Back catalogue: Rock (All)

Review: Straop yourself in and prepare for a cosmic trip on psyched out cosmic polyrhythms with kosmische overtones at the hands of newcomer Glass Beams. This debut on Research Record is a stunning one from the enigmatic producer but will have you googling t find out as much as you can while you get lost in the sliding bass and transcendent synthwork. It's tinged with a certain retro charm and 70s prog magic but also feels decidedly new and fresh. Masterful.

Review: Cocteau Twins' musical mastermind Robin Guthrie has produced some terrific solo records over the course of his career, frequently delivering material that joins the dots between ambient, ethereal soundscapes, shoegaze and the more immersive end of the soundtrack spectrum. 'Astoria' is the latest volume in the Scottish multi-instrumentalist and producer's ongoing EP series (its predecessor, 'Mountain', dropped in September). It's another typically gorgeous and enveloping affair in which effects-laden guitar motifs, gaseous ambient chords, gentle rhythms, ghostly aural textures and slowly shifting melodies combine to create instrumental sound worlds of rare beauty (if not sonic clarity - Guthrie's use of reverb and delay is liberal, which adds to its atmospheric nature but adds extra layers of attractively wide-eyed haziness).

Review: The 7" single Tocando Macizas by Vivi Hernandez Y Su Conjunto is a standout Latin funk gem from 1971. Known for its raw, heavy grooves, this track epitomises the best of Mexican funk, delivering an irresistible energy. Paired with Grupo Caverna's Caverna on the B-side, both tracks pack an intense rhythmic punch, combining sharp instrumentation with infectious beats. This release has gained legendary status among collectors and DJs for its rarity and quality, marking it as essential for Latin funk aficionados.

Review: Scott Gilmore's tracks are deceptively pared back. Putting an Arp Odyssey, Yamaha CS-01, Korg DW-8000, Hohner Pianet T, Roland TR 606, Roland SH 101, bamboo alto saxophone, clarinet, electric guitar and electric bass to very good use on this nine track Balearic-downtempo stunner, the tunes are easy to groove with yet subtly complex. They feel simple, but are incredibly detailed. Veering between a kind of synth-y smooth jazz, lounge, lofi electronica and sunset instrumental, Volume 01 is the proof after the promise of Gilmore's 2019 debut, Two Roomed Motel. Second album in and it's quite clear how talented the guy is. We just wish there was more information available for us to get to know him better with.

Review: After over a decade away from making music, Greek-born musician and composer Giannis Gogos is back. It was the turmoil of the pandemic that allowed him to reconnect with making music after years working in photography and now he's combining analogue and digital sound with intricate melodies and plenty of keyboards, glockenspiel, kalimba and guitars. This latest album is enhanced by oodles of delay and reverb effects and makes for an ethereal journey inspired by Henry Corbin's Man of Light in Iranian Sufism. It explores light as a symbol of divine presence through serene, introspective soundscapes.

Review: Guided By Voices are nothing if not prolific songwriters. This is the band's 41st album and 18th in 10 years. It's refreshing to see this maverick group defy the norms set by the record industry in terms of staggering releases to benefit sales and just go for it. Band leader Robert Pollard is the sole constant member having had many line-up changes over the years, but he has steadied the ship somewhat as the current serving musicians are the longest running in the band's history. They've now made 17 albums since 2017. Where this album differs is it offers more sonic diversity whilst maintaining their unmistakable anthemic character. "I wanted to create, hopefully, an experience, kind of a wild ride, where the listener would want to hear it multiple times in order to grasp all the sections and fields of sound to discover something new with each listen," says Pollard. "I trimmed down the songs so that there wasn't a lot of repetition, so you get a lot of sections that happen only once or twice." A punk sentiment - again disregarding norms - where they're sounding all the more invigorated for it.

Review: Originally released in 2005, and considered to be the second solo full-length from nine-fingered metal guitar pioneer Tony Iommi, Fused celebrates its 20th anniversary just a tad early with these revitalised remasters pressed to wax for the first time ever. Written in collaboration with vocalist/bassist Glenn Hughes (former Black Sabbath frontman during the mid-80s who would assume vocal duties on 1986's Seventh Star; released under the band moniker but long perceived as Iommi's first solitary creative endeavour), and legendary session drummer Kenny Aronoff (The Smashing Pumpkins, Bob Seger, Willie Nelson, John Fogerty, Bon Jovi etc), this limited translucent cobalt blue vinyl 2xLP pressing comes complete with three sporadically dispersed bonus cuts finally locked down onto own complete home.

Review: A remastering and reissue of the Jack Frost recordings, a collaboration between two acclaimed Australian songwriters: Grand McLennan from The Go-Betweens and Steve Kilbey, the lead singer and bassist in The Church. The Church are well-known for their hit 'Under The Milky Way', which made the Donnie Darko soundtrack. Included in this set is their two studio albums: The Snow Job (1995) has never been on vinyl before and the self-titled debut (1991) has been out of print for more than 20 years. There's also bonus material tucked in. This release comes as The Go-Betweens have been enjoying a renaissance recently, thanks to a successful reissue campaign, and The Church have been touring. Despite this being a side project, there's no sense it's an afterthought as the pair clearly thrived in each other's company and wrote melodic, wistful and affecting songs of the highest order. Noel Gallagher would likely have been proud to write the reverb-y love song 'Thought I Was Over You' and 'Every Hour God Sends' is up there with Echo & The Bunnymen's best stuff. Meanwhile, 'Ramble' has a stark arpeggio-laden beauty to it, building from its sparse beginning into something more textured and darkly atmospheric. There's an embarrassment of riches to delve into here and it cements the pair's reputation for being among Australia's greatest ever songwriters.