Manuel De Lorenzi & Freddie Wall - "Sun-Rise" (6:15)
Fichs - "Find Yourself" (6:35)
Manuel De Lorenzi - "You Already Know It" (7:08)
Manuel De Lorenzi & Giacomo Silvestri - "The Big Apple Community" (7:09)
Review: Monday Morning is back to roll out some more lush house depths with a second EP, this one featuring founder Manuel De Lorenzi in the company of his pals Giacomo Silvestri, Freddie Wall and Fichs. 'Sun-Rise' is a nice gritty but vibey opener with percussive skip and dry hits. Fichs's solo cut is a loopy workout with nice bulbous synths and a pared-back rhythm that gets ever more inescapable while De Lorenzi then offers up the radiant synth warmth and dubby undercurrents of minimal house shuffler 'You Already Know It.' With Giacomo Silvestri he then closes on the more percussive loops of soft house soother 'The Big Apple Community.'
Doni & Leo Young - "Rebelion In The City Of Gangia" (6:03)
Pastaboys - "On & On" (Panna mix) (6:32)
Hiver - "Magic Crusade" (5:51)
GPM, Steve Mantovani, Dan-E-MC, Daniele Mad - "House In Full Effect" (9:21)
Feel Fly - "Armaduk" (6:08)
Review: Rebirth is thrilled to announce the release of three bonus parts of the 'Ciao Italia. Generazioni Underground' album in 2023, available on limited edition vinyl. 'Ciao Italia' Bonus Quattro, Cinque and Sei continue to connect two generations - the trailblazers of the early 90s and those continuing the legacy today, with a futuristic perspective and renewed energy. Bonus Sei includes classic tracks from legends like Doni & Leo Young, Pastaboys, G.P.M., Steve Mantovani, Dan-E-Mc, Daniele Mad, along with unreleased material from newer Italian artists such as Hiver and Feel Fly.
Review: Detroit mainstays Drivetrain and Blaktony are next up on Soiree with some high-octane but soul-infused machine music, while Funtom and Hughes Giboulay appear on the flip side. Drivetrain gets to work with the jerking loops and turbocharged chords of 'Hyperlock' while Blaktony's 'Butt Naked' sinks into a deeper late-night and more dubbed-out house vibe. Funtom's 'Wisdom' brings a great lightness of touch in the wispy pads and scuffed-up drum patterns, then 'Kickin That Feelin' has a more exuberant but still deep feel with subtle chord joy and deft acid.
Review: Blkmarket Underground Music Party Edits is a sub-label to the influential Blkmarket, an esteemed label and event series in New York. Contrary to what that catalogue number might indicate, this is actaully their second release and has Facets at the controls. First up is 'Computers' with its raw and snappy analogue drum sounds and late-night synth details. 'Time Of War' is another full-fat blend of analogue drum thump and driving synth motifs, 'Talk To Me' has crashing cold-wave synths and deadpan vocals and 'Paranoia' has loopy vocals and moody atmospheres for freaky dancing. 'Lies' and 'Dub To Destruct' shut down this varied and retro-tinged EP with jerking rhythms that will do plenty of damage.
Review: For those too young to remember the days of glitch-house and electro-house at the turn of the noughties (think Herve, Switch, Claude Vonstroke etc), Fake Blood was one of the true masters of the style. He released a swathe of big records for Cheap Thrills and others, with the two tracks collected here - both of which date from 2009 - being the biggest. A-side 'I Think I Like It' is a superb example of the style, with the producer expertly cutting up a pleasingly silly and over-the-top disco-pop number and turning it into sweat-soaked, hands-aloft gold. 'Mars', meanwhile, gains its dancefloor power from a frankly filthy, mind-altering bassline-turned-lead-line, around which crispy drums, breakbeats and Mylo-esque synth stabs make their presence felt.
Review: Sound Metaphors keeps it as deep as ever with a reissue of this classic from Franco Falsini. It's a quality EP that opens with the mysterious and exotic synth colour of 'People In Orbit' with its dusty retro breaks and psychedelic feel. 'Un-Flanged Transition' is another edgy sound that has no real analogue - it's an intense astral adventure with ever-changing synth leas and a real sense of unease. 'Midnight Tremors' takes things down a notch and is a carefree cosmic house jaunt with mellow synth magic and 'Ray-Tracing Sauna' is another sun-baked closer with wonderful arps drifting up into the heavens.
Black Sun (Joe Claussell Classic instrumental mix) (10:44)
Review: Joe Claussell is a proper legend of the scene and New York powerhouse who has a sound so emotionally intense it brings people to tears. Here, he breathes new life into the Far Out Monster Disco Orchestra with a powerful remix of 'Black Sun' that arrives exclusively for Record Store Day 2025. Since debuting in 2014, the Orchestra, which features Azymuth's Jose Roberto Bertrami and Alex Malheiros, has attracted top remixers like Theo Parrish and DJ Spinna, and Claussell now joins that esteemed list by infusing the original with his signature spiritual energy and rawness. The result is a euphoric journey towards pure ecstasy driven by Heidi Vogel's soaring vocals as classic disco and grooves collide in pure magic.
Review: Best Record has secured the rights to this 12" vinyl reissue of Fascination 'Out to Get You', which is dedicated to Giancarlo Meo, the esteemed producer behind Easy Going and other iconic acts. This release, curated by Claudio Casalini, pays homage to Italy's vibrant disco era and blends elements of disco, soul, and funk. The original comes as three different and equally captivating versions, including a re-edit by DJ Massimo Berardi who injects plenty of contemporary flair while preserving the essence of the original tracks. With its fusion of retro charm and modern energy, this reissue offers a nostalgic yet danceable vibe and is primed and ready to for igniting dance floors worldwide once again.
Review: Fabrizio Fattore brings a lush world of sound to the fore on his new EP for Mule Musiq. It mixes up early, soul-drenched Detroit techno championed by the likes of Derrick May with jazzy melodies that would make John Beltran proud. 'Deep Blue is a sophisticated symphony of melodic and cosmic techno that will lift you off your feet. 'Passengers To Mars' is more lo-fi but still has a driving sense of groove and serene synth craft that is rich in emotion. 'Moon Temple' shuts down with more melancholic melodies but no less elegance in the craft.
Review: Having built his career via a mix of inspired self-released EPs and outings on the likes of Shall Not Fade and Happiness Therapy, Parisian producer Matthieu Faubourg lands on Housewax for the first time. The five-track missive he's delivered is undeniably impressive, fusing good quality deep house grooves with intricate arrangements and mood-enhancing musical flourishes. For proof, check opener 'Pressure Drop', where fluid piano motifs, bubbly electronics and gorgeous chords ride a nagging analogue bassline and drum machine percussion, and the fizzing, Norwegian space disco-inspired house futurism of 'Oslo Track'. Elsewhere, title track 'Normal Boy' is warm, woozy and cheery, 'Waves' doffs a cap to early 90s Italian deep house and 'Haze' is a stab-happy slab of warehouse-ready peak-time sleaze.
Review: Is A Feeling ensures that their new 12" very much is with some classically inclined but not overly nostalgic deep house from Scott Featherstone. 'Plan B' is a bulky, wonky deep house cut for the pumping after party hours, then 'We Played House' taps into the early Chicago sound with Peach Boys style synths and dubbed-out vocals. 'Bad Mother Fucker's a raw, sleazy looper that DJ Sneak would love not least because of the rude-boy vocals and filtered synths, then 'Badass Breaks' spins out on just that. 'Journey' might be the best off the lot with its soulful xylophone melodies and smooth-cruising deep house beats. An eclectic and excellent EP.
Review: International Feel kicks off what is presumably a new series given its title, Mediterranean Dreams - Part 1. For it, they turn to Perugia synth obsessive, underground mainstay and fine producer Feel Fly for four tracks of breezy and sunny disco-house chuggers. 'Onironauta' brings retro Italo chords and nice chunky drums, 'Grace In Space' is a leggy cosmic wonder with far-sighted chords and muted acid magic, then 'Mediterranean Dreams' is pure 80s dream house bliss. 'Becalmed' is the most rough edged and analogue house jack track of the lot.
Review: Scott Ferguson came to house and techno in one of its most fertile grounds - Detroit, in the mid 90s. Since then he has served up his own take on the timeless genres on a range of quality labels. Now he arrives on Chateau Chepere with four more of his stylish cuts. They are couched in deep house as always but with cues taken from future jazz, garage and plenty in between. These are real winter warmers that will seduce an early evening crowd or lock in a 5 am dance floor in equal measure.
Review: Kontra stalwart Jason Fine makes a long overdue return to FXHE with two cuts of supreme jack material. Last seen on the Omar S hit machine way back in 2007, Fine announces his return in suitably dramatic terms with the cinematic expanses that characterise the opening moments of "Menage At Tois", though proceedings swiftly settle down into a delightfully bouncing house rhythm of crisp cascading drums and swift fingered key stabs - with the breathy, indecipherable vocal yearnings that occupy the nether regions clearly influencing the title making decisions. The flipside proves to be just as impressive - "Jack Yo Bodda" is an obvious ode to the days of Traxx and jack, commencing with some decidedly gloopy rhythms and an insistent female vocal refrain, your senses are sucked in then blown apart by a massive metallic kick drum sound and growling sub bass. The usual big tip superlatives most definitely apply here!
Review: Hands up - this is one of our favourite ever jams and frankly we can't really understand anyone who doesn't rate it pretty highly. It is a classic of the early dance scene that got hammered everywhere from Warehouse to Paradise Garage and remains in a class of one decades on. Next to the brilliant original, which is from a time when proper songwriting and musicianship defined house and disco, you get a Ron Hardy edit that is more uptempo, with hissing hi hats cutting through the funky rhythms and loopy drums. Sublime.
Review: Aaron Siegel's Fit moniker links up with the considerable talents of Gunnar Wendel (better known as Kassem Mosse) for this killer two-tracker on FXHE, and even Omar S gets in on the action with some mixdown assistance. "Track 1" works around sizzling drums, emotive bass and a diverse spread of melodic sources for a simple and direct slice of analogue house. "Track 2" is a real carpet-burn of a track, taking the quality up to a new level with a gorgeous line in lead synths moulded into a thoroughly sexy concoction while the drums stay pert and primed for all manner of sultry floor action.
Review: The classical-inclined RAWAX crew looks back to another great retro EP here and reintroduces Orlando Voorn under his FIX alias. His superb Flash 12" was originally released on KMS Records in 1992 and this new pressing of it features the original plus bonus tracks 'Face' and 'Players Anthem.' As you would expect given the heritage, these are all timeless outings. 'Flash' is the most well-known with its wonky lead hook and coarse drums and perc. 'Dope Computer' brings some zippy motifs and electro-funk-inspired drums and 'Face' then gets more smooth and seductive with a garage-tinged groove. 'Players Anthem' is a bright, visceral, off-balanced rhythm that sounds like little else before or since.
Remedy (feat Steve Monite - JKriv Disco dub) (6:02)
Review: Razor-N-Tape is a bastion of deep house brilliance as once again perfectly exemplified by this vibrant new package from Flamingo Pier. New Zealand collective Flamingo Pier have dropped several well received 12"s on the Soundway Records label and then came good with 2021's self titled full length. They are still all about bringing happy, sunny vibes to a tropical disco template here with the likes of the synth lead 'How 2 Feel' then funky vocal pumper 'Remedy'. There are cosmic rays lighting up the big chords and aloof vocals of 'Beneath The Neon' then a couple of remixes on the flip bring more dubby disco-house sounds.
Review: Classic Music Company welcomes a real legend to their ranks in the form of Detroit innovator Robert Hood under his Floorplan guise, which has more recently also included his daughter Lyric. The line-up may have expanded, but the sound remains the same - uplifting gospel house with a very real sense of spirit. 'Right There' has dusty hi hat ringlets and warm organ stabs over an endlessly shuffling beat that will get clubs in raptures. 'Holy Ghost' then gets a little more bouncy with lively chords and clipped vocal yelps bringing the energy.
Review: London-raised, Lisbon-based songwriter, producer, and DJ William Florelle has been making waves at R2 Records with his soulful electronic groove for a while now. His work has always seemed a natural fit and that tradition continues with 'Red Velvet' which is a sultry track that blends Will Flo's jazz, r&b, and club influences while capturing his uniquely organic yet electronic sound. Also on the 12", Kaidi Tatham delivers a stunning remix with his signature broken-jazz style, while Karizma brings a beat-down dub perfect for late-night sets. Ato Ayerra rounds it out with the Beringei '2am Snack' remix which confirms this is a crucial pick-up.
Fullness Of My Heart (Tolouse Low Trax Scissor Jazz Hat mix) (8:11)
Disco (TBZ Weired Disco) (4:26)
Universal Sucker (3:54)
Moon Metal (7:42)
Review: Dusseldorf-based trio Folie 2 return on Themes For Great Cities to follow up their debut long-player from earlier this year. Eingriffe features yet more genre bending experimental pop by Gregor Darman, Marlene Kollender and Sebastian Welicki. Local legend Tolouse Low Trax kicks things off with his Scissor Jazz Hat mix of 'Fullness Of My Heart' before they get stuck into some low-slung cosmic funk on 'Disco' (TBZ Weired Disco) and on side B there's the neon-lit night moves of deep cut 'Universal Sucker'.
Review: The endlessly fertile scenes that are minimal and tech house yield more essential DJ goodness here as Bread & Butter assembles a selection of talents for this ninth various artists' release. Alex Font & Aron open up with 'Walking On Clouds' which is not as airy and dreamy as it might sound, but does lay down a nice deft minimal groove. Beiger has a more sunny outlook with the mellifluous synth clouds of his 'Audible Illusions' and Mihai Pol then brings ouse late night jazz house cool to his 'Bip Bip.' Iuly B completes a varied package with the heady loops and wispy cosmic synth motifs of 'Bouncing Lights.'
Reasons To Be Dismal (Richard long Theory version)
Escape From Dubai
Flowers In The Attic
Don't Shut Your Eyes
Review: Foremost Poets aka Johnny Dangerous makes a welcome return after contributing to 'Alien Superstar', a track form the Grammy wining album by Beyonce. He shows his next level studio skills and unique sound off again here with the old school darkness of jacking house opener 'Reasons To Be Dismal' (Richard Long Theory version). 'Escape From Dubai' is a marching and hypnotic groove with languorous pads draped over the top and 'Flowers In The Attic' is a soulful and deep shuffler with a great vocal bringing the r&b vibes. 'Don't Shut Your Eyes' closes down with booty-shaking breaking beats and steamy organ chords.
Review: Soulful-smooth, deep garage house from Forgotten Coordinates here. An as yet unknown artist, they're not shy of flexxing their production chops; 'I Keep Rising' is a flavoursome, buxom and slippery tune topped on vocals by an unknown singer. Meanwhile, 'Closed Eyes', 'Euphoric Emotions' and 'Tantalizing' bring on ever-hotter and steamier moods. Cop it for your 'tables ASAP.
Review: Swirl People revisit their roots with a nostalgic four track EP from their early days as Fortune Cookie. This collection - which is their third release on L.I.T.S. - features carefully selected tracks from their original 1996 releases on Marguerite, a small label run by a friend. Nearly three decades later, these still much sought-after tracks are finally being reissued. The EP opens with 'Glitter Girls,' which is characterised by a catchy bassline, followed by the deep groove of 'Um Bongo.' On the B-side, 'Galactic Snackbar' offers a retro-futuristic feel, while 'Frisko Heaven' wraps up the EP with classic disco-filtered house energy. Timeless tackle, for sure.
Review: Detroit legend Eddie 'Flashin' Fowlkes has had a truly massive month with a couple of releases on his esteemed Detroit Wax imprint (which he runs with Niko Marks) and this week he kickstarts his City Boy imprint back into action. This is its first release in 11 years, presenting part one of the Knucklehead Series featuring a fine selection of moods and grooves. First up is the deep down and dirty tech-funk of '1-2-3', followed by the dusty twilight mood music of 'Hold Me Down' and over on the flip is the double 12's most energetic cut in the form of 'Test Unknown' - a sincere expression in proper Motor city style 'hi-tech soul'.
Review: Eddie "Flashin" Fowlkes is a pioneering force in techno who was there in the early days but is often rather written out of the story meaning plenty of his peers get more acclaim. His beats tan up on their own though and here he is all these years later still serving them up. This one is a reissue of his iconic 'The Truth' EP originally released in 1995. 'The Truth' is a funky and full-blooded house sound with snappy percussion and melodic bass. 'Planet Claire' picks up the speed with tightly programmed beats that float above the floor and 'Freestyle' brings some future machine soul. 'CBR' shuts down with more inventive percussion and analogue machine goodness.
Review: The Treasure team keeps up the momentum of its early release with another fruitful dive into the annals of house history. This time, they have dug up more nuggets from FR and have refined them for contemporary floors. 'ET Is Coming Home' (vocal) is a slow and dubby cut with percolating live bass and muted horns next to some Ubiquity style vocal soul. The instrumental allows the superbly loose-limbed and live drums room to really shine, and then comes an epic, 10-minute-plus jazz-drenched house odyssey that's alive with swirling cosmic radiance and busy chords and synths. A real trip for proper music heads.
Review: Anacalypto Records' search for Fairytails led to an unexpected treasure-a forgotten 1994 DAT revealing four original tracks and two unreleased gems. They chose two classics for Side A and the newfound tracks for Side B. Opening with 'Fairytail Track 3', deep basslines and soaring strings create a mesmerising dancefloor spell and then 'Track 4' continues the magic with crisp snares and dreamy pads. On the flip, 'Track 5' delivers joyous chords and lively piano, while 'Track 6' glows with rave energy. This remastered EP revives four trance-infused house gems that will spread real enchantment across any 'floor.
Review: Blair French is the next quality artist to make their debut on the increasingly vital MotorCity Wine imprint out of Detroit. He brings hints of Balearic as well as signature smoky deep house from the 313 to his work here. 'Ancestarians' (Physical Mix) also has pan-African influences, jazzy melodies and rich organic percussion while the Spiritual Mix is all about going deep into ambient bliss. 'Champagne Kiddie Pool' then looks even deeper into the musical niches of South America with dembow rhythms overlaid with lively claps and cosmic chords. Last of all is 'Sandbox Fossils with driving bass from James Simonson and guitar from Ryan Gimpert.
Review: It's ten up for the FrescoEdits Iabel with this latest entry into their esteemed series and as always there are plenty of irresistible beats on offer. The in-house FrescoEdits add their touch to the glorious, string-laced and funky disco of 'Little Love' and bring bumping beats and funky guitar riffs to 'Philadelphia'. Rogue D's 'Pensi A Me' is a super smooth heart melter for dancing in the open air as the sun begins to fade, while Kings Of Groove's 'You Got The Funk' is a soulful, slapping house cut with cosmic synth energy and hooky vocals that will always bring the good times.
Review: Fresh & Low are original tech house titans who brought a sunny West Coast vibe to their very many classic EPs. Plenty of them have become cult favs that are pricey to cop these days so the reissue option is always a good one. Enter Rawax who do just that, this time focusing on two tracker 'Rack Up'. 'Rack Up' is the opener and is a punch one with leggy kicks, nice warm dubbed-out bass and soulful vocal samples. 'Interlude' keeps it warm and deep with humid kicks and tender piano chords laced over the groove to a captivating effect
Review: The 1984 classic 'Come Back Lover' by The Fresh Band receives an official remastered reissue from the original tapes. Produced by Darryl Gibbs of The Strikers and expertly mixed by Tony Humphries, this disco boogie gem soared in underground dance clubs across Chicago and New York, championed by DJs like Mancuso, Larry Levan, and Ron Hardy. Are 'N Be (see what they did there?) presents this special re-release on translucent green vinyl featuring two versions mixed by Humphries: the mesmerising original plus the Dub, with deeper, more atmospheric vocals and stunning piano breaks. Do not sleep on this one.
Review: Kaninchenbau's main collaborators Sokur and The Funk District helm this latest intergalactic journey in the form of 'All Over You'. It's a superbly tasteful and deep disco joint with lush synth work and the sort of groovy drums that make every head to the floor and get down. Next to the original is a classic 'House Mix' version and then comes two epic remixes on the flip. Both are from accomplished and ever busy Razor-N-Tape producers Nenor and DJ Vas who bring a real touch of classic to their work and offer a different look than the A-side.
Review: Romanian artists Funky Trip dropped the fourth EP on the Bohrium Records label back in January and despite promises it would not be repressed, it has in fact been repressed just a few months later, but given the timeframe we don't blame the label for wanting more people to have this one. This artist stands out in the Romanian new wave for navigating a vast universe on releases with Rawax, Nazca and Stamp Records. 'Alpha' features a passionate vocal cry thing brings emotional urgency to the dub, percolating beats and synth phrases that loop tightly. 'Dreams' has a more melodic, light and airy feel for the quiet moments. Barac of Moment Records adds his signature touch to the title track, with a smooth rhythm layered with subtle psychedelic influences.
Review: There's a reason that Future Sound of London's 1991 debut single, 'Papua New Guinea', is periodically reissued: it's a stone-cold classic that sounds unlike anything else. In its original mix form, the track combines traits borrowed from early breakbeat hardcore (booming bass, house-tempo breakbeats) with saucer-eyed vocal samples, twinkling pianos and sounds more often found in ambient house and chill-out tunes from the period. This remastered, hand-numbered vinyl reissue boasts all of the 1992 remixes (as well as the original mix), including a suitably psychedelic, tribal-tinged Andrew Weatherall revision, the duo's own spaced-out ambient style 'Dub' mix, and a sax-sporting Manchester re-wire courtesy of 808 State's Graham Massey.
Review: Samosa Records returns with Afrikano Vol. 3 which is a lovely Afro-themed, genre-blending EP featuring four standout tracks from trusted artists. Kicking things off is Vincent Galgo's 'African Rebel,' a 125bpm fusion of horns, driving rhythms, and Afro-pop bass. Frank Virgilio follows with 'Mistress,' a jazz-infused mid-tempo groover, packed with guitar riffs, organ stabs, and hypnotic bongos. Newcomer Casper Leo delivers 'Tom Tom,' a tribal delight featuring Kora guitar and melodic Marimba. Closing the EP is Lego Edit's 'El Safari,' a sultry Afrobeat banger that grabs hold and doesn't let go.
Review: A top value for money opportunity here, as Moiss Music deliver the latest in their sweet and sticky Jam series of various artist 12" line ups, bringing you no less than six bubbling, vivacious disco triumphs from six artists. Khemir's 'Disco Bandit' kicks off proceedings, a production that sounds like it was made by a band of around 45 musicians, a proper cavalcade of strings, brass, brazen disco thump and beautifully bold vocals. Wurzelholz's 'Prince' goes for a bit more economy but with a slinky funk bassline like that - not to mention the occasional exclamation from the purple overlord himself - it's equally devastating in dancefloor terms. Among the other highlights, 'Golden' by I Gemin has the feel of a lost Daft Punk flip tune and Cosmocomics' 'Glamorous Garcon', boasting 70s-style synth bubbles that are as cute as they are retro. Tasty as ever.
Sound's Good Inc - "Masen'hamba" (David Morales Red Zone mix) (6:07)
FNX Omar - "Ghomari" (feat Said Rifai) (6:36)
Re You & Soheil - "Mapawani" (main version) (7:33)
Review: After kicking off the year with the stellar MoBlack Gold Vol. 2 VA, Mimmo Falcone's label does it again with a crucial cluster of spiritually charged, Afro-rooted house jams from on-point producers. This 12" kicks off with Manoo's remix of KingSfiso, creating a delicate, melancholic trip out of 'Ilanga' with Mbuso Khoza's vocals front and centre. David Moralez gets seriously deep into the groove with his Red Zone mix of Sound's Good Inc's 'Masen'hamba'. FNX Omar offer up a brooding cut driven by organic tones on 'Ghomari', and Re You & Soheil bring a more electronic palette to bear on their own Afro-house throwdown, 'Mapawani'.
Mark Knight & Armand Van Helden - "Don't Abuse It" (extended) (5:47)
Cloud One - "Disco Juice" (Fabrikate rework) (4:47)
Full Intention - "Sky;s The Limit" (6:37)
Ewan McVicar - "Plain Outta Luck" (5:59)
Review: KooKoo offers up a sampler of what it is all about here and it spans some big-name house talents and equally big tunes. Mark Knight & Armand Van Helden open up with 'Don't Abuse It' (extended) which is a full-throttle house sound with diva vocals and plenty of raw fills. Cloud One's 'Disco Juice' (Fabrikate rework) brings some 70s disco energy to modern production and Full Intention's 'Sky's The Limit' is a celebratory house cut with loose grooves and freewheeling pads. Last of all is the party-starting disco house pumper 'Plain Outta Luck' from Ewan McVicar.
Da Houze Maroon - "All I've Got" ('93 Dope mix) (6:06)
Formular X - "Swing Ting" (Jazzy Flute mix) (6:22)
Review: Classic house anthems from the Club U Nite Records archives here, compiled on Deep Trax Volume One. Features some unreleased material from label chief Andreas Marek aka Mellow Man on the sensual mood music of 'I Need A Rhythm' (Re dub), in addition to the unmistakable Stateside shuffle on Reign Of Rhythm's 'Reign Of Swing' bringing some more heat on the A side. Turn over and you've got the deep down and dirty 'All I've Got' ('93 Dope Mix) by Da Houze Maroon and ending with the rather Frankie Knuckles influenced 'Swing Ting' (Jazzy Flute Mix) by Formular X with its infectious flute melody.
Review: The still newly established Rhythm Traxx kicks on with more fresh, club-ready house music here. It's Finky and Ben Murphy who step up for this one and deliver the goods, starting with 'What Is Disco Tech' which does a fine job of answering its own question. 'Danger' then switches up it with some garage flexing in the drums and spacecraft transmissions for vocals. A brilliantly infectious energy defines 'Dance Potion' with its naughty baseline and cheeky bounce and for the big finish, 'Rhymes & Rhythms' brings acid stabs, drum fills and vocal chops to some peak time tech.
Neg & Franz Di Maio - "A Bright Spot" (Paradise edit) (6:40)
Neg - "Echoes Of Thoughts" (5:02)
Neg & Marco Spinetti - "1112" (5:27)
Neg & Franz Di Maio - "A Bright Spot" (DJ Soch remix) (6:41)
Neg & Franz Di Maio - "A Bright Spot" (DJ Rou On The Surface remix) (6:54)
Review: Hello to Metrica Recordings, a new label from Italy that wants to win hearts and minds with its take on minimal and tech house. It begins with an EP featuring Negs on all cuts but with various collaborators. Franz Di Maio is first on the classically inclined deep house of 'A Bright Spot', while 'Echoes Of Thoughts' is a solo cut with more early Chicago synths and dusty drums. Marco Spinetti steps up to help on the more marching and moody '1112' and two remixes of 'A Bright Spot' shut down with a blend of Balearic and Italo style.
Review: It's another family affair over at New York City's Razor N Tape label. For this edition, they have tapped the ever reliable Israeli indie-dance heroes Red Axes for a euphoric rendition of Nenor's 'Do You Remember' (feat Jenny Penkin) making for proper Balearic vibes, while the one-and-only Boo Williams delivers another ultra-deep house journey in the form of 'Besty Smith'. Over on the flip, we see the return of New Zealand-based producer Frank Booker who hands in the late night mood music of 'Time Won't Tell' followed by Peter Matson with a slinky and neon-lit rework of label chief JKriv's 'Something Else'.
Review: Tropical Disco racks up its 25th release and the quality just keeps on getting better. On this must have four-tracker, you've got label chief Sartorial kicking off the A-side with low slung heater 'Hootin N Tootin' followed by the sweltering Latin drum workout of Musta's 'El Matador'. Over on the flip, feel the late night mood music of Corrado Alunni's 'Funk Decision' (dub mix) and finally the mandatory boogie-down vibes come courtesy of Fun Kool on 'Low Toe'.
Franz Scala - "Overflash" (Split Secs remix) (6:03)
Split Secs - "Accept The Answer" (Franz Scala remix) (8:05)
Review: Next up on Amsterdam's XXX we have a wicked double header coming from a bunch of right heroes of the dark disco scene, across both sides of the Atlantic. Los Angeles-based duo Split Secs, comprised of west coast veteran TK Disco and Frenchman Alexandre Mouracade (aka SONNS) who head up the Machine LTD imprint, contribute the low-slung, slo-mo throb job that is 'Accept The Answer'. Secondly, Berlin by-way-of Pescara's Franz Scala, main man at Wrong Era and co-chief at Slow Motion, serves up the neon-lit modern Italo antics of 'Overflash'. They then proceed to do a mighty fine job of remixing each other on the flip. Tip!
Trans Afro Express (Gerd Janson dance instrumental mix) (6:49)
Trans Afro Express (Ricardo Villalobos 242 Free remix) (10:35)
Review: The entrancing tribal house groove of Jerome Sydenham, Fatima Njai's and percussionist Mario Punchard's Kraftwerk channeling 'Trans Afro Express' is one of this year's biggest tracks for Rekids, which now receives a series of impressive reworks by the biggest names on the scene. Running Back's Gerd Janson delivers a sunny and blissful rework in his signature neon-lit disco style on the A side of the disc. Over on the flip, it's over to the master of minimalism - none other than Ricardo Villalobos - who takes the track deep into the afterhours with his heady makeover delivered in his idiosyncratic style.
Review: Moodena and Sartorial's Tropical Disco is now into its 24th release and they haven't let up on the quality grooves. On the first side you've got Toscana who takes you poolside on the lo-slung deep disco of 'The Girl With The Red Hair', followed by the dusty and hypnotic late night loops of Toby O'Connor's 'Cave Of Gold' featuring a seriously sexy sax solo. Over on the flip, it's all about Neapolitan favourite Frank Virgilio, who serves up some lovely sunset mood music on 'What We Love'.
Review: Fakear has stated that he has never worked as hard on anything as he has his new album Hypertalisman. It comes after years honing his craft but also after a period of reinvention HIs last album Talisman came exactly a year ago and since the he has returned to his roots, "without looking to the past with nostalgia or contempt; but rather by contemplating his past self with kindness." The resulting record is a magical mix of widescreen synth craft and elegant, suspensory grooves, glassy melodies and found sound percussions that enrich each track and give them life.
Review: Fatima Yamaha is one of several aliases used by Dutch musician and producer Bas Bron, who is best known for the anthemic 'What's Girl To Do'. but who has so much more in his locker. This album proves that. It was recorded over a five year period after his 2015 album Imaginary Lines and draws together electro, p-funk, Detroit techno, Chicago house and plenty of in between styles. 'Drops In The Ocean' is a fantastic opener with potential to become another huge hit while the mix of hooky vocals and melodies with underground beats pervade tracks like 'Day We Met' amongst other highlights.
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