Review: Weirdo minimal tech soul, anyone? Any takers should be directed towards this oddball release from Melchior Productions and Paul Walter. Two tracks of serious strangeness: timestretched vocals and repetitious yeahs blossom between the beat-thickets of Melchior's 'Yeah X 3', while many more percussive hits and cuts and clicks and pops and booms come courtesy of Walter's B-side, 'Xvive'. It's an impressive first foray for Maria Newyen's new imprint Scious; let's hope future 12"s stay just as weird.
Review: They say that a picture paints a thousand words. Well that is certainly true of this Picture whose music is hugely evocative and emotive deepest being stripped down to its bare essentials. 'Banana' kicks things off with a murky dub sound that sways back and forth with hefty drum rumbles and liquid metal pads. 'Bring' is then a painterly synth-laced ambient piece that suspends you in a murky and misty sky while 'Sea' offers the most direct vibe of the lot. It's flabby but dynamic dub techno that leans into the groove and will have you doing the same.
Review: Primrose does that most difficult of things on this new EP for the Cead label's last single-digit release: hits a perfect sweet spot between dancefloor damage and nuanced home listening. The punchy and driving 'Los Angeles Wingspan' kicks off and is backlit by a heavenly synth glow that softens the punchy, tightly coiled kicks and sprinkles of fluttering metallic percussion. '1980 Dream' is a more refracted piece where melodic phrases dart about the mix, synths scurrying up the scales, paddy drums unfurl in broken patterns and the whole thing keeps you nice and loose. An Or:la remix of '1980 Dream' rounds out a classy EP.
Review: PRSPCTV aka XENTRIX is an emerging Belgian techno talent who steps out here with his first release on Musik is Egall. His moody and atmospheric original 'Perspective & Surface' is found on the B-side. It's a hunched-over, stripped-back deep techno and dub fusion with grotty synths and vast incendiary hi-hats hurrying you along. Label co-founder Oliver Hess steps up with his own remix on the A-side and flips the track into something as deep as they come, with dubbed out chords and warm, edgeless but driving kicks and smeared pads all laced up with muffled vocal mutterings and rising synths. It's one for early-evening groove sessions or late-night zone outs.
Review: Soft Traffic is an alias for a well-known digi-dub producer who recently turned heads with an outing on Made Mecum. Now they land on the mighty Sushitech with a super limited, hand-stamped 12" featuring Prince Morella. It opens up with the silky smooth 'Meltem I', a liquid dub techno roller with chords rippling out to an infinite horizon as vocal muttering up top heighten the immersive trip. Part II is more icy and underwater, with rhythmic synth undulations and smooth-as-silk drum rotations locking you into a meditative state. Last of all is part III, an ambient sounds scape with subtly suggestive rhythms as you float in an underwater cavern. Classy stuff.
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