Charles Wright & The Watts 103rd Street Band - "What Can You Bring Me?" (2:45)
Review: You just cannot miss with this superb label which is now up to release number 33 in this series. And the latest is a golden-era classic featuring legendary mic men A Tribe Called Quest and top soul boy Charles Wright & The Watts 103rd Street Band. The A-side features the track taken from A Tribe Called Quest's Love Movement album so is packed with their signature beats and bars. On the B-side, you are treated to the funky original sample source from Charles Wright & The Watts 103rd Street Band which delivers a raw, infectious groove. If you love classic hip hop and funk, and why wouldn't you, this is a great pairing.
Review: Religion, and specifically gospel music, always played a key part in shaping the sounds and emotions of easy house music. It is clearly going to have just as much impact on this new label God Iz Enough which debuts with an EP of the same name from Tomi Ahmedeus. His style on the opener is to lay down raw and dusty beats with an early Windy City feel and infuse them with evocative, guttural gospel vocals that really bring them to life and make them inescapably emotive. 'The Rise Of The Guttersnipe' strips things back a little and brings a shuffling tech vibe with some glistening melodies while 'Ms Ludus' is a gorgeous ambient closer.
Review: Many Hands is a fresh label helmed by Jona Jefferies and Kava that here kicks out an eclectic EP with four tracks from various members of its musical family. Dan Aikido opens with '0800 TXT4 Herb,' a smooth fusion piece that builds a laid-back groove, blending fretless bass, jazzy keys and soulful vocals all reminiscent of Rare Silk's 'Storm.' Ernie Ruso's 'Stroke It' offers slow, sensual r&b infused with P-funky wah-wah effects while DJ Nomad's 'African Boy' brings upbeat pop house next to funky organ and a female reggae MC.Jefferies' closer 'A Change Will Come' samples Dr. Martin Luther King Jr with a rave-inspired beat and soulful piano. Cracking stuff.
Review: Japanese stars Akiko and Yukihiro Fukutomi came together to cover SADE's anthem several years ago but it now makes its way back to fresh wax courtesy of Record Store Day 2024. They infused it with dark, mysterious jazz and contemporary influences and Akiko's enigmatic vocals intertwine flawlessly with the minimalist arrangement. On the B-side, their original 'let GO' offers a spiritual journey through dub-techno realms where the synergy between Akiko's emotive delivery and Fukutomi's masterful production creates a captivating sound. This release epitomises the pair's creative chemistry and innovative approach to blending diverse musical elements into a seamless, immersive new realm.
Review: This is another reissue of a record that remains an ongoing favourite. Original Gravity delivered again with the original pressing featuring two unique versions of 'Burning Spear'. Nestor Alvarez opens with a lively, Latin-inspired rendition filled with fluttering flute melodies, raw drum beats and vibrant dancing keys that radiate sunny energy. On the flip, La Machine D'Argent takes a more cosmic approach, smoothing the vibe and layering spaced-out sounds for a dreamy, immersive journey. This release showcases Original Gravity's knack for reimagining funk with flair by offering two distinct yet equally good takes on a timeless groove.
Review: This is a full artwork version of the same release that dropped recently as a pre-release white label, so will look as good on the shelves as it sounds on the decks. DJ Dez Andres has been particularly productive of late after releasing a series of" records that showcase his signature edits. The collection includes 'Boogie,' a broken beat banger featuring a catchy whistle, followed by 'Maxin',' a sensuous, downtempo track with smooth pads and laid-back beats. The final track, 'Talking,' wraps things up with soulful vocals and a romantic, late-night vibe.
Review: Oooh! Angie Stone's "Wish I Didn't Miss You" definitely belongs in the canon of all time modern soul classics. Taken from her 2001 second album Mahogany Soul, the Swizz Beats produced track made optimum usage of an O' Jays sample and was instrumental in that LP going gold and propelling the former D'Angelo collaborator to stardom. It also inspired countless official and under the counter remixes with Blaze's perhaps the most recognisable. So yes this reissue on 7" from Outta Sight is worthy if you don't have the original in your collection and features a housed up remix from Hex Hector on the flip.
Review: Mexico-based duo Apocrifo serve up their debut single 'Indicut' with LA hip-hop and soul virtuoso Georgia Ann Muldrow on the vocal. This outfit is made up of producer Kefren Rivera and percussionist Carlos Huitro and they plenty of jazz, hip hop and electroacoustic elements into a unique sound that is exemplified here. The track is a broody, lo-fi world of sound with hip-hop beats and the yearning jazz vocals of Muldrow adding to the effect next to sombre piano chords. The instrumental strips everything back to the killer beats. This is a great first offering from this outfit who surely have plenty more to come.
Review: Originally released on the cult V4 Visions label in 1991 & 1994, Ashaye's 'Dreaming' and 'What's This World Coming To' epitomised the essence of street soul, a genre blending soul, r&b, and hip-hop that resonated across London's pirate radio stations in the 1990s. With the surge in UK soul's popularity in recent years, DJs and tastemakers have championed these tracks which has in turn elevated their demand and value. 'Dreaming' has become nearly unattainable on the second-hand market, while 'What's This World Coming To' commands prices upwards of L50. Snap up this fully licensed RSD release however and you will have both tracks for an affordable price.
Chez Damier - "Speechless" (Chez Damier Panorama Bar remix) (5:04)
Makez - "Rocket Music" (5:15)
Alkalino - "Rio" (Alkalino rework) (5:30)
Gledd - "Sere Yo" (5:31)
Review: Adeen Records returns with a superb EP that blends a classic with three new and fresh unreleased tracks. Deep house don Chez Damier's Panorama Bar Remix kicks off and is a a 2021 standout with a killer baseline and Spanish guitar that brings some sunny soul and makes for some top level house grooves. Makez then shines with 'Rocket Music' which has a chunky low end and glistening, golden piano chords making it a late night favourite. On the B-side, Adeen regular Alkalino delivers a tropical-infused edit for the peak time and Gledd closes with a classy cut 'Sere Yo' that is all about the drums. Lovely stuff.
Review: Ever since their first record launched on Futuristica Music, back in 2008, Emanative have been quietly shaping the contemporary jazz-dance landscape - an achievement for which they are rarely accredited to. Hopefully, we can change some of those misconceptions by telling you just how special this new EP for Jazz45 is sounding! The opening "New Day" features the soulful vocals of Ahu over a rolling, breaks-centric groove with plenty of melodic quirks and, of course, the unstoppable euphoric power of the flute; the flipside's instrumental allows you to get even closer to the music constructed by Emanative, which is undoubtedly the outfit's long-running forte.
Review: Few labels are better at saving up big cut-and-paste tunes from the world of hip-hop, r&b, funk and breaks than Heat Rock. Here they come again with more of the goodness, firstly with Nick Nack. His 'And Ya Say' roll deep, with smooth bars flowing freely over the leggy drums. On the reverse, Chicago's Altered Tapes crew offer up their own unique take of hip hop classic 'Still Running' in the form of a shuffling Bossa B-boy flip which has Latin percussion and ass-wigging drums. Both of these are floor-friendly cuts that pack in plenty of heritage.
Review: Any Omar S release is worth checking, but when it also features Detroit funk godfather and Motor City legend Amp Fiddler, as well as Andre Foxxe of Parliament-Funkadelic, then it's pretty much buy on sight. You never know what you're gaping to get with the FXHE boss, and never was that more true than here on this sweet little 7". A-side 'The First One Hundred' is a loop of Omar S's trademark dusty drums and a deeply buried bass guitar riff that is super funky, and 'Dance Your Blues Away (feat Amp Fiddler)' sounds like Prince making house music in Omar S's studio. They are short, but oh so sweet.
Review: German label Oonops Drops is ever more essential if you ask us and tidy 7"s like this prove why (as does their mission to focus is on "sustainability, climate protection and socio-cultural values".) 'Bird's Lament' is a top tier tune from Slick Walk x Sneaky with live drum breaks and serene strings making for a reflective late night vibe. On the flip of this limited edition and clear slice of wax is Avantgarde Vak with the sweet hip hop sounds of 'Keep Ya Eyes Up' then Toshiyuki Sasaki with his sublime 'Toshi's Bonus Breaks.'
Review: Beijing based Leele, Tokyo based S.O.N and Detroit transplant Camille has come together to give you something soothing from Adeen records. Their debut live studio album A Band Of Brothers is a nice warm welcome from the label that's known for house and techno. The late 70's early 80's Japanese fusion jazz influenced offering is split into two discs with one being all jazz, and disc two being remixed into breezy house tracks. Rather is an easy chilled out vibe or a night on the dancefloor, A Band Of Brother got you covered for all occasions.
Review: With summer gone, this album is the perfect soundtrack to remind you of the warmer season. It's a lush blend of tropical disco grooves, deep house, Balearic vibes, smooth jazz and Mediterranean cool for sipping cocktails and dreaming of a blissful escape. Each track features dreamy textures, fresh rhythms, shimmering chords and rich melodies enhanced by delightful percussive details. It's a majestic work by A Vision Of Panorama with a carefree atmosphere.
Review: When keyboardist Thomas Jonsson, guitarist and bassist oMar Gudjonsson, saxophonist oSkar Gudjonsson and drummer Magnus Trygvason Eliassen take the stage, they channel the raw resilience of Northern Europe's islanders who have endured long, icy winters for centuries. Their energy transcends genres and has proven to captivate jazz enthusiasts, rock fans and ravers alike. This primal, non-verbal expression predates language yet remains deeply contemporary by blending cosmic vastness with free imagination and profound mysticism. Their music is a convergence of timeless human impulses and fresh creativity. It's challenging but hugely rewarding.
Review: Soul and jazz meet head to head on this new LP from Hot Casa, to truly bring the two genres into their natural alignment. Hola Adisa Farrar is a vocalist who hails from California via Jamaican roots, while Florian Pellissier brings though his Parisian jazz stronghold, and the pair lay down some unmissable Dingwalls-reminiscent gems. In fact, this is the perfect sort of album for those diggers looking for that perfect jazz-funk record, the one that slipped away; the drumming across all of the tracks is hypnotic but changes enough to retain that mysticism, the pianos glide over the melodies in a delicate but playful way, and Farrar's vocals are an utter beauty spilled all over the rhythm. A must have, and a warmly recommended album. Supported by Mukatsuku.
Review: Alfa Mist is a UK musician, producer and composer born in Newham, London. One of the members of Are We Live, a creative quartet that also includes Tom Misch, Jordan Rakei and Barney Artist. On his latest album for UK label Sekito titled Bring Backs, he goes back to his roots of his beat-making past on the streets of East London, as well as incorporating his jazz influences. From the smoky jazz bar loops of opener 'Keep On' to the uplifting urban blues of 'Breath' (feat Kaya Thomas-Dyke) to the sunny metro beats of 'Brian' - the LP is the most detailed exploration of his upbringing in musical form.
Review: .The last full length we had from Federico Amorosi and Valerio Lombardozzi, AKA Dressel Amorosi, was a pretty scary place to spend time. Themed around late-mid-20th Century Italian horror movies (see: Dario Argento), the record paid homage to the iconic sounds of that culture, but also refused to simply rehash the past. An atmospheric, spine-tingling collection of suspenseful synth-first stuff, it also benefited from landing around the same time as a new Stranger Things series. A year on and things are now on a slightly less tense route. Spectrum is still looking to offer thanks to the Italian film industry as was a few decades back - specifically for gifting us so many amazing soundtracks. But this time round we're much closer to the glam and glitz of a Roma Italo party than anything like the Upside Down, while still packing depth and atmosphere.
Eden With The Invisible Session (with The Invisible Session - TIS version) (4:02)
Etna (with The Invisible Session) (4:05)
Call (with The Invisible Session) (4:13)
Eden (3:57)
Noir (2:50)
Review: ANAN is a project by DJs Roberto Agosta and Massimo Napoli and it takes its name from their surnames, repeated twice. Their new album is inspired by jazz, 70s psychedelia, Afrobeat, cumbia and soul and was recorded in a space in Catania, Sicily, where they melded those inspirations into a versatile and innovative sound. The session musicians manage to really lay down some deep melodies to give the album a live session feel. Tracks like 'Eden' and 'Naif' combine cinematic jazz with African influences, while 'Eros' blends Ethiopian and Indian cultures. 'Mind' offers a hypnotic cumbia and 'Etna' evokes spiritual psychedelia. The album includes also collaborations with The Invisible Session which take things to even higher spiritual planes.
Review: And Is Phi (Andrea Isabelle Phillips) is a multi-disciplinary artist from Norway and the Philippines now based in South East London. Double Pink is a debut album of great quality that draws on a wide sphere of influence, from Joni Mitchell's tender vocals to Frank Zappa's weirdness via 90s r&b and the jazz tinged beatmaking of Madlib's seminal album for Blue Note. it is both late night and languid but immediate and emotive, with a world of colour and texture that is all blurred, smoothed off, packed with emotion and smart riffs, melodies and hooks.
Review: The mighty Dez Andres has hooked up with Parisian digger Victor Kiswell for a sublime new double album on Spot Lite that finds a perfect sweet spot between both men's sound. It stems from a party that explores Arabic grooves from Northern Africa and the Middle East and pairs that with low slung deep house beats and hip-hop inspired joints. It's woozy and warm, packed with killer melodies and hooky riffs and is right up there with some of Dez's best work. Highlights include the likes of 'Grand Meze In Gemmayze' with its dusty beats and 'Bounce The Casbah' with Middle Eastern guitars that ring out with great soul.
Review: Legendary producer Ant, who you will most likely know for his work with Atmosphere, showcases his talent once more here with Collection of Sounds: Vol. 4. This release highlights his years of dedication to his craft and is a great mix of fresh ideas with his signature style. While previous volumes explored hip-hop, funk and reggae, Vol. 4 introduces rock-inspired elements such as wailing guitars, though it still maintains a firm foundation in hip-hop. Tracks like 'Hearing In Dark Colors' and 'Created With a Heavy Brush' display his mastery of diverse styles while 'Day After 2010' offers an unexpected vibe that helps confirm Ant's status in the scene.
Review: This renowned hip-hop producer (and also half of Atmosphere) is a founding member of Rhymesayers Entertainment. His decades-spanning career includes work with MF DOOM, Brother Ali, Murs and more after he was raised in a military family with a deep love for records. Ant's eclectic influences shine in Collection of Sounds, a four-volume instrumental series that his instalment three here and has been carefully curated from his vast archive. It mixes up intimate, haunting tracks with expansive, venue-filling beats. Some compositions invite vocalists yet remain deeply personal and overall, rather than reinventing things, Ant reconfigures his past while staying true to his artistic roots.
Review: Freestyle Records reissues The Apples Kings a full decade and a half after its first release. This version has been fully remastered and re-cut for an even more dynamic sound to remind why the landmark album was so special. It was a first for the band who crafted it with specific collaborators in mind and worked with funk legend Fred Wesley and Israeli world music icon Shlomo Bar In fusing elements of The JB's funky foundations, soul, dub, and Middle Eastern influences, they cooked up a genre-defying mix filtered through The Apples' unique decks-horns-bass-drums lineup. These unmistakable, floor-shaking grooves are just as potent today as they were in 2010.
Review: "Danama" is a Bambara word meaning "trustworthy" that reflects the essence of Arat Kilo's fifth album, which was recorded in Spring 2024. The album embodies optimism, collective strength and cultural blending, while advocating confidence during these times which are so marred by wars, nationalism and environmental crises. Arat Kilo is France's leading Ethio-jazz ensemble and they take a fresh approach by experimenting with sound production by adding new instruments like synths, bass clarinet and Malian n'goni, alongside their signature grooves. These tunes are influenced by genres like Jersey club and 2-step and merge with Ethiopian jazz and global rhythms. Mamani Keita's poignant lyrics and social critique from Mike Ladd make this a resounding call for hope and unity.
Review: The talented Joe Armon-Jones has been at the centre of some of London's most exciting musical developments in the jazz world in recent years, not least as co-founder of the mighty Ezra Collective. He is a prolific creator, keyboardist, singer and producer who draws on dub, pop, hip-hop and electronica to foment his own style and once again that shines through with this, the first part of his new album on his own Aquarii Records. It is full of standouts like the Afro-leaning drums and summery melodies of 'Kingfisher (feat. Asheber)' with life-affirming lyrics. 'Show Me' has a darker downtempo energy with crashing hits and drums and 'Hurry Up & Wait' ends on a tender note with introspective keys and feathery drums.
Review: As Valet is a Paris-based abstract-instrumental-space-hip-hop beat producer who manages to combine the futuristic with the ancient and ritualistic on this album. It's both cosmic yet organic, expansive yet intimate with tumbling beats that sound loose and live, sprinkles of starry melody and plenty of warm jungle humidity from the percussion. Guests such as LaNote, Lanoir, Raphael Neblai and Jewice add some vocal magic and this one is, then, sure to become a real cult classic in no time at all thanks to its unique mix of all those different worlds but also, quite simply, its damn nice vibes.
Review: Campania-based combo Asakaira has delivered a genuinely brilliant debut album here. Rooted in improvisation and the collective's combined love of jazz, Afrobeat, jazz-funk, hip-hop and the Afro-cosmic sounds that have long been a staple of Italy's underground music culture, the album's six original tracks (the seventh is an alternate 'Night' take on the jaunty, energetic and percussive 'Skijii') bristle with imagination and inventiveness. For proof, check the tropical disco delights of 'Night Tales', the head-nodding hip-hop-jazz of 'Chatting With You' and the dubby jazz-not-jazz shuffle of 'Moon Phases', a track that just intensifies and gets bigger as it progresses.
Review: After receiving a Swedish GRAMMY nomination for her 2023 album Be Free and maintaining a busy tour schedule, trombonist, songwriter and producer Ebba decided to try and challenge jazz's rigid boundaries for her next project. The result is When You Know, a smoky, melancholic brew that swirls jazz, alternative r&b, indie, hip-hop and ambient sounds into something pleasingly fresh. Co-produced with Berlin-based producer Lucy Liebe, the album was recorded in a cabin outside her hometown during the harsh winter and reflects Ebba's direct, driven nature. It often moves into avant-garde territory but the vocal work on cuts like 'Did I Go?' mean it always makes and emotional impact, while lush beats on 'Open Your Eyes ' are perfect for summer and 'What I Want' is devastatingly intimate and honest.
Review: Polish producer Latarnik and American vocalist Anthony Mills collide on this new album for Polish label Astigmatic to explore lo-fi hip-hop, soul, dub and experimental electronics. Mills's falsetto vocal brings great Neo-soul warmth to Crack Rock with emotionally charged tones soaring over the production which ranges from sugary and 80s-tinged disco and boogie on 'Crack' to deep, seductive and gooey on 'Passive Lover' which is a more romantic sound. Latarnik's work is often minimal yet immersive which creates space for Mills' voice to shine and is delivered in equal parts spoken word, chant and soulful croon. The hypnotic, slow-burning soundscapes that result are both intimate and confrontational, ready to make you dance but also often just to feel. Unapologetically raw and deeply human, this one lingers long after the final track ends.
Review: Earthly Measures and Multi Culti have teamed up to create the collaborative label Cult Measures. Their debut release is an 8-track album that blends deep, cosmic, and experimental sounds with Afro percussion and jazz influences into something truly fresh. This versatile album is designed for both home listening and peak moments on the dance floor, not least the opener 'Submarino' which is a jostling fusion of Latin sounds and vibrant percussive energy. 'Belafon Balafon' brings summery steel drums and 'PushMePullYou' is a dense rhythmic workout. With its rich textures and unique fusion of styles, this project sets a strong foundation for the new label, highlighting a commitment to innovative, boundary-pushing music.
Review: French label Good Morning Tapes welcomes Paris-born electronic innovator and 70s GRM alumni Ariel Kalma New York-based trio Asa Tone for some serious deep ambient soundscapes. The wellness movement has never been more polar than it is now but if you ask us, nothing could be better for your mental health and sense of self than sitting a dark room with this one nice and loud so you can soak up its high fidelity designs, the microscopic pads, the whimsical melodies and slowly shapeshifting sounds in all their glory. A tremendous work.
The Midnight Hour - "Jazz Is Dead" (Georgia Anne Muldrow Geemix) (2:42)
Joao Donato - "Desejo De Amor" (Akili remix) (1:49)
Joao Donato - "Liaisons" (Dibiase remix) (6:03)
Azymuth - "Rendor Do Samba" (DJ Spinna remix) (5:27)
Review: Since launching the Jazz is Dead series two years ago, Adrian Younge and Ali Shaheed Muuhammad have released eight studio albums - each a collaboration with a different figure from the jazz and soul spectrum - and a compilation of instrumental takes. It makes sense, then, that volume 10 is a remix album, with a variety of producers putting their stamp on cuts from the pair's expansive joint catalogue. As you'd expect, it's packed to the rafters with killer hip-hop, downtempo and broken beat reworks, with highlights including Cut Chemist's head-nodding, cinematic hip-hop take on Gary Bartz hook-up 'Soulsea', Shigeto's contemporary spiritual jazz revision of Brian Jackson co-production 'Nacy Wilson', and DJ Spinna's squelchy, house-not-house rub of Azymouth collaboration 'Rendor Do Samba'. Soulful, jazz-fired perfection.
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