Review: Every once in a while, you get a band emerge from the vibrant London music scene that you notice aren't like all the other bands. You sense they have something a bit special. BC, NR are like that - they offer something so rich musically that it appears immune to any potential threat that could come from changing trends. This third studio album of theirs comes under what looked like difficult circumstances from the outside. Their lead singer and songwriter Isaac Wood left the band shortly before the release of their second album. But they've withstood the pressure incredibly and are on top form here. There's more emphasis than ever on sharing the role of frontperson so the album is like a smorgasbord where you sample different voices and songwriting styles that exist within the group. Lead single 'Besties' is violinist Georgia Ellery's. It thrives off of its dynamism with explosive Phil Spector-esque wall of sound moments set in alongside elegant indie folk. A truly massive chapter awaits.
Review: If any album comes close to the beauty of Crosby, Stills & Nash in 2025 it's this. It's difficult to imagine anyone else nailing melodic, acoustic guitar-oriented music that treads in gospel, blues and pastoral psychedelia better than this supergroup. Could Bernard Butler be on his way to another Mercury Prize nomination with this? They've got a strong case for it. The band itself is something a little different and formed by popular demand. Norman Blake (Teenage Fanclub) Bernard Butler (Suede) and James Grant (Love and Money) originally got together for one occasion, at Saint Luke's in Glasgow in 2022 for Celtic Connections, but the power of them together was so great they've been talked into putting an album out. They've gone about it in quite a pragmatic way, with each member labelling which songs theirs, as opposed to all trying to write the same song at the same time. Makes sense really.
Review: Melancholy maestro Brock Van Wey aka Bvdub returns with more immersive and beautifully sad sounds on his latest album In Iron Houses. It is an ambient work that is far too evocative to serve simply as aural wallpaper. Opener 'Madness To Their Methods' for example has a vocal swirling about the synthscapes that is utterly arresting and conveys great emotional pain. 'The Broken Fixing The Broken' is another lament of epic proportions and 'Iron Houses At Night - Star Track' has a little sense of hope in the brighter melodies and another vocal, which this time carries love not loss. 'Perpetual Emotion Machine' shuts down with subtle celestial celebration.
Carol Bailey - "Understand Me (Free You Mind)" (Dreams Piano remix)
The True Underground Sound Of Rome - "Secret Doctrine" (feat Stefano Di Carlo)
Don Carlos - "Boy"
Lady Bird - "Jazzy Doll" (Odyssey dub)
Montego Bay - "Everything" (Paradise mix - CD2: The Birds Of Paradise)
Atelier - "Got To Live Together" (club mix)
Golem - "Music Sensations"
The True Underground Sound Of Rome - "Gladiators" (feat Stefano Di Carlo)
Eagle Parade - "I Believe"
DJ Le Roy - "Yo Te Quiero" (feat Bocachica - Detroit version)
Green Baize - "Synthetic Rhythm"
MCJ - "Sexitivity" (feat Sima - Deep mix)
Kwanza Posse - "Wicked Funk" (feat Funk Master Sweat - Afro Ambient mix)
Progetto Tribale - "The Bird Of Paradise"
MBG - "The Quiet"
Review: Italian house didn't need the glitz of Ibiza or the muscle of Chicago and Detroit. It carved out its own spaceismoky, dreamlike, and effortlessly cool. This collection captures the full spectrum of that golden era, from the hypnotic tribal rhythms of Progetto Tribale's 'The Sweep' to the shimmering, euphoric synths of Onirico's 'Echo'. There's the deep, rolling pulse of Don Carlos' 'Boy', the jazz-infused elegance of Lady Bird's 'Jazzy Doll (Odyssey Dub)', and the raw energy of Green Baize's 'Synthetic Rhythm'. Elsewhere, 'Titanic' by Mato Grosso offers an atmospheric voyage, while 'The True Underground Sound of Rome' delivers deep, sophisticated grooves. These weren't just club tracks; they were portals to another world. Whether it was the funky shuffle of Alex Neri's 'The Wizard', the soulful pianos of Carol Bailey's 'Understand Me (Free Your Mind)', or the after-hours pulse of MCJ's 'Sexitivity', this was music made by studio obsessives who understood that house wasn't just a soundiit was a feeling. Underground, inventive, and deeply emotional, this collection is a snapshot of an era where the Italian touch brought warmth, sensuality and an undeniable groove to dancefloors worldwide.
Review: Balearic scene stalwarts Chris Coco and DJ Rocca are old pals, with the pair first working together five years ago on an EP released by Faze Action's FAR imprint. Cocorocca, though, is their first collaborative full-length - a set that cannily combines Coco's love of fluid pianos, tactile downtempo grooves and sun-soaked ambient textures with DJ Rocca's passion for dubby basslines, moon-lit low-tempo nu-disco, starry Balearic synth-pop and the trippy and psychedelic ethos of Italy's 1980s Afro-cosmic scene. As a result, there's plenty of subtle variety on show - compare, for example, the dubbed-out slow acid oddness of '303/808' with the sunset-ready dancefloor colour of 'Sunshine Love' and the slap bass wielding dub disco madness of 'Night Dubbin' - as well as plenty club-ready material.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.