Review: Mattoni Pazzi Studios is a fresh and young new label out of Switzerland that makes more cool moves here with a second 12" featuring reworkings by GOTT of industrial and metal anthems. It is a split that opens up with a remix of goth legends Fields Of The Nephilim's 'The Watchman' (GOTT Mutatio), a track with progressive guitar licks ringing out over a twisted metal bassline. The crashing drums are cacophonous and demand you march along to what sounds like Depeche Mode on a comedown. On the flip, Sonic Violence steps up with 'Malice' (GOTT Mutatio) which is a dark, stomping bit of tech that draws on elements of EBM and industrial to make for a gothic and strobe-lit late-night monster. It's physical body music with a soot-black soul. Serious stuff.
Review: Despite the not-so-subtle restyling of this artist's name to G'Z, it's fairly obvious to anyone with ears these tunes are by the Gorillaz. Not least because the track titles themselves remain unchanged, and so does the music. They are 'Feel Good Inc' and 'Dare' and they land on a limited edition 7" together probably for the first time. It's fair to say these are two of the most standout tunes this digital band ever put out. There is the laid-back funk of 'Dare' with a superb vocal from Shaun Ryder, and the more clipped and upbeat widescreen bounce of 'Feel Good Inc'.
Review: Long-faced Boston blues trio GA-20 deliver a swampy, bluesy take on Dolly Parton's classic, 'Jolene'. While the original Parton number's lyrics dealt in the instantly-memorable theme of a queen bee stealing the singer's beloved - "just because you can" - the original song could nonetheless be accused of obscuring the melancholic feel of the lyrics, by lending them an uptempo dance backing. GA-20 might be credited with fixing that problem here, stripping things back to a lilting blues plod, convincingly reworked into a vintage, boxy, sepia-toned context.
Love & Hate In A Different Time (alternate version) (2:47)
Review: Impossibly powerful and soul fuelled sounds from Gabriels,who have headlined a fine list of all the major musi events, not least Glastonbury with a stirring performance that took them to all new levels. 'Love & Hate In a Different Time' is their most hard hitting tune but still comes with plenty of sweetness and sits at the centre of this 12" of the same name with an alternate version also included next to dusty and lo-fi soul gut wrenchers like 'The Blind' and the intimate vocals, swooning strings and finger clicks of 'In Loving Memory.'
Review: A new four-track EP reflecting ever-expanded horizons for the band, 'Bloodline' is the latest output from loose-limbed, soul-stirring funk band Gabriels. Quickly finding fans in the likes of Elton John, Celeste, Paul Weller, Benji B, and Gilles Peterson, Gabriels should soon find plenty more on a record that could soundtrack a David Lynch epic; such is its drama, its suspenseful, late-night orchestral ruminations. Capped by frontman Lusk's voice - a weapon that swoops through the octaves breathlessly - Gabriels have that rare ability to make you re-evaluate music, and what it can do, in a heartbeat. Whilst Lusk provides the wow factor with that ridiculous larynx, Gabriels are very much a close-knit trio. Producer, keyboardist (and full-time video director) Ryan Hope hails from Sunderland but calls LA home. Fellow producer-composer and violinist Ari Balouzian, a man with endless musical projects on the go at any one time, gives Gabriels' songs a real 'feel' to them. Sultry, soulful mood music certainly isn't the band's modus operandi, but this new experimental EP should paint an altogether more rounded idea of where Gabriels are at today.
Review: Two of the likeliest lads from Manchester team up for the first day release of their new collaborative project. And its something of a full circle moment, with Oasis frontman Liam Gallagher previously citing Stone Roses hero John Squire in a list of formative teenage musical inspirations, who, in turn, first encountered the former when both bands were working the same studio, respectively recording Definitely Maybe and The Second Coming. The pair first shared honours three years after that, co-writing 'Love Me & Leave Me' for Squire's relatively short-lived outfit, The Seahorses, in 1997. Skip forward to 2022 and Squire joined the Gallaghers et al on stage at Knebworth, reprising his appearances for renditions of 'Champagne Supernova' at the band's 1996 shows, spurring the idea to do something together again. Here's the result - and it's precisely what the duo should sound like together.
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