Back catalogue: House

Review: First unveiled on his fine 2023 album Bruno & The Birds, 'Let Me Go' is one of rising star Jullian Gomes' most sumptuous and effortlessly soulful tracks to date - a gorgeous blend of shuffling deep house drums, star-lit chords, gentle melodies and eyes-closed vocals made in collaboration with Japanese legend Kuniyuki Takahashi and singer Sio. On this EP, Gomes' superb original mix is backed by a trio of remixes. Gomes' mentor Atjazz provides two rubs: a breezy, full vocal, broken deep house take in his trademark style (the 'Astro Art Remix') and the more bass-heavy and infectiously percussive 'Astro Rmix'. Osunlade dons the Yoruba Soul guise and delivers a fine, EP-ending rework full of bouncy Afro-house beats, deep sub bass and spacey electronics.

Review: The always-smiling Soichi Terada is a master of Japanese house music as well as being a fine video game soundtrack designer who brings unbridled synth and piano-laced joy to his sounds. His collab with Manabu Nagayama, 'Low Tension', is the subject of the A-side here with deep house don Jimpster remixing first with all the joyous synth energy of a new spring day and then with a Beatless Reprise that allows you to marvel at the magnificent keys. On the flip, Nick Holder's In The Six remix brings some smoky depths to Luyo's 'Shanee' while a KEENE Venao 7am remix of 'Celestial' is the exact tune you want to hear at sun up.

Review: Remastered rarities by the late Susumu Yokota under his 246 and Prism monikers. Go Up was originally a defective release which has since been corrected and remastered and Vol 3 - 02 was not released. It also features a megamix of Ambient Love and Squeeze Up (which feature on Cosmic Soup 005) by Gene On Earth and a remix of Flare's Grip - Prism Remix by Matthew Herbert titled "Herbert's Make It Right Dub". Three legends on this EP. Superbly remastered and cut by Mike Grinser at Manmade in Berlin. Artwork by John Williams.

Review: Rush Hour has been one of Europe's independent musical powerhouses for decades now. Now only does it have Amsterdam's best record shop, but it throws the best parties and puts put the fresh new records from several different genres. next to that of course they also know how to dig deep and unearth vital reissues, which is what they do here with a triple headed Japanese house affair. Katsuya Sano keeps it OG Chicago with his 'I Need Luv', then Junichi Soma offers the analogue depths of 'Ubnormal Life' and Shuji Wada shuts down with more brilliantly atmospheric sounds on 'Endless Load.'

Review: After a decade away, this revered Japanese producer returns to the label where his journey first took flight i with a stunning fifth release EP. Effortlessly blending deep house and tech house sensibilities, he crafts a polished, deeply musical EP that feels both nostalgic and forward-looking. Side-A begins with 'Summer Solstice', a crisp, melodic opener built on a minimal, techy grooveisetting a next level production right from the drop. 'Be With Me' follows, locking into an addictive rhythm, its deep, elegant production highlighting his seasoned touch. On the flip, 'The Loop Machine' stretches into deeper territory, an epic builder that grows patiently and powerfully, perfect for extended sets. Finally, 'Winter Solstice' brings a surprising yet fitting close, with a funky electro glide that feels clean, fluid and inviting. As if the seasons were changing. This is a masterclass in restraint, groove and feelingia welcome homecoming for an artist who's clearly leading the way.

Review: UK-based producer Yuri Suzuki goes hard as nails on his latest effort, landing on Detroit Underground with an unfettered collection of pounding techno cuts. Having previously released on labels including Sketches, Accidental, and Super Rhythm Trax, including notable collaborations with Ed DMX, this long-player is among his most unflinching. From the aptly titled 'Violent Acid Stuff' to the no-less descriptive 'Raver', the tempo maintains a furious pace throughout, with pounding drums, jarring synths, and, of course, searing 303 lines very much the order of the day. Simply put, if you're a fan of acid techno, you'd be strongly advised to buy this one on sight.