Review: Multi-instrumentalist Abase and drummer/producer Ziggy Zeitgeist come together for this fantastic collaboration, which explores deep grooves tinged with everything from jazz to psyche, funk to afro. The voice of the South African singer Dumama lends epic cut 'Body Mind Spirit' a rare spirituality while on 'Elevation #1-2', it is more a deeply inward mood that melts your heart. There is a brilliant looseness to 'Phoenix Rising' as its drums and bass percolate like coffee, while 'Nuit Des To'eres' closes with a broken rhythm that keeps you every much on your toes.
Review: Once again, Music From Memory has dug deep for inspiration. Very few will have come across the original 1987 pressing of Ich Traume So Leise, a long-forgotten collaborative album that brought together trumpet player Heinz Becker, songwriter Karl-Heinz Stegmann, and poet Isabel Zeumer. Predictably, though, the tracks which the Dutch label has chosen to reissue are exceptionally good. "Mein Tanzlied", for example, features Becker's meandering trumpet lines and Zeumer's eyebrow-raising spoken word vocals seemingly drifting over an intoxicatingly funky, mid-80s dancefloor groove, while "Dir" is a seriously atmospheric chunk of beatless jazz poetry. Flip for the Balearic electro-funk of "Der Schnupfen" and the languid, new age ambience of "Abends".
Review: It's been a few years since New Zealand soul spaceman pecked our decks on the cheek but he's back and he's packing kindred company Zackey Force Funk for a more angular, woozy cosmic funk message than before. "Space Bitch" tells a tale all self-respecting intergalactic pimp can relate to as it lollops along over loose drums, a grumpy bassline and hazy chords. "Stimulant" is a much drowsier, somnambulant affair with its warped electro-at-half-speed tones and eerie whispers and whistles. Barbed, far-out but ultimately beautiful.
Review: Those two little letters GU are always enough to get us excited. They are of course an alias of Glenn Underground, the masterful Chicago house producer, musician and DJ who still has a much lower profile than his talents deserve. Here he adds a Mix Mashup to Bobpstar's 'Mayday/Captured Restless Soul Mixes' and the result is a bubbly, mellifluous deep house cut with warm and liquid synths, chopped-up vocal fragments and a gooey sense of romance. It is another crucial offering from the Windy City mainstay, even if it is a one-sided 12".
Review: Captain Planet is a globe trotting DJ and producer who mixes up worldly roots music with his own fresh take on hip-hop and dancehall. For this one he joined up with Zuzuka Poderosa & Raphael Futura for a brilliant Brazilian disco and funk song that harks back to the 70s and 80s with influences like Tim Maia, Sandra Da Sa & Gilberto Gil. 'Moqueca' though also has some nice dance floor weight to it as well as the richly tropical percussion, steamy horns and seductive chords. On the flip is an instrumental and the good news is this is a taster of a full album to come.
Review: Ten Lovers always manage to find a perfect sweet spot between jazz and house on the music it serves up. This new various artists' effort proves the point well: Marcello Cassanelli lunches the trip with groovy and nodding bass synths and airy vocal cries on 'Fantasia.' Zarenzeit then sinks into a bubbly groove with killer drums and sun-worshiping synths before Stefano De Santis drops some excellent broken beast on his squelchy synth workout 'Song For George D.' Future Jazz Ensemble takeoff into the cosmos and Caruso gets romantic on 'Vestimenta'.
Pearl Farano & The High Lights Of Joy - "Who's Your Boss" (2:53)
Zella Jackson - "Days Are Just Like People" (2:19)
Review: Greg Belson is a world leading gospel collector and DJ who had great success with his Divine Disco series. He continued his vital work with Cultures of Soul on the Devin Funk compilations series and now the label are serving up the many highlights on 7". Here we have
Pearl Farano & The High Lights Of Joy with 'Who's Your Boss', a high speed funk gem with in the pocket drum playing and energetic guitar riffs. The real star of course is the coarse vocal that cannot help but light your fires. On the flip, Zella Jackson's vocal soars next to summery flutes and raw, dense rhythm sections.
Review: REPRESS ALERT: Faze Action return with a brand new 12", teaming up with Zimbabwean born Zeke Manyika to create "Mangwana". Sung in Zeke's native Shona, and taking influences from Mory Kante, South African Kwaito to early house, Faze Action manage to create a record that harks back yet still has a modern and contemporary feel and is set to be the soundtrack to countless festivals and outdoor parties this summer.
The title track is followed by the stunning "Chiiko", featuring Zeke's vocals enriched by Rob's 'cello's with African rhythms floating you away to another tropical world. A Vision of Panorama turns up the dial with a stunning mix on the flip side. A new bass line adds to some quality keyboard work. Finally the brothers deliver are more stripped out dub "Paradise '89 Mix" tailored for the peak time.
Review: Faze Action last teamed up with Zeke Manyika, formerly of 80s funksters Orange Juice, for the effervescent "Mangwana" back in 2016. Now they're back in collaboration for more classically rooted house music with a deeply infectious African twist. "Kubatana" is punchy where it counts, but it's a light and springy proto house burner first and foremost, with Manyika's vocal sounding as smooth as silk in the middle of the mix. "Hapana" is equally rich in musicality and personality, albeit on a more simmering, meditative tip. On the B side, "Kubatana" gets reworked by Rudy Midnight Machine and Paradise, who turn in distinct versions without losing the overall 80s aesthetic that powers the release.
Review: Faze Action's Afro series hits a fourth and final volume with Zeke Manyika and Faze Action themselves at the helm of two new singles. The vibes on this one take their cues from Afro Latin and Balearic worlds with opener 'Maswera' bringing nice open-air festival sounds, rich horn work and expressive drum funk. Manyika's chants are the icing on the cake for this one. Then comes a nice dubbed-out remix of 'Rugare' by Faze Action with lively disco drums and loose-limbed percussion. The original on the flip is a more straight-up and dazzling disco cut while a paired back instrumental of 'Maswera' closes things down in style. Timeless Afro bombs for sure.
Review: We're surprised that the superhero league The Jazz Avengers aren't more spoken about: the idea seems so familiar yet uncannily unknown, we wonder if the notion of a superhero troupe composed of entirely of Black jazz musicians would've been too disturbing for the US Empire not to suppress. Taking after the idea, Bryan Hervieu's 'Jazz Avengers' EP is an elegant quadruplet of boat-rocking house beats, holding more sway in the domain of vibe than they do in the way of big generic ideas. Igaxx and DJ Dreamboy's 'Through The Night' and 'New Life' move at similar tempi yet vibe at different freqs, the former waxing cowbell and dusky padwork, and the latter serving a relatively purist, calculative 808 jam energy. Jarren's 'Summertime In The 323' segues quite seamlessly out from this session mood, though it does add some surreal, pitch-convected plucks; Hanna's 'Prayin'' is the only soul curveball, its syncopated, pre-one DX7 E-Piano chord preset mixed to an impeccable, gut-churning quality.
Review: REPRESS ALERT!: Funkyjaws Music is back to make your body move with the latest instalment in its ongoing edit series, Let's Dance, this time with a sixth sizzling volume. Monsieur Van Pratt's loose and languid 'Besame' opens up with some gorgeous strings and funky guitar licks then Kiko Navarro brings a rich Afro flavour with the shuffling and percussive rhythms of 'Bosinga'. Bogdan Ra's 'Get On The Floor' is a fresh take on a disco classic with irresistible vocal charm and swooning pads. Last of all, Zaffa demands you 'Shake It' and you surely will as he layers up wet claps, sliding hi-hats and lively drums into a big-hearted party starter.
Review: ukuoka-based band MuchaMuchaM, known for their breakthrough debut album Qantikala, returns with a collaborative EP featuring Malaysian singer-songwriter Zee Avi. After performing together at The Creators' Co-Write stage in 2023, the two artists have crafted a unique sound that blends their distinct Asian influences. The EP features the modern acoustic track 'Day By Day', a cover of 'Sad and Unfulfilled' and the Asian dance number 'Oyasumi na Sayang', sung in Malay. The EP's cover artwork, inspired by Borneo, was designed by Fukuoka-based illustrator TOYAMEG, further enhancing its cross-cultural appeal.
Zinja Hlungwani - "Ntombi Ya Mugaza" (Burnt Friedman remix)
Review: Honest Jon's continued endeavours to choose the interesting remix artists to tackle the high BPM joys of their Shangaan Electro compilation sees them turn to that venerable Detroit magician and erstwhile Wu Tang Clan member Theo Parrish. The Sound Signature boss comes through with a masterful thirteen minute plus rewiring of Mancingelani's "Vana Vasesi" which retains the thunderous tempo and brilliantly chaotic rhythms yet instils the track with a woozy, intoxicating swing via the twisting synth waves. Complementing this, iconic German producer Burnt Friedman turns in a remix of "Ntombi Ya Mugaza" by Zinja Hlungwani which is far less frenetic but no less enjoyable, flipping the track in a dub wise style with off kilter drum programming, spine tingling keys and staggered vocal affectations.
Review: Two years ago, Early Sounds Recordings co-founder Pellegrino S. Snichelotto dished up a debut mini-album that brilliantly joined the dots between Daniele Baldelli style Afro-cosmic grooves and jazz-funk. This is his first outing since and explores similarly sunny and meandering sonic territory, beginning with the languid guitar solos, jaunty electric piano riffs and Tullio de Piscopo style percussion of "Astri & Riflessi". Smoother and deeper dancefloor jazz-funk flavours are provided by "Zodyaco", "Libra Position" is a dub-driven affair rich in spacey synth solos and heavy bass, and "Genti Del Mediterraneo" is a riotous dancefloor workout rich in crunchy Clavinets, elastic slap bass and wild electric piano solos. It is, then, every bit as essential as its fine predecessor.
Review: It's with a big smiley grin on our faces that we present "Everytime", a killer soul-funk-r&b nugget from the almighty Mr Phil Asher (aka Restless Soul). Together with UK vocalist Zansika they mash things up with a combination of raw break beats and soulful vocals which will appeal to anyone who ever got down to Amerie's "One Thing" or Beyonce's "Crazy In Love". Basically, we got a full-on floor filler that should go down with both r&b/soul heads just as well as the retro funk community. A top Raw Fusion release.
Review: After the success of "Jump NYC" last year, the duo of Sabo & Zeb return with more afro funk house in the form of "Afro Azucar". The flip features a gypsy, flamenco breaks remix of Nickodemus' "Gibraltar".
Review: Soul Quest are the benefactors of the new artistic quadrangle, 'Quest One', made up of Max Sinal, King Crowney, Slxm Sol and 2fox. Forming the first part of the label's newly envisaged Quest series, we embark on a series of both main story and open world side quests here, all in pursuit of the ultimate prize: deep house perfection. On the A, Sinal comes backed by Hutch The Great and Melodi Marsh on tender vocal contrib duties, laying down two shuffly and nasal sophisti-tech house harmonisers. King Crowney and Zoe Kypri go head-to-head on the ensuing 'Coat On', soliciting a nu-soul semblance that is not lost through Slxm Sol's remix; and to close, Sinal returns again with singer Bianca Nieddu with an angelic, scale-running dub house hurl, the EP's pianistic highlight.
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Soul Quest are the benefactors of the new artistic quadrangle, 'Quest One', made up of Max Sinal, King Crowney, Slxm Sol and 2fox. Forming the first part of the label's newly envisaged Quest series, we embark on a series of both main story and open world side quests here, all in pursuit of the ultimate prize: deep house perfection. On the A, Sinal comes backed by Hutch The Great and Melodi Marsh on tender vocal contrib duties, laying down two shuffly and nasal sophisti-tech house harmonisers. King Crowney and Zoe Kypri go head-to-head on the ensuing 'Coat On', soliciting a nu-soul semblance that is not lost through Slxm Sol's remix; and to close, Sinal returns again with singer Bianca Nieddu with an angelic, scale-running dub house hurl, the EP's pianistic highlight.
Review: The Luv N' Haight Edits series launched in style earlier this year, enlisting Nico Jaar and 78 Edits to rework two Mike James Kirkland classics to tie in with the annual Record Store Day festivities. This second volume sees Chicago duo Rahaan and Zernell tackle music from Tommy Stewart's self titled 1976 album, recently reissued by the Ubiquity sub label. If you're not familiar with Stewart's work then you need to check that LP, one of the defining releases of the pre-disco era and two of its highlights are given respectful touchdowns on this clear 12". There's an obvious deftness to the way Rahaan and Zernell loop up the intro bars of "Practice What You Preach" before dropping in those killer strings and then launching into the song itself, while the dirty funk of "Bump & Hustle Music" is only made more apparent by the duo's subtle arrangements. Big 12" for the discotheques!
Zeca Do Trombone & Roberto Sax - "Coluna Do Meio" (2:58)
Review: Mr Bongo offers up an incredible 86th volume in the Brazil45 series, and this time it's Black Rio funk from two mainstays of the sound, Toni Tornado & Zeca Do Trombone. A-side 'Sou Negro' is from Tornado's 1970 EP on Odeon Records. It's a sought after number that despite lasting only just over two minutes still makes an indelible impression. Zeca Do Trombone & Roberto Sax join forces on the flip for 'Coluna Do Meio,' which is a more smooth, easy going jazz laced tune compared with the raw and direct a-side. This one has an acrobatic vocal and sunny riffs bringing pool-side vibes under clear blue skies.
Review: Frequent Bradley Zero collaborator and Rhythm Section International regular Z Lovecraft is up next on record label/radio show No Bad Days, following up great releases by Toronto's Roberto and Polish producer Selvy. Starting out with the lo-slung boogie funk of "The Creator", there's then some nu-jazzy broken beat business to be found on the wonderful "99 Pence Bargain Dub" On the flip we've got the soulful and celestial acid house journey of "Myriad" and then "A Question Of Consciousness" closing out this fine EP in style with its soothing R&B tones and featuring some absolutely sublime organs to help you drift away.
Review: Long time compadres spotted together on Mofunk as far back as four years ago with "Press Play", Zackey Force Funk and XL Middleton collide on the LA funk imprint again, this time sharing the 45" a side a piece. ZFF goes for the soothing touches, smooth with just subtle hints at sleaze while XL goes all out George Jetson with an upbeat juicy space bass strut, sprinkled keys and new jack vocals. Two dope label faces, two killer jams, one fly way to kick off 2018 from Mofunk.
Review: Now released officially, Zackey Force Funk & XL Middleton's 'Hey MF / Phone Home' first came in a cloud of hype amid the decision by MoFunk to release "exactly ONE" copy of the test pressing to whomever proved themself keen enough to own it. We're not surprised that the label might anticipate such fan fervour, since this is a uniquely totalising modern funk gem, manifesting technically as a Johnny Chingas cover but in practice evidencing the relentlessly singular, syncretic combined production style of the LA natives. Chingas' original lyrics are invidious but infectious, a mood coaxed further out by the duo's breathy talkbox usage: "hey motherfucker, who do you think you are? you think you so much better than everybody else... what do you mean I'm a fake DJ?!"
Review: Venice-based DJ and collector Zaffa is next up on the ever-superb Scruniversal label with a couple more delightful disco dancers. 'Trip Through The Galaxy' is a slow-motion cosmic trip that is vast in scale and high on soul thanks to the warm vocal that floats amidst funky riffs and glowing keys. Things stay just as sensuous and steamy on the flip with 'Supernova Child', another fluid and funky jam with oodles of synth magic and gentle grooves all soothing mind, body and soul. The real kicker is the vocal samples that add extra spaced-out funkiness.
Will I See You Tonight (Tony Humphries Special mix) (5:28)
Will I See You Tonight (6:28)
Review: Zaffa Kreations aka Zafra Brothers dropped only two EPs under this alias, one in 1981, and one in 1987. This is a reissue of the former, which for an original copy will cost you a few quid because it has become something of a mini-classic. The EP opens up with 'Will I See You Tonight' (Tony Humphries Special mix) which is a mid-tempo disco stepper with a brilliantly oversized and bulbous bassline, hip-swinging claps and a vocal line delivered with real coolness. The original version appears on the a-side and has more disco energy and a less strident beat for more playful moments.
Review: We knew the Fortuna label was capable of delivering some high-quality output, but this new EP has truly taken us by surprise. The imprint have dub up the timeless music of Lebabon's Raja Zahr, an artist who, alongside the Turkish connection, revolutionised disco music and gave it an extra layer of Eastern charm. These three tracks are a collection of his best and most provocative tunes from the 1980s: "Drum Sequence", as the title suggests, is a drum-heavy, tribal-ridden, disco charmer with fiery electronic twists and turns around its edges; on the flipside, "Dabke" spins the entire formula on its head by delivering a truly oddball piece of pseudo disco that has a lot more in common with the leftfield scene of the modern day, and the rampant "A Drummer & A Dancer" takes the disco blueprint off-piste, and into more bizarre corners that showcase this enigmatic and charismatic artist's abilities. Warmly recommended.
Review: Jazz-funk twosome Zamie (Jadie Kiggundu AKA Ziggy Funk and pal Jamie McShane) impressed with their recent album, Fortuitous. On this EP, two of the set's most potent cuts have been given the remix treatment with club dancefloors in mind. Incognito main man Bluey handles side A, offering up a smooth, groovy and musically detailed take on 'Smash N Grab' that peppers a slap-bass-propelled groove with spacey synth pads, jammed out Rhodes stabs and all manner of life-affirming electric piano solos. Over on side B, Glaswegian veteran Al Kent takes 'Wildfire' down the disco, turning in a near 11-minute, Tom Moulton style rub rich in punchy synth-horns, snaking sax solos and spacey synth solos aplenty. Colourful, grown-up disco with a jazz-funk flex... more please!
Review: Another superb afrofunk outing from Renata Do Valle's Hello Sailor as he and Tom Noble dig deep and apply a little cosmic edit craft. Marthe Zambo's horn-tooting, key-tickling soul gun "Alu" gets a little tempo touch, a thrust in the kick department and a lavish synth solo breakdown. Meanwhile on the B the latent funk and insistent swing of Nigerian legend Sonny Okosuns' "My Ancestors" is given a perfect and respectful lick of contemporary production paint and a little cosmic polish. Hello indeed.
Review: ZAN's latest album is currently 26 in the UK soul chart s it's no wonder the label it came on has pressed up this 12" with a couple of mixes of one of its standout tunes on as well as a new jam. The first is an extended mix of 'Follow My Heart' that has timeless synth soul and lush boogie disco drums with wet claps and cowbells a plenty. Then comes Bangsy's 808 disco mix which is a little more blissed out and low-slung with funky guitar riffs and lovely vocal hooks. Also included is the new cut 'Everlasting' which is a dubbed-out, reverb-drenched street soul stepper with retro keys to melt the heart.
Review: Brand new promo pressure from veteran label Right Tempo, hailing from Milan. Pushing acid jazz and downtempo since 1993, they here continue to demonstrate just how it's done exactly with Attilio Zanchi's 'Mingus Portrait' and their remixes by their very own resident DJ Farrapo. Forfending brasher breaks or whackout jazz - in favour of a set of much steamier, downtemporal distillations - Zanchi's originally, already romantic takes on Charles Mingus' sonic world are lent an even slinkier feline essence by the remixer. Ever further realising Zanchi's dream of honing Mingus' essence, the best of the bunch has to be the slow burner 'For Harry Carney'.
Review: Rising star Al Zanders (real name Alex Buchan) returns to action, with regular vocalist Sheyi getting a shared credit for the very first time. Her contribution to A-side "Get It Together" is particularly strong, with her distinctive vocals perfectly complimenting Zanders' ear-catching combo of jazzy broken beat grooves, Maurice Fulton style electronics and cosmic soul synths. The bruk-up synth-soul vibes continue on near Balearic B-side opener "Satisfy", before Zanders abandons all caution with the ten-ton sub-bass, crunchy drum machines and sweaty broken beat rhythms of late night delight "GIT (Dub)", a notably heavier instrumental revision of the A-side opener.
Review: Beneath Autumn Sky returns from it's hiatus of several years, and those of you familiar with their releases and remixes for Hefty Records have been waiting eagerly. They are now signed to Organik Records and drop a tasty sampler 7" with cut up downtempo beats and quirky synth bizness.
Review: Vital Italian library music from the 70s right here. Initially excavated by Strut then issued on a limited 45 last year, this is reissue is back by popular demand and highly recommended. Vital, airy jazz funk charged by the super tight breaks of renowned Italian drummer Tullio De Piscopo, Paolo Zavallone's compositions are lively and full of surprises; "Yellow Fever" is a Hammond powered long summer drive with the top down and no obstacles while "Papillon Rouge" hits with more of a Bob James feel as the keys take on a life of their own, backed up by equally mischievous horns.
The Harvest (Joaquins Bayara Citizens version) (9:52)
Review: Austrian jazz pianist Joe Zawinul has seen it and done it all. The man has been part of the jazz scene since the 1960s, and he has landed on timeless imprints such as Columbia, Atlantic and Prestige, so top marks there and absolutely no questions asked. He's up for something a little bit different this time and, in fact, he appears only as the original producer of "The Harvest", remixed here into an acid-laden and self-stlyed 'Bayara Citizens' house bombshell from Joaquin Claussell. There is little no jazz at the core of this ten minute monster, but the arrangement is wild and uncontrollable, much like the rhythms of the 60's jazz scene. A trip you wouldn't expect...
Review: This off-beat classic from Ze Carlos has been specially remastered for this reissue. It is a wonderful weird Italian product with deriving Italo melodies and Brazillian lyrics as well as plenty of freestyle beats. On the flip side is a brilliant dub version remixed by Bob One that channels plenty of Arthur Russell vibes. It has Latin drums and lots of percussive energy and is finished in a sophisticated style that makes it all the more standout. The low end is hefty and clear while the mids are nice and roomy. It's a surefire winner when dropped on the right 'floor.
Review: Since its release in 1973, Ze Roberto's debut single "Lotus 72 D" has become something of an in-demand item amongst collectors of soul-fired Brazilian "MPB". So much so, in fact, that Mr Bongo has licensed it and served up this 7" reissue. In its original A-side form, the track is a carnival-ready slab of samba-soul brilliance rich in razor-sharp horn blasts, rich bass guitar, punchy hand-percussion and twinkling jazz piano solos. Roberto's confident vocals take centre stage, inviting us towards the dancefloor. Over on the flip you'll find a "Fast Version" of Roberto's tribute to 1972 Formula 1 champ Emerson Fittipaldi. This has a slightly more dancefloor-centric tempo, an effect achieved when it was accidentally pitched up for inclusion on a 2001 compilation.
Review: This EP is just a preview of the very eclectic dub dancefloor stylings of Zeb. Although he makes every song on his own, he sounds like a full 1970s afrobeat band in 'Revolutionary Dreams,' or a Disco Funk group from Nigeria in the 80s on 'Afro Disco'. Flip over the record & you'll hear some of the more familiar gypsy, dub, funk grooves Zeb is known for from Turntables on the Hudson, IRMA Records & Codek over the years he's been producing. Again, this is just a 4 track teaser for the album which is loaded with some of his best tunes to date!
Review: Stone cold classic from 1977. Zebra's self-released (and only) single has had an interesting trip in the last 15 years. First chanced upon by Ian Wright, then a hot target on the collector's merry-go-round, then a big hit for Jazzman and now, 10 years later, a potential smasher for Jazzman alumni Fryer and his consistently ace AOTN imprint. In case you don't know it, "Simple Song" is a slapping, frenzied funk groove while "I Forgot To Say" plays consummate counterpoint with a blissful honeyed ballad. It's worth jumping on this while you can...
Review: Complementing the release of Biasonic Hotsauce: Birth of the Nanocloud , the new guest heavy album from UK bass innovator Zed Bias, Tru Thoughts lift two tracks to place either side of an impossibly pink illustrated picture disc. "Badness" is Bias' suitably titled collaboration with Croydon lynchpin Skream, cocking a snook at the preponderance of the all too polite productions that swamp the 'don't call it post dubstep' age with some vintage sub bass shudderations. Check the flip for the more percussive tropical rave flex of "Trouble In The Streets" which sees Bias ably assisted by the legend that is Mark Pritchard. Also included is a drop card with unique code to grab the downloads for these tracks, leaving little reason not to indulge.
Review: It was way back in 2008 when Dave Jones AKA Zed Bias joined forces in the studio with U.S hip-hop and house legend DJ Spinna and Manchester soul songstress Fyza. For one reason or another, the resultant track, "FWD & Back" was never released. Having recently rediscovered it on an old hard drive, Jones has decided to release it on Biasonic. The seven-inch contains both vocal and instrumental versions, with the former hitting home hardest thanks to Fyza's fine vocal, which reminded us a little of classic broken beat cuts by Bugz In The Attic and Neon Phusion. Musically, the backing track doffs a cap to those West London acts, too, as well as Jones' soul-fired bruk-up project for Hospital Records, Phuturistix.
Review: Far Out Recordings are proud to announce the new project from Nina Miranda and Chris Franck - Zeep. Nina and Chris were involved in two of the biggest selling and critically acclaimed Brazilian influenced acts of the past decade - Smoke City (still remembered for their seminal "Underwater Love" track) - and Da Lata. "Super", on Far Out, really is super.
Review: A staple of the Australian Music scene, pals Lewis Moody, Ziggy Zeigeist and Matthew Hayes of Zeitgeist Freedom Energy Exchange offer-up their second album, a collection of jaunty jazz-funk, jazz-house and spaced-out jams guaranteed to improve your mood in these most troubling of times. There's much to enjoy from start to finish, from the fizzing dancefloor jazz rush of "Logan's Run" and the synth-sporting Afro-jazz/jazz-funk fusion of "Candy Flip", to the bubbly boogie-jazz positivity of "River Run Deep" and the hazy house warmth of "Still Swag", a kind of update of the mid 1990s St Germain sound that's worth the entrance fee on its own.
Mille Frances Mille Francs (Matthew Herbert remix)
Mille Frances Mille Francs (Doctor L remix)
Review: Zenzile, one of the French pioneers of dub music and undoubtedly one of the most famous, have put aside their instruments for a while to go and explore more electronic lands under the name Zenzile Sound System. Starting the "Meta Meta EP" with a totally unreleased track, "Real Rock", they take us on a journey where hip-hop flirts with dub rhythms and rock guitars. As for "Basstone" - largely influenced by German minimal techno, it will seduce as much deep house fans as Maurizio-style minimal tech enthusiasts. The b-side offers two remixes of the track "Mille Francs Mille Francs" from their album "Meta Meta".
Review: Zero DB return with a punishing Braziliano-dub dancefloor filler, disorientating and ridiculously fat; the world will never seem quite the same again. 'A Pomba Giro' combines disorientating echo with ridiculously fat electronic bass stylings and the kind of rhythm designed to get the hips twitching. Second track 'Te Quiero' continues the theme, this time a sunny piece of guitar, driven mad by a hundred conga players. Since they started properly working together some 6 years ago, Chris Vogado and Neil Combstock aka Zero DB have been concocting a provocative, innovative and addictive brew of hard Jazz, electro, Latin, hip hop and house, laced throughout with their now signature dirty, heavy basslines. After releasing their early records on Vogado's own Fluid Ounce label, Zero DB are now signed to Ninja Tune and ready to step it up with their debut album, 'Bongos, Bleeps And Basslines' scheduled for release in September.
Review: Best known for their 2000 dancefloor flash "Come Party" - a jazz-wise, bass-heavy romp that still gets heavy rotation - Zero DB had a moderately successful career before disappearing from view in the late 2000s. Here they return with "Party Girl", a fresh revision of their most famous cut that adds a little more percussive heaviness and a touch of dubbiness to an already killer jazz-house cut. There are two additional remixes to enjoy, too: a superb, synth bass-propelled broken beat revision by 4 Hero man Marc Mac and a raucous Fixate rework that re-imagines the cut as a sub-heavy slab of jazzy jungle brilliance. It's worth picking up the record for that remix alone.
Review: Group from LA with a sound between big beats and hip hop with reggae influenced lyrical styles. Remixes come from Kraak & Smaak and German dubsters Noiseshapers.
Good Times (extended remix - previously unreleased) (5:03)
Hey Mr DJ (remix) (5:07)
Review: A salubriously timed reissue of a crunchy slab of wax released in 2023 by Plastic Fantastic, whose focus at that time was set upon 90s duo Zhane's two brightest cover versions. The r&b duo were well into their shared career by the time 'Good Times' and 'Hey Mr. DJ' came out, though what most music lovers at that time had failed to remark upon was that on top of their valiant covers verve, Zhane's versions were also heavy-hitters on dancefloors. Only perhaps now will they end up appreciated as such, with the two extended remixes put out last year resurfacing on a new, limited purple-hued 7".
Review: Swedish Brandy Productions presents the "The Calm EP", by Andre Zimma (aka Slope). On this five tracker you will find the up-tempo club-killer "Hope Is On The Way", featuring Terry Lovique. "Time Exists In Memories" gives us a view of the eclectic fusion between electronica, folk, soul and Brazilian flavours. This is a delightful release.
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