Review: The first anyone heard from Robert Fleck was an early drop on Well Street back in 2018, and it's been quiet since then. Anyone following Well Street knows it's a hot tip for upfront artists in the fractured fissures of the UK underground, and Fleck makes a welcome return to prove the point. There's a lot of different touchstones you could point to on this release, from nimble-footed broken beat and a whiff of nu jazz orchestration, not to mention a bass music sensibility and an appreciation for deeper strains of UK techno. But more than all that, Fleck merges his unique spread of influences into something fresh and unique, comfortably slipping between conventional genre markings with the kind of flair we've come to expect from Well Street.
Review: Fletcher's arrival on Ausblick brings another fine selection of techno sounds that tend towards the more deep, heady and minimal end of the spectrum. 'Blurred Lines' kicks off and is a sublime fusion of rubbery drum loops and shuffling percussive sounds that lock you into a mindful state that's eventually heightened by some dreamy little synth sequences and lovely dry hits. On the flip, 'What's It All About' is more abstract and sparse, a late-night sound full of intriguing little details to trip out the after-party crew.
Review: Last year's superb Pura Lempuyang album has been pulled apart and served up on a couple of separate 12"s and this is the second one. It comes on limited turquoise vinyl and offers four cuts of stylish deep dub and techno. Fletcher's 'It's A Virtue' goes first with taught, twanging bass and grubby basslines then Mike Schommer's 'Kingmaker' offers liquid dub funk with watery pads and hissing static. Nicolas Barnes picks it up a little with a darker but still warm dub techno roller in 'Sonic Dial' and Redrop's 'Genesis' is the more driving of the lot but again exists right on the ocean floor.
Review: NeoAcid returns with another EP of uncompromising techno, a sonic assault that's sure to leave a lasting impression. Flkn's 'The Jam' sets the tone, a relentless barrage of distorted kicks and acid lines that feels like a descent into a chaotic, industrial underworld. Collaborations with Jacidorex and Vcl push the boundaries further, their twisted soundscapes and distorted rhythms creating a sense of exhilarating chaos, like a runaway train hurtling through a dystopian landscape. On the flipside, Pisapia takes the reins, offering a slightly different flavour with hypnotic grooves and infectious melodies that add a touch of dark energy to the mix. A headfirst dive into the depths of techno, a sonic thrill ride that will leave you disoriented and exhilarated.
Review: Dookuzot is the entrancing debut from Floid & W92 aka Woody92, and it's released on their own Omen Wapta imprint. Across eight tracks, they craft a labyrinthine soundscape full of shadowy textures, tribal rhythms and eerie, dissonant tones that feels both ancient and futuristic-an ambient-techno blend that channels family history into sonic myth-making. Standout 'Maushe' hints at dancefloor tension, while 'Veriyou' is seriously deep and heady as part of what is a haunting, high-definition journey through imagined realms and moody post-human worlds.
Review: The classy Tech Startup label keeps it pretty high brow again here with a new minimal EP that is for heady floors and dancers who are happy to immerse themselves in ambient sound worlds. 'Terra Preta' is a floating escape to the stars, then 'Tone Dial' has the same sweeping synths but with supple deep techno rhythms. 'Reprise' is a complete flip with acid laced broken beats demanding a physical response and 'Stone Please' then trips you out with some deft loops and sine wave made.
Review: An innovative EP emerges from the collaborative work of two accomplished music producers in Stockholm's Weirdvin, founder of the thriving Maraton label and here making a debut on Lyssna with the label's own Flord King. Their music finds a perfect common ground between electronic minimal funk and atmospheric textures, with overtones of ocean-faring trips on a voyage to the depths of the Baltic Sea. From the snappy percussion of 'Navigation' to the ambient synths of 'Oyster' via the nice and delicate drum loops of 'Telefunken' the more warped lines and turbulent bass of 'Bende' this is an EP with a unique sonic aesthetic.
Review: In case you thought 'Nightjars' a few years back wasn't tasty enough, Foamy cooks up another buttery round for Magic Toast and there's breakfast for everyone. Each slice sits at a different tempo and spins a different yarn - the gluey Orbital-on-Mogodon 100BPM tech slug 'Multipass', the springy breakcore-curious lullaby 'Patter', the slimy sluggy business-witnessing blunderbuss 'Overkiller', the hopeful, playful but a little bashful 'Rarefaction' and the lonely chimes and cosmic wobble board adieu of 'Land' - but it all works together in a really immersive and inspiringly inventive way. Exceptional electronic music, this.
Review: The intriguingly named Perfumed Freedom makes its debut here with a seductive new minimal EP from Foehn & Jerome. The Frisbee of No Return is the sort of well-designed outing that lovers of those intimate yet zoned out 4 am moments will love: opener 'T-Dive' layers up synths that convey an unsettling sense of mystery and malevolent energy over flappy drums. 'Happy M'June' pumps the drums a bit harder while wonky synth details unfurl up top and last of all is the most raw of the lot - 'New Soul Interruption' has rasping bass and more cluttered arrangements.
Review: Apogee Music's debut vinyl EP premieres this week. Italian melodic techno trio Folual's talent shines through four powerful tracks, accompanied by remixes from Italy's T78 (Autektone) with his pounding dub techno rework of 'Ghosts' and Swedish veteran Tiger Stripes with a peak time rework of 'Scanner'. The vinyl's exceptional sound quality adds to its allure. Don't miss this impressive release by Folual and Apogee. Tracks arranged, recorded, and mixed by Alessandro Bianchi and Luca Antolini at Apogee Music Studio, with production by Folual.
Review: Strap yourselves in for this one because Fon Smith manages to pair great drum programming with lush synth arps that very much take you to the stars. Opener 'Noche En El Suburbio' is a gorgeous mix of both, with molten and mellifluous patterns rising and falling through the sky as the rubbery drums motor below. A Keymono remix of the same track adds more heft to the kick and pares things back to a more icy and minimal vibe but still one that is superbly cosmic. 'Happy Times With Happy People' is a loose-limbed house cut with dusty drums and languid synths.
Review: Ryan James Ford has become a reliable source of club-ready electronic music in recent years, with frequent outings on DUB, Clone and his own SHUT imprint all attracting support from DJs who like their techno strong but slightly off-kilter. He's in fine form on his first EP of 2023 too. First up is the celestial techno brilliance of 'ASMR (Tulsa Mix)', where chiming melodies and spacey synth sounds tumble down over over a non-stop bassline and energy-packed beats. The lo-fi techno moodiness of 'Eggplant (Stretched)' follows - all red-lined beats, low-register lead lines and ghostly electronic motifs - before Ford opens side B with his 21st century interpretation of bleep techno, 'A83'. The delay-laden, minor key-heavy drum funk of 'Nie Toasty (909 Mix)' completes a fine package.
Review: Ryan 'Simian Mobile Disco' James Ford's 'Fuzz Gathering' is a five-track EP that delves deep into his famously personal and adventurous exploration of sound and texture. Rooted in the idea of "fuzz gathering," Ford collects, analyses and reshapes sonic elements using inventive techniques to then craft a distinct auditory experience with each track. The EP blends intricate details with experimental sounds that highlight his unique approach to creating music. Complementing the release, Ford's own artwork visually echoes the EP's theme of dissecting and reimagining textures.
Review: Forest On Stasys takes the plunge here and launches a new label, Aura Sonora, which debuts with a hugely limited and high-quality new 12" from the boss. The imprint will be "a platform designed for sound experimentation" and the first missive backs that up with a great blend of drum & bass, half-time and techno. 'Magnetismo' is a prickly opener with slippery rhythms underpinned by bold bass. 'Domo' is a darker sound with menacing low ends and prickly percussive patterns while 'Sideral' is another late-night prowler with low sling sounds, eerie atmospheres and a real sense of futurism. A great start to life for Aura Sonora.
Review: Belarusian producer Four Walls is back - this time around he finds himself on the new Ultraworld Records imprint from DJ Craft. This one kicks off with the lush prog house and silky synth arps of 'Mind Charger' which soon takes you to the stars. 'Metamorphosis' is a more raw-edged and acid-laced techno stomper for peak time action and 'Summer Nights' is a bubbling, elastic tapestry of new age overtones, thudding kicks, and trance-tinged pads. A remix by Toronto-based Pletnev adds another dimension to this club-ready EP.
Review: Fractions are a duo of Russian producers who make high-energy and uncompromising techno music. Their latest release on NG Trax is a four-track EP which showcases their influences from their youth such as The Prodigy, with EBM and fast-paced club music. The EP features tracks like 'If You Love Me' (Press Play), a catchy and infectious banger with a vocal sample and a breakbeat rhythm, and 'Rush Zone' - a collaboration with Blame The Mono - that features a powerful bassline underpinning a vicious synth lead. 'Dimension X' is an intense sonic journey that transports listeners to another dimension.
Review: Terry Francis is a tech house OG. He's one of the earliest fabric residents and of course was half of Wiggle, a vital party and DJ pairing that helps shape tech house's earliest forms. He has a fine solo catalogue too and it is that which Mint Condition, the fine reissue label, digs into now to serve up his classic Dubtown. It opens up with the watery dub-tech and liquid grooves of 'Hannah's House' then gets a more melodic dub. 'As You Cry' is an irresistible groove with wobbly bass, sharp hi-hats and that kinetic sense of drive that a good tech house always has. Last up is another Rub N Tug classic, 'Reggae's House'.
Review: Frankey & Sandrino's 'The Moment' EP is a big sounding fusion of techno, infused with elements of trance that are sure to get people's attention. Side-1's title track, The Moment, skillfully blends trance-like elements with a big breakdown and drop, all set at a house or lower techno BPM. This slower tempo gives the track a refreshing twist, with melodic elements that build and create a captivating atmosphere. On Side-2, 'Intrinsic' takes center stage as a techno builder, offering a serious burner that's primed for peak-time play that has you on pins and needles. It's intense, driving, and perfectly crafted for big room impact. Motivation closes the EP with another powerful techno burner, featuring major sounds that push the energy even further. 'The Moment' EP is a well-rounded offering, balancing melodic depth with dancefloor-ready intensity.
Review: Fred P continues to be a prolific driving force in deep house, with his own Private Society label carrying a huge amount of his work these days. On this latest single he maintains one of his other close working relationships with Parisian institution Synchrophone, delivering three cuts of his refined, endlessly immersive music. 'Dance Of Rhythms' is a driving, sharply defined cut with a lot of action occurring in the lower register while the higher frequencies have acres of space to stretch out in, all the better to keep your head mellow while the hips sway. 'The Beauty In The Sound' is a more pattering affair and 'Vibe Science' favours a nagging drum pattern which nods towards jazz funk as much as techno. This is quintessential Fred P mastery, through and through.
Review: Back in 2020, hip-hop, breaks and electro stalwart Freddy Fresh decided to turn his hand to vintage-sounding house and techno, self-releasing a set of tracks called The Harvest online. Rawax were impressed, with the popular label deciding to put the pick of the cuts out on vinyl. Title track 'The Harvest' sets the tone, with the veteran producer wrapping a house-tempo, post-electro groove in sustained organ chords, spacey synths and bubbly electronic melodies. 'House-Spanner' sees him doff a cap to The Middle of Nowhere-era Orbital (seriously, it's very reminiscent of the Hartnoll brothers' late '90s output), while 'Misunderstood' is a woozy, delay-laden chunk of early morning U.S deep house. Elsewhere, the deep house dreaminess continues on the interestingly swung 'Twain', and clonking, TB-303 speckled 'Horlywagon'.
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