes, Sean Lennon, Brendan Benson, Air, Kooks, Train, Elbow, Michael Beinhorn, Bob Rock, Raphael Saadiq, Noel Gallagher and Gotye.
Specifications
100 instantly accessible Mellotron and Chamberlin sounds, captured from original tape sources at 24-bits, uncompressed
Expansion slot for 100 additional sounds
A and B sound banks simultaneously accessible, with mix control
Controls for volume, tone, normal/half-speed play and pitch adjustment
A, B and Master outputs available on gold plated balanced XLR and gold plated unbalanced 1/4-in line connectors
1/4-in connectors for sustain, expression, and volume pedals, and for headphones
MIDI in, out, and thru
Dimensions: 34 in (W) x 19.5 in (D) x 5.25 in (H); weight: 38.5 pounds
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $2,684.73
(No payment required now - pay when released)
FORTHCOMING
Related products...
Mellotron Micro Compact Polyphonic Digital Synthesiser (digital keybaord synthesiser)
Cat: 1076630
The Mellotron Micro is the smallest version available of the Digital Mellotron, and includes many of the features of the full-size version
Notes: The Mellotron Micro is the smallest version available of the Digital Mellotron, and includes many of the features of the full-size version. It includes one hundred 24-bit uncompressed sounds sourced from original first-generation Mellotron and Chamberlin tape libraries. Sound Card 01 is the built-in library for the Micro and M4000D series of instruments.
To update your Micro Rev 2, please use the Mellotron Updater app (iOS only). This update process uses Bluetooth and takes less than 1 minute. The Rev 2 Micro is the revision without the SD slot in the back. This is not supported by the Android app.
On the Rev 1 the SD slot is between the MIDI jacks and the Phones jack. The Rev 1 needs to be updated with an SD card.
Specifications
Sample playback engine with 24-bit audio data
100 Mellotron and Chamberlain sounds - based on the original sound of the first generation from the 60s and 70s (Sound Card 01)
25-Key keyboard
Controller for octave, volume, tone, pitch and A/B mix
2 Displays
Line output: 6.3 mm jack
Sustain pedal input
Stereo headphone-output 6.3 mm jack
MIDI In/Out/Thru
External power supply connection
… Read moreTo update your Micro Rev 2, please use the Mellotron Updater app (iOS only). This update process uses Bluetooth and takes less than 1 minute. The Rev 2 Micro is the revision without the SD slot in the back. This is not supported by the Android app.
On the Rev 1 the SD slot is between the MIDI jacks and the Phones jack. The Rev 1 needs to be updated with an SD card.
Specifications
Sample playback engine with 24-bit audio data
100 Mellotron and Chamberlain sounds - based on the original sound of the first generation from the 60s and 70s (Sound Card 01)
25-Key keyboard
Controller for octave, volume, tone, pitch and A/B mix
2 Displays
Line output: 6.3 mm jack
Sustain pedal input
Stereo headphone-output 6.3 mm jack
MIDI In/Out/Thru
External power supply connection
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $900.64
(No payment required now - pay when released)
FORTHCOMING
Related products...
Jaspers 2DT-120B 2-Tier Synthesiser Desktop Stand (synthesiser stand)
Cat: 1076472
Adjustible and durable aluminium keyboard stand.
Notes: Made of black powder-coated aluminum for 2 keyboards, with height-adjustable and tiltable shelves, each equipped with 1 pair of 40 cm long holders. The stand is delivered pre-assembled, the assembly time is approx. 15 minutes.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $188.08
(No payment required now - pay when released)
