Review: Jamie 3:26's label welcomes Danou P, a fast-rising Rotterdam artist he has been mentoring for some while. And the new school talent doesn't disappoint with a selection of truly deep house sounds in a couple of different styles. The first is all bottomless depths, dreamy moods and escapist pads that are unhurried and mediative. The second, 'Jazzy Dummy' (feat Kems Kriol), is more party starting with its playful distant sax sounds, lively vocals and leggy drums, then the third, 'So Fruit,' is heavy, hard-hitting deep house with superb flute leads that echo the great St Germain track 'So Flute'.
When You Love Someone (Groove instrumental) (7:55)
When You Love Someone (The Reconstruction mix) (8:18)
Review: The latest on-point reissue from Italy's Groovin' label takes us back to 1993, and the Peter Daou/Danny Tenaglia-produced debut single from vocalist Daphne Rubin-Vega. It's a far breezier, groovier and sweeter record than many of Tenaglia's later productions (which tended towards the muscular), with Rubin-Vega's quietly soulful vocal seemingly drifting across a backing track rich in warm chords and baggy, breakbeat-driven house grooves. All of the various mixes hit the spot, with the trippy, dub-style Reconstruction Mix, vibraphone-laden Groove Instrumental and low-slung Never Do Dub standing out. The Acapella Reprise, which features rich chords and vocal snippets, is also rather good.
Review: Shall Not Fade has proven over the last five plus years that whatever sounds it turns its hand to it does with style. Mostly that is deep house and garage but here we have some warehouse-ready techno from Dasco. 'Powerful Woman' has mid-tempo drums that are run through with a supple and subtle acid line and repeated vocal phrasings that lock you into the trip. 'Acid Queen' jacks a bit more, with raw analogue drums and vintage cow bell sounds before the 303 takes over, then Johannes Volk really bangs the box with his hardcore house remix, full of splintered kicks and dusty hi hats. Chicago Skyway brings plenty of Windy City texture to his version.
Review: Pampa is a label that operates in its own unique niche, left of centre and rich in defence to house, pop, minimal and hip-hop. Dave DK is a similarly inventive and singular producer so they are a match made in heaven. This new EP opens with the humid house sounds of 'Herzen Auf' which is run through with diffuse chords and dreamy vocal sounds full of soul. 'Ross 308' then gets more percussive and tribal with a jumbled groove that is marbled with psyched-out vocals. The best of the lot is deep house closer 'Don't Eat The Homies' with its wispy pads and elegant, feelgood chords.
Dave & Omar - "Starlight" (Grant Nelson extended mix) (6:16)
Chocolate Fudge Band - "Everything" (DJ Fudge extended mix) (6:57)
Dave & Maurissa - "Look At The Stars" (Dave's Starshine club mix) (7:48)
Opolopo - "Looking For You" (Peter's extended Organ) (6:02)
Review: Soul meets speed garage on this new V/A EP from Z Records, blurring the lines between the genres in just the way we like it. The opening track - Grant Nelson's mix of 'Starlight' by Dave & Omar - is a euphoric, piano-laced uplifter which both sonically and lyrically urges us to reach for the sky. That's followed by the DJ Fudge production 'Everything' by Chocolate Fudge Band, featuring lots of live instrumentation and a Curtis Mayfield style vocal, while over on the flip, 'Looking For You' proves to be a deep and bouncy cut filled with soulful Motown vocal chops and an organ workout worthy of any Sunday service, over a beautifully wonky house framework.
David Penn & Sex-O-Sonique - "I Thought It Was You" (5:59)
Sex-O-Sonique - "I Thought It Was You" (Full Intention remix) (5:15)
Review: London Records and Central Station come together for this, the first in a series of new EPs they will put out together. It finds the top selling artist David Penn offering up a big remix of Michael Gray & Jon Pearn aka Sex-O-Sonique's 'I Thought I Was You' in much the same way he has done with several other big hits before now. It's the sort of impossibly and instantly feel good house record that brims with soulful synths and hand in the air chords, smart little vocal sounds and chunky, funky drums. The original was already a big hit in the clubs and this new version is likely to be just as widely loved.
Review: Reviewing Roy Davis Jr.'s impressive and deep catalogue, picking and choosing a few to represent him on a 'Classics Remastered' EP must be an impossible choice. With over 35 years of brilliant, genre defining music, we can't imagine how difficult this task must have been. Who hasn't heard 'RU Ready' on the dancefloor before?! Also included is the long version of 'Save Your Life' which has been a late-night jam choice for countless DJs. We're really excited to see the 1996-edit of 'Heart Attack' made the final track list also - this tech house masterpiece has killed dancefloors the world over. Hopefully there'll be more classics of Roy Davis Jr coming after this one - for now, pick these remastered gems up now.
Review: Omar S treats us to a second release in the space of a week, with a much deserved reissue of some 1996 Roy Davis Jnr rawness across the A Side. The Stevie Wonder classic "All I Do" gets chopped up, laid over a killer Chi town beat filled with instantly gratifying raw drum edits and augmented by some evil bass thumps. Relentlessly brilliant and sounds just as fresh some 14 years on. Echoing a current trend this side plays outwards from the inside groove. On the flip Omar S teams up with DJ B Len D for the bongo heavy deep groove of "Da Teys" a track that's characterised by melodic keys which increase with curveball drama as the track progresses.
Review: Glenn Davis' first outing on F*CLR Music, 2018's "Body & Soul EP", was something of a slept-on gem: a four-track collection of warm, groovy and musically intricate deep house capable of warming the cockles of even the stoniest of hearts. If anything, this belated follow-up is even better. "Namida (Tears Of Happiness)" is both superb and sublime: a spacey chunk of jazz-flecked futurist deep house rich in Latin-tinged drums, Detroit style sci-fi synths and chords that are so positive and life-affirming that you might want to marry them. Ashley Beedle and Darren Morris don the Afrikanz On Marz alias to deliver two top-drawer remixes: a decidedly cosmic, intergalactic "real" disco remake (the "remix") and an even more spacey, stripped-back "Dub". The latter is almost as inspired as Davis' original, which is saying something.
Review: After establishing his name with a pair of rock-solid EPs on F*CLR Music, Glenn Davis established Deeper Groove Recordings as an outlet for his sparkling, melody-rich club workouts. A Place For You, his third outing on the imprint, is undeniably gorgeous - especially the EP-opening title track, where colurful synth riffs, sustained synth-strings and sun-splashed chords leap above a tactile deep house groove. The positivity, warmth and sonic colour continues on the chunkier and groovier 'Take Me To The Club', which is given a more thickset, classic U.S deep house-sounding rework by veteran deep house don Franck Roger. To round off an excellent EP, the Irish producer opts for a spiritually rich, piano-laden sound (and a killer analogue bassline) on 'Who Are People'.
Review: American house don Roy Davis Jnr is inseparable from his cult classic 'Gabriel' with Peven Everett but also has many other delightful deep house cuts in his discography. His Black Excellence EP is one of them. It came digitally in 2022 on the P'oe Records label and now gets pressed up to wax for the imprint's first foray into this medium. It features the single 'Hidden Hebrew' which is a percussive deep house sound with soothing piano chords and plenty of drum fills and splashy cymbals. There are two different remixes of it as well as his own RDJ version of 'Summer La Costa' which is a more humid and horn-laced jam with a soulful topline. Last of all is a Mourad Remix packed with wet hand claps and chopped-up loops and violin.
Review: It would be fair to say that Roy Davis Jr and Peven Everett's "Gabriel" (originally written "Gabrielle" on early pressings) has become a timeless dance music classic - a track that both soulful house and UK garage DJs reach for in times of trouble. Should it not be in your collection already (and it should be), Large Music has decided to re-master and re-press the original 1996 12". It does, of course, contain the now ubiquitous "Live Garage" version - the groovy two-step, trumpet-laden mix that became popular with early UK garage DJs - plus a trio of lesser-known remixes. The Tambourine Dub, in particular, is something of a tough, warehouse-friendly deep house treat.
Review: Chicago based producer Tai Davis first came to light earlier this year with the Made In Chicago 12" on Dizzy Tunes, and now he follows that up with an EP on the ever productive Vibraphone. As the title No Computers Necessary would suggest, this is classically-rooted house music with all the charm the hardware process provides. Davis' productions are bright, melodic creations with rock solid grooves and strong hooks for all kinds of good times, with B2 track "Floating" standing out with its strafing acid line punching out into a decidedly ethereal soundscape.
Review: Twilight is the latest piece by long time DJ, producer and remixer, Dominic Dawson. The Japanese label Flower, has released this single to 7" complete with a remix for the second side. The title track is a catchy and funky house track that while the remix is a bit more Balearic and beachy. Both versions have their place in any house setlist and will set the tone for any eclectic DJ set. With the DJing background Dominic has, he is a great guide to setting the mood with music. Like the title artwork suggests, this is perfect music to watch the sun go down to.
Do You Want The Real Thing (Opolopo remix) (10:57)
Let Them Dance (Dr Packer remix) (7:23)
Indiscreet (The Knutsens remix) (7:21)
Review: Although best known for the soaring anthem 'Cathedrals' - a 1976 gem that has been reissued many times - there's much more disco gold in the D.C Larue catalogue to find and play. It's ripe for remixing, too, as this fine EP proves. Opolopo steps up first to deliver a suitably grandiose, Tom Moulton style rearrangement of 1978 cut 'Do You Want The Real Thing' that smartly alternates between Clavinet-sporting groove sections and more overblown, hands-in-the-air instrumental sections. Over on the flip, Dr Packer gets his disco-funk on (minus the house beats he often employs) on a celebratory revision of 'Let Them Dance', before the Knutsens reach for star-fall electronics, throbbing arpeggio-driven bass and righteous orchestration on a delightfully full-throttle revision of 'Indiscreet'.
Review: Detroit's Julion De'Angelo is back with his second release on Maybee Hill Music, the 'Consciousness' EP. 'Ramble of a Revol' kicks things off with a 12-minute acid jack banger, full of raw emotion and a powerful message against oppressionipast, present, and future. Then there's 'Consciousness,' a smoother, more atmospheric number with dreamy keys and a bassline that nods to Larry Heard, all tied together with steady, hypnotic beats. This EP is all about reimagining the dancefloor, bringing a minimalist vibe that inspires movement and spiritual energy.
Review: Samosa makes the occasion of its 30th release milestone with a gem of a 12" from label boss De Gama who offers the correctly entitled Tropical Gangster three tracker. It's an EP that will keep the summer vibe alive a little longer with its pool-side house and disco fusion fun of Afro flavours and big hooks. 'Karibu Funk' has a tribal rhythmic vibe to it with loose percussion and plenty of exotic flutes, then comes the heavy groove that is 'Lucky Fellow' with bouncing bass and a magic flute riff. On the flip is the more cool and seductive sound of 'PiNa Colada' (2023 remix) which has slinky Latino drum breaks and irresistibly melodies full of tropical colour.
Review: The third installment of the Split EP series brings together the talents of Dutchman Michel De Hey and DJ Steaw, offering four dynamic tracks ready to ignite the dancefloor. The A-side kicks off with 'Hot Like That,' delivering thumping warehouse house music infused with serious 90s house sounds. 'Pressure You' follows with a more upbeat vibe, blending high-energy house elements with deepness and a tracky vibe, ensuring a fun experience. Flipping over to the B-side, 'Northern Line' introduces deep bass, fun house music, and a hypnotic groove, accentuated by chords of beauty that mesmerise the senses. 'Don't Care' rounds off the EP with deeper house vibes, boasting addictive smoothness that keeps listeners hooked. Together, De Hey and DJ Steaw masterfully fuse nostalgic elements with vibrant synths and buoyant house rhythms, crafting four musings that are primed for the clubs. Four groove-inducing tracks that will undoubtedly captivate audiences on any dancefloor.
Review: Job De Jong's latest release for PIV Records delivers a four-track exploration of deep, groovy house with a touch of underground flair. 'Move' opens with a driving bassline and crisp percussion, setting the tone for what follows. 'Undercurrent' takes a slightly darker turn, with layered synths and a hypnotic rhythm, while 'Wonky' introduces an experimental edge, pushing the boundaries of the deep house sound. Closing with 'Our Sound,' the EP rounds off with a warm, soulful vibe that's both refined and captivating. Throughout, De Jong showcases a masterful understanding of the genre, crafting a release that'll appeal to house heads and underground enthusiasts alike.
Manuel De Lorenzi & Freddie Wall - "Sun-Rise" (6:15)
Fichs - "Find Yourself" (6:35)
Manuel De Lorenzi - "You Already Know It" (7:08)
Manuel De Lorenzi & Giacomo Silvestri - "The Big Apple Community" (7:09)
Review: Monday Morning is back to roll out some more lush house depths with a second EP, this one featuring founder Manuel De Lorenzi in the company of his pals Giacomo Silvestri, Freddie Wall and Fichs. 'Sun-Rise' is a nice gritty but vibey opener with percussive skip and dry hits. Fichs's solo cut is a loopy workout with nice bulbous synths and a pared-back rhythm that gets ever more inescapable while De Lorenzi then offers up the radiant synth warmth and dubby undercurrents of minimal house shuffler 'You Already Know It.' With Giacomo Silvestri he then closes on the more percussive loops of soft house soother 'The Big Apple Community.'
Review: Rome's contemporary jazz maestro Stefano De Santis is back with his 'New Beginning' EP on the esteemed Quattro Bambole Music. Across four stunning tracks, Stefano's musicianship shines as he explores jazz-infused broken beat, boogie, deep house and lo-fi hip-hop. Highlights come thick and fast and include the mellow jazz landscapes of 'Roy,' the lush blend of slow-motion house and broken beats on 'Lie#3', the emotive, piano-driven 'Paths' and the 80s boogie vibe of 'Tokyo 80.' UK producer Sean McCabe mastered the EP but also delivers a deep house dub of 'Lie#3.'
Review: Stefano De Santis kicks off Ten Lovers' new 'Best Of Various' release with 'Murk'; as the name suggests, this is indeed a dark workout from Rome's finest. The tone is set thereout for a thoroughly varied V/A, blending every curious hallmark from jazzdance, G-funk, Chicago house and progressive. The opener is a muted but no less expansive start, establishing the broken, one-beat-eliding, live-drummy mood that is then heard throughout. Batavia Collective's 'Rearview' thematically harks after an unconscious joy, considering what can only be implied, not stated, by way of a gorgeous, what sounds to be largely live, modal synth squeezer on which the slowdown is the real highlight. Future Jazz Ensemble's 'Over The Rainbow' is by far the most challenging, blurring any woulda-been established lines popularly splitting 'live' and 'electronic' with a reverb-drenched generative fill workout, while closer 'Outer Heaven' from Takahiro Fuchigami, hailing from Fukuoka, rounds things off on a note of Hancockian jive.
U All Disco Lovers. F*** (Art Of Tones remix) (5:52)
U All Disco Lovers. F*** (Floorfillers remix) (6:15)
Review: Basile de Suresnes offers a seamless blend of nostalgic disco energy and modern house rhythms. The opening track brims with soulful samples and an irresistible groove, a nod to late-night dancefloor euphoria. Following this, a bassline-driven funk-infused cut keeps the energy rolling, blending deep rhythmic elements with playful textures. Closing the release, a high-energy finale showcases soaring strings and a pulsating beat, delivering a vibrant crescendo. This is a confident statement of intent for selectors seeking to bridge classic influences with a contemporary twist.
Review: Mother Tongue pushes on with more sounds from the constantly evolving creative mind of Julion De'Angelo. His vibe is soulful, modern yet proudly Black, and always has a big focus on the dumps. This debut for the label carries on that tradition with opener 'NOWnormal' built on a rugged rhythm and laden with percussion and off-grid chords. 'NotAnotherCafe!!' (with Deon Jamar - Turmeric Latte mix) has more sunny synths and a percolating low end reminiscent of Theo Parrish and 'MyzticBounz' rides roughshod on broken beats and busted synths that bring a raw sense of soul.
Review: Alex Attias welcomes Michigan natives Julian De'Angelo and Specter from Chicago to Visions Recordings, with the long-serving Swiss producer promising "deep music to dance to". De'Angelo goes solo on A-side cut 'Tango', an excellent 11-minute workout rich in addictive piano refrains, heady synth-string stabs, deep sub-bass and loose, languid, ever-shifting drum machine beats. Specter joins the fun on similarly epic flip-side 'Drunken Noodles', with the pair jamming away on electric piano before introducing slipped hip-hop-goes-house machine drums, trippy electronics, spacey chords and warming bass. It's deep house, but not as we know it, and that's no bad thing.
Review: Whatever you were expecting from an album named 'Superflous', forget it. An exploration into all the many paths of light that refract from the prism of house music, Bagarre commands the dancefloor with every track, placing specific emphasis on keys - a side of the genre that the mainstream has fallen out of love with in recent years. The silky smooth jazz house of 'Espirit Coubertin', a more classic NYC brand of vocal house (beset with 80s synth phrases) in 'Truman Flow' and a divulgence into some driving piano acid house with chopped up vocals in 'Annees Folles' to even a more modern, turn of the century approach with the big hit 'Eurovision' - I could go on. A wonderful and tight package, this LP almost feels like a compilation for how varied and versatile the tracks are. The packaging being one of the selling points of course, the carbon impact of the vinyl production promising to be compensated by a French organisation. You certainly don't have to feel bad about dancing to this now.
Review: Grammy award winners and production duo Deep Dish throw another contemporary update of their classic track 'Flashdance' into the mix. Compared to the original 2004 track - which saw to a curious but effectively fiery blues-rock come electro-dance delight - this new version elides some of the early rock rawness for a more muted yet mutable 'Guitar Redux' version, which adds a subtle tribal trance direction. There's also two new versions of 'Say Hello', one prog trance and the other full-on trance, and whose original version followed 'Flashdance' as their second collaboration with singer Anousheh Khalili in 2005.
Review: Best dig out a bona fide gem from the early days of Italian house music - a one-shot hit from the masterful minds of Alex Neri and Marco Baroni that originally surfaced in 1992 on Adriatic Club. This sunkissed classic has everything a deep house cut should - smooth piano, a splash of diva vocals, and feel-good vibes oozing from every pore. For our money the "Deep Jungle Mix" is the one - a smouldering swinger that will draw you in and keep you warm at night, but whichever twist on the '90s styles you prefer this record has got you covered.
Review: 'Feel' It is a single from Deeper Cut that could have come at any point in the last 40 years. And that's a compliment because it means this is authentically crafted house with real feeling and human warmth, not just a collection of loops. It originally came in 1993 has a deep edge but also drums that kick hard and crisp percussion adding edge. Layering in spaced out synths and dusty breaks elevates things further. After the Valhalla edit is a busy Velvet Velour remix and a Baldo remix that is nice and snappy.
Deepstar - "Sugar" (feat Donna Allen - Richard Earnshaw remix) (6:33)
Deepstar - "Sugar" (feat Donna Allen) (7:51)
Melba Moore - "My Heart Belongs To You" (Groove Assassin remix) (6:15)
Melba Moore - "My Heart Belongs To You" (Ron Carroll's BMC vocal Classical) (8:08)
Review: Soulfuric Recordings, a pillar of house music history founded by Brian Tappert and Marc Pomeroy, continues to deliver with the reissue of Donna Allen's 'Sugar.' Originally released in 2002, this track showcases Allen's r&b vocals alongside Pomeroy's signature groove-driven production. The package features two versions of 'Sugar,' including Richard Earnshaw extended mix, which highlights and the original version. On Side-2 remixes are complemented by two standout versions of Melba Moore's 'My Heart Belongs To You,' with a Groove Assassin extended mix and a Ron Carroll BMC vocal mix. Despite being over two decades old, 'Sugar' retains its vibrant energy and classic appeal, embodying Soulfuric's legacy of influential house music. This reissue celebrates the timeless quality of the track today.
Review: Deetroit plunges us into the depths of motor city techno with an immersive EP. 'One Chord One Love' sets the stage, its hypnotic simplicity drawing the listener into a world of pulsating rhythms and subterranean grooves. But Deetroit doesn't shy away from experimentation, as evidenced by the darker, more abstract textures of tracks like '999' and 'Wally Dorf'. These cuts showcase a producer who's not afraid to push boundaries and explore the outer limits of techno's sonic palette. The B-side continues the journey, with 'Basic Communique' offering a stripped-back, hypnotic groove that locks the listener into a trance-like state. 'What Did You Do?' and 'Deep Discoveries' delve deeper into the subterranean realms, their atmospheric textures and dub-infused echoes creating a sense of spaciousness and intrigue. This EP is a testament to Deetroit's mastery of the genre, a captivating exploration of Detroit techno's hypnotic power and sonic depth.
Review: UK legend Dego and killer keys-man Kaidi Tatham have been in a rich vein of form of late, dropping brilliant EPs on Eglo, Sound Signature and Rush Hour (the latter under their 2000Black alias). Here, they return to Eglo with four more slices of warm, rich, soul-flecked fluidity. As with previous outings, much of the material has a laidback jazz-funk feel, particularly "Orbiting Uhara" and the delicious "The Vault Descends" (think bustling bruk rhythms and darting boogie synths). They also offer up some tougher, synth-laden bruk-funk in the shape of "Man Made", while "Black Is Key" sees them unfurl a head-nodding vocal roller.
I've Gotta Heat (Ohm Hourani Festival Du Soleil rework) (8:43)
I've Gotta Heat (Delavelour Freespacemix) (6:38)
Review: Canadian label Poesie Angulaire kicks off its year with a new series of remixes featuring Delavelour (aka Francois Lebaron). Taken from his Paranoid Fantasies long player, this package fuses glitches, circuit-bent rhythms and nostalgic chords into something fresh. The Freespacemix blends melancholic synths with a garage bassline, while the one and only Isolee delivers a sharp, refined rework. Ohm Hourani rounds out the EP with a hypnotic minimal version, adding a deep, atmospheric touch to a fine array of new takes on the signature sound of Delavelour.
Review: Markus "Delfonic" Lindner is well-schooled in decades of house and disco music. He brings all of that knowledge to everything he does and for this outing on Germany's Disco Disco he combines both of those influences. 'Flesh To Flesh' has a brilliant retro energy with lots of instrumental funk, live-sounding drums and horn stabs effervescing with real warmth. 'Kiss Kiss' is a big old-school vocal disco anthem with an exuberant glow and 'Set Me Free' gets more deep and dark with more house swing in the kicks. 'You Like It We Love It' is the final disco flame to ignite any party of people who really know what's up.
Review: For the uninitiated, DELINSTR is an alternative alias of Shewey Trax regulars Delicate Instruments, a Californian duo known for the decidedly intergalactic, cosmic and West Coast-friendly nature of the deep house sound. They stretch out a little stylistically on this four-tracker, confidently striding between sleazy and mind-mangling acid jackers (the raw and breathless 'Here We Go'), dubby and bleeping deep house headiness ('Earth Game (DELINSTR Winning Mix)', thumping aural intensity (the alternative 'Loud & Clear' version of 'Here We Go') and intergalactic house/techno fusion (the excellent 'Deeper Into Space'). All four tracks sound immediate and loose round the edges, as if they started life as live studio jams.
Review: Minimal heads will be chuffed to see that the third volume of the Dis Chronicles series has now arrived on Repeat. It is another stylish collection of Grant Dell beats starting with a cut as Chicago Transit Authority. 'Emotive' is a perfect blend of jazzy keys and skipping garage drums with deep house vibes and swirling pads to add extra heat. On the flipside, Dell links with Jay Tripwire for 'Cosmic Kebab' which leans more into tech house territory but as the title suggests has nice starry synth work and to close out, Dell goes it alone on 'Rhythmic Science' which looks you into his precise beat work and diffuse late night chords.
Review: Chicago and house music go together like tea and cake, football and accumulators and politicians and bullshit. Dellacasa taps into that fine tradition here on the Fresca label with some fresh and future facing takes on the trip and tested Windy City template. 'Time For House' is a pulsating, enthralling cut with rich kicks and a jacked-up percussive edge under prying basslines. Jorge Savoretti remixes with a brighter melodic twist and 'Chica & Go' then gets a little more playful and loopy with jazzy motifs and bubbly pads. Franco Cinelli remixes this one into a funky jam for steamy sessions.
Review: After years spent serving up tasty, digital-only singles, Polish imprint That's Right Dawg Music finally makes its vinyl bow via a six-track mini-album featuring some of their most-checked catalogue cuts. Demarkus Lewis kicks things off via the carefully crafted disco-house release of 'TGIF', before Federfunk slams down the jazz-sampling peak-time punchiness of 'We Keep It Groovin' and Jazzmik offers up the funky deep house bounce of 'Get Him Outta Here'. Over on the reverse, Oggie B cannily combines mind-mangling electronic stabs, pumping beats and orgasmic vocal samples ('Steady Old Foot'), Makson makes great use of vintage rap and disco guitar samples on the energy-packed house thump of 'Last Man Standing', and Casserta and Jonny C join forces on the bass-heavy garage-house bump of 'Party #1'.
Review: Kevin Dennis Pierre has been making high-grade house music as Demuir since the dawn of the Millennium, in the process notching up releases on such imprints as Robsoul Recordings, Stickman, Nite Grooves, Farris Wheel, Heist, Kaoz Theory and Hot Creations. Here the Toronto-based producer brings his brand of club-ready deep house to France's Frappe Recordings, flitting between driving, mind-bending peak-time hedonism ('The Music In Space'), jazzy and sample-rich goodness ('Enter The House of My Lord') and revivalist Chicago 'boompty' (the early 2000s Classic Music Company style 'First Look In San Diego'). Pierre's old pal DJ Sneak rounds things off with a deliciously sleazy, weighty and sub-heavy interpretation of 'The Music In Space' with added low-end sax stabs.
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