The Eurorack modular synth format is one of the most exciting areas of music technology. Pioneered by Doepfer, there are now hundreds of brands offering compatible modules of all varieties. You can combine your choice of the best oscillators, filters and much more in order to create a unique, bespoke synth setup which perfectly suits your needs.
Eurorack modules offer the biggest range of options you can imagine, from basic analogue modules which replicate the sound of classic vintage synths, through to digital modules which allow you to explore completely new approaches to making music.
Whether you’re a beginner or a more experienced modular head, you can take your pick of the best modules from leading brands including Mutable Instruments and ALM Busy Circuits.
Our range also includes accessories, cases, patch cables and much more, allowing you to build and customise your perfect modular synth setup.
Signal combiner/distributor module ideal for hybrid control voltage mashing, complex waveform mixing, on-the-fly effects re-routing, gate and clock re-combinations and more
Notes: The Jumbler music synthesiser module is a six by six channel analogue signal combiner and distributor for the New Universal Synthesizer System or any Eurorack modular synthesiser. Jumble is one of the N.U.S.S. concepts where the routings of a patch could be re-configured, or jumbled, instantly via voltage control to produce variations on a theme.
Jumbler gives you powerful two-parameter access to the rearrangement of both origins and destinations for up to six modular signals. One to six inputs are routed to one to six outputs, in an order determined by the Rotate control, and combination determined by the Radiate control. Unlike a simple switch module, Jumbler's analogue VCA-based design is specially geared for smooth transitions and hybrid signals.
Jumbler is a great module for hybrid control voltage mashing, complex waveform mixing, on-the-fly effects re-routing, gate and clock re-combinations and more. Some folks have said it is like patching a stack of 6 RxMx circuits.
Melodi generates sequences based on the mood you set so you can create the sound you're searching for
Notes: Really nice approach to sequencing from Omni-Tone. The Melodi generates 'semi-random' patterns based on tunable parameters and probabilities. Dial in combinations of scales, pitch range, tempos and so on to create unique melodies.
Supplier's Notes:
Melodi generates sequences based on the mood you set so you can create the sound you're searching for- it can be tweaked to create anything from a powerful bassline to a sparkly melody.
Ships with version 2 of firmware
Improvements: Skip, tie, length are now LIVE knobs. Added a ping-pong trend line and a blues scale.
GENERATE
1. NEW - will prompt Melodi to generate a new sequence.
2. TRIGGER IN - accepts a trigger to prompt Melodi to generate a new sequence.
CYCLE
1. ON/OFF - determines if the sequence will loop or require retriggering.
2. TRIGGER - button and jack trigger the sequence to restart at the beginning.
TUNE
* While adjusting tunable parameters, the light bar will reflect the current selection. For continuous parameters the light bar shows amount from 0-100%, for quantized parameters the light bar shows steps.
1. SKIP (continuous) - sets the probability that a note will be skipped in a sequence.
2. PLUCK (continuous) - sets the length of the gate, from short plucks to gliding between notes (portamento).
3. TIE (continuous)- sets the probability that a note gets tied to the next (effectively making the note last two clock cycles).
4. TREND (continuous) - sets whether the sequence trends upwards or downwards in pitch.
5. SCALE (quantized) - select the quantization of the notes used in the sequence. Choose from perfect notes, pentatonic scale, diatonic scale, chromatic scale and completely unquantized.
6. RANGE (continuous) - sets the range of notes from 1 to 4 octaves (unquantized)
7. LENGTH (quantized) - select the number of notes to play in a sequence (from 1-16, or infinitely generating at the max position).
8. SPEED (continuous) - sets the tempo of the internal clock, between 20 and 2000 BPM.
OUT
1. GATE - outputs the gate of the notes in the sequence.
2. PITCH - outputs the pitch (in V/OCT) of the sequence.
CLOCK
1. SELECT - Melodi will generate internal clock signal if select switch is up, and will use external clock signal when down
2. IN - connect external clock signal
3. OUT - output clock signal
Technical specs:
- Module Size: 3U X 8HP X 25 Mm Deep.
- Current Draw: 85mA @ 12V, 10mA @ -12V.
What's in the box:
- Ready to use Assembled Module
- Mounting Screws
- Power Cable
- User Manual
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
The MetaModule Audio Expander (MetaAIO) adds an additional 6 CV/Audio inputs and 8 CV/Audio outputs to your MetaModule patches, via a ribbon cable connected to the main MetaModule. The MetaAIO provides the same high-quality as the MetaModule's Audio/CV jacks (24-bit, 48kHz default, up to 96kHz).
Notes: Analogue discrete Synthvoice with two VCOs, three SUB-VCOs, Wavefolder, Noise, Ring Modulator, two loopable ADRS, two LFOs/VCOs, MIXER, 24db Lowpass VCF, VCAOur new Eurorack flagship hits stores this summer. Very compact (pre-patched) discrete synth voice module with excellent analogue technology for endless soundscapes at a reasonable price.
Two discrete VCOs with highly stable tracking
Three analogue Suboscillators (3/4-1/2-1/4 with SQUARE, SAW, TRI) + Gravity Mix -Sync
Wavefolder (VCO 1 TRI WAVE)
White Noise
XOR Ringmodulator
Discrete VCA
24dB LP VCF with overdrive
Dual analogue LFO (one also usable as VCO) with incredible range and keytracking -Two superfast and punchy analog ADSR sections with LOOP function and four TRG outputs (End of ATT, End of DEC)
Mixer section with Master level -Glide presets and huge Patchfield to communicate with other Eurorack Modules.
Four channels CV/Audio polarising mixer module in 6HP.
Notes:
Q^Mix
4 channels CV/Audio polarising mixer
Q^Mix is a four-channel CV and audio mixer designed to take simple signals and combine them into something altogether new.
The four DC-coupled inputs feature a switch that selects between linear attenuation or bi-polar attenuversion.
Q^Mix can be used to sum simple signals to create much more complex results.
perfect for use as a final volume control when used as an audio mixer.
Technical Specifications
All inputs are DC-coupled.
Four-channel audio and CV mixer.
Logarithmic attenuation on the output stage.
Input impedance: 100k for all inputs.
Noise filtering and resettable fuses on the module's power input.
Reverse current protection.
Dimensions
Width
: 6HP
Depth
: 10mm
Current Draw
+12V
: 5mA
-12V
: 5mA
A combination of voltage-controlled distortion and the flavour of the TR-909 kick.
Notes: Not just another clone or continuation of the 808-esque, acid-style kicks of the Mutant Bassdrum - the Mutant BD9 seeks to explore uncharted bassdrum territory by having an integrated sub-oscillator for maximal auditory obliteration.
Parametric bassdrum synthesis offers creative control of the core sound
The primary analogue VCO offers classic 909-esque sinusoidal bassdrums, but can also be switched to generate a square wave bassdrum
The PITCH of the VCO spans several octaves, from about 30Hz to 240Hz, and can be modulated with voltage control
A novel PITCH DECAY circuit allows you to adjust the duration and AMOUNT of the pitch-modulation envelope applied to the bassdrum, from short blips to exaggerated tom-like sweeps
The AMPLITUDE DECAY allows adjustment of the length of the bassdrum, from short punchy kicks to massive booms. This parameter is voltage-controlled with a snappy CV response time, allowing you to modulate the duration of your kicks per step.
The CLICK generator is responsible for the attack intensity of the BD9. A fair amount of circuitry goes into creating this subtle punch at the beginning of the kick. The level of this effect is adjustable up to a fairly dramatic extremity.
The overall timbre of the BD9 varies with the DRIVE control from warm, analogue bassdrums at low settings to speaker-shattering overdriven sounds at high settings. Output levels are modular-level signals, unlike many classic line-level percussive devices.
Still not heavy enough? Try the sub-oscillator.
A square wave sub-oscillator derived from the primary oscillator's pitch can be mixed in (manually and with voltage control) to the BD9. The effect can be subtle deepness or extreme timbre changes.
A jumper on the back of the module allows you to select between the sub-osc being a raw square wave or having some of the high frequency components removed with a lowpass filter.
At high OUTPUT DRIVE and SUB LVL combinations, the sub-oscillator can be modulated with CV to saturate the BD9 output in evolving ways.
The SUB OCT can be set to 0, -1 or -2 octaves down from the primary oscillator. A drop of 0 means that you can mix an equal-pitch square wave with a sinusoidal primary wave.
Designed for the contemporary modular synthesiser
Plenty of eurorack-compatible control voltage inputs with bipolar attenuverters allow synthesis of dynamic percussion
A practical analogue trigger circuit allows activation of the BD9 from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant BD9.
An accent input accepts analogue voltage control (0 to 5V will fully modulate the volume from low to high)
Dual analogue voltage controller low frequency oscillator module in 4HP.
Notes:
2^LFO
Dual Analog VC-LFO
2^LFO is a dual analog VC-LFO Eurorack module, each LFO unit consists of two outputs of square and triangle that can be used simultaneously.
From LFO to Audio-Rate
Three variable rates range from super slow modulation of 20 seconds to super fast audio-rate of 700hz.
Control the speed
CV input for external control of the modulation rate.
No light bleed
Custom made light bleed blocker to prevent indicator light to bleed to other modules.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 4HP
Depth
: 10mm
Current Draw
+12V
: 10mA
-12V
: 10mA
Notes: 2^VCA is a dual vca module in 1u Intellijel format.
Both of the VCA's are normlised so it can be used a stereo VCA, as a dual mono VCA , mono to stereo VCA and many more combinations.
Technical Specifications
1u Intellijel format
Noise filtering and resettable fuses on the module's power input.
Reverse current protection.
Dimensions
Width
: 12HP
Depth
: 20mm
Current Draw
+12V
: 10mA
-12V
: 10mA
Notes: S&M is a very useful utility module in 1u Intellijel format combining unity mixer and a precision active buffer.
CV and Audio Mixer
Audio grade dc-coupled unity mixer for mixing CV or Audio signals
Active Buffer/Splitter
Precision active buffer/splitter for splitting signals along your system without any signal loss (highly recommended for splitting Pitch CV).
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 20mm
Current Draw
+12V
: 10mA
-12V
: 10mA
Notes: Reduxer is a stereo sample reducer effect module.
Depends on it's signal, It can produce dynamic range of sounds from knurly bitcrushing to formant/vowel style effects.
Extra resolution
Custom made Redux potentiometer with 300 degrees rotation for extra crashing resolution.
Double the power
Two proprietary sample reduction circuits with extra offset control on channel 2 via the "Spread", lets you create motion in the streo field for wider effect.
Stereo operation
Inputs are normelized - supporting mono to stereo configuration.
Reduction under control
Redux CV input with attenuator for external control of the bit reduction rate.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Notes: The LedPressor is a full stereo Diode-based compressor module.
Its unique core adds character and color to any signal passed through it.
The LedPressor can be used as a normal compressor with low input levels, but as the input volume increases and the "nuke" LED lights up, it enters a new territory that combines compressor and overdrive, creating a dynamic overdrive effect.
Get it pumping with the Side Chain
The module features an external sidechain input that accepts audio and CV signals. Only the sidechain signal passes through a high pass filter, which gives the user greater control over the sound shape. The audio signal itself is not affected by the filter.
Parallel compression
The module also includes a mix knob that can be controlled with a dedicated mix CV input, allowing for greater flexibility when blending dry and wet signals. Additionally, it features a momentary bypass button to easily adjust the levels of dry and wet signals.
Feed-Back Or Feed-Forward - it's your choice
The module can be configured with a feed-back or feed-forward topologies with a jumper in the back.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 34mm
Current Draw
+12V
: 20mA
-12V
: 15mA
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