Review: Incredibly, it is almost two full decades since Echospace and Rod Modell's legendary Deepchord project dropped the original version of this album. Happily, it has aged to perfection and gets reissued here with the first-ever remix from Gerard Hanson aka Convextio. Next to that are a series of dubs and mixes that result in widescreen dub landscapes, soft synth plumes, delicate melodic curlicues and some of the headiest electronic music you could possibly immersive yourself in.
Review: The late, great Nathan Coles is rightly hailed as UK tech house royalty - an originator in the scene who embodied its headsy, underground energy in the long and winding years before the sound broke through to its ubiquitous popularity it enjoys now. Of the many projects he turned his talent to, Get Fucked found him studio sparring with Nils Hess around the turn of the millennium on labels like Eukahouse. Now leading tech house reissue label Repeat have gathered together the best of the singles, and as you might well expect it's heavyweight, rolling gear for the late night marathon crew, crafted masterfully with grit and groove in equal measure.
Review: The second instalment of Mike Huckaby's My Life With The Wave series again showcased his seamless fusion of Detroit deep house and techno, all made using only the Waldorf Wave synth, samples of which come on a separate CD with this 12". First up, 'Let The Dancer Do His Thing' offers a slow-burning groove with dusty drums and atmospheric synths, while 'Phuture' intensifies with jazzy melodies and cymbal-heavy rhythms. On the flip, 'Baseline 313' delivers soulful electric piano loops, tribal percussion and fat bass, before closing with the playful, fluttering deepness of 'Another Fantasy.' Huckaby's timeless artistry shines through every track.
Review: He's as consistent as he is prolific so it's no surprise that Omar-S is back yet again with yet another EP well worth copping. This latest 12" direct from the Motor City features two different versions of the same tune and what a tune it is: first up is 'Can't Get' (vocal mix) which is signature stuff from Smith - dusty beats from an old analogue machine, slowly evolving synth leads that convey plenty of emotion and raw hi-hats. The mood is late night and sultry with a hint of menace and a gorgeous vocal hook is the icing on the cake. Flip it over and you'll get the Sub Mix with more stark synths and melodic edginess.
Review: Three contenders for disco queen Donna Summer's best tracks ever now get pressed to iridescent rainbow picture-disc wax in quick succession, allowing you, the listener, to finally make your mind up as to which you prefer the most. 'Love To Love You Baby', 'I Feel Love' and 'Hot Stuff' are compiled onto this exquisite slab, with the latter two tracks appearing as their exclusive 12" extended versions, which are much more sought-after compared to the radio edits!
Review: On limited heavyweight black-label vinyl come yet more samurai-themed various arts from the Berlin d&b dramaturgists at Samurai Music, clocking in at an insanely portentous 13 tracks. Also marking their hundredth vinyl release, the label honour their nearly 17-year existence with aspirant, boundary-pushing, dark drum & bass numbers, all sourced internationally. Representative of the Samurai Music sound is an intense brand of technically scratchy, yet smoothly intoned atmoss - one that doesn't fall prey to overburdening by drums and retains an emphasis on nyctophonic, serene scapes. Its star selections - the sonic katanas that refract the most light in the dark - have to be ASC's techno-informed 'S100' and Mako's intricately designed mammoth of a track, 'Get Away With It'.
Review: Acid Pimp, also known as Tom Newman (though details vary), unveiled their creation, 'Theme' last year and now it arrives once more on nice yellow vinyl. This track exemplifies their mastery in transforming a classic sound into a delightfully off-kilter, reality-distorting experience within the realm of acid techno. The eight-track offering explores a spectrum, from intriguingly hollow compositions like 'Top' to serenely pulsating tunes such as 'Crispy Toe,' showcasing the sonic prowess of a seasoned production virtuoso. This release follows Acid Pimp's return to 'Acid Pimping' in 2019, leaving us eager to embrace more sonic innovations from this creative maven.
Review: Nathan Coles and Nils Hess dropped a couple of LPs and a tidy run of 12"s as Get Fucked in the late 90s and early 00s, and now Repeat are taking us back to one of their finest moments. Their debut LP Dot To Dot is a quintessential demonstration of tech house at the turn of the millennium, shot through with a wonky humour which pointed to the impending minimal boom, but still rough and ready like the UK sound which had proliferated around parties like Wiggle. There's also a dash of the Viennese jazz twist you'd associate with labels like Cheap, and more heads down grooves than you can shake a nose bag at.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Distortion
Overdrive
Clipping
Bit Crush
Fuzz
Saturation
Clipping (Vorso remix)
Fuzz (Shield remix)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Razat has made an art form of distortion and saturation. The latter is what lends its name to this new eight-tracker on Saturate. After a fuzzy and textural opener the tumbling and brilliantly fluid rhythms of 'Overdrive' get you to the heart of the dance then 'Clipping' lurches backward and forwards on low-end oscillations and 'Bit Crush' closes the a-side with eye-watering hiss and fizz over crunchy drum slaps. Two further tunes on the flip find Razart manipulating sound and bass in his own unique way with two remixes adding extra bite to an already very useful EP.
Review: Defenders of the true craft, no other label is repping quite as solidly, consistently and across all generations as much as Stretch's AKO Beatz. Take this new volume in their Defender series; a full-flavoured attack to the senses, every direction you look there's a humungous slab of vibes... Classic soul (Fez The Kid's timeless 'The Longest Time'), eerie retro futurism ('Blaze In'), sing-along reggae (Shay's raggamuffin rousing 'Sounbwoy Melody 1') smooth jazz feels (Scooby & Shaggy's summer-bound 'Catch It'), absolutely bumping hardcore (Culture Kutoshi's razor sharp 'Piece Of Body VIP'), criminally euphoric and wonderful (DJ Sofa's hardcore hero 'Wing Cap') The list goes on. Highest of high grades.
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