Back catalogue: All genres

Review: This four-track compilation draws a tight line between warehouse muscle and emotional lift, delivering techno that's as moving as it is functional. Each cut brings a distinct perspective, yet they all share a sense of cinematic build and focused production. Gregor Tresher starts with 'Bonegrinder', a slow-burn builder that creeps forward before erupting into a peak-time workout. The groove is tight, the progression deliberate and when it hits full stride, it lands with impact. 'Cascade Rips', a collaboration between Works Of Intent and Voltaire, brings a different mood entirely. Its rolling bassline sits beneath a futuristic synth lead that feels both suspenseful and strangely touching. There's emotion under the surface and it simmers just right. On the Side-B, Marco Bailey drops 'Arcane', built around raw drum machine sequences and electro pulses. It grooves hard with a throwback vibe, nodding to early rave with metallic melodies and vocodered snippets that recall Kraftwerk without mimicking. The closer, 'Perditae' by Tom Hades and Soren Aalberg, floats into a more euphoric space. Its rising melody and ghostly vocals feel like they're beamed down from the heavens. A smartly curated collection of peak and soul.

Review: This is a highly sought-after slice of 90s Detroit techno well cherished by those who like machine soul and siren futurism from the Motor City. It is now reissued, so those who consider it a holy grail are sure to rejoice as it has also been smartly remastered and features two remixes that were never officially released, with only a limited number of white label copies originally distributed as promos by 430 West. 'Vocoder' glistens with cosmic synths that twinkle like distant stars over a rubber, bouncy bassline. Remix 1 is more dark and rugged, and remix 2 has a heftier low end and more snap in the drums. It all makes for high class mind and body music.

Review: With nearly 20 releases under his belt, this seasoned German producer delivers a strong techno EP that fluidly bridges multiple styles while maintaining a cohesive, forward-facing vision. Drawing from techno, tech house, electroclash and even breakbeat house, the EP moves with confidence and a subtle experimental streak. 'Klobb' starts with a sleek and sleazy futuristic edge. Its dark, pulsing rhythm and eerie melody create a fun-but-serious mood. 'You're Slipping Away' follows, diving deep into EBM and darkwave-inflected territory. It's a relentless and commanding track. 'Hush' flips the energy on its head, a welcome slowdown that leans into downtempo vibes. The B-side has 'Am I Making Sense', a bold techno cut with pristine sound design and a sense of urgency. It's big and atmospheric, with drums that punch through the mix cleanly. The EP closes on 'Rana Temporaria', a track that combines dynamic groove work with melodic tension and a slightly edgy twist. An ideal closer for a set or a record that resists easy categorisation. A confident, genre-fluid EP with some versatility too.

Review: In the formative years of his career in the late 1990s and early 2000s, Ricardo Villalobos frequently utilised a handful of alternative production aliases - first Minta Spacew (one EP way back in 1993) and then more frequently Richard Wolfsdorf. Tia, first released way back in 2000, was the Chilean minimal maestro's second outing under that alias and has become a sought-after EP in recent times - hence this Rawwax reissue. A-side 'Echt Rot' is typically Playhouse-era Villalobos, with cut-up vocalisations, odd noises and spaced-out electronic snippets riding a crunchy minimal-house beat and looped, mind-mangling TB-303 bassline. Title track 'Tia' features simmering orchestral samples clustering around a typically wonky, stripped-back beat, while 'Feurwasser' sounds like the blueprint for many of his later minimal techno workouts.