Back catalogue: Pop

Review: Marking the 15th anniversary of Amy Winehouse's live performance at Glastonbury in 2007, the full set recording is now available on vinyl to purchase. Greatest hits in the late Camden-native's catalogue played live with a 6 piece band, 16 classics like 'Tears dry on their own' and 'Back to black' from her 2 albums are pressed on this double LP. The latter performance being watched on YouTube almost 8 million times, the raw vocals are incredible and a reminder of what made Amy Winehouse the legend that she is. This record is an indisputable must-have for collectors this year.

Review: To celebrate the return of the Glastonbury Festival in 2022 and mark the 15th anniversary of an iconic moment, Island Records served up Amy Winehouse's 2007 Pyramid Stage performance for the first time. This unforgettable set saw the troubled genius headline on June 22nd and it was her debut on the Pyramid Stage. She entranced audiences as ever with her soulful voice and electrifying presence and later that day, she also graced the Jazz World Stage and once again wowed those in attendance with another heartfelt and raw performance. The album now gets reissued and commemorates a milestone in Amy's career as well as a chance to relive the magic of her timeless sound.

Review: Long since gone but never to be forgotten, there remains no one quite like the troubled talent that was Amy Winehouse. Her songs seem to grow better with age if anything so they are always going to keep reappearing on vinyl. This is a particularly special version of her legendary Frank long player that comes on a double picture disc with images of a young, happy Amy on each slab of wax. The music you will be well familiar with by now - heartbreaking and heart-rending soul sounds with a Motown twist and jazz inflection. Tunes like 'I Heard Love Is Blind' and 'Know You Now' will always resonate.

Review: Gone but never forgotten, The Best Of Amy Winehouse is a poignant testament to the late singer's incomparable talent. This collection curates her most iconic tracks, from the most famous and soulful 'Rehab' to the emotionally raw 'Back to Black.' Winehouse's unique blend of jazz, r&b, and pop is on full display, showcasing her raw vocals and lyrical depth and of course each song is a window into her turbulent life, filled with heartache, addiction, and unbridled passion. Despite her tragic passing, Winehouse's music continues to resonate and this album proves she remains the most influential voices of her generation.

Review: Tatsuro Yamashita's It's a Poppin' Time is one of the many albums of his that are being reissued right now as part of a campaign focussing don his work for RCA. It arrives on nice heavy 180g vinyl and is the first of two live albums he put out. This one came in 1978 and an expanded remaster came in 2002. At the time he was an already established Japanese singer-songwriter and record producer who had very much helped to define the early city-pop sound that has endured to this day. He dropped a wealth of studio albums from the seventies onwards and as this one shows had more than enough skill to carry that magic over to the live arena.

Review: Music On Vinyl are our new best friends. With a wide range of music being reissued as of late, Yello's 1987 One Second is just spoiling us. Never being fully acclaimed when it was originally released, this is one album which really spans the full circle in terms of artistic ideas sonic experimentations. While being tagged primarily as a pop work, it's really more of a lesson in synth manipulations and nutty beat-making. "The Rhythm Divine" has to be out top track but do check the whole thing, it's magnificent...

Review: The tide of (hyper)pop has ebbed into increasingly emo and indie directions and the frothiest edge of this fluid movement is perhaps best represented by the latest album from Yeule (Nat Cmiel). Softscars follows up Yeule's 2022 album Glitch Princess and continues the trend of ultra-glossy, CD-reflective, knife-edge sounds packed into the blueprint of downtempo dream pop, in which said gloss reflects Cmiel's own personal experience of healing from trauma. The likes of 'ghost', 'dazies' and 'sulky baby' are giving glitchy alternate-reality Green Day in their Boulevard Of Broken Dreams era, with a dash of ejector-jewel-cased lyrics and a sprinkling of George Clinton-esque production flavour.

Review: The third full-length studio album from Singaporean singer-songwriter-producer Nat Cmiel (aka yeule) released to rave reviews earlier this September, following an ethereal rollout with singles 'dazies', 'ghosts' and 'inferno' showcasing exactly what yeule excels at: worldbuilding. 'softscars' is now the 3rd instalment in one of the most exciting album runs in modern alt-pop, shifting away from the glitchy, electronic ambience of predecessor 'Glitch Princess', moving in a more rock-centric, brighter direction. This isn't to say the album doesn't have its soul-crushing moments, opening track 'x w x' closes with a defiant scream of frustration, whilst the drums, guitar and synths fight each other for dominance - bottoming out into a gentle outro sequence. The calm after the storm. We could go on about this album for hours, as a yeule fan it feels so fresh but so perfect with it's oscillating directness in delivery. Whereas 'Glitch Princess' felt like travelling through a clastrophobia-inducing tunnel at time, 'softscars' is that moment you burst out of the tunnel and are hit with a huge green vista. It's my album of the year but, hey, what do I know?

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


The tide of (hyper)pop has ebbed into increasingly emo and indie directions and the frothiest edge of this fluid movement is perhaps best represented by the latest album from Yeule (Nat Cmiel). Softscars follows up Yeule's 2022 album Glitch Princess and continues the trend of ultra-glossy, CD-reflective, knife-edge sounds packed into the blueprint of downtempo dream pop, in which said gloss reflects Cmiel's own personal experience of healing from trauma. The likes of 'ghost', 'dazies' and 'sulky baby' are giving glitchy alternate-reality Green Day in their Boulevard Of Broken Dreams era, with a dash of ejector-jewel-cased lyrics and a sprinkling of George Clinton-esque production flavour.

Review: Japanese pop duo Yaosabi share the vinyl edition of their critically acclaimed song 'Idol'. 'Idol' is a combination of Japanese idol-styled pop, hip-hop, rock, and video game music, and depicts the two-faced nature of a fictional star in the Japanese idol industry; the record also serves as the lead theme music for the anime series Oshi No Ko, in turn based on Aka Akasaka's short story 45510, both of which also tracks Japan's cultural interest in the figure of the idol. This is a knowing slice of Japanese bubblegum, nonetheless aware of its murkier underbelly; it also packs a crazed confluence of idiomatic borrowings, from Atlanta hip-hop to orchestral music, and ties them all together with a single bow.

Review: Yomm's upcoming EP showcases a unique blend of City-Pop with diverse influences, solidifying her as a standout figure in the contemporary music scene. This six-track collection includes the pre-release singles 'Hatsukoi,' 'Alice,' 'Miraco feat. Layone,' and 'Saratto Patto Pitto,' alongside two new tracks: 'Hon de Yomitake,' penned and arranged by Kiseru's Gobun Tsujimura, and 'Scramble - Tokyo,' written and composed by yomm herself. A new project by Korean singer-songwriter and model Choi Jung-yoon, Yomm has quickly gained attention since its launch in April, with contributions from notable artists like Shota Araya (formerly of yonawo), Motoi Kawabe (Mitsume) and Jin Ono. The EP showcases yomm's ability to blend City-Pop with modern elements, creating a sound that feels both nostalgic and innovative. With its eclectic mix of styles and top-tier collaborations, this EP is set to be a refreshing addition to the evolving City-Pop genre.

Review: Produced in LA by her friend and collaborator Solomonophic (who has worked with the likes of Remi Wolf, BROCKHAMPTON and Dominic Fike), this new studio LP from Young is an electrifying and fearless concept that blends passion, rage, humour and narrative flair, all while crackling with energy and surprises. As a modern breakup album, it captures the raw sound of youth navigating relentless romantic turmoil. Irresistible and unexpected, Lola's work defines the chaos of love and heartbreak and is a record that is poised to propel her musical journey to even greater heights.

Review: An electrifying, genre-blurring debut that explores heartbreak with striking honesty and musical sophistication. This Wasn't Meant For You Anyway is sure to be one of the most engaging pop albums of 2025. The artists breathy, understated vocals are the anchor, effortlessly gliding across a soundscape that blends r&b, jazz, rock and classical elements. Tracks like 'Walk On By' show Young's ability to marry modern pop touches with a soulful, timeless aesthetic, while 'You Noticed' s is a minimalist ballad that underscores her poetic lyricism. The fusion of styles is seamless, each track serving its lyrical content with precision, from the jazzy playfulness of 'Conceited' to the raw energy of 'Crush'. The album's production, with its nostalgic crackles and modern electronic accents, creates an intimate, almost journal-like atmosphere, allowing listeners to connect with Young's unfiltered emotions. With TWMFYA, Lola Young carves out a distinct voice, a riveting blend of vulnerability, wit and musical depth.

Review: Yuna's self-titled debut album came with three tracks produced by none other than Pharrell Williams. That was a decade ago when she was just 24 years old and one of the hottest properties in the scene. Freshly signed to Fader for the album, it was a great showcase of the young singer's voice across a mix of sounds that took in r&b, soul and pop with a mature edge and moving emotional narrative. It was initially only put out on CD but a decade on that is corrected as Fader drop this vinyl version just in time for Christmas.

Review: Based in London, UK, but originally hailing from Argentina, Malena Zavala is nothing if not disinterested in picking a style and sticking with it. Following on from her 2018 debut album, 'Aliso', 'La Yarara' again sees her combining some bold and often disparate genres, and playing with language - Spanish and English - to dazzling effect. The result being a record that's devastatingly effective and equally original. 'What If I' is a positive, upbeat and hypnotic pop lullaby. 'Compay' is saturated in a bluesy atmosphere, melding this with downtempo electronica. 'I'm Leaving Home' is a lackadaisical, whispered slice of reflective chill out. The title track is South American exoticism, canned and then opened on record. A huge talent diving deeper into sonic possibilities, and following what sounds good rather than familiar.

Review: Zayn's album Room Under the Stairs promises a deeply personal journey, reflecting his growth and introspection over the past six years. The soulful single 'What I Am' sets the tone for an album characterised by raw honesty and vulnerability. Collaborating with Grammy-winning producer Dave Cobb adds depth to Zayn's exploration of live instrumentation and poetic lyricism. His stripped-back approach aims for an intimate connection with listeners. With teasers on popular shows like The Tonight Show and Hot Ones, anticipation for Zayn's most personal work to date is palpable. Room Under the Stairs is poised to be a standout moment in his discography. Expect this to be very popular album.