Back catalogue: Techno (All)

Review: There's lots to get your teeth stuck into on this new and blistering collection of electro from Adepta Editions. And don't let the title fool you - it's not all accessible summer festival fare, in fact none of it is. It is all head down and serious tackle. 7053M4R14's '4 N3W HUM4N' is a driving, dark, visceral sound with raw breakbeats powering through the cosmos. Rec_Overflow offers a moment to catch your breath with some slower, dubby rhythms on 'Pocket Dial' and Pauk explores twitchy future synths capes and post-human transmissions on 'Shiawasena Fukushu'. Promising/Youngster shuts down with a sense of optimism and hope with the airy melodies and slithering electro drum patterns of 'Arbey.'

Review: London underground night train riders Deadbeat Records prioritise techno-breaks handmade for late night and early morning dancefloors, times when both the best and worst comes emerges from each of us. Their inaugural Deadbeat Breaks compilation hears six out of ten full digital curations brought to a shadowy, space-invaded black vinyl truncation, with modern talking synth vomits from Olly Rant, booty bass hups from Hunter Starkings, hackney parroting hurtles from Rnbws, and a closing breakstep broil from Hooverian Blur.

Review: Earlier in the year, James Baker brought his long-running ReKaB project to Andy Vaz and Alessandro Vaccaro's long-running Yore imprint for the first time. This speedy sequel is similarly assured and quietly impressive. He begins by wrapping vintage drum machine beats and an angular, LFO-style bassline in unfeasibly spacey chords, bubbly electronics and woozy vocal samples ('My Inspiration'), before treating us to a warmer and more melodious slab of analogue deep house loveliness ('Soul Brother 88'). Over on the flip, 'Future Times' sees Baker pepper a hypnotic deep house beat in intergalactic, Motor City-influenced synth sounds and bubbly acid motifs, while title track 'Random Fragments' is another classy, far-sighted deep house-meets-deep techno number rich in superbly spacey sounds. Music for the head and the feet!

Review: Repeat Records are currently embarking on a multi-part series of longtime DJ Eddie Richards' earliest tracks, and this second journey - that's right - follows up the first waxen time capsule to appear so far. Richards' behind-the-booth adventurousness is often credited as one of the instrumental factors in the spread of house music in the UK, and doesn't 'Time Travel' show it. Lesser known as a producer but still much respected in said niche, several choice slab-grooves from Richards' early noughts numbers are selected here: track two from 2002's 'The Dark' EP, 'Underskopje' from that same year's Kubrickian tech house hurler 'Open The Pod Door' EP, and a legitly deep cut from the AA2 side of Richards' Othersound debut 'Dope'. One for early tech house heads, when the genre was still innocent and real experts reigned supreme.

Review: Rick 8 is the techno alias of Italy's Riccardo Falsini, and here he revives the pioneering spirit of his iconic Interactive Test label with this early gem, which offers an essential slice of trance, techno and progressive house history. Known for reshaping genre boundaries, the label was a beacon of innovation, as this EP shows. Each track is a potent club tool, designed for transcendental dancefloor moments and sonic ascension from the chunky tribalism of 'Hypernotes Velocity' to the standout remix of 'C'Mon' by Sound Metaphors affiliate Trent, who injects progressive firepower. 'Born To Sinthetize' is a deeper, spiritual sound with flashy synth work married to loose drum loops.

Review: Highly curious, difficult-to-pin-down techno/Italo-ish stuff from Prince Of Takicardia and Rifeno, who here jointly assist Backward Futura in its mission to explore the sounds of 1980s and 1990s through the lens of the new Millennium. We find this aim to be something of red herring, since these tracks sound almost entirely new in their composition, and not necessarily of those times, not least since they were made in the 2020s; while taking obvious cues from those eras, the likes of 'Arte Del Sexo' and 'La Casa Del Ritmo' flesh enough out of their respective influences to sound untied from them. Through cinematic breaks and tropical bleep, Rifeno and the Prince portray their wild but no less at easse imaginations, bringing the sunned and stressless feel of the Balearic Isles to the darker worlds of EBM and industrial, making for a complex sonic flavour.

Review: Gigerian horror is evoked on Roi's new EP 'Six Nine' for Nachstrom Schallplatten. The German label specialises in producing these kinds of dark, otherworldly wax flying saucers, and new resident artist Roi, hailing from Spain, knows just how to replicate the mood sonically. This is techno extrapolated to its hardest, most humanity-jettisoning proportions. It also adds a neat idiomatic side-order to an otherwise sprawling discographic *table d'hote*, with Roi temporarily adapting his sound to suit the topic of cosmic horror. Never letting up, the record reaches its peak on the gnarly title track, the lead synth line on which snaffles up the surrounding texture like a mass-consuming beast.

Review: XXX is back with a steamy 16th EP and it features two original tracks by Anastasia Zems & Radial Gaze on the A-side, with remixes from Chinaski & S.I.R.S. on the B-side. The originals are characterised by dark industrial vibes, sharp kicks, and throbbing yet playful basslines that will persuade any dance floor to get throwing shapes. On the flip side, Chinaski's remix takes an unexpected turn as a trance-like trip that climbs higher and faster with each beat. S.I.R.S. offers a contrasting disco remix with an irresistibly groovy bassline, and just as irresistible is the playful artwork by Gees Voorhees that perfectly captures the eclectic nature of this EP.

Review: London promoters Sagome continue their evolution and expansion into an essential label with their third release. This one comes from Italian duo Rain Text which comprises Giuseppe Ielasi, a renowned mastering engineer and one-half of Bellows, and Giovanni Civitenga, who hosts the long-running Skyapnea show on NTS. Their new album III offers sequentially titled, intricately detailed electronic compositions that blend abstract techno, glitchy sound design and experimental electronica. Comparable to Mika Vainio's sonic manipulation yet more densely layered, III nods to the fractured sounds of Actress and the decay-driven textures of late-period Jan Jelinek. It's engaging and unique, to say the least.

Review: The Dalmata Daniel label welcomes Rapha for Midnight Dancer, a bold new album of journey electro and electronics. 'U Win I Win' gets things underway with glistening and innocent melodies over steely analogue drums. The CT Kidobo remix) makes it more raw and elsewhere the artist plays with slower tempos for chugging cuts like 'Midnight Dancer' that still shine with bright, pixel-thin pads. Add in gems like 'Lost Star' and 'Galactico' and you have a tastefully intergalactic trip from which you won't want to return.

Review: DSK Records shares the anticipated sophomore album Uswatt by the Barcelona based, Egyptian artist Raxon. Bounding forth and outwards from many an earlier dynamic demo, coming in the form of releases on Cocoon, Kompakt, Ellum and Dynamic, Uswatt manifests as profound demonstration of productive skill blent with an ability to rouse the spirit of the dancefloor. Opener 'Cyber Funk' is the 808-laden, bio-industrial trammeller, but that speaks nothing of the doubletime jaunts that follow: 'This Is The Way', 'Go Computer', 'Still Hypnotic Soundwave' and 'Hi Human Intelligence' moving increasingly computery and alien as the album progresses. Raxon's second album, it represents the culmination of years of evolution and refinement in his music.

Review: Juan Rico, who also known as Reeko and Architectural, presents Urmah, his debut LP at the eye-watering pace of 170 BPM for Samurai Music. Expanding on his two previous EPs with the label, Reeko has become essential to its sonic identity and Urmah embodies this synergy with the label by both its and his artistic boundaries. Across the record, Reeko dives deeper into hypnotic grooves and layers lush textures and subtle breakbeats into an entrancing and meditative work. The producer's deft touch for blending techno's intensity with gentle psychedelia shines through as he demonstrates a mastery of new tempos and evolving sonic landscapes.

Review: Mind Express boss Refracted, AKA Berlin's Alex Moya, emerges from the depths of some murky, oily, opaque lake. A place unsettling and unnerving - the site of some unknown tension - but also wonderfully inimitable and hard to countenance. Powerful stuff, just not really in a way that immediately presents itself as such. Nevertheless, before you know it these tones have enveloped and ensnared. Call it ambient techno, call it ambient, call it pure futurism - parts here almost feel like the ambient noises of familiar things that haven't been invented yet. If that makes sense? A moody precog of a record, it whirs and drones, echoes and dissipates. There are moments when structure become more defined, like the mystery of 'Initiation', but for the most part these are aural infinity loops.

Review: Trent Reznor and Atticus Ross, known for their remarkable work with Nine Inch Nails and film scores like The Social Network, deliver a techno-charged soundtrack for Luca Guadagnino's tennis-themed love triangle drama Challengers. The score is a pulsating mix of electroclash, synth-pop, and driving techno, expertly weaving traditional instruments with electronic beats. Reznor and Ross take Guadagnino's vision to heart, crafting a soundtrack that not only drives the narrative but also challenges expectations with its bold, rhythmic energy. Tracks like 'Compress/Repress', co-written with Guadagnino and featuring Reznor's vocals, showcase their ability to blend artistic expression with the film's themes of control and power. Overall, this is a excellent soundtrack that works well to support the visual or just listening to it without having seen the movie.

Review: Ribe is back on PoleGroup which is always going to get our attention, as well as that of any real techno head. This time it is with Las Tres Puertas which is a superb eight-track double 12". The title track opens in dramatic fashion with chords full of tension and train track beats that loop infectiously. There is a more experimental feel to the fuzzy loops of 'La Rabia', 'El Sutil Arte' is full of edge and tension thanks to a loud, centred drone and 'El Nuevo Mundo' is a dystopian and swampy soundtrack to a dark day on a distant planet. In between are many more intriguing sound designs and unusual rhythms.

Review: Rivet's newest album for Editions Mego blends optimism and negation, emerging sanguinely from a period of personal tragedy and disillusionment undergone by the artist. Mika Hallback, a key figure in the Swedish underground, first gained attention with industrial techno as Grovskopa before shifting to experimental work, including On Feather and Wire (2020). After the loss of fellow musician Peter Rehberg and his dog Lilo, Hallback created the somber L+P-2 (2023), and now Peck Glamour marks his return, coming reinfused with hope and exploration. Drawing on punk, industrial, techno, and trauma, the album combines synthetic and organic elements, with 'Orbiting Empty Cocoon', with its tugging, metal ballistic sound-rooms sounding like an Au-technic, cybernetic ritual, a dance anthem 'Patitur Butcher' and 'We Left Before We Came' concluding on comparatively layered zoonotic notes; posthuman synthesis backed by birdsong.

Review: Dublin-based artist Rustal is Peter Sweeney and he has a deep sound that he now brings to New York's renowned BlackCat label. Three of these originals are recorded in one-take performances at BlackCat HQ in the summer of 2024 and one is a dub reggae jam made in collaboration with label boss Jack Russell and Sonuga. 'Angel Of Light' is a widescreen dub techno opener with fuzzy, fizzy synths ripping out to infinity over dynamic drums. 'Flower Brick' is more intense with the oversized hi-hat ringlets and 'Ukiyo' is minimal and sparse in its drums and pads but soon locks you in. 'Burn Down Babylon' is a late-night stoner soundtrack for full mental immersion.