Doing Our Own Thing (Dimitri From Paris remix part 1) (5:01)
Doing Our Own Thing (Dimitri From Paris remix part 2) (4:57)
Review: Monsieur Dimitri from Paris works his magic on Casbah 73's organic disco grooves with a remix treatment that surpasses all expectations. Casbah's original track may sound like a band-recorded take with added production sheen, but it's actually a deceptively well-made track recorded by a talented solo artist. Dimitri brings added wompy disco-house heat to the track in two parts, with the first part focusing on the more bangerific elements of the original, and the B (part two) stripping things back to focus on the more minimal, solo dubby parts.
Review: The Plastik People label has been going along nicely for its first few releases, with label head Marc Cotterell stepping up and coming correct last time out. Now he calls upon various artists with Dave Charlesworth taking care of the a-side of Nice Ripe Cuts. He offers two super slick garage cuts that cannot fail to make their mark on the club and it's no different on the flipside except D Lux & Y No combine first for '25 Miles' and then S R offers the irresistible 'Pressure.' An essential 12" for anyone looking to bring some fresh garage flavours.
Review: REPRESS ALERT!: Cruise Music marks its tenth EP by serving up what it says are "secret funky house weapons" and there isn't much wrong with their description. Danny Cruz kicks off with 'Shoulda Been You' which rides on smooth grooves and has gentle synth waves breaking over the beats as heartfelt vocal sounds rise out of the mix. Mark Funk's 'True Lies' brings a classic 90s vocal sample to a non-stop soul beat and the B-side has got Dirty Disco Stars going big and funky and glorious on 'Look Up' then Mirko & Meex Re-touch 'Young Hearts' .
Review: Bang on trend grooves from the Vivid camp, exploring the current fascination for all things that intersect both the garage and breaks genres. Lead track 'Wicked & Wild' is the one that leans furthest into UKG territory, its bumpy bassline and MC-style vocal giving it heaps of energy and attitude. Flip side instrumentals 'Push Past It' and 'Ronin' meanwhile, evoke the early 2000s spirit of breaksteppers such as Horsepower Productions, the latter especially maintaining the bassline pressure and adding it to the more hardcore vibe of rawer, sampled percussion. Maximum respect!
Chez Damier - "Speechless" (Chez Damier Panorama Bar remix) (5:04)
Makez - "Rocket Music" (5:15)
Alkalino - "Rio" (Alkalino rework) (5:30)
Gledd - "Sere Yo" (5:31)
Review: Adeen Records returns with a superb EP that blends a classic with three new and fresh unreleased tracks. Deep house don Chez Damier's Panorama Bar Remix kicks off and is a a 2021 standout with a killer baseline and Spanish guitar that brings some sunny soul and makes for some top level house grooves. Makez then shines with 'Rocket Music' which has a chunky low end and glistening, golden piano chords making it a late night favourite. On the B-side, Adeen regular Alkalino delivers a tropical-infused edit for the peak time and Gledd closes with a classy cut 'Sere Yo' that is all about the drums. Lovely stuff.
Review: It would be fair to say that Roy Davis Jr and Peven Everett's "Gabriel" (originally written "Gabrielle" on early pressings) has become a timeless dance music classic - a track that both soulful house and UK garage DJs reach for in times of trouble. Should it not be in your collection already (and it should be), Large Music has decided to re-master and re-press the original 1996 12". It does, of course, contain the now ubiquitous "Live Garage" version - the groovy two-step, trumpet-laden mix that became popular with early UK garage DJs - plus a trio of lesser-known remixes. The Tambourine Dub, in particular, is something of a tough, warehouse-friendly deep house treat.
Do You Want The Real Thing (Opolopo remix) (10:57)
Let Them Dance (Dr Packer remix) (7:23)
Indiscreet (The Knutsens remix) (7:21)
Review: Although best known for the soaring anthem 'Cathedrals' - a 1976 gem that has been reissued many times - there's much more disco gold in the D.C Larue catalogue to find and play. It's ripe for remixing, too, as this fine EP proves. Opolopo steps up first to deliver a suitably grandiose, Tom Moulton style rearrangement of 1978 cut 'Do You Want The Real Thing' that smartly alternates between Clavinet-sporting groove sections and more overblown, hands-in-the-air instrumental sections. Over on the flip, Dr Packer gets his disco-funk on (minus the house beats he often employs) on a celebratory revision of 'Let Them Dance', before the Knutsens reach for star-fall electronics, throbbing arpeggio-driven bass and righteous orchestration on a delightfully full-throttle revision of 'Indiscreet'.
Review: REPRESS ALERT!: In case you didn't know, Reliance is yet another label from man like Burnski, the UK powerhouse who is almost single-handedly spearheading a sound that fuses garage, house and tech into something irresistible for the club. He invites Job de Jong to step up for the label's second outing and 'Dub House' is a great opener with just the right amount of bounce, melody and heart. Kepler remixes it into a percussive stomper with siren stabs and dusty perc. 'Emergency' is a trippy melodic workout that bends space and time and 'Don't Wanna Stop, Dub Stop' chucks a killer vocal into the mix over sleazy drums and garage drums that are always going to get big reactions.
U All Disco Lovers. F*** (Art Of Tones remix) (5:52)
U All Disco Lovers. F*** (Floorfillers remix) (6:15)
Review: Basile de Suresnes offers a seamless blend of nostalgic disco energy and modern house rhythms. The opening track brims with soulful samples and an irresistible groove, a nod to late-night dancefloor euphoria. Following this, a bassline-driven funk-infused cut keeps the energy rolling, blending deep rhythmic elements with playful textures. Closing the release, a high-energy finale showcases soaring strings and a pulsating beat, delivering a vibrant crescendo. This is a confident statement of intent for selectors seeking to bridge classic influences with a contemporary twist.
Review: Whatever you were expecting from an album named 'Superflous', forget it. An exploration into all the many paths of light that refract from the prism of house music, Bagarre commands the dancefloor with every track, placing specific emphasis on keys - a side of the genre that the mainstream has fallen out of love with in recent years. The silky smooth jazz house of 'Espirit Coubertin', a more classic NYC brand of vocal house (beset with 80s synth phrases) in 'Truman Flow' and a divulgence into some driving piano acid house with chopped up vocals in 'Annees Folles' to even a more modern, turn of the century approach with the big hit 'Eurovision' - I could go on. A wonderful and tight package, this LP almost feels like a compilation for how varied and versatile the tracks are. The packaging being one of the selling points of course, the carbon impact of the vinyl production promising to be compensated by a French organisation. You certainly don't have to feel bad about dancing to this now.
Review: Grammy award winners and production duo Deep Dish throw another contemporary update of their classic track 'Flashdance' into the mix. Compared to the original 2004 track - which saw to a curious but effectively fiery blues-rock come electro-dance delight - this new version elides some of the early rock rawness for a more muted yet mutable 'Guitar Redux' version, which adds a subtle tribal trance direction. There's also two new versions of 'Say Hello', one prog trance and the other full-on trance, and whose original version followed 'Flashdance' as their second collaboration with singer Anousheh Khalili in 2005.
Deepstar - "Sugar" (feat Donna Allen - Richard Earnshaw remix) (6:33)
Deepstar - "Sugar" (feat Donna Allen) (7:51)
Melba Moore - "My Heart Belongs To You" (Groove Assassin remix) (6:15)
Melba Moore - "My Heart Belongs To You" (Ron Carroll's BMC vocal Classical) (8:08)
Review: Soulfuric Recordings, a pillar of house music history founded by Brian Tappert and Marc Pomeroy, continues to deliver with the reissue of Donna Allen's 'Sugar.' Originally released in 2002, this track showcases Allen's r&b vocals alongside Pomeroy's signature groove-driven production. The package features two versions of 'Sugar,' including Richard Earnshaw extended mix, which highlights and the original version. On Side-2 remixes are complemented by two standout versions of Melba Moore's 'My Heart Belongs To You,' with a Groove Assassin extended mix and a Ron Carroll BMC vocal mix. Despite being over two decades old, 'Sugar' retains its vibrant energy and classic appeal, embodying Soulfuric's legacy of influential house music. This reissue celebrates the timeless quality of the track today.
Review: Demon's 'You Are My High' ignited a frenzy upon its release in 1999, becoming an iconic track synonymous with the French Touch movement. Now, 25 years later, the timeless allure of 'You' remains as captivating as ever. This summer, fans can rejoice as the track celebrates its anniversary with a special collector's edition vinyl release. With 150 million streams and a platinum disc to its name, 'You Are My High' soared to success, fuelled by its unforgettable music video featuring a three-minute French kiss. Despite initial attempts at censorship by the CSA, the track ultimately found its place on television screens 24/7, leaving an indelible mark on French pop culture. Demon's masterpiece not only defined an era but also influenced a new generation of artists, from Agar Agar to DJ Snake and beyond. As a quintessential symbol of the French Touch legacy, 'You Are My High' continues to enchant listeners with its irresistible charm and infectious groove.
Review: Kevin Dennis Pierre has been making high-grade house music as Demuir since the dawn of the Millennium, in the process notching up releases on such imprints as Robsoul Recordings, Stickman, Nite Grooves, Farris Wheel, Heist, Kaoz Theory and Hot Creations. Here the Toronto-based producer brings his brand of club-ready deep house to France's Frappe Recordings, flitting between driving, mind-bending peak-time hedonism ('The Music In Space'), jazzy and sample-rich goodness ('Enter The House of My Lord') and revivalist Chicago 'boompty' (the early 2000s Classic Music Company style 'First Look In San Diego'). Pierre's old pal DJ Sneak rounds things off with a deliciously sleazy, weighty and sub-heavy interpretation of 'The Music In Space' with added low-end sax stabs.
Review: Devilish edit duo Duane Harriott and Sean Marquand are Devin Dare and now they return with fresh flips to get the Razr N Tape year going. 'Dancemuzak' transforms a classic NYC disco groove into a hypnotic, driving force while 'Itsdiscotime' masterfully loops rare, mind-blowing source material into a jam for the ages. On the flip side, 'Lookin Good' delivers cheeky uptempo soul perfect for a Theo Parrish set, while '1heater4sasha' slows things down with Clavinet-driven funk. Devin Dare are surely among the best editors in the game.
Review: Scott Diaz taps into some old school garage class with this new EP on Pirate Cutxz, but never is it too slavish to the OG sound. Instead, he brings fresh ideas and modern production skills to four characterful cuts. 'Holdtight' opens in bunch fashion with big drums and busy chords dancing about next to yelps and sustained pads. 'So Hot' is a more subtle 2-stepper with a ducking and diving groove bathed in warm synth work and natty bass notes. 'Ikigai' shuts down with some 90s organ chords and sleazy, shuffling speed-garage style drums and well-deployed vocal samples. Effective stuff.
U Dat Bitch (Die Familia East Side Gangster remix) (6:06)
House Music (part 1 - Late Night edit) (6:45)
Organic (Like Weird) (6:01)
Review: The fast-rising Purveyor Underground Ltd kicks on again here with a sizzling seventh EP that is as rude as they come - in both meanings of the word - from Die Familia. It is his own East Side Gangster remix of 'U Dat Bitch' that kicks off with hard-hitting house kicks and sleazy vocals over a rugged bassline. 'House Music' (part 1 - Late Night edit) is just as raw but more deep and hypnotic with its ascending synth lines and steamy vocal coos. 'Organic (Like Weird)' might be the best of the lot - a quick and urgent house thumper with silky hi-hats and rolling bass getting you up on your toes amidst swirling pads and a melange of vocals.
Review: Diffrent makes a powerful entrance with his debut 'My Sound' EP on Bristol's Time Is Now label, building on the success of his summer hit 'A Little Closer,' which had clubs across Europe buzzing in 2024. Here, he dives into the UK's rich foundations of garage, bass and breaks, delivering a weighty yet finely tuned sound that's unmistakably his own. It's the kind of chuggy, speed-garage flavour that's capturing everyone's craving right now. For a debut, 'My Sound' lands with impressive force as each track brings fresh flair and a distinctive character. From the first drop, it's clear Diffrent is carving out a unique spot in modern dance music, positioning him as one to watch.
Review: Looks like we have another Digwah white label in this week. The label first appeared on our radar several years ago with its second release 'Something Else' by an anonymous artist who threw down a sublime vocal by Cuba Gooding over a pumping acid tech house groove. Fast forward to DIGWAH 07, the formula remains the same and is still rather effective. In this case, the vocals are taken from a rather legendary early '90s pop collaboration over a hypnotic, bass-driven minimal house groove aimed squarely at the afterhours dancefloor.
Dimsum & Retromigration - "Everyday In Your Mind" (5:57)
Review: Since launching late last year, Italian imprint My Cup of Tea has treated us to a killer collaborative EP by Vithz and Emanuele Barilli, and a solid solo outing from Piero. On release number three, they've turned to Love Ensemble member Dimitri Ambrosetti AKA Dimsum, who recently delivered a great 12" on House Puff alongside ICTV. There's a great collaborative cut on this EP, too, with rising star Retromigration lending a hand on epic B-side 'Everyday in Your Mind', where spacey P-funk solos, rubbery bass guitar and bouncy synth stabs wrap around a chunky, loose-limbed house beat. Side A is all about Ambrosetti's solo workouts, with the attractive, musically detailed, bass-heavy and r&b-sampling 'Cutie' being followed by the jazzy, sunny and chunky deep house brilliance of 'Stars In Your Eyes'.
Review: Come Get My Lovin' by Dionne is one of those stone-cold house classic that no matter how hard modern producers try to emulate, they cannot. It has all the sauce needed to get any floor popping, from the cool-as-you-like drum breaks to the retro-future chord stabs, angelic backing vocals and emotive lead. The eight-minute version has been remastered for extra heft here and is sure to be as popular now as it was during the second summer of love back in 1989. An EZ mix is included, and so is the raw, analogue workout that is 'The Second Coming.'
Review: First released way back in 1994 on Kevin Saunderson's KMS label, Dionne Warren's Brian Hall-produced deep house gem 'Feel Da Rain' gets a new lease of life thanks to Windsor, Ontario imprint Collective Rhythm Network (CRN). While the original 12" also featured rubs from Alton Miller and Stacey Pullen, it's D'Pac Patel's dub . a warm, rolling, US garage influenced deep house workout rich in tactile organ stabs, superb grooves and short samples of Warren's vocals - that has become the most sought-after version. On this 12", we get Patel's full-length dub (it was edited down on the original 12") and a previously unreleased 'Rhodes Dub' that adds extra electric piano action for added warmth and flavour.
Review: Legofunk serves up a 10th does of its futurist and floor funk here with Dirty Elements and Drunk Drivers at the helm. It's a De Gama Re-Groove to kick things off with super smooth house grooves and florid Latin influences over heft kick drums. It's a carnival waiting to happen, frankly. The original is a more stringy and percussive, but the weighty drums still establish a killer groove. Last of all is 'Cuica Groove' which is sunny and has a weird and wonderful vocal floating up top.
Review: Tatsy Recordings is up to a fifth release and it wants you to sample what it is all about with this fine sampler. It kicks off with Disko Junkie's 'I Like To Party' which will indeed get you ready to party with its lavish grooves. A Nu Disco Mix of Discotron's 'September' then brings more good time feels with its colourful synths and vibrant rhythms. Flip it over and HP Vince has got the sauce with 'Got The Groove' with its loopy bass and classic samples, House Punkz then rework another super smooth soul sample into some disco house beats and Serial Thrilla end it all with the slamming 'More More More.'
Review: Divine Discs follows up its first foray into the vinyl world with a second and equally great volume in its Altered Disco series. Things get off to a joyous start with 'Dance' which is all big choruses, hip-swinging claps and big piano chords. It cannot fail to elevate any party while 'Feel' is one that goes deeper on the emotions with a stirring choir delivering uplifting vocals next to funky guitar riffs. It has a hint of gospel goodness to it while the b-side is given over to 'Never Turn Back' (Jaegerossa remix) which is a big stomping disco jam with yet more happy chord work.
Review: The third installment from long serving house institution King Street Sounds offers up a stellar selection of deep house gems that shine on vinyl. Side-1 opens with Danell Dixon's 'Dance Dance' in DJ Pierre's Wild Pitch mix. Its sweeping melody and piano-driven elegance embody the quintessential house vibe, setting a high standard. Following this, Big Moses delivers 'Brighter Days' featuring Kenny Bobien. This extended mix pairs a Sylvester-inspired vocal with a mellow yet uplifting groove, carrying a timeless house message of joy and positivity. Flipping to side two, DJ Pierre's 'Dancin'' takes center stage with a filtered anthem that shows his signature Wild Pitch flair, igniting the dancefloor with energy and style. Blaze's 'Shine' closes things out in the Shelter vocal extended mix. Blending melodic piano, gospel influences and jazzy undertones, it's a laid-back yet upbeat track that exudes warmth and soul. A great taster of this label's undisputed ongoing mastery of the house genre.
Review: DJ Crisps taps into a menacing garage vibe on this no-frills, all-killer new EP via South London Pressings. Opener 'Styla' has naughty low ends and punchy drum programming with plenty of post-dubstep wub-wub goodness and eerie urban melodies. 'Hold Tight' will have the gun fingers firing off left right and centre with its rude-boi vibes and 'Adolphy Sax' then channel masters like Groove Chronicles with its dry, dusty drums and hits, lush chords and sexual sax lines. 'Too Shy' (feat Ell Murphy) is perfectly sleazy yet sultry vocal garage closer.
Review: Moiss Music released a hot pair of EPs in February and repeat the same trick in May with another quality double drop. It is a various artists offering as always with DJ Delivery's 'Never Gonna Give You Up' a sure-fire floor-filling anthem to start things off. It's got loopy drums and string samples as well as sumptuous vocal harmony then Borka & The Gang keep the feel-good vibes alive with 'Kidding Feelings and Even Funkier's' Dance With Your Feet' is another smile-inducing bit of disco warmth with withering sic-fi synths and hip swinging claps. Jordan Reece's 'Prayer' has hints of gospel in the vocal while noodling keys and tight kicks all get looped to perfection.
Review: DJ Mes brings the funk on this new outing on Guesthouse. It draws on samples from some of soulful house's most notable big tunes starting with 'Out of Order' which rolls on deep drums with nice smooth pads and summery vocals adding the charm. 'LGMH' rides on deeper, bigger bass and is a nice loopy and hypnotic jam with classic house vibes and a superb falsetto hooking you in. 'No Memory' is another fat-bottomed and feel-good house groove that rolls deep 'Werkin' Gurl' flips the script with more attitude in the vocals and header drums for some peak time fun but with no less emotion.
Cranes In The Sky (DJ Pope Funkhut reprise) (8:26)
Cranes In The Sky (Joe Goddard remix) (9:40)
Cranes In The Sky (Star One KDA Meltdown dub) (4:45)
Review: Baltimore-based DJ Oji has been in the house music game for a long time now, starting out with his own Poji label alongside DJ Pope around 1994 and steady trucking since then with his warm, approachable brand of deep house. Known for his collaborations with strong female vocalists, on this latest release for Foundation Music he teams up with Tracy Hamlin for 'Cranes In The Sky', a sentimental piece steeped in soulful composition. Pope steps up for a remix which strips the tune back without losing the message, while on the flip Joe Goddard brings his brand of bumpin', off-kilter floor-filling magic to bear, and then Star One drops the 'KDA Meltdown Dub' in a tougher, techier style which has plenty of fun dicing up Hamlin's vocal for a fresh and fruity version.
Review: We live a bit of DJ Perception here at Juno H. He is an original garage great who keeps on cooking up the goods. This latest missive comes on the small but well-formed South London Pressings and features off the classic 'Future (feat Russ).' It's a soul drenched sound with acoustic guitar licks flailing above breezy breakbeats that will be perfect for once the sun comes out, not least with the most Balearic top lines that break out midway through. The Benny Ill Heavenly remix is a more shuffling garage cut but still one packed with real heat.
Review: The Lost DATS Part One: Unreleased House Music 1997 by DJ Romain unveils a treasure trove of unreleased house tracks from the height of his creativity in 1997. The record kicks off with 'Here We Go Again,' a high-energy, New York-style house anthem characterised by its tribal rhythms and relentless drive. 'Over' shifts gears into a deeper, bouncier house groove with an infectious bassline that's tailor-made for the dancefloor. On the second side starts with 'In This House (Main Vox Mix),' a vibrant diva house track featuring Mark Echols, highlighted by its upbeat, piano-driven melody. Closing the collection is 'Methany Deep,' the heaviest track of the bunch; it's a masterclass in minimalism, creating a compelling rhythm-focused slow burner. Each track demonstrates DJ Romain's versatile approach to house music, making this a great discovery for aficionados of the genre.
Review: Ninja Tune favourite and sometime lo-fi house pin-up DJ Seinfeld continues to prove he was always about so much more with a new collab alongside Confidence Man that he describes as "quirky, naive and an ode to all the summer flings out there". It came about after the pair hung out a few times and enjoyed each other's company and the tun itself has already been something of a mini classic during festival season. As well as the original with its catchy drum loops, pop leaning vocal hooks and lush strings, there is a cheeky UK garage version that has even more irresistible bump and a Carlita remix that reworks into something different but equally essential.
Review: He's the original (and maybe only self-proclaimed?) house gangster and he is back in 2025 and sounding as good as ever. Puerto Rico by way of Chicago's DJ Sneak makes beats as raw as the meat he likes to chuck on his BBQ grill and UK house legend Nail must be a fan cause it's his label he lands on now. This is a solid four-tracker that ticks all the boxes with its killer grooves and smart loops. 'All I Need In Life' is a playful opener, 'Das Gud!' gets more intense and trippy with its bleepy melodic refrains and 'Help Me Somebody' then sinks back into loose and dusty, disco-tinged drums with classic cowbell hits. 'What You Expecting From Me' is a sweaty and gritty warehouse banger to close with aplomb.
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