Back catalogue: Leftfield

Review: The very particular nature of polar landscapes - undeniably beautiful, but also remote, inaccessible and challenging - have long proved inspirational to ambient composers, not least Norwegian great Biosphere (whose very particular trademark sound is reflective of his roots on the edges of the arctic circle). Italian artist Lia Bosch has gone one further on her debut album, creating an album inspired by the Antarctic and a self-created narrative featuring an "abandoned alien base" at the South Pole. Musically, it is icy, chilling, atmospheric and immersive as you'd expect, with alien electronics and glacial aural textures rubbing shoulders with snowstorms of white noise, blowy polar winds, and unearthly musical motifs.

Review: Fresh, warm and spontaneous - brainwave research center's eight track debut album is everything that electronic music sometimes forgets to be. Recorded and produced in the back of Smith's synthesizer/electronic repair shop, Specs Sales & Repair, in Greenpoint, Brooklyn, the project is a joint collaboration between NYC-based house/techno producer, Chase Smith (W.T. Records, Apartment, is/Was), & documentary filmmaker, Christa Majoras (School of Visual Arts).
Described as a distillation of influences from experimentalism of Steve Reich, Laurie Spiegel and Black Dice, the 90s ambient techno of The Orb and Pete Namlook/Fax and more motorik flavours like Kraftwerk, Suicide, Manual Gottsching, it's a gentle but lively affair from the Art Of Noise-esque 'ah ah ah ah ah' and bubbling jam 'Bird Brain' to the epic arpeggios v guitar closer 'Day Dreaming'. This is first of four releases that the artist has planned, but there's certainly enough here to get your teeth into for now.

Review: Now comes the fifth album by German electronic trio Brandt Brauer Frick, known for their electroacoustic collisions of house and techno with live-played instrumentation. Multi Faith Prayer Room is their most ambitious album to date, including collaborations with Mykki Blanco, Azekel, Marina Herlop, Kom_I, Sophie Hunger and Duane Harden. It flaunts a mastery over a certain modern, hybrid approach to making electronic music, combining drumming, bass, piano and vocals with drum machines and synths. A diverse, sprawling, border-melting, widescreen take on many dance genres out there.

Review: BT Gate X-138 returns to Greyscale with Gravitational Grooves, deepening his relationship with the label following 2023's kV Pylon. Ten sousing sonorities hear him reshape his signature dub techno sound with growth-mental finesse, emitting foggy atmospheres and slicing percs. 'Inertia' leans into soft chords and faint crackle before giving way to the stripped-down shuffle and understated melodic turns of 'Gravity', while 'Orbit' builds over and delay-heavy phrasing; 'Float' offers a breather with its ambient drift, while an embossed 'Mass' sears the ears with churlish mood-texture. Touchstones such as Konigsforst and In Moll are alluded to most subtly.

Review: Berlin-based composer Andrea Burelli's new album Sonic Mystics for Poems (of Life and Death of a Phoenix) is an autobiographical work that draws on the vulnerability of the human existence. It takes the form of 15 pieces written for polyphonic voices, strings, and synthesizers and arrives on super limited, hand-numbered 180 g vinyl. The pieces are all intricately constructed with rich harmonic structures taking inspiration from experimental electronica, classical from both the West and the Middle East, plus folk from across all of Europe. It's a beautiful, confessional and thought-provoking work that makes a devastating impact despite its delicate artistry.

Review: On his return to China in 2019 after a period away, Brock van Wey noticed a "strange, sound emitting item" on the table. It was a handmade 'steel tongue drum', a unique percussion instrument associated with spirituality and meditation in Asian culture. A few days later, van Wey recorded an extended jam of himself playing it, and later overdubbed electronic sounds, melodies, chords and textures. The result is The Depth of Rain, the long-serving ambient and drone artist's second Bvdub album of 2024. Where some of van Wey's ambient sets can tend towards the intense and claustrophobic, The Depth of Rain is a genuinely melodious, evocative and spring-like affair that ebbs and flows wonderfully throughout, providing entertainment and sonic bliss in equal measure.

Review: Inquiri and bvdub's superb new collaboration A Life In Setting Suns on the excellent Past Inside The Present label run by zake reflects a deep-rooted connection to the golden era of electronic music in the 90s. Their project mirrors the layered experiences of rave culture and blends some nostalgia for that with distinct musical identities. Inquiri brings the energy of main rooms where trance-induced emotional highs, while bvdub represents the ambient, early morning deep house scenes. Their friendship and collaboration transcend time and geography and so together they explore the timeless, hypnotic soundscapes that defined the era and in doing so create a harmonious fusion of past influences that resonate deeply.

Review: Minneapolis' Chris Bartels aka Blurstem, and Philadelphia's Andrew Tasselmyer of the likes of Hotel Neon and Gray Acres have hooked up once more for a second collaborative album Midnight Letters. This album's starting point was original concepts played out on guitar which were then processed and experimented with through an ages-old analog tape machine. Add in an array of iPad audio processing apps, samplers, and Ableton software and you have a perfect mix of tools to serve up a sonic journey that perfectly merges the old with the new. The resulting ambient soundscapes are immersive and sparse but packed with subtle details that convey all manner of emotions.