Back catalogue: All genres

Review: 'Girassol' has long been one of the hardest-to-find gems in Brazilian great Marcos Valle's vast catalogue of sun-drenched musical treats. It was initially recorded and released as a promo-only seven-inch, with copies being handed out to customers of a Brazilian supermarket chain. This, then, marks the track's first ever commercial release. In its' original form (side A), 'Girassol' is a lusciously short, soft-focus affair - a two-minute chunk of laidback, jazz-funk influenced South American boogie bliss with the kind of high production values that you'd expect from Valle during his successful post-disco period. As with the original 7", it comes backed with the slightly more elaborate 'Playback' instrumental mix, where gentle, eyes-closed saxophone solos come to the fore.

Review: To celebrate ten years of one of London's most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gomez and Nick the Record, it aims to transmit a taste of Tangent's spirit: a party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties. Spanning live-recorded disco, Brazilian boogie and weighty lovers' rock, this selection of rare sonic meats is a prized procuring, the consistent quality of which you likely won't be able to track down in many other contexts.

Review: For the last decade, John Gomez and Nick The Record's freewheeling Tangent parties have proved popular in London, offering dancers the chance to shake their stuff to a wide selection of superb (and normally insanely rare) records over a high quality soundsystem. The pair's first Tangent compilation, which arrives via Mr Bongo, naturally offers a superb reflection of their approach and is packed with must-have cuts. For proof, check the proto-house era dubbed-out boogie of King B's 'Love Is Crazy', the sun-splashed Brazilian gorgeousness of 'Laberinto' by PERIKAS, the spaced-out headiness of Hidrogenese's 'La Carta Era Muy Larga (Dub)', the heavy batacuda business of 'Nira Gongo' by Conjuto Baluartes' and the dub disco-flecked, deep house brilliance of LTA's 'What Comes To Ya'.

Review: Those on London's crate-digging underground should be well aware of Tangent, an eclectic, anything-goes party created by esteemed record collectors John Gomez and Nick The Record. With a little help from Mr Bongo, they've curated this compilation featuring some of their favourite selections from the party - the vast majority of which are either obscure, rare or overlooked. It's a predictably impressive selection all told, with the pair bouncing between digital reggae-infused global grooves (Srirajah Soundsystem), mid-80s French jazz-funk-synth-pop fusion (an exclusive edit of Leo Basel), quirky riffs of the Pointer Sisters (Marc Thornhill's 'Automatic'-inspired 'No Way To Control It'), zouk, proto-house-era Balearic brilliance (Androo), squelchy AOR synth-disco (Hidrogenesse), heavy Latin percussion workouts (Conjuto Balurantes), dub (Lee Jackson Band) and much more besides.

Review: A UK club culture icon for all the right reasons, Luke Unabomber has put in a helluva shift over the years bringing the best tunes to the best parties for decades upon decades. He might be just as visible these days as a social media raconteur-comedian, but his depth of knowledge is unfathomable and a compilation like this is the perfect vessel to realise just a little of what he possesses in his fabled record shelves. Away from direct dancefloor firecrackers, this is a chance for Una to show off some jaw-dropping mellow cuts spanning soul, jazz funk, spaced-out electro and scores more obscurities besides. It's a collection like no other, featuring fully fledged songs that will burrow into the soundtrack of your own life without even a shred of resistance.

Review: Brighton based record label, publishers, cinematographers and legendary former London record store Mr Bongo present the first installment in their new 'Mr Bongo Record Club' compilation series. It features, in their words "a selection of favourites, recent discoveries and sought after obscurities, which form the basis of our DJ sets and our radio show of the same name." There really is some great music on here that has been sourced from all corners of the globe and as much as they're oldies: they certainly are goodies. Our favourites weren't limited to: Brazilian duo Lemos E Debetio's charming "Morro Do Barraco Sem Agua", the African funk explosion of Lantei's "Fish & Funjee (Komi Ke Kenam)" and some truly hot reggae vibes in the form of Big Youth's 1977 unclassic "Mammy Hot Daddy Cool" among many others on this fine compilation.

Review: In full gatefold LP form comes the latest Brazilian boogie compilation by Horse Meat Disco, selected selectors of the best rarities in the disco genre. Curated mostly by founding member Luke Howard and with added consultations from crewmates James Hillard, Severino Panzetta and Jim Stanton, a lifetime of frolicking among samba troupes, carnival processions and yearly Rio visitations went into the choices you hear here, consummating one man's intuitive taste for a sound whose appeal stretches far wider than its nation of origin. Mr Bongo invited Howard to their Brighton HQ for an extended on-site selection, proving its off-the-cuff expertise: early electronica experiments from Ze Carlos blend voluminously with Jorge Ben pennings and mouth-watering Luiza Maura 7" cullings, proving a hand-picking that is at once eclectic and unifying.

Review: Since launching in 2016, Mr Bongo's Record Club compilation series has provided three essential volumes of personal favourites - many obscure and hard-to-find - selected by the label's in-house team of crate-digging DJs. Volume four is naturally every bit as essential as its' predecessors, offering an enticing mixture of Brazilian, African, soul, funk and disco with not a suspect selection in sight. This time round, they've chosen to include contemporary music as well as dusty old gems, with highlights including Kenny Dope's delicious rework of the soul-jazz positivity of 'Throwing Stones' by James Reese and the Progressions, the fast version of Ze Roberto's 1973 MPB classic 'Lotus 72D' and the samba-folk wonder that is Matthew Tavares' 2019 gem 'Self Portrait'.

Review: The crate-diggers behind the Mr Bongo label can usually be relied upon to showcase some seriously good tunes old and new. That's certainly the case on this third volume in their occasional "Record Club" series of compilations. Spanning sunshine soul, obscure samba, spacey jazz-funk experimentation, wide-eyed underground disco, fiery funk, weirdo rock, cheery South African bubblegum, synth-laden early '80s highlife, Ramsay Lewis style workouts and the psychedelic Middle Eastern disco-funk of Elias Rahbani, the compilation's 20 tracks are not only near faultless, but genuinely surprising and eye-opening. To quote a cliche, this collection genuinely is all killer and no filler.

Review: The liberation of Mali from French rule in 1960 led to an explosive musical renaissance, and on this latest 2xLP compilation, Mr Bongo seek to remonstrate the nation's excellence in the face of much strife. After 1970, amid revived drives to document many national and regional music productions from the West African nation, Malian culture underwent a fertile transformation, with state-sponsored bands and orchestras able to record with sound engineers for the first time. Compiled by French writer and journalist Florent Mazzoleni and Mr Bongo's own David Buttle, we hear here the likes of Ousmane Kouyate & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystere Jazz de Tombouctou and many more, where bright, fuzz-packed tones whirl about our ears in serene squalls of balafon-driven funk, rumba, wassoulou, jeli and blues.

Review: Jazz Rock doesn't quite do exactly what it says on the cover - jazz features heavily on this gorgeous record, but of the spiritual kind, and often driven by lush, funky drum playing. It is also a record defined by the distinctive sound of the koto - a traditional Japanese string instrument that lends the record a delicate and beautiful feel. It was recorded in 1973 and sounds both perfectly aged yet utterly fresh and also features bamboo flute playing by Hozan Yamamoto. It's a laidback record, one filled with the joys of spring, but also one that doesn't take itself too seriously and gets upbeat and funky as often as it does tender and pensive.

Review: We're used to seeing pools of 7"s from the Mr Bongo label, so to have this new compilation of rare and original music from Mali truly is the warmest of Easter treats for us. And so it should be for you, too. David 'Mr Bongo' Buttle has really gone to town with this one, and it feels like he's on a wining streak at the moment; that recent compilation from Cape Verde, out through his Ostinato imprint, really caught us by surprise a few months back. This compilation is every bit as exciting and revelational, and perhaps even more sophisticated than anything else the man has reissued over the years. This comes as no surprise given the fact that Malian music is considered to be the pillar of African experimentation within the music realm, and this feels absolutely true on this particular selection of songs. A subtle funkiness engulfs the entire release, except that each track has its own story to tell, whether that's through slow chanting, fast-paced jazz funk, or even primitive forms of drum-machine boogie. Most importantly, however, there is always something true and characteristic of Africa at the core of these songs, and this LP will no doubt live a comfortable existence way out into the future. Excellent.

Review: Mr Bongo's latest must-check compilation doesn't mine Brazil's musical heritage, but rather shines a light on what's happening in Rio de Janeiro right now. Hidden Waters was compiled and curated by two Brazilian music specialists - Joe Osborne (founder of the Brazilian Wax website) and Russ Slater (Editor at Large of Sounds and Colors) - and offers up a blend of scene stalwarts and exciting starlets. Musically it's varied, but largely rooted in samba, MPB and other classic Brazilian styles. So, while sun-soaked sounds (sorry) are the order of the day, Osborne and Slater also find room for the fuzzy psychedelia of Ava Rocha, the Stereolab-goes-samba flex of Exercito de Bebes, the low-slung, synth-sporting mutant funk of Thiago Nassif, the spiritual, pastoral-sounding afternoon warmth of Mari Romano and the lilting vocal jazz of Troa. An impeccable, eye-opening collection of quality cuts.'

Review: International favourites on the boogie-and-beyond selection circuit, Horse Meat Disco deliver the first edition in a brand new compilation tracking yet more heat disco of a Brazilian flavour. Some 13 years in the making, much love and attention has been poured into this compendium, which unearths tracks from the seemingly endless urban goldmines of Brasilia and Rio, twin obsessive loci, nurtured by founding member Luke Eagle amid an extended exploration of the South American nation's dance music culture. Having learned to dance samba and paraded the Rio Carnival, this is a compilation rooted in worldly experience, made up largely of 7" finds. Chief among the brilliants are Ze Carlos' Italoesque wonder 'Venha' and the well-spiced 'Sol De Verao' by Lafayette, spanning years' worth of digging.

Review: By now, we should know exactly what to expect from Mr Bongo's superb Record Club series of compilations: inspired selections, across a range of complimentary styles, from the esteemed label's staff and roster of in-house DJs. Predictably, volume seven is another must-check treat, with the plentiful highlights including the sun-soaked samba shuffle of Yvette's 'Upa Neghuino', the jazzy MPB excellence of 'O Espaco' by Os Panteras, the joyous and spiritual dancefloor soul-jazz of Roman Andren's 'Captain's Sword', the gritty funk-rock of Truth & Devotion ('Bless My Soul'), the heavy disco of 'Come Inside' by The Shades of Love, the self-explanatory (but hard to pigeonhole) brilliance of Tony Wilson's 'Hangin' Out In Space (dub mix)' and the hard-to-find excellence of JC Lodge's 'In Between The Sheets', a far-sighted Jamaican street soul jam from 1993.

Review: Mr Bongo Record Club's Volume 7 presents a meticulously crafted mix of classic favourites and exciting new finds spanning a broad array of genres, including Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo. This series has fans of the label excited about each volume that comes. With standout tracks like Os Panteras' Brazilian funk, the underground disco vibes of Claude Jay, and the soulful melodies of the Danish duo Gitte & Inger. Truth & Devotion's gospel soul and Chain Reaction's infectious grooves further illustrate the diverse range of influences at play. This volume particularly emphasises Brazilian music, diving deeper into folk and Afro-Brazilian sounds with selections from As Sublimes, Romeu Fernandes, and Conjunto de Percussao Dora Pinto. These tracks offer a refreshing shift from earlier volumes and showcase Brazil's rich musical heritage. A highlight is the exclusive 'Spring Has Sprung,' a collaboration between legendary Asha Puthli, the inventive band SOYUZ, and Swedish producer Sven Wunder. This track exemplifies the high-quality productions Mr Bongo Record Club is known for. Volume 7 blends Brazilian depth with dancefloor-ready hits, such as The Shades of Love's 'Come Inside.' This collection celebrates both timeless and contemporary music, reflecting the enduring allure of diverse and dynamic sounds.

Review: The latest edition of the Mr Bongo Record Club series is a meticulously curated blend of timeless gems and fresh discoveries. Volume 7 showcases a rich tapestry of genres, spanning Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo music.This version on purple vinyl shines a spotlight on vintage tracks while introducing a contemporary gem. Highlights include Os Panteras' Brazilian funk, Claude Jay's underground disco beats, and the soulful Danish duo Gitte & Inger. The gospel soul of Truth & Devotion and the infectious grooves of Chain Reaction also stand out, reflecting the diverse influences that inspire this compilation. Notably, this volume leans heavily into Brazilian sounds, exploring deeper into folk and Afro-Brazilian influences with selections from As Sublimes, Romeu Fernandes, and Conjunto de Percussao Dora Pinto. These tracks offer a refreshing contrast to previous volumes and highlight the expansive nature of Brazilian music. A standout feature is the exclusive track 'Spring Has Sprung,' a collaboration between iconic Asha Puthli, the innovative band SOYUZ, and Swedish producer Sven Wunder. This new production is a breathtaking addition, exemplifying the exceptional quality that Mr Bongo Record Club aims to deliver. Additionally, the compilation includes club-tested hits like The Shades of Love's 'Come Inside,' ensuring that the dancefloor favourites continue to resonate.