Back catalogue: All genres

Review: WAR's The Collection 1977-1994 is a deep celebration of the band's legacy, featuring five remastered albumsiPlatinum Funk (1977), Galaxy (1'977), The Music Band (1979), Outlaw (1982), and Peace Sign (1994)ishowcasing WAR's evolution as a "sophisticated pop machine" with their signature fusion of funk, soul, and rock. The box sets commemorate WAR's 55th anniversary and follow the success of their The World Is a Ghetto: 50th Anniversary Collector's Edition. The previously rare Platinum Funk, which includes hits like 'L.A. Sunshine', and Outlaw, featuring classics such as 'Cinco De Mayo', highlight the band's diverse musical prowess. With over 50 million records sold globally, WAR's rich sound continues to resonate, solidifying their status as one of music's seminal groups. Fans can anticipate these releases as a treasure box of rhythm and history.

Review: Dionne Warwick's Now Playing is a timeless compilation showcasing her unparalleled talent and versatility. Opening with the iconic 'Don't Make Me Over,' Warwick's smooth vocals captivate from the first note, setting the tone for an unforgettable trip through her classic hits. 'Anyone Who Had A Heart' and 'Walk On By' demonstrate her ability to infuse emotion into every lyric, while 'You'll Never Get To Heaven (If You Break My Heart)' showcases her soulful delivery. On the B-side, where Warwick continues to enchant with memorable tracks like 'I Say A Little Prayer' and '(Theme From) Valley Of The Dolls.' Her rendition of 'Do You Know The Way To San Jose' is a standout, capturing the essence of longing and wanderlust. Throughout the album, Warwick's impeccable phrasing and vocal control shine, supported by lush arrangements that complement her voice perfectly.

Review: David Coverdale's Into the Light marked their return after a three-year hiatus, and his first true solo album since 1978's Northwind. Released in 2000 and now titled a Whitesnake release, the album is Coverdale stepping away at the time and to rediscover himself musically. Collaborating with a talented lineup of musicians, including Earl Slick and Doug Bossi, Into the Light ventures beyond the original Whitesnake sound, incorporating blues, acoustic melodies and Zeppelin-esque elements. The album opens with the instrumental 'Into the Light', signaling a fresh start, followed by the blues-heavy 'River Song', a nod to Coverdale's Deep Purple roots. Tracks like 'She Give Me' echo his collaboration with Jimmy Page, though they sometimes fall short of a satisfying climax. The album's melodies and guitar work stand out, offering a mix of mindless fun and occasional gems that fans of Coverdale's career will appreciate.

Review: After splitting from Uncle Tupelo partner Jay Farrar, Jeff Tweedy's first effort, A.M., felt tentative and unsure. However, 1996's Being There saw Wilco evolving into confident rock revivalists. With Summerteeth, they fully shed their alt-country roots, embracing a pop sensibility influenced by 60s and 70s icons like The Beach Boys and The Beatles. The album balances bright, infectious melodies with Jeff Tweedy's introspective, often dark lyrics. Songs like 'Can't Stand It' juxtapose upbeat pop with gloomy reflections, while tracks like 'Via Chicago' dive into deeper emotional territory. Jay Bennett's rich keyboard arrangements elevate the sound, lending a colorful backdrop to Tweedy's songwriting. Standouts include the introspective 'A Shot in the Arm' and the deceptively cheery 'ELT'. The collaboration between Tweedy and Bennett creates a complex yet accessible work. Summerteeth is a perfect entry point for new listeners, combining catchy hooks with lyrical depth. While it may lack the experimental edge of later albums like Yankee Hotel Foxtrot, it remains Wilco's most melodic and emotionally engaging release, a timeless showcase of the band's evolving artistry.