Back catalogue: Techno (All)

Review: Two years ago, Italy's Balearic Gabba Soundsystem switched from remixing and re-editing their favourite cuts to curating compilation style EPs of similarly minded fare. They're in that mode again here, presenting a trio of cuts that combine the saucer-eyed warmth and loved-up musicality of Balearic music culture with grooves and rhythms firmly focused on the dancefloor. They begin by showcasing Wallace's sublime remix of Sewell & The Gong's 'Better Worlds', a locked-in, hypnotising fusion of semi-organic deep house grooves, new age melodic motifs and the dreamiest of ambient chords. Over on the flip they dip into slo-mo Italo-disco/acid house fusion via SIRS fine revision of My Friend Dario's 'Tell Aro', before treating us to a Pedro Bertho remix of Verdo's 'Belvourdier' in which sparkling Balearic house piano riffs, undulating acid lines and mid-80s "chorus" synth sounds rise above a fluctuating synthesiser bassline and hustling beats.

Review: Greek producer Stelios Vassiloudid has been making techno moves since the turn of the millennium under a range of different aliases. Here he appears as himself with four supercharged dub techno cuts for Dubwax. 'Lie In Wait' is a really tight, taught affair with pinging kicks and icy hi-hat ringlets. 'MIA' is more warm and vibes with a soulful core and underlapping bass waves. There is a more minimal and abstract sound to the curious dub bumps of 'Reverse Engineer' that encourage you to be at your most fluid. 'Grains' shuts down with grainy lo-fi pads, vinyl crackle and sparse kick that soundtrack an underwater jaunt. There is plenty of subtle variation to these rhythms which makes it a dead handy dub EP.

Review: Boys Noize has been tearing up dance floors and serving up arresting electronic assaults for ages, often on his own self-titled label. He branches out here though with a new one, Ones & Zeros, which he has said is a "concept label reflecting new modes of creative and subcultural circulation". it launches with a bumper compilation featuring 22 blistering sounds across six sides of wax. Two of them come from the bas himself, one is a collar with Locked Club, and elsewhere new school and more established names like Skee Mask, Safety Trance and Manni Dee all offer up the sort of high impact tracks that will always be useful to have at your disposal for when the rave really is ready to peak.

Review: DJ Sotofett returns with a double 12" packed with eight hard-hitting, underground techno tracks. Featuring frequent collaborators LNS, L.A. 2000, Ronny Nyheim, and Zarate_Fix, this release is a direct nod to the no-nonsense techno nights at Berlin's iconic Tresor club, where Sotofett holds residency. Each track is crafted with pure dancefloor energy in mind, moving through dub-driven techno, acidic overtones, and percussive basslines, all delivered with a raw, uncompromising edge. WANIA mk1 is a masterclass in DJ-ready versatility, perfect for those who love their techno stripped back and potent. Standout cuts include the bombastic, percussion-heavy Preparation and the 909-vocoder-fuelled My Spirit Is In Techno Music, both of which exemplify the release's dedication to the underground essence of the genre. With alternative mixes from WANIA mk2 making an appearance, the album offers both continuity and innovation, keeping true techno fans hooked from start to finish. Sotofett's attention to detail in programming, mixing, and mastering is evident throughout, making this a must-have for DJs and clubbers who live and breathe the core of real, unfiltered techno music. WANIA mk1 isn't just an album; it's a statement for those who value authenticity in their club experience.

Review: Sonic Groove Records marks a full three decades of boundary-pushing electronic music with an uncompromising compilation of unreleased tracks from an array of techno and industrial legends. Since 1995, the New York label has stood for fearless innovation and this anniversary release is no exception as it delivers a front-to-back barrage of expertly crafted, high-impact cuts. Each artist contributes fresh material that feels vital and honed, capturing the label's ethos of dark energy, sonic precision and underground credibility. From Frankie Bones's clunking loops of acid-laced menace on 'Clip On' to Adam X's pending analogue barrage 'Change Of Gameplan' via Outlander's strangely slow and strobe-lit synth weapon 'Presence Of Absence', this is a fitting tribute to Sonic Groove's storied past.

Review: To celebrate a decade of electronic excellence, Rotterdam label On Board Music has assembled this fine compilation featuring plenty of great tunes from its nearest and dearest. It spans an impressively diverse range of sounds, from Altinbas' atmospheric' Submersion' to Polygonia's intricate, rhythmic 'Broken Temptation'. There is also GiGi FM's ethereal dub-techno piece 'Maova' and Dorisburg's Nordic-techno exploration 'Sensorik'. Lenty of these cuts balance introspective atmospheres with dancefloor energy, which means the double vinyl is suitable in a range of different settings, all of which capture the essence of On Board Music-atmospheric, trippy, dubby, ambient and techno.

Review: 10 years of Amsterdam's Vault Records is celebrated on this latest edition of their Vault Sessions techno compilation. While many a label can lay claim to ownership of and control over a "vault" of music, how many of them can submit to surrender 20 such golden sonic ingots when faced with a ransom to release music, *and* still keep enough in the strongroom to keep the books balanced? While we've now the keys to many a high-profile private client's dirtiest collateral deposits - Jpsrv35's twinkling blood garnet 'Soulsearch', Quelza's illegal software 'Automated Assistance Program', Grace Dahl's precious heirloom 'The Green Room' , Stef Mendesidis' diplomatically immune 'License To Fly' - we suspect that many more such greats lay hidden behind astringent locks, impervious to the next heist. All tunes leave us Vaulting!