Back catalogue: Deep House

Review: The Plastik People label has been going along nicely for its first few releases, with label head Marc Cotterell stepping up and coming correct last time out. Now he calls upon various artists with Dave Charlesworth taking care of the a-side of Nice Ripe Cuts. He offers two super slick garage cuts that cannot fail to make their mark on the club and it's no different on the flipside except D Lux & Y No combine first for '25 Miles' and then S R offers the irresistible 'Pressure.' An essential 12" for anyone looking to bring some fresh garage flavours.

Review: The 'House Puff Split' EP series continues with The Checkup and DJ Merci, two key figures with distinctive sounds. This time out they offer a sound infused with the essence of '90s house, but also their signature soulful edge and skilful use of MPCs and drum machines. A standout is the collaboration with talented singer Mona Lee, whose smooth, powerful vocals blend perfectly with the vibrant drums and synths to make for an enchanting atmosphere that rally draws you in deep. The ever-on-point DJ Steaw adds two dynamic tracks that merge deep and acid house influences and make for two equally explosive weapons.

Review: Dutch duo Dam Swindle have spent much of the last 12 months masterminding the 10th anniversary celebrations - and numerous releases - of their popular Heist Recordings imprint. This excellent and wonderfully nostalgic four-tracker is a great way for them to return following a near 12-month gap between EPs. On opener 'Touch Me Again', they add eyes-closed, early Orbital style female vocal samples, breakbeat blasts and bubbly acid lines to a joyous, piano-powered house groove, before going deeper into chunky and dreamy house retro-futurism on the heady and life-affirming 'Hang On'. Their love of strong melodies, memorable chords and rubbery basslines comes to the fore on the joyous 'The Joy of Melancholy', while 'Forever and Ever' is an organ-rich, gospel-tinged fusion of vintage US garage sounds and colourful synth sounds.

Review: When it comes to gospel-powered 21st century dance music, Detroit trio Dames Brown have been involved in many of the most memorable records - not least Sophie Lloyd anthem 'Calling Out' and Horse Meat Disco hook-up 'Message To The People'. Here they join forces with fellow Motor City musician Waajeed for another arms-aloft classic in the making. In its original form, 'Glory' blurs the boundaries between gospel disco and gospel house, with the trio's powerful vocals rising rubbery bass guitar, loose-limbed beats and riotous organ licks aplenty. It comes accompanied by two fine remixes: a stomping, piano riff-powered gospel house take from Rob and Lyric Hood's Floorplan project, and a stomping, thickset gospel disco 'dancing club dub' courtesy of Kelly G.

Review: Is there a more positive, soulful and life-affirming dancefloor anthem out there than Roy Davis Jr and Peven Everett's 1996 jam "Gabriel"? As many will be aware, it has long been sought of as a classic, with soulful house, deep house, US and UK garage DJs all championing it back in the day. This white vinyl reissue boasts all of the mixes featured on the original 12". Perhaps the most famous version is the rolling, bass-heavy two-step flex of the "Live Garage" mix that opens side B, but there's plenty to set the pulse racing elsewhere. The driving, jazzy-but-stomping "Words To Give By" version has been annoyingly overlooked over the years, while the "Tambourine Dub" is deliciously sweaty and driving in the best possible way.

Review: Drivetrain and Melodymann hail from Detroit and Belgium respectively and together the've cooked up an incredibly affecting quad of tunes which we now hear pressed to wax via Soiree. An overarching homage to the classically 'slapdash' or lackadaisical feel of Chicago and Detroit house abounds, as the likes of 'Music Got Me' and 'Keep It Movin' work in the very same janky shuffles that would hear the latter ends of those genres bleed into US garage and come with palette-cleansing aperitifs in the form of vocal samples from various soul sources. Keep it coming.

Review: Shout out to the Broadcite label for hitting the not so insignificant milestone here of 100 releases. They mark the occasion with a beautiful various artists assemblage of sunny broken beats, house and garage. It's a Wipe The Needle vs Venuz beats remix of Farah's 'Waiting' that gets things started with some shuffling bossa-tinged beats and jazzy melodies while a Ziggy Funk Refix of Colonel Red is a soulful house cut that will get hips swinging. On the flip, a Bruk Rogers rework is super hot and steamy with its plunging basslines and then the garage dons Groove Chronicles close out with their sublime remix of their own 'Higher Soul'.

Review: Mr G and Duncan Forbes' production partnership continues to blossom following the release of joint album, All Under One Moon, earlier in the year. Their latest single may well be their best yet, with both cuts offering a near perfect blend of boldness, energy and rhythmic hypnotism. 'Time To Dip' is a tough and surging affair featuring the triple attractions of wobbly sub-bass, fizzing stabs and glassy-eyed vocal snippets, while 'All Night' is a deeper and more locked-in affair tailor-made for heads-down moments. Forbes provides alternative versions of both tunes: a stirring 'Sherbert Dip' version of 'Time To Dip' that doffs a cap to his days as part of 90s prog house act Spooky, while the 'In The Zone' mix of 'All Night' is a deep, chunky and immersive roller.

Review: After a lengthy hiatus, Spanish label theBasement Discos returns with a collection that fuses the essence of 90s house with contemporary flair. Rekun opens with 'Party Jean', a playful track driven by infectious rhythm. DJ Merci's 'Smack That' builds momentum with its punchy bass and relentless groove. Mindchime's 'Changes' shifts into deeper territory, offering intricate layers and subtle energy. Deepmore's 'All Night Long' closes with an unyielding, hypnotic drive that'll keep feet moving long into the night. A handy blend of old and new, proving theBasement Discos' unwavering influence in today's vinyl scene.

Review: Like a US house producers' version of the fabled grime MC battle competition 'Lord of the Mics', Brawther and Chez Damier came up with the idea of a producer contest to bring together the members of the Interweaved community, with the winners of the first round of submissions sharing their stems with the rest of the community, inviting remixes.
French born Roy Vision received the most votes in the online poll for his track '4 One Another' - a house bomb full of sub-bass pressure, craftily employed vocals and deft drum programming. The original is featured here, alongside mixes from Australian underground hero Marley Sherman, who took the trophy for his uplifting remix. London Based DJ Rouge, meanwhile hails from Ireland but loves original Italian deep house of yesteryear, and his offering was the second most voted work and is included here, slower and more wistful but still chunky in the beats department, with Dunique's spoken word part adding a quietly philosophical dimension to both the original and chirpy, cheery sounding mix from Montreal wonderkid South Shore Garage.

Review: There is a wealth of No Fuss releases all dropping this year and number 12 is a tasteful house four-tracker from various quality artists. Saison's 'Suffer' is up first as a remix from Fouk, and it is a lovely, jazzy, laidback and heartfelt sound with an infectious skip in the drums. The original is just as infused with dusty soul and warming chords and on the flip Saison remixes Pete Moss & Colette's 'Higher' 'into carefree grooves with more noodling melodies and DirtyTwo then keeps the grooves flowing with 'Rymden,' which exudes summery excellence.

Review: GLBDOM sub-label GLBDOM Classic is dedicated to nostalgic house sounds inspired by the great styles of Chicago, Detroit and New York vibes, with hints of Italo-Dream house and even the Balearics. We get all that here on this new split EP from French house producer Sunny Galaxy and Englishman Dan T. Sunny opens up with some happy, piano-laced party starters, well-swung garage-house grooves and steamy basement jams, then Dan T offers a B-side trio headed up by the gloriously vocal laced 'Wrong Time.' 'My Desire' cuts up the groove with some nice raw percussion and 'Want To Love You' is a sultry and jazz-tinged number for lovers.

Review: Demuir's Visions album gets its first series of remixes here as standout cut 'Home Sweet Home (The Journey)' gets reworked by Baltimore's finest dance music ambassador and bona fide legend DJ Spen. First up he brings some shuffling and deep soul to the groove with an irresistible skip to the drums and a lush vocal. The dub pairs things back a little further with more splash in the percussion and last of all comes the Hump mix. This one has noodling keys working their way up through the mix to bring real enlightenment.