Review: Berkeley-born Cornell CC Carter returns with 'The Change,' which is the lead single from his upcoming album on Expansion. Initially making waves with his debut album Vindicated Soul in 2017, Carter has become a force in the UK soul scene with subsequent albums such as One Love, Absolutely, and Next Life. With a storied career that includes collaborations with The Isley Brothers and performances alongside James Brown, he has been a staple on Expansion's Soul Togetherness and Luxury Soul series, and graced the stage at the Luxury Soul Weekender in Blackpool. Here 'The Change' comes with 'Sometimes,' which is produced by Brian Carter and offers a nice counterpoint to the a-side.
Let's Invade The Amazon (Yoruba Soul remix) (6:19)
Let's Invade The Amazon (JKriv remix) (6:33)
Review: Legend of the Madrid scene Casbah 73 is back with a new one for Kraak & Smaak's Boogie Angst here, featuring four new sweltering tracks. The message of environmental politics on 'Let's Invade The Amazon' sung by Hawaii by-way-of Texas' Tonya Wilcox is backed by a low slung disco arrangement, followed by the late night boogie-down instrumental 'Pale Splash Of Blue'. Over on the flip, remixes come from some right legends of the scene; Yoruba Soul takes the track deeper as expected, while Razor N Tape main man JKriv goes for a tropical vibe.
Review: The third edition in Ten Lovers' Coin series hears Marcello Cassanelli, Caruso and Helen McCormack fuse churnout disco, chicken pickin' guitar and Rhodes solos, in an extravaganza of fresh, sartorial dance music. Never pressing too hard, Cassenelli's 'Starlight' and 'Tropical Breeze' go easy on the master channel, with unhurried pan flutes, roiling strings and twizzling G-synths stuck loosely to a soft but firm electro-tropical backbeat. 'Dream Horizon' is a brilliant outerlude on which to close the side. On the flip, Caruso & Helen McCormack allude equally to the Manchester Street Soul scene of the late 80s with 'Have & Hold', whose razor-edge r&b vocals and low-slung progression lend the record a surprise twist. Their 'Love You More', meanwhile is lushness personified, before Caruso's 'Central' chugs magnficently towards the run out groove with oozing synths and glitterball glamour.
Review: Colin Curtis - an early purveyor of rare groove and jazzdance whose credo rings far and wide - has been helming his own label of originals for some time now. Presently focusing on the best live-feel broken beat, house and jazz in his orbit, his latest curation, Cengiz and Ishfaq's 'Vibrations', is no break from this general rule. Each artist helming one side respectively, Cengiz' 'Motf' and its remix work a steadily built progression around faint jeers, metallic percs, filterpassed tom fills and space-age risers, the latter of which is much more skeletal than the former; while Ishfaq's 'Wonderjazz' moves impressively somewhere in the lost interregnum between speed garage and techfunk.
Review: Massive jazzdance and UK bass fusions on the new e-glowup from Eglo (though the record is also released physically). Celebrating 15 years of the nominal "post-dubstep" label, this limited 12" EP hears four exclusive, unreleased tracks from an upcoming label-definer compilation, the third in a series. Born from the basement of Plastic People, the pressure has remained continuously on Eglo to keep the same foment of bass musical innovation that the club nurtured alive. Plastic People is a routinised object of nostalgia, and it is often deemed the last proper place for innovation in bass music before austerity Britain militated against it. Zed Bias's remix of Chunky's 'Dancing On Tables' with Metrodome - and the deep, bruk-inspired track, 'Minerals,' from Liverpool's rising star Sticky Dub - both prove this assessment totally wrong. Genius thrives. On the flip, we've also house legend Giles Smith (formerly of Secretsundaze) delivering fresh material, as well as label boss Alexander Nut making his official debut with the lo-fi electro house track 'Arcade Fun Pt. 1.' The full compilation, featuring artists like Shy One, Steve Spacek, and Fatima, drops in April.
Joaquin Joe Claussell - "Erratic Telepathy (The Cosmic Arts Interpretation)" (7:02)
The Ricky Corey Collective - "Who Do You Love" (Josh Honeycomb extended Basement dub) (8:50)
Review: Spiritual endurance tester Joaquin "Joe" Claussell returns for another topup for the Yellow Jackets series. Volume Eight is yet another heliotropic hummer, with the two ingenious progressive, naturalisti-house cuts found thereon (two new versions of 'Erratic Telepathy' and 'Who Do You Love', the latter by Josh Honeycomb) bringing much tweezy and brain-furthering motif to the two-side mix form. The first track is especially impressive for the counterpoint set up between the right-panned marimba and the left-panned filter-synth, the latter of which dances like a magic firefly against the former's lemni-spatial mallet-bed. The B-sider is much more soulful, bringing interspersive vocals and subtle hat layering to a an all-out funky freakout.
Gilles's Peterson's Havana Cultura Band - "The Rumba Experiement" (Motor City Drum Ensemble remix) (6:35)
Review: New York legend and Body & Soul man Joe Claussell is first to land on this new Brownswood Remix Edition as he drops a Sacred Rhythm mix of his own tune with Cuban singer Dayme Arocena. It offers a fresh perspective on the original timeless composition with drawn-out drums leading to a signature spiritual rapture. On the flip is a dynamic reinterpretation of Gilles Peterson's Havana Cultura Band by German artist Motor City Drum Ensemble, who now goes under his birth name. He brings some dusty house drums to make for a perfectly flavoursome sound for outdoor dancing.
The Mechanical Man - "Uncle Swing" (feat Bob Vito) (4:31)
DJ Rocca - "The Box Above" (6:03)
Lex & Locke - "Soul Escape" (6:56)
Review: Musica Solida sampler 1 marks a thrilling celebration of 40 years of Flexi, the venerable record emporium that has stood the test of time in the ever-evolving music industry landscape. As the label weathered storms and celebrated triumphs, it has remained a beacon for vinyl enthusiasts, and this compilation embodies its enduring spirit. Curated by Flexi Cuts, Musica Solida promises a series of carefully selected singles spread across multiple 12-inch samplers, showcasing the talents of cherished Flexi-affiliated artists and producers. With a vision to cultivate a movement of sublime tunes, the compilation aims to uphold the commitment to quality that Flexi has exemplified within the Italian music scene and beyond. Musica Solida sampler one sets the stage with an eclectic lineup of artists, each bringing their unique flair to the table. DJ Rocca stands as a stalwart of the clubbing scene, while Club Soda delivers live electronic ensembles brimming with house-flavored jams. Lex & Locke bring a touch of Greek sophistication to the mix, showcasing their groovy sound destined for future acclaim. Hiroyuki Kato emerges as a Japan-based multi-instrumentalist with a punchy debut track, and The Mechanical Man (feat. Bob Vito) adds a raw, gritty energy to the compilation. For those that are adventurous in finding unique music, you will want to check out this great release.
Review: There is plenty of old school favour, hip-hop influence and West Coast cool to these two tunes from Coast2Coast on their own label. 'Wos' is first up and has minimal grooves with languid guitar melodies worming their way through the beats under subtle scratches and tight raps. On the flip it's 'Am' which picks up the pace and races ahead on skating beats, deft percussion and with more of those intoxicating raps up top. It's a unique mix that will make a great impact. As always with this outfit, this is an intriguing blend of charm and character.
Review: When Toronto-based and ever versatile label Do Right! released 'Required Listening' - a raw, diverse and stunning compilation of sounds by artists from Toronto
- critics and music lovers around the globe took notice. 'Required Listening Volume 2' promises to keep up that standard of quality by featuring fresh tracks from
the West Coast, to the East Coast, with some stops in between. Vancouver's Cobblestone Jazz, a band comprised of world-renowned techno producer Mathew
Johnson, programmer Tyger Dhula and keyboardist Danuel Dante who are known for their hype live shows and their jazzy, minimal techno sound heard on the
track 'Creator'. Johnson's own tracks have received critical acclaim and have been caned by Laurent Garnier, Richie Hawtin and Tiga. Cobblestone Jazz have
been steadily creating a buzz around Europe, and were recently featured on Gilles Peterson on BBC Radio 1. Also representing the West Coast is 8-member band
1 Luv along with vocalists Amaila Townsend, Deanna Teeple and Dawn Pemberton. Their groovy, soulful, jazzy house track 'Starz' explains why this band was
discovered by uber-crew Jazzanova and was featured on their 'Secret Love 2 Folk' compilation and how their music has been finding its way into the crates of
people like Phil Asher, Osunlade and Benji B. 'Starz' is taken from 1 Luv's debut album 'Neophilia' on Sonar Kollektiv.
Nigeria (Tall Black Guy Boogie Love remix - feat Broken Keys) (4:05)
Nigeria (Tall Black Guy Boogie Love remix - instrumental version) (4:05)
African Spirits (Andres extended remix) (5:33)
Review: Nicola Conte is one of the central figures in the Schema story, and his nu jazz and broken beat partnership with Gianluca Petrella has yielded some golden music in recent years. Nigeria originally came out in 2018, and then last year popped up on the duo's People Need People LP, but now it's getting a proper remix treatment which sees Tall Black Guy twisting the track out as a heady disco house roller for sundown moments when you need a little jazzy flair in the proceedings. That version comes in vocal and instrumental versions, and then the mighty Andres steps up for one of his simmering groove escapades as he delivers an extended remix of 'African Spirits'.
Review: Nutria Sounds is a new sub-label of Kai Alce's rightly revered deep house stable, NDATL Muzik, and it's back with 002 here with an EP by rising Toronto producer Marcelo Cruz, who delivers spiritually rich, dancefloor-ready grooves. 'Mi Espiritu (feat Jaidene Veda)' opens with haunting vocals layered over emotive percussion and bubbly drums, then 'Ceremonia' follows with Carlito Brigante's expressive piano dancing atop hypnotic rhythms that bring to mind sacred rituals. Closing track 'Deeper Dreams' dives into raw, underground territory with cuddly bass and stripped-back drums. It's a tasteful one from Nutria Sounds, which seems set to become a crucial new outlet for organic, soulful dance gems.
Review: Bradley Zero's ever hard to pin down but always excellent Rhythm Section International comes through with some deep house excellence here. Far from standard sounds, though, these tunes are infused with all manner of mystic referees. 'Individuality Riddim' is tinny and percussive, empty yet compelling. 'Subtropique' pairs aquatic sound design with shimmering rhythms that seem to owe a debt to djembe rhythms while 'What Now' is astral house with cosmic vibes to spare. There are also two darker, more percussive tunes to close out this fantastically expressive and adventurous EP.
Review: Toy Tonic always deliver interesting, functional, emotional house music and here comes another such serving from the so-far so-excellent Cody Currie. The opener is as deep and jazzy as they come, with rich chords and twinkling pads all floating way above a nice warm bassline. 'LS Anthem' plays with broken beats and warped chords that are woozy and rich as a spoken word sample brings a sense of cool. 'When The Time Is Right' then keeps up the magical Rhodes work and a soulful, shuffling groove before 'M9' picks up the pace a little without loosing any of the heart and version of 'Moves' closes in steamy fashion.
Review: Stefano De Santis kicks off Ten Lovers' new 'Best Of Various' release with 'Murk'; as the name suggests, this is indeed a dark workout from Rome's finest. The tone is set thereout for a thoroughly varied V/A, blending every curious hallmark from jazzdance, G-funk, Chicago house and progressive. The opener is a muted but no less expansive start, establishing the broken, one-beat-eliding, live-drummy mood that is then heard throughout. Batavia Collective's 'Rearview' thematically harks after an unconscious joy, considering what can only be implied, not stated, by way of a gorgeous, what sounds to be largely live, modal synth squeezer on which the slowdown is the real highlight. Future Jazz Ensemble's 'Over The Rainbow' is by far the most challenging, blurring any woulda-been established lines popularly splitting 'live' and 'electronic' with a reverb-drenched generative fill workout, while closer 'Outer Heaven' from Takahiro Fuchigami, hailing from Fukuoka, rounds things off on a note of Hancockian jive.
Review: The artwork for this new 12" from the System 108 label is eccentric enough to make you want to check out the music even if you don't know the artists. It's the sort of cover that suggests the music will be left of centre and quirky and that it is. 'Sao Januario' is a deep and lazy groove with sunny chords and jazzy keys that take you to the global south. 'Sunny Villa On A Distant Planet' is a twisted disco cut with house leaning drums and big cowbells under intergalactic synth lines. 'Rolando Nascer Do Sol' then rides a crisp electro breakout to keep you on your toes and 'OWL WCS' slows down for a cuddly back-to-mine style closer.
Antonio Ocasio & Coflo - "Protecting My Peace" (7:44)
Antonio Ocasio & Cee Elasssaad - "Agbara" (6:44)
Review: Although nowhere near as celebrated has his New York contemporary Joaquin "Joe" Clausell, Antonio Ocasio has been offering up spiritually enriching house music on the Tribal Winds label since the late 1990s. Here he debuts the Soulciety Music Series via a 12" containing two ear-catching collaborations. COFLO lends a hand on A-side 'Protecting My Piece', a fine slab of synth bass-propelled spiritual house piled high with Latin percussion, elongated synth solos, dreamy pads and addictive piano hooks. Cee Elesssad joins Ocasio in the studio for B-side 'Agbara', a deliciously positive, sun-soaked number that adds excitable, jammed-out organ solos to a rubbery and life-affirming piano-house groove
Do What We Gotta Do (feat Delroy Dyer/Gina Foster) (4:24)
I Like To Party (feat Andre Stevens/Imaani Kemi/Delroy Dyer) (4:35)
Gonna Make You Happy (feat Jill Francis) (3:43)
Love Dont Strike Twice (feat Easton) (3:53)
Share My Love With You (feat Imaan) (4:43)
Fantasy (feat Gina Foster) (4:38)
Without You In My Life (feat Delores) (4:00)
Sweet Vibrations (1:54)
Review: Rick Clarke was signed to Soul II Soul's Funki Dreds label, meaning he was contractually not allowed to release his music elsewhere. As such, he anonymously slipped out this album Guess Who in 1992, but now it gets a welcome reissue on Freestyle Records under the artist's given name. It is packed with creative ideas and sweet stripped back house grooves with a hint of garage swing. It features plenty of Rick's friends and collaborators who all came to his MJB Records studio in West Kensington where the LP was produced and recorded in just a few days. It's packed with raw drum machine sounds, great basslines and sweet melodies.
Review: Close Counters of the preferred kind... Lovers Dance Academy is the third, cosmic jazz-house LP from the word-playful ensemble from the Australian duo of Allan McConnell and Finn Rees. Eschewing much of the kitsch tropicalia of Soulacoasta and Soulacoasta II, their first and second albums from 2018 and 2023 respectively, the pair have decided to minimalise and sophisticate their sound here. Ahead of a nationwide tour (and beyond), this sweetly balanced record not only marks out Melbourne and Narrm as twin hotspots of the Aussie scene right now, but serves well as "a metaphor for the power of collective energy", with rousing hats and sprung sound design making for an infatuating, feverish disco sound. The master mix is ever so slightly pushed to the limit, inciting a people's disc-overflow.
Review: This life-affirming new record from Down Under is a fine celebration of soul, broken beat, house and jazz that brims with rhythmic percussion, dynamic synths and syncopated basslines. Close Counters' effortless instrumentation shines throughout as paired with intricate production that maintains energy while allowing spaciousness with plenty of drum power. The album highlights the band's collaborative spirit with standout performances from Lyric Jones, Tiana Khasi, Allysha Joy, Jace XL, Shiv and others while the presence of Adam Halliwell of Mildlife on the opener further enriches what is a richly musical and adventurous album.
Review: Terapia Records is a Milan-born record label created by Luca Ferrara and Michele Fallabrino aka Complementary Minds. Here they present the very first release in its catalogue, a stunning LP titled Butch Haynes introduces Complementary Minds Vol. 1. Featuring a wide selection of moods and grooves throughout its whopping amount of tracks, some of the highlights include: the late night boogie-down vibe of 'Flower Diva" the late night deepness of 'Q Orchestra' (The Lost Tape mix) with its Moodymann influenced vibe, through to the knackered and off-kilter business of 'Myers Boogie Man' and the dreamy classic house emotion of 'Contact 911' with its early Chicago vibe featuring celestial Larry Heard-like synth sounds.
Review: Long-established Italian producer Nicola Conte started working with jazz trombobist Gianluca Petrella back in 2017. In the years since, they've released a string of singles that fuse contemporary house sounds with the rhythms and musical styles of Africa. Here they present their collaborative debut album, People Need People, an effortlessly soulful affair that draws deeply on the pair's joint love of deep jazz-funk (see 'Hold On To Your Dreams') and the funk-fuelled goodness of Afrobeat ('Nigeria'). Throw in versions of those previously released singles (think 'African Spirits' and 'New World Shuffle' for starters), and you've got a highly entertaining full of high-quality musicianship and plenty of life-affirming melodic motifs.
When The World Is Running Down You Make The Best Of Whats Still Around
Peach
Review: Chicago artist Justin Kay was hugely prolific in his day and world under several different nom de plume. Now some of his best work is being revisited for a series of posthumous releases. He traversed several different sound worlds with equal aplomb from bright pop to sludge metal via IDM. Under his Cosmic AC alias he manages to mix up equal parts ambient bliss with breakbeat action, raw techno and emotive house. The standouts of this Continuations album come thick and fast from the high speed jungle breaks of 'Blue Whirl' to the jazzy downtempo delights of 'Hedge Clipper' and plenty in between. See also the majestic pop serenity of closer 'WTWIRDYMTBOWSA.'
Universal Language (Revisited - instrumental) (5:33)
Universal Message (4:39)
Review: After reuniting the Cosmic Renaissance project, and following up the release of the album Universal Language in 2022, Gianluca Petrella returns with a new five-track EP, 'Universal Message', again on Schema. Recontextualizing the vision of the album, this follow-up extends its impressive jazzdance and hip-house vision, with Petrella ever-revolving his style towards new Afro-jazz-futurist vortices, abandoning the band concept towards an electronic aesthetic with a profound spiritual concept to boot.
Review: Made up predominantly of live drums and backing sequences, Cruisic affirm a sturdy sonic "yes" in the vein of nu-funk and jazz-funk on their new record, Euphoria. Riffing on the successes accrued since at least 2019, first in the form of an 'Inspector Norse' rendition, then a couple more covers - 808 State's 'Pacific 707', Azymuth's 'Jazz Carnival' - Euphoria is a contrastingly unique selling point, homing in on the duo's own talents and masteries. Cruisic express the essence of house, MPB, acid jazz and groove, hardly ever overextending the tempo and keeping things at a steady 115-ish, all while remaining firmly in the wild camps of smooth and mellow.
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