Back catalogue: Balearic/Downtempo

Review: Hot'N'Spicy's self-titled series of flame hot disco and funk gems returns with a sizzling sixth instalment here and it has some big names on board. Delfonic opens up with the low slung and seductive loopy disco-house fun of 'Everything Is Love' while HOLDTight up the funk and energy with more loose and percussive grooves on 'Disco Power.' Franck Roger brings his classy French house styling to a deep and slinky number in 'Pinguino Blumo' and DJ Steef shuts down with some big camp disco flourishes and dubbed-out vocal echoes on 'Warp Odyssey.'

Review: International Feel kicks off what is presumably a new series given its title, Mediterranean Dreams - Part 1. For it, they turn to Perugia synth obsessive, underground mainstay and fine producer Feel Fly for four tracks of breezy and sunny disco-house chuggers. 'Onironauta' brings retro Italo chords and nice chunky drums, 'Grace In Space' is a leggy cosmic wonder with far-sighted chords and muted acid magic, then 'Mediterranean Dreams' is pure 80s dream house bliss. 'Becalmed' is the most rough edged and analogue house jack track of the lot.

Review: Eelco Topper's latest release as FELBM is a conceptual affair, with the Dutch producer delivering a 38-minute piece (here split into two parts for vinyl, each of which finishes with a locked groove to give the impression of the track creating an infinite musical loop) that mixes and matches tape loops, cyclical samples, repeating melodic motifs and pastoral-sounding snatches of flute, bansuri, bass trumpet, saxophone and pedal steel. While the concept, inspired by the artist's thoughts about 'the cyclical nature of the world around him" is important, of more significance is the utter brilliance of the piece itself - a genuinely gorgeous, warming, atmospheric and ambient-leaning concoction tailor-made for imagined afternoons in the countryside and woodland walks at dawn.

Review: Scott Ferguson came to house and techno in one of its most fertile grounds - Detroit, in the mid 90s. Since then he has served up his own take on the timeless genres on a range of quality labels. Now he arrives on Chateau Chepere with four more of his stylish cuts. They are couched in deep house as always but with cues taken from future jazz, garage and plenty in between. These are real winter warmers that will seduce an early evening crowd or lock in a 5 am dance floor in equal measure.

Review: After a standout debut on the label in 2020, Andrea Ferrari returns to Rollover Milano with a new EP charged with Balearic mystique and a truckload of silken synth wares. 'Deep Blue, Green Eyes' is a boxy beatdown in the rhythm section, but the cooing pads, FM chimes and bubbling FX create a delectable dreamscape to drift off into. By way of comparison, 'Subacqueo' jacks up the pressure with a trance-leaning cut splashed with some particularly wigged-out acid lines. Bell Towers takes up the mood of the track and injects a little uptempo joy on a typically sweet remix draped in blissed out melodics, and then the record gets rounded off with some deeper peak time immersion on the seriously immersive piano house stylings of 'Morning Routine'.

Review: Unstoppable Munich label Ilian Tape has another entry in its fine ITX Series here and this one is called 'Biospore Farmers' from Fields of Mist, describing it as "Sunrise Beams Through Orbital Mist." In less abstract terms, it is a gorgeously hazy and lo-fi electro-exploration. The first two cuts are slow, doleful and reflective with grainy pads and deep space ambiance swirling around nice rough-edged broken beats. The B-side picks up the pace with the brilliantly kinetic bounce of 'Astral Projection Spores' and then the skittish and celestial trip that is 'Orbital Mist'. A high-class EP once again.

Review: The legendary deep house duo Fila Brazilia return with another retrospective four-track, following last year's Mermaids' reissue. Steel Tiger Records founder Steve Cobby and lecturer David McSherry ha da whirlwind romance with the house scene, one they reignited in 2020 after a 16-year separation. 'Subtle Body' serves as an incredible reintroduction to the dynamic duos sound, tripped-out dubby beats and raw house sessions, with the title track's layered chimes, looped delay feedback and floaty chords blasting right out of the gate. What follows is an unreleased instrumental version of 'Nightfall' from the 2002 album 'Jump Leads', an industrial ambient drifter.

On Side B, the tempo and temperature rises, and we're treated to 'The Light Of Jesus', from the debut LP 'Old Codes: New Chaos'. A bumping house groove, smooth organ and sweet bass combine for an unforgettable track that has stood the test of time fiercely. The EP rounds out with 'Room '96', a live house jam from Hull's Room nightclub - a time capsule to better days. The songs here on Subtle Body might be a window into a time long past, but they remain in the present: and as long as bodies seek pleasure, and dancers want to keep going til sunrise, Fila Brazillia will endure, and soundtrack those moments for us all to get lost in.

Review: Flashbaxx's 'Take Care My Friend', released in 2020, is notable for its blend of jazz-funk instrumentation, audible warmth, and memorable songwriting - centring on the subject of a broken-down relationship refracted through the lens of hybrid nu jazz and slow-motion soul. Its terse seven tracks now hear a remix EP on the same issuing label, Nunorthern Soul, charting electronic remixes by Tambores En Benirras, Moods, and of course, everyone's favourite jazzdance status symbol, Atjazz. The remixes are deeply layered and come tempered with the feel of live playing despite their electronic interpretation; indeed, this is a quality selection and producers' delight.

Review: Florecer steps up to the cultured Is It Balearic label with the sort of soothing downtempo sounds that are perfect for sunset moments with a quality drink. There is plenty of mellow and dreamy West Coast lushness to 'Hidden Thoughts' with its shimmering synths and seductive vocal coos while the first remix from Hitchhiker steps up the energy with an arp-ed sound. Das Complex gets dark and chugging as is his usual want on the flipside, then Cafe Del Mar resident Ken Fan offers a trademark chillout sound to close out another most calming EP from this great label.

Review: Blair French is the next quality artist to make their debut on the increasingly vital MotorCity Wine imprint out of Detroit. He brings hints of Balearic as well as signature smoky deep house from the 313 to his work here. 'Ancestarians' (Physical Mix) also has pan-African influences, jazzy melodies and rich organic percussion while the Spiritual Mix is all about going deep into ambient bliss. 'Champagne Kiddie Pool' then looks even deeper into the musical niches of South America with dembow rhythms overlaid with lively claps and cosmic chords. Last of all is 'Sandbox Fossils with driving bass from James Simonson and guitar from Ryan Gimpert.

Review: Javi Frias has earned a solid reputation as a producer on the international disco scene since he began releasing his edits and reworks back in 2015. However, this year, during confinement, he decided to put editing aside to unleash his creativity and start recording his own productions, playing with synthesizers, electric pianos, syncopated basses and tribal percussion, and the result is this 'Sunset Disco EP'. A collection of songs that take us to a summer sunset on a beach in paradise that represent a huge leap in the career of this artist. The A side begins with 'Give Love', a hedonistic and melancholic disco song, followed by 'Noche Tropical', with Balearic overtones and reminiscences of a Caribbean party. Side B opens with 'Are You Really Fellas?', a funky little number featuring jazzy guitars and smashing bass. 'Dance With Me' brings us back to the field of the emotional and evocative disco. And finally 'Musical Connection', with touches of reggae downtempo perfect to say goodbye to this eternal and warm sunset.

Review: Burnt Friedman and Joao Pais Filipe's collaborative efforts began back in 2018. The former using synthesis and electronics to paint subtly but incredibly specific aural pictures, the latter focusing on the drum and rhythmic end of things. At times their music feels entirely designed for the dancefloors of underground electronic clubs, in other moments it's something very different indeed.


This latest EP lives up to those broad brushstrokes. '21-30' is a lush, almost tropical sounding workout that offers a complex percussive pattern, and combines these with gentle shades of melody, harmony, hook and distorted note. '22-105' brings elements of glitchiness and robotics into the mix. Meanwhile, '18-140' would work well as a brooding building tool (or section) of a 'proper techno' mix, with '23-130' bridging gaps between the lot.

Review: The Friends 4 Ever label follows up its transformation of a well known classic horror movie theme for halloween with a new EP that takes a trip into Afro house territory. 'Touareg' is named after a Malian tribe and brings some of their hypnotic vocal chants and Malian blues sounds to a surging and synth laced house groove that never quits. 'Afreekah' is more string laced and melodic with some feel good horns leading the way as it unfolds in loose limbed fashion. Another useful EP from this fledgling label.

Review: Especial Specials has joined forces with Osaka-based imprint Chillmountain Recordings to offer up another Enjoy Your Self EP. This one once again showcases the talents on its roster with label head Ground kicking off with a beatdown meets trance sound on "Utau Narukoyuri'. After that slow burner come tribal percussive sounds from 'Arauma' (Kobato Dub), sunny cumbia on 'Something Sign' and a meandering Balearic journey from Akira Arasawa With KUN & FRANKY-CH that is brought to life with new age flute sounds, bird calls, jungle drips and folkloric strings. A fantastic EP, then.

Review: An ultra-depthy broken house production from fellows Roberta and Fawziyya Heart, 'Take Our Time' is a seeming exercise in how many top frequencies one can lop off, yet still use in service a sense of excitement in stasis. The simple tessellation of soul-fed voice, subdued kick, murmurative Rhodes and mono sub make for a fantastic combo, as we're unconsciously fed lyrics and style signifying tarrying and patience, not to mention the Molokos and Smith & Mighties of the 1990s.

Review: The Paper Cuts label has been doing a fine job in putting out head-tripping club and chill-out styles for a fair stretch now and following the Ivy mixtape released earlier this year they're back with this outstanding split release from Roza Terenzi and Furious Frank. Terenzi takes the A-side with her trademark line in electro-minded machine funk rhythms powering gorgeous back room moods, keeping the mix dubby and with plenty of ambient sparkle on top of the punchy drums. There's even space for a little d&b trippiness on 'Total Recall', which also features Noff. Furious Frank gets busy on the flip with 'Splash', a blissed out beatdowns with more than a little Balearic magic in its bones, while 'Moss Rock' turns the heat up for a distinctly 90s slice of acid trance. 'Dripp' seals the deal with another low slung roller from the chill-out room of your dreams.