Review: A nice mix of funk, hip-hop and reggae influences go into the melting pot on the latest SuckaSide, with 'Even After All' proving to be a laid back, blunted jam that's backed up with some hard hitting, sturdy beat manouevres. On the edgier sounding flip, meanwhile, a female MC spits with impressive ferocity while a lovely warm - and somewhat familiar - analogue-edge loop works its magic. Both are key components for use at different points in the jam, some badly needed heavy weaponry that Donald Trump can't withdraw from service here.

Intérprete: The Allergies

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est. release 16 Jun 25 $11.06

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KING MOST

Teedra Joint (7")

Cat: KM 002. Rel: 14 Jul 25

Teedra Joint

Badu Rock Riddim

Review: Heat Rock has previously been home to plenty of superb King Most flips but here he returns to KM after the head-turning inaugural release, this second outing is another super fun blend of classic beats and vocals. Sunny R&B and neo soul vocals, natty guitar riffs that bring the funk and a fat, rolling dub sound on the flip, making for two fine collisions of different worlds.

Tags: Soul Disco | Pop Disco

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est. release 14 Jul 25 $11.06

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DUB SPECIALIST

Break To Break (12")

Mysticisms

Cat: MYD 009.

Dub To Funk (Piers Harrison re-edit)

Movin Ya (Millie McKee re-edit)

Funkin Dub (Vanity Project re-edit)

Murderous Style (Chuggy re-edit)

Review: London's Mysticisms label spill valorous guts in issuing this new dub and breakbeat crossover record from Dub Specialists. Having emerged from te potent 1980s-90s fallouts that enshrouded the pioneering digital roots label Conscious Sounds, Dub Specialists tracked the storied meeting-of-minds that was and still is Douglas Waldrop, Piers Harrison, and Stuart "Chuggy" Leath. This time, the trio are heard teaming up with DJ Millie McKee and studio brain Matt Bruce to formate yet another splinter cell, as missionaries of Conscious Sounds' digital mission: to explore samplers and videogame sounds in dub and funk. Using an Atari 1040 running Cubase and armed with a Soundcraft mixer, this latest iteration hears drum loops and reggae basslines played over funk samples and layered with Petter's chords, crafting a series of short, DJ-worthy heaters. The result is unhindered by expectation and breaks many calcified digidub moulds, as on 'Funkin Dub', where speak n' spell garblings meet downtown funk licks and sonorant snare whacks.

Intérprete: Alexis Le-Tan, Piers Harrison, Ray Mang

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coming soon $18.80

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MYSTIC JUNGLE

Sunset Breaker (LP)

Periodica Italy

Cat: PRD 1026. Rel: 12 May 25

Secrets

Some Lovin'

Innervision

Shine For Your Desire

Twilight

In Time

The Road

Get Me Higher

Sunset Breaker

Review: Neapolitan funk maestro Mystic Jungle returns with a new LP less than a year after the dreamy Words of Love with more astrally-charged electro/boogie/disco type wonderment. Dario di Pace's third full-length has been quietly brewing for years, shaped by studio shutdowns and shifts in location i and that patchwork journey adds a certain character to the gorgeously technicolour music on show. It's perhaps his most eclectic and free-flowing release yet: a bright, hazy blend of styles that feels both loose and deeply considered. On the dancefloor end, tracks like 'Secrets' and 'Some Lovin'' burst with disco grooves, searing guitars, call-and-response vocals and sultry sax lines. Elsewhere, 'Innervision' and 'Twilight' lean into lovers rock and wavy neon-dub pop, full of yearning, shimmer and otherworldly flourishes. Then there's the stoner sway of 'The Road' and 'Get Me Higher' i sun-soaked, psychedelic jams with zoned-out soul at their core. A richly immersive Amalfi joyride from start to finish, the Periodica fire just keeps on burning.

Tags: Balearic Disco | Disco Funk

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est. release 12 May 25 $25.73

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Keith HUDSON / SOUL SYNDICATE

Nuh Skin Up Dub (LP)

Week-End Germany

Cat: WE 14. Rel: 09 May 25

Even Those Dreadful Words

Nuh Skin Up

Mercy

Bad Things

Keeping Us Together

Ire Ire

Desiree

Troubles

No Commitment

Review: 70s and early 80s Jamaican producer Keith Hudson's approach to dub was never about smooth edges or easy rhythms. His productions are dense, disorienting, heavy with delay, bass and drums that sound like they're ricocheting down a well. The Soul Syndicate, his long-time studio band, provide the backbone hereideeply locked-in grooves that Hudson warps into something ghostly. 'No Commitment' staggers forward with stabbing guitar chops that seem to dissolve mid-strike, while 'Ire Ire' loops through warped vocal fragments and echo chambers that stretch into infinity. 'Bad Things' and its dub counterpart pull apart the rhythm until it feels skeletal, each hit landing in the empty space between delay trails. Hudson's use of reverb and tape manipulation isn't just about atmosphere, but about control as well. He shifts and reshapes the mix to turn steady rhythms into something unsteady, always shifting just out of reach. 'Desiree' drifts through flickering hi-hats and cavernous low-end, while 'Keeping Us Together' seems to slow down and speed up in the same breath. There's something darker, more claustrophobic in the way he structures space and silence. Even the brighter moments, like 'Mercy' with its open, rolling groove, carry an unease, as if the music itself is bracing for collapse. Hudson was an architect of mood, twisting familiar elements into something deeply immersive and strangely hypnotic.

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est. release 09 May 25 $38.72

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HIDDEN SEQUENCE

Isms & Schisms (7" limited to 200 copies)

Magistrate

Cat: MGST 01. Rel: 12 May 25

Isms & Schisms

Magistrates Dub

Review: Hidden Sequence returns, this time to kick off a new label Magistrate, and hot on the heels of their quick-to-sell out 'Silent Roots' last year. This fresh EP seamlessly bridges classic 70s Jamaican dub with modern, bass-heavy and dubwise delights, starting with 'Isms & Schisms'. The horns are brilliantly inviting as are the low ends which have been well worked on a vast desk and come packed with echo and effects. 'Magistrates Dub' is an immediately infectious skank that shifts into a deep, dub-heavy exploration and unites past and present dub influences.

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est. release 12 May 25 $14.38

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The HEPTONES

Cool Rasta (LP)

On High US

Cat: OHR 006.

Cool Rasta

Black On Black

Peace And Harmony

Do Good To Everyone

Dreadlock

Suffering So

Autalene

Baga Boo

Wah Go Home

Over And Over

Review: The Heptones' 1976 recording captures a golden era of Jamaican music, bridging rocksteady and roots reggae with effortless charm. Tracks like 'Cool Rasta' carry an understated groove, while 'Black on Black' delivers a poignant commentary through strikingly simple lyrics. 'Peace and Harmony' stands out with its rich harmonies, offering a soulful plea for unity. The warm, analogue production accentuates deep basslines and crisp percussion, creating a sound that feels as relevant now as it did then. This collection is a testament to the trio's artistry and the timeless appeal of their music.

coming soon $30.98

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IRATION STEPPAS

Dubs From The Foundation (gatefold 2xLP)

Greensleeves

Cat: GREL 2178. Rel: 23 May 25

Michael Prophet - "Righteous Are The Conqueror"

Al Campbell - "Respect"

Rebel Regulars - "Jah Love"

Wailing Souls - "Busnah"

Ranking Dread - "Shut Me Mouth"

Johnny Osbourne - "Mr Marshall"

Mystic Eyes - "Perilous Time"

Hugh Mundell - "Run Revolution A Come"

Barry Brown - "Give Another Isreal A Try"

Toyan - "How The West Was Won"

Roots Radics - "Conquering Dub"

The Revolutionaires - "Respect The Version"

Rebel Regulars - "Iregular Dub"

Roots Radics - "Busnah" (Dubwise)

Ranking Dread - "Shut Up Shut Up"

Roots Radics - "The Dub Marshall"

The Revolutionaires - "Roots Man Version"

Augustus Pablo - "Revolution Dub"

Roots Radics - "Give Another Dub"

Roots Radics - "How The Dub Was Won"

Review: Leeds' Iration Steppas have spent over three decades reshaping dub into a raw, high-voltage force, blending classic roots selections with futuristic, bass-heavy energy. Here, Mark Iration delves into the Greensleeves archives, curating a deep selection of foundation cuts that have fuelled their sets since the early 90s. The first disc centres on heavyweight vocal performancesiMichael Prophet's 'Righteous Are The Conqueror' and Johnny Osbourne's 'Mr Marshall' embody roots reggae at its most defiant, while Ranking Dread's 'Shut Me Mouth' and Wailing Souls' 'Busnah' channel the militant energy of early dancehall. The second disc turns up the pressure, diving into dub with Roots Radics' 'Conquering Dub', Augustus Pablo's 'Revolution Dub' and The Revolutionaires' 'Respect The Version'. Following the success of Down In Dub From The Vault, this latest Soundsystem series instalment reframes vintage selections through the seismic weight of Iration Steppas' vision.

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est. release 23 May 25 $40.67

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Yassin OMIDI

Electronic Wave Function (limited 180 gram vinyl 12")

Mosaic

Cat: MOSAICDBS 03. Rel: 26 May 25

Sluder Dub

Lineup

Review: You might think that Yassin Omidi is a newcomer, but in fact it is the new-coming of an already accomplished and respected head who now delves deep into the world of dub techno on Steve O'Sullivan's Mosaic. The beatless 'Sluder Dub' is coated in heavy fog and static with conscious vocal musings and the roomiest of chords landing with great drama and tons of echo. On the flip is another analogue sound that features buffed metal dub chords, classic effects and a shapeshifting ambient hiss. It's dramatic despite being such a minimal piece.

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est. release 26 May 25 $16.04

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CHANCHA VIA CIRCUITO

Remixes (LP)

Wonderwheel US

Cat: 63734. Rel: 30 May 25

Lulacruza - "Uno Resuena" (Chancha Via Circuito remix)

Kaleema - "Velo" (Chancha Via Circuito remix)

Lagrtijeando - "El Nogal De Las Pampas" (Chancha Via Circuito remix)

Ape Chimba - "Nina Del Mas Alla" (Chancha Via Circuito remix)

Lum - "Pantera" (Chancha Via Circuito remix)

Perota Chingo - "Reverdecer" (Chancha Via Circuito remix)

Fuel Fandango - "La Grieta" (Chancha Via Circuito remix)

El Buho - "Telocotin" (Chancha Via Circuito remix)

Nickodemus - "Do You Do You?" (Chancha Via Circuito remix)

Nicola Cruz - "Cocha Runa" (Chancha Via Circuito remix)

Review: Argentine electro-cumbia innovator Chancha Via Circuito (Pedro Canale) has a truly strong sense of give and take. His debut movements saw to Bienaventuranza (2018), a critically acclaimed album deep-setting his role in a gauzy downtempo reshape of the global music idiom. A full remix EP of the record followed, spewing forth fresh interpretations by echelonic music masters, including Euro-techno titan Nicola Cruz on 'Alegria', and Spanish producer Baiuca. Now, finally, comes the third in a three-step movement of remixes, this time hearing Chancha Via Circuito himself offer his own remixing hand to several of said very same artists, the works of El Buho, Nickodemus, and Lagartijeando also in tow. Deep, earthy tunes, full of natural oud harmonics blended with chanting, understated downbeats.

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est. release 30 May 25 $23.79

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DUB NARCOTIC SOUND SYSTEM

Fuck Shit Up (7")

K US

Cat: DBN 102. Rel: 06 Jun 25

Fuck Shit Up

Fuck Shit Up Hifi Sean Mix

Review: Originally released as part of Dub Narcotic Sound System's Dub Narcotic Disco Plate series, 'Fuck Shit Up' has stood the test of time as a raucous blend of garage soul punk. The track made waves upon its 1994 release, with its genre-defying energy gaining instant admiration from artists like Beck, Chemical Brothers, The Jon Spencer Blues Explosion (who later covered it), and Make-Up. "We loved this piece of ramshackle punk funk when we first heard it on 7" in 1994 and we still love it now!" said The Chemical Brothers in 2025. Still a staple at underground dance parties, the track has amassed over 100,000 YouTube streams, so for the first time, it's now available digitally, paired with a fresh remix by Hifi Sean, best as former singer with C86/baggy heroes Soup Dragons.

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est. release 06 Jun 25 $9.94

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ROOTS ARCHITECTS

From Dub 'Til Now (LP)

Fruits

Cat: FTR 068. Rel: 06 Jun 25

1000 Light Years Dub (feat High Times Players, Lloyd Obeah Denton)

In The Shadow Dub (feat Vin Gordon, Glen Dacosta, Sheldon "atiiba" Bernard)

Whitewater Dub (feat Ibo Cooper, Lew Chang)

Memories Of Old Dub (feat Ernest Ranglin, Tyrone Downie)

Rose Hall's Birds Dub (feat Vin Gordon, Glen Dacosta)

Squirrel Inna Barrel Dub (feat Ernest Ranglin, Vin Gordon, Karl Bryan)

Under The Cotton Tree Dub (feat Glen Dacosta, Ibo Cooper, Cat Coore)

45 Charles Street Dub (feat Roots Radics, Dwight Pickney, Dean Fraser)

Everlasting Love Dub (feat Sly & Robbie, Dean Fraser, Peace Diouf)

Review: The scale is staggering, but the result is as focused and spiritual as any great dub record should be. Helmed by Swiss producer and keyboardist Mathias Liengme, this set draws together dozens of Jamaican session players from the 70s to todayithink Sly Dunbar, Vin Gordon, Ernest Ranglinion nine instrumental dubs cut and sculpted by Roberto Sanchez. '1000 Light Years DUB' opens with spacey textures and a tightly coiled rhythm section, easing into the skanking horns of 'In The Shadow DUB'. 'Whitewater DUB' flows warm and steady, while 'Memories of Old DUB' evokes roots nostalgia without drifting into pastiche. 'Rose Hall's Birds DUB' stands out for its bright brass interplay; 'Squirrel Inna Barrel DUB' rides a darker groove, led by echo-laden percussion. 'Under The Cotton Tree DUB' softens the tempo with flute and keys, followed by the spacious bass work of '45 Charles Street DUB'. The closer, 'Everlasting Love DUB', arranged around Errol Kong's melody, feels like both a send-off and an embraceiglowing, open, eternal.

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est. release 06 Jun 25 $26.00

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Tessanne CHIN / JORDAINE BAILEY

I Want To Know What Love Is (7")

Jet Set Japan

Cat: JS7S 443. Rel: 30 May 25

I Want To Know What Love Is

I Am

Review: Tessanne Chin’s reggae rendition of Foreigner’s 1979 hit ‘I Want to Know What Love Is’ delivers an unexpected but unforgettable transformation. The song, which has lived through decades of chart-topping remakes—most recently reintroduced by Mariah Carey—finds new depth in Chin’s soulful performance. With the reggae rhythm grounding her vocals, she brings a fresh intensity to the classic, imbuing it with a warm, laid-back energy that feels both timeless and of the moment. Her delivery is smooth, yet full of raw emotion, capturing a vulnerability that’s far removed from the original’s stadium-rock swagger. On the flip side, Jordaine Bailey takes Mary J. Blige’s 2009 anthem ‘I Am’ and reinterprets it through his own smooth, understated style. Where Blige’s version was bold and defiant, Bailey’s take softens the edges, creating a beautifully laid-back, soulful track. The combination of Chin’s and Bailey’s voices on this limited edition 7-inch makes for a must-have for both reggae purists and those who appreciate innovative takes on R&B hits. It’s a celebration of musical reinvention that remains grounded in the roots of reggae.

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est. release 30 May 25 $30.71

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The FLYING HATS

The Return Of The Flying Hats (LP)

ATA

Cat: ATA 040LP. Rel: 16 May 25

Night Bus

Grafter

An Autumn Sun

Power Cut

Strong Fish

Bust Up

Forward

Tough Swagger

Iron Fist

Review: Built on two decades of collaboration between drummer Sam Hobbs and bassist Neil Innes, this new ATA project blends rootsy Jamaican groove with the syncopated strut of New Orleans funk. Though technically a new release, it’s more a continuation than a debut: the lineup includes jazz organist Bob Birch and session guitarist Chris Dawkins, drawing from deep wells of soul, rocksteady, and R&B. Tracks like ‘Grafter’ and ‘Bust Up’ land squarely in the crossover zone between Studio One and The Meters—raw but slick, with a tight pocket and loose-limbed flair. ‘An Autumn Sun’ leans sweet and sentimental, while ‘Strong Fish’ pays organ-heavy homage to Jackie Mittoo’s Hot Milk-era work. Elsewhere, ‘Power Cut’ and ‘Night Bus’ arrive with horn motifs that seem tailored to I Roy-style toasting, and ‘Tough Swagger’ is a heavy-lidded jam that could’ve wandered in off a Bunny Lee tape. But it’s ‘Iron Fist’ that best captures the group’s method: groove-first, melody-second, built on intuition and the friction of mismatched rhythms. Despite the vintage touchstones, it never feels like pastiche—the record balances reverence with invention, keeping one foot in Kingston and the other in Treme. For a group with so much history, it sounds impressively fresh.

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est. release 16 May 25 $23.79

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PACHYMAN

Another Place (blue vinyl LP)

ATO

Cat: ATO 0691. Rel: 23 May 25

Calor Ahora

In Love

Berlin

SJU

Take Me To Dance

False Moves

Strikes Back

Hard To Part

Another Place

ADSH

Review: Slowly over the years, Pachyman has whetted his dub reggae knife on a premium steel, reverse-engineering then rip-up-restarting the time-honoured techniques of legends King Tubby and Scientist, precisely piercing their sound with the pointed instruments of vintage gear and layer-caked bass. Another Place expands now on his vision, always returning to radical roots that otherwise often go unfairly unmentioned by dub historians - William Onyeabor's synthpop, YMO's new wave kooks, Basic Channel's ambient dub - all of which were contemporaries to the 70s sound. The result is a perfect ten of welling hertz-ology, from the studied 'Calor Ahora' to the simmering enveloper 'A.D.S.H.'

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est. release 23 May 25 $23.22

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See Them A Come: The Joe Gibbs Singles Collection

Related releases...

CULTURE

See Them A Come: The Joe Gibbs Singles Collection (2xCD)

Doctor Bird

Cat: DB2CD 164. Rel: 13 Jun 25

Review: This first-ever CD anthology of Culture’s earliest singles captures the trio in their purest, most incendiary form. Formed in 1976 by lead singer Joseph Hill, with Albert Walker and Roy Dayes, the Jamaican group emerged under the name The African Disciples before becoming Culture and signing with Joe Gibbs—one of Kingston’s most revered producers. What followed was a run of revolutionary 7”s and 12”s, including the seismic ‘Two Sevens Clash’, whose apocalyptic prophecy shook the reggae landscape. These recordings—now collected in full, dub sides and all—chart the group’s 1977 to 1981 run with Gibbs, a period widely regarded as their peak. Tracks like ‘Zion Gate’ and ‘See Dem a Come’ show their power not just as writers of militant roots reggae, but as spiritual messengers, blending dread prophecy with hypnotic riddims. Even in dub form, these versions retain urgency and weight, anchored by Hill’s unshakeable vocal tone and Gibbs’s rich, bass-forward production. Later work with Sonia Pottinger would push their sound further afield, but what’s here is raw, righteous and definitive. Eight tracks make their CD debut, finally doing justice to an era of singles that shaped both Culture’s legacy and the wider trajectory of roots reggae itself.

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est. release 13 Jun 25 $19.36

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Calyn TSUKISHIMA

Lovin' You (Lovers Reggae Mix) (7")

Jet Set Japan

Cat: JESE 4347. Rel: 30 May 25

Lovin' You (Lovers Reggae mix)

Empire State Of Mind (part 2)

Review: Japanese singer-songwriter Calyn Tsukishima offers a fresh take on two iconic tracks with her reggae covers. Her rendition of Minnie Riperton's 'Lovin' You' is a smooth, emotional journey, with Tsukishima's glossy vocals building in intensity, pulling the listener into a warm embrace of lovers' reggae. This cover offers a unique yet faithful reimagining of a classic, with the gradual swell in her singing perfectly complementing the track's inherent tenderness. On the B-side, Tsukishima takes on Alicia Keys' 'Empire State of Mind (Pt. 2)' in a ska reggae style, the upbeat rhythm and catchy horns injecting a lively, fresh energy into a song often tied to urban grandeur. A must-have for reggae enthusiasts and those eager to hear beloved songs through a different lens.

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est. release 30 May 25 $37.35

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PRINCE ISTARI

Riddim Dub School 6th Grade (7")

Sozialistischer Plattenbau Germany

Cat: SPB 7042.

Mwendoskasi (Hot Drum Spicy Bass)

I Dub Further (Bass Upon The Wicked)

Review: Hailing from Hamburg, Prince Istari has spent decades refining a sound rooted in dub’s heavyweight tradition but peppered with mischievous flair. His latest 7” is the sixth instalment in his Riddim Dub School series — a classroom exercise in rhythm science that never feels academic. ‘Mwendoskasi (Hot Drum Spicy Bass)’ is the bold, brassy choice here: a strutting stepper laced with lashings of horns and an irresistibly thick bassline, built to test sound system limits. On the flip, ‘I Dub Further (Bass Upon The Wicked)’ strips things back to an echo chamber of swirling organ licks, percussion fills and foghorn-like brass — deep and dubbed out, but still taut with energy. True to form, Istari keeps things raw and dubwise throughout, balancing classic technique with a slightly cartoonish edge. It’s not reinventing the wheel, but that’s hardly the point — this is hand-crafted, honest dub from a producer who knows exactly how to wring every drop of power from a groove.

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coming soon $13.00

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