Review: This third volume of instrumentals continues the faultless Isle of Jura label's deep dive into dub versions and beyond. Side one takes in references from UK street soul and reggae and features two late-'80s tracks by Howard Hill with machine-led rhythms, rudeboy reggae skank and soulful pads. Protek's 'I Love to Dance With You' is a proto-house gem featured in a Jura Soundsystem mix and here it gets a loving re-edit by The Nightlark. Side B includes an instrumental-driven track with spacey FX from The Cool Notes' and Ilija Rudman's 'Dub 4 Love' which is a knowing nod to acid house's golden era.
Review: Marking Indica Dubs' 100th release in serious style, 'When Jah Come' by Danman takes the form of a powerful tribute to the late Jah Shaka, whose influence shaped generations of dub and roots sounds and musicians. This long-anticipated dubplate was famously championed by Shaka himself and comes laden with deep, earth-shattering basslines, spiritual vocals that touch your inner psyche and militant rhythms with unmistakable reverence. It is a celebration and a memorial that honours Shaka's legacy while showcasing Danman's ever-commanding voice and Indica Dubs' unrivalled production strength.
Review: 'Ain't No Sunshine' is one of the great soul songs. Originally recorded by Bill Withers, a legendary vocalist who simply walked away from the scene once he had said all he had to say, it has been covered many times. Here it is Yasushi Ide who steps up with a new version that comes featuring Ken Booth & U-Roy on this new 7" from Grand Gallery out of Japan. In original form, it's dubbed out to the max with oodles of echo and dark pads next to some original vocal toasting. 'Border Town' is then a more acoustic sound with gentle guitar strums and slow, persuasive rhythms.
Review: This rousing anthem by Innervision on Common Ground International delivers a powerful message through its thought-provoking lyrics and dynamic sound. Musically it is a classic reggae sound and it comes with a socially conscious lyrical theme that reflects on the struggles and aspirations of Black communities which continue all around the world. Compelling rhythms and soulful vocals help make the message land right and hit hard so the song resonates deeply while advocating for freedom, equality and empowerment. Uplifting yet poignant message, 'Free Black People' is an energising listen.
Review: Inokashira Rangers are world-renowned for their abilities in covering some of the world's best-known songs in the modes of ska and reggae, with versions of 'Smells Like Teen Spirit', 'Creep' and 'I'm Not In Love', all laid to sweet 7", dominating stores in recent years. Now the Japanese covertones throw a curveball, for once reworking some honoured dance music cuts. 808 State's 'Pacific State' and Derrick May's 'Strings Of Life' get a thorough skinhead reggae re-examining.
Review: Inokashira Rangers are kwon around the world as a legendary group of Hammond-heavy reggae masters with a fine knack for laying down big cover versions. Their take on 'Smells Like Teen Spirit' was recently reissued to great acclaim recently and now we get two more gems. First is Radiohead's 'Creep' which has haunting leads and echoing pads capturing the freaky vibe of the original. There is a more laidback vibe on the flip with 'I'm Not In Love' which has noodling synths and lazy drum loops sinking you in deep.
Review: Over the last decade, Inokashira Rangers have proved that you can turn pretty much any track - whether it's a TV theme tune, rave banger or grunge classic - into a reggae or rocksteady gem if you know what you're doing. They're at it again on their latest "45", which opens with a storming, largely instrumental reggae-soul version of Edwin Starr's 1968 soul classic '25 Miles'. Their version - full of reverb-laden drums, fuzzy organ motifs, mazy solos, warming bass and JB's guitars - is naturally hugely different to Starr's version, but recognisably the same song. Their flipside take on Spinners' classic 'It's a Shame' is rather more difficult, with the trio slowing it down to a skanking reggae crawl while retaining the familiar melodic refrain.
Review: Tokyo's Inokasira Rangers have been crafting lo-fi reggae since the 1990s, yet remained a rather hidden gem outside Japan. Their release 'Can't Take My Eyes Off You' finally changed that when it dropped initially back in 2023 and sold out in quick time so now gets reissued. The A-side reimagines Frankie Valli's classic with a laid-back reggae twist while the B-side takes on Crystal Waters' '90s dance anthem with surprising charm. Infused with a subtle Shibuya-kei flair, both covers feel fresh yet timeless. The Waters rendition, in particular, sounds like a forgotten folk tune-so natural it's hard to believe it wasn't always this way. A breezy, nostalgic delight from a band overdue for global recognition.
Barry Issacs & Deemas J - "Revolution Deh Yah" (feat George Dekker) (5:01)
The Rits Riddim Force - "Forward Lewi" (4:57)
Review: Room In The Sky has always dealt in a fine line of roots and reggae whether serving up various artists' collections, reissues or all-star studio bands. Here we get two crucial rhythms on a tidy new 45rpm. The first is Barry Issacs & Deemas J's 'Revolution Deh Yah' featuring George Dekker, a founding member of The Pioneers, the hit reggae group that had plenty of UK chart success. On the flip is The Rits Riddim Force with their 'Forward Lewi', a fleshy, warm and cavernous rhythm that invites you to sink in deep.
King Kong - "Wake Up The Town" (feat Eek-A-Mouse) (3:29)
Irie Ites All Stars - "Wake Up The Town" (riddim) (3:30)
Review: As we continue to enjoy some warm weather here in the UK there will never be a better time to be dropping your finest reggae sounds. And this new 7" deserves a place amongst your collection with an original by King King featuring Eek a Mouse. 'Wake Up The Town' is a contemporary-sounding dub with some digital synth lines as well as nice echoing hits and dub-wise vocals. On the flip, you can find the Irie Ites All Stars seeing up the 'Wake Up The Town' (riddim) for a more paired back sound.
Review: Sofia Manari and Inokasira Rangers are not strangers to working together on their own unique covers of some classic sounds, all reworked into fresh dub grooves. This time they turn their focus to 'First Love, which is a lush listen with Manari's soothing and sultry vocal delivery. On the flip is another laid-back dub sound with a constant rhythmic pulse, natty chords and more clean and soulful vocals from Manari making this a sweet little 7" from Japan's finest, Parktone.
Review: The third volume of the Strike Out Series on Bat features Emanuel and the Bionites taking on an Ikadub riddim and delivering an outstanding performance. Following their previous successful releases with Pinnacle Sound, Emanuel again showcases his talent on the dynamic Ikadub riddim and turns out something perfect for playing loud on sound systems everywhere. With 'Rumours,' Marcus I, a prolific songwriter and skilled singer, finds hit potential by crafting a powerful chorus from some new dubs. All five of these cuts have anthem potential and demand to be heard outdoors in the sunshine.
Review: 'John Jones' dropped in 1968 on the Big Shot label after being produced and co-written by Derrick Harriott. It soon became a cult hit on the UK skinhead scene, its relentless rhythm and sharp lyrics making it an obvious anthem that was further cemented by its inclusion in the Tighten Up series. Impersonators then step up on the B-side with the yearning vocal reggae of 'I've Tried Before.' It's a lo-fi sound with hissing hi-hats and bubbling rhythms full of earthy soul. Rarely found in clean 7" copies, this one, so don't sniff at it.
Review: Prince Chamba joins forces for a superb new roots cut here with Slimmah Sound and Ital Horns. Their 'Secret Light' is a smoky and seductive sound with wobbling low ends and impassioned vocals delivered with a heart-aching twist as the melanotic horns fly up top and rousing chords add some hope. Slimmah Sound & Ital Horns then add their own heavily reverbed dub version and Slimmah Sound offers 'Melody Of Light' which is full of hypnotic harmonica leads. A second dub version once again reworks it into a stoner's delight that will sink you deep into the sofa.
Review: Over the last couple of years, we've been treated to numerous reissues of classic cover versions by Japanese reggae/rocksteady combo Inokasira Rangers, including takes on Nirvana's 'Smells Like Teen Spirit', Pharrell's 'Happy' and New Order's 'Blue Monday'. Here we're treated to another, as the band's 2017 take on Underworld anthem 'Born Slippy' gets a fresh pressing. It's certainly a revolutionary revision, with Keichi Sokabe's surprisingly Karl Hyde-sounding lead vocal rising above a lusciously languid, sub-heavy reggae groove. Over on the flip they take on 'Groove Tube', a 1991 indie-pop-meets-acid house single from Japanese outfit Flipper's Guitar, reframing it as a baggy, glassy-eyed rocksteady number.
Review: Room In The Sky's latest limited edition release showcases The Inn House Crew and delivers some heavyweight roots rockers dubs featuring an impressive lineup of musicians from Jamaica and the UK. The collection includes performances by legends like Sly Dunbar, Flabba Holt, Vin Gordon, and Robbie Lyn, alongside talents such as Ben Bell, Horseman, and Jerry Lionz. Recorded at renowned studios like Tuff Gong in Jamaica and Ariwa, this is a record that is steeped in authentic roots vibes. The DIY-inspired artwork, featuring eco-friendly, inside-out sleeves, complements the music's raw and organic feel and makes it a must-cop for roots dub enthusiasts, especially as this pressing comes in a lovely scree-printed jacket so beautifully celebrates some deft craftsmanship and real heritage.
Review: Following their relocation to the United States in the early 1980s, roots reggae pioneers Israel Vibration found a home on Real Authentic Sound, the label helmed by Washington D.C-based entrepreneur and producer Doctor Dread (real name Gary Himelfarb). He took over behind the desk, producing and mixing a string of albums in the late 80s and '90s - including this freshly remastered gem from 1995. In keeping with the reggae style of the time, the sound blends digital and acoustic instrumentation - synths, drum machines, guitar and bass, basically - with the band's effortlessly soulful vocals sitting atop. Highlights are plentiful, from sun-soaked opener 'Mr Consular Man' and the organ-splashed shuffler 'Rebel For Real', to fan favourite 'Rude Boy Shufflin' and the conscious 'Struggling Youth'.
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