Back catalogue: Classical

Review: A decade on from its original release, this compilation remains a spellbinding window into the musical mind of one of modern music's most innovative figures. As comfortable behind a grand piano as a homemade synth, Frahm brings his taste for boundary-blurring to this curated journey. Consider this a love letter to his inspirations and a reflection of his multifaceted artistry. The compilation weaves classical greats, jazz legends, ambient pioneers and experimental mavericks into a singular, late-night odyssey. Vladimir Horowitz's crackling rendition of 'The Flight of the Bumblebee' connects Frahm's own virtuosic piano play to the classical canon, while Miles Davis' smoky 'Generique' and 'Concierto de Aranjuez (Adagio)' speak to the atmospheric jazz undercurrents that color much of his work. Nina Simone's aching rendition of 'Who Knows Where the Time Goes' carries the same stripped emotional core that Frahm achieves in his more minimalist moments. Elsewhere, the warmth of Dub Tractor's 'Cirkel' and the ghostly dub of Rhythm & Sound's 'Mango Drive' nod to his love of minimalism beyond genre. Boards of Canada's slow-burning 'In a Beautiful Place Out in the Country' is also featured, showing the esteem Frahm holds these newer tracks in, nestling among legendary musical acts of the past. From Colin Stetson's avant-garde saxophone to Bibio's lush textures, the compilation spans eras and aesthetics with cohesion and care. It's not just a mixtape - it's a tribute, a seriously rich tapestry of influences that shaped a singular voice.