Studio Equipment charts

Notes: MIDI cable with 3.5 mm TRS and straight 5-pin connectors

The BMIDI-5-35 is a special cable with an angled 3.5 mm TRS connector on one end and a standard 5-pin male MIDI connector on the other, allowing you to connect to external MIDI-equipped devices such as pedals, effects switchers, and MIDI foot controllers. Made from rugged, high-quality materials, BOSS cables deliver performance you can count on.

Specifications

Cable Length: 1.5 m / 5 feet

Plug

TRS: 3.5 mm Stereo Mini Plug Angled (Nickel Plated)
MIDI: DIN 5 - pin (Nickel Plated)

Notes: Maximize the Power of Your BOSS Gear with MIDI Connectivity

The BMIDI-1-35 and BMIDI-2-35 cables provide premium connectivity for the expanding lineup of BOSS pedals with space-saving 3.5 mm TRS MIDI jacks. These rugged and reliable cables feature 3.5 mm TRS and 5-pin DIN connectors, allowing you to connect products such as the BOSS 200 series, EV-1-WL, and others to gear equipped with traditional MIDI jacks, from pedals, loop switchers, and multi-effects units to keyboards and MIDI interfaces for computers. The low-profile plugs fit into tight spaces on your pedalboard, with a slim right-angle plug housing on the TRS side and three-way cable adjustment on the 5-pin DIN connector.

*The BMIDI-1-35 and BMIDI-2-35 are three-conductor cables. Pins 1 and 3 on the 5-pin DIN are unconnected.

Notes: The GLIDE case is the perfect case for your Polyend Tracker+: an ideal travel solution for mobile producers and musicians. This case is also compatible with the original Tracker, and the Polyend Play.

Expertly designed for a precise fit, this ultra-compact case packs easily into your backpack or carry-on. The rigid moulded exterior will ensure your Tracker remains in mint condition for years to come.

GLIDE cases are made of EVA material that is durable and lightweight, while providing excellent protection. The 100% premium materials include a water-resistant faux leather exterior, super-soft velvet interior, and an ultra-smooth zipper.

Specifications

Customized for the Polyend Tracker+
Durable EVA exterior
High-quality velvet interior
Mesh compartment for holding cables
Interior dimensions: (12.4 x 8.07 x 1.57) inches
Exterior dimensions: (13.39 x 9.25 x 1.97) inches

Notes: Adapter with 1 x 6.35 mm stereo jack plug and 2 x RCA phono sockets.

Notes: The Meng Qi DPLPG is a Dual Passive 1-pole vactrol based Low Pass Gate/VCA in modest 2 HP. No power is required as the design is completely passive.

Handpicked components ensure that the modules will be musical.

Feed it a trigger and enjoy the natural smooth decay of a vactrol.

Notes: Since its release, d+classB series has become a world-wide standard cable series for DJs and music producers due to its solid and reliable sound and build quality. In Summer 2018, with a newly-designed 3.5mm stereo angled plug, "d+MYR classB" was developed to meet the needs of existing d+cable users.

This new option is suitable for gadgets like synthesizers, or tablets/smart-phones, to LINE IN of a DJ mixer for real-time performance with gears, or an audio interface for recording sounds into your DAW sessions, or to powered speakers with RCA inputs.

The flat type cable of d+series analogue cables is designed and constructed by considering each combination of materials and simple structure by eliminating unnecessary objects. The classB series includes thick 18AWG hi-purity Oxygen-free copper for its conductors, which creates clear stereoscopic and well-balanced sound images. The flat type cable structure helps to avoid interferences between cables and its green and white colouring helps to distinguish LR channels in dark venues.

Notes: Flexible bass preamp and DI delivers powerful tone shaping capabilities in a rugged pedalboard-friendly package!

The EHX Battalion Bass Preamp and DI is packed with a four-band equalizer, fully-featured MOSFET distortion section with three signal path options, a compressor, a noise gate and a comprehensive I/O. An all-in-one tone tank for your bass guitar.

Four-band EQ tailored specifically for bass guitar. Includes controls for Bass (below 200Hz), Lo Mid (boost/cut at 280Hz Mid (boost/cut at 750Hz) and Treble (boost/cut above 2kHz)
The Battalion's distortion section delivers an awesome array of distorted bass sounds
Distortion section features Level, Blend, Drive and Tone controls plus a dedicated footswitch
Three signal flow modes yield unique tonal variations. Pre EQ, distortion comes before EQ. Post EQ, distortion comes after EQ and Dry EQ, only the dry signal mixed in with the Blend control is affected by the EQ
Compressor with dedicated pushbutton, amount control and LED adds thump and sustain to your bass sound
Noise Gate with adjustable threshold control eliminates noise and hum while preserving your attack and original tone
Flexible I/O allows the Battalion to fit perfectly in any bass rig or application
14 input jack includes switchable 10dB pad
Power adapter included

Specifications:
Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 100mA
Year Released: 2017

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod26 is 26HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod26 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: The new Multicassa is here, we added a snare channel with five dividers, tree trig out and tree trig input.

T3 input can now accept audio, CV and trig signal, while T2 & T4 only trig signal.

Routing an audio signal to T3 in, will give you the possibility to filter it with the Bongo and Legno channel and also trigger the sound.

A new swing switch, change the internal groove, updated clock in, synch to 2ppqn and 24ppqn. Individual audio out for each sound and a mix out.

Notes: A unique and fun approach to CV and MIDI sequencing, based on two pitch faders and two Play buttons which trigger the note. Hit the FUN button to launch effects which modulate your recorded sequences.

Supplier's Notes:
PlayFader is a 2 channel CV & MIDI portable sequencer.

Each channel of PlayFader features CV and Gate outputs that are controlled by its Fader and Play button. Move the Fader to change the CV level, press the Play button to output a variable-width gate or trigger.

PlayFader also outputs 2 channels of MIDI - select from Notes, Chords, CC's and many more output options. MIDI mirrors the analogue outputs so you can control anything with a MIDI input while also controlling your analogue CV synths, pedals etc.

PlayFader runs either to its own internal clock with full transport controls and tap tempo, or loves making friends with external clocks. Sync can be by CV or MIDI, in or out.

Select from your own fully customisable user scales or smooth voltage ranges of 2, 3, 5 & 8v in addition to live transposition.

Each channel has two recording buffers which you can jump, swap and copy between.

PlayFader also has 7 FUN FX modes... for now.

Based on the TE pocket operator punchFX, there is a dedicated FUN button. The idea is that the FUN modes modulate and influence your recorded pattern contents while using the faders to change relevant parameters for the mode you're in.

All FUN modes will be addressable by the built-in accelerometer in future firmware (coming soon), which should be bonkers amounts of fun.

PlayFader has a protective lid that doubles as a stand and feels great in your hand if you want to hold it and play- this is the PlayCase.

When you're travelling, all the controls are safely protected by the lid, held in place with a handy wristband which supports LGBTQ+ equality around the world.

The lid can then be flipped onto the back of PlayFader when you're ready, giving you some grip and a bit more height, making it perfect to play all day!

PlayFader is a versatile CV, Gate and MIDI sequencer & looper that loves to make friends with modular synths, vintage synths, any synth or sampler with MIDI, guitar pedals, and anything else with CV and expression inputs. It can even be a great controller and sequencer for your DAW & computer-based workflow.

You can also read the official manual and quick reference guides and these are always instantly accessible from the QR code on the back of every PlayFader.

See below for all the technical details, what's in the box and more.

Technical Bits & Pieces

2 x 60mm-Throw Bourns Faders.
Custom Moulded Recycled Plastic Play Case with a protective Lid that doubles as a stand.
Unique Flat Keycap Buttons with Cherry MX Switches.
2 x ChromaCaps Mk2 Silicon Fader Caps.
Ultra Low Profile MultiComp Pro Jack Connectors.
5mm Perspex Laser Cut and Printed Acrylic Front & Rear Panels.
Stonewall Rainbow Wristband to hold Frame Case and Lid together for transport. All profits from sales of Stonewall merchandise go into funding their vital work for LGBTQ+ equality in UK and around the world.
2 x 3.5mm CV Outputs - Adjustable from 0-8v, Continuous or Pitch Quantised. Requires Mono Patch Cable.
2 x 3.5mm Gate Outputs - Adjustable from 3ms Trigger to 95% Duty Cycle. Requires Mono Patch Cable.
1 x 3.5mm Switchable Comms Output - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
1 x 3.5mm Switchable Comms Input - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
MIDI Type-A Communication.
Stackables will fit snugly!
MyVolts 9V Ripcord USB Power Cable included.
2 x 3.5mm to MIDI 5-pin Type-A Adapters included.
1 x 3.5mm to 1/4inch Floating Ring - CV to Expression Cable included.
4 x Knurlies 3M included.
4 x 3m Black Ultra Thin Flat Wafer Head Screws included.
Some nice stickers included, of course.

Notes: In 2021, Behringer released one of their most anticipated products - the Behringer RD-9. Inspired by the legendary Roland TR-909 drum machine, the machine boasts 58 buttons and 33 knobs, perfect for crafting your drum sequences to absolute excellence.

Commonly seen in producers' studios when they are crafting beats and instrumentals, it is a highly used piece of equipment within the music industry. To protect those creative ideas evolving from your drum machine, we designed and manufactured a hard shell protective cover!

The Decksaver Behringer RD-9 cover is custom-moulded to perfectly fit whilst accommodating cables, meaning the RD-9 can sit ready for operation while being fully protected. This super durable polycarbonate shell features extreme durability and offers the highest degree of protection.

You will never have to worry about your Behringer RD-9 getting damaged with your Decksaver cover!

Weight: 1kg
Length: 48.2cm
Width: 26.1cm
Height: 4cm

Material: Smoked clear polycarbonate.

Notes: The Morphor Sequencer - Quad Gate/CV is a versatile tool for both live Eurorack performances and songwriting. This module can be configured as a 2-, 3-, or 4-track sequencer, depending on the selected output configuration. With flexible track configurations and intuitive real-time step editing, this sequencer offers a handy approach to sequencing in modular systems being only 4 HP wide.

Whether you're controlling gates, CVs, or a combination of both, this module adapts to your creative needs with ease. Key features include up to 4 independent tracks, each capable of holding up to 16 pages containing up to 16 steps. Users can configure tracks as gate, CV, or combined gate/CV tracks, and even set up triad chords. The module supports customizable step lengths, glide times, individual track playback orders and reset behaviors making it ideal for creative sequences.

This module can operate as a standalone unit using its internal clock or be easily synchronized with an external clock source for integrated use within a larger system. The clock and reset jacks can function as both inputs or outputs, allowing flexible configuration to match your setup.

For expanded setups, multiple Morphor Sequencer modules can be daisy-chained via the bus connection on the back, ensuring that clock and reset signals are shared seamlessly across all connected modules. This makes it easy to sync multiple sequencers for complex, multi-track performances or compositions.

Specifications

Panel width: 22 HP
Panel height: 1 U
Module depth: 33 mm
Dimensions: 39.65 x 111.4 x 33 mm
Mass: 56 g
Power Socket: 16-pin

Current draw:
12 V: 95 mA
-12 V: 11 mA
+5 V: 123 mA

Notes: Dive into the world of subtle tone modulation with the revolutionary 2HP Eurorack compatible Slew Limiter. This compact but powerful module is the secret weapon in your synth setup to create smooth transitions between your sounds, giving you the opportunity to expand your musical expression in a unique way.

With its slim design of only 2HP, the Slew Limiter fits seamlessly into any Eurorack system without taking up valuable space.

Create smooth transitions between notes or modulate CV signals to create organic, vibrant effects such as portamento/glide, or complex modulated patches.

Adjustable rise and fall times give you complete control over the speed of signal changes, from instant jumps to smooth, slow transitions. Versatile uses: Whether for smoothing control voltages, creating legato effects for monophonic melodies or for creative sound design - this slew limiter is a true all-rounder.

Thanks to its clean layout and simple controls, you can make the settings you want instantly, making it ideal for live performances and studio sessions.

CV control via rise/fall

A unique feature is the ability to control rise and fall times via external CV signals, allowing you to dynamically react to your performance or patch.

Shape Control

The Shape slider allows you to fine-tune transitions over a wide area. Whether it's a slow exponential increase, linear transitions, or a subtle adjustment through the logarithmic characteristic, it's all at the service of the music

Notes: We're gonna need a bigger boat.

Nautilus is a complex delay network inspired by sub-nautical communications and their interaction with the environment. In essence, Nautilus is a stereo delay consisting of 8 unique delay lines which can be connected and synced in interesting ways. Each time Nautilus pings its sonar system, the generated topography reveals itself through the delay, all while staying in time with the internal or external clock. Complex feedback interactions plunge sounds to new depths, while related delay lines pull fragments of sound in different directions. Manipulate the delay lines even further by configuring the the stereo receptors, sonar frequencies, and aquatic materials that filter the space between Nautilus and its surroundings.

Though Nautilus is a delay effect at heart, it is also a CV/Gate generator. The Sonar Output creates either a unique Gate signal, or a unique CV signal algorithmically generated from Nautilus's findings. Drive other parts of your patch with pings from the delay network, or use the generated topography as a modulation source.

From the deep ocean trenches, to shimmering tropical reefs, Nautilus is the ultimate exploratory delay network.

Tech Specs:

Width: 14HP
Depth: 22mm
Power Consumption: +12V=215mA, -12V=5mA, +5V=0mA

Nautilus packaging will include:
Nautilus
USB Drive and cap
16-16 power cable
x4 eurorack mounting screws, M3
Nautilus enamel pin
Nautilus quick start guide
Qu-Bit sticker

Notes: A massive semi-modular system in a small case with the footprint of a laptop. Cascadia has MIDI in/out/thru/USB, Eurorack compatible signal levels and pro-level audio I/O to interface with the rest of your studio or get your studio started.

Modern Analogue Architecture

Cascadia is packed with a mix of classic East and West Coast synthesizer blocks. Normalized connections let you get straight to the sounds inside. Or, let your imagination run wild and patch any of the modules together however you choose. Make small tweaks to the architecture, or re-route the entire synth to your liking- the choice is yours!

Summary:
Cascadia semi-modular synthesizer.
101 patch points, 34 sliders, 16 knobs, 28 switches, 5 push buttons, and 36 leds.
14 Patch cables - 4×10cm, 4×15cm, 4×30cm, 2×45cm.
USB-C to A cable.
International AC Adaptor.
Intellijel cable tie.

Two Precision Analogue VCOs
VCO A is Thru-zero FM-ready with a dedicated Index VCA, Sub Oscillator, PWM and Soft/hard sync.
VCO B is a combo VCO/LFO with 4 simultaneous outputs
Six Channel Waveform Mixer
Two patchable (normalled) inputs
Noise generator with multiple algorithms.
Optional asymmetric soft clipping on the mix output.
Liquid-Sounding, Cascaded 4-Pole Multimode Filter
Eight Modes: LP1, LP2, LP4, BP2, BP4, HP4, NT2, Phazor.
Additional dedicated outputs for LP4 and HP4.
Input Level Knob for fine control of filter input and resonance balance and added drive.
Multiple FM inputs and a QM input, all with attenuators.
Wavefolder Circuit
West Coast-style parallel wavefolder.
Normalled into the auxiliary input on the VCA in parallel with the filter.
Dual Digital Envelopes
ENV A is a versatile east coast style ADSR / AHDSR envelope generator with a hold function and dynamic level/time control. Normalled to the VCA to instantly shape your sound.
ENV B is a complex, multimode function generator with a West Coast style AR/ASR/Cycling AR, a beat syncable LFO, Burst generator modes, and the Entropic Sequence Generator (added in 1.3). Normalled to the filter for instant FM without patching.
VCA A and Output Path
VCA A is a linear VCA with auxiliary input.
Global Output Mixer with overdrive circuit and bypassable asymmetric soft clipping.

Expansive Utilities Sections
Cascadia also features a whole host of utilities for getting the most out of your patches.

The Utility Row
Sample and hold circuit with white noise normalled to the input.
Slew/Envelope follower.
Attenuverter/Mixer with multiple outputs.
Triple triangle LFO with rate control, rate input and divided outputs.
Triple buffered multiple.
Precision adder.
Signal inverter.
Bi-polar > Unity level shifter.
Expression level control for modulation the TRS expression input on an FX pedal.
Ring Modulator.
VCA B / LPF (LPG) - Auxiliary VCA and 4-Pole Diode Ladder VCF combination for additional dynamics.
The Top Row
Easy to access Pitch, Gate, and Velocity CV inputs.
Pedal Send and Return FX loop with Wet/Dry control, phase inverter and Line/Pedal level switches.
Output Mixer with Overdrive.
Eurorack Level Main output with level control for interfacing with other modular gear.

The Outside world - MIDI, Pedal and Audio I/O
Cascadia is equipped with a ton of I/O to get it connected to the rest of your gear.

Rear Panel

1/4" Stereo Headphone jack.
1/4" Balanced Output Jack.
1/4" Balanced Input routed to a slider and output on the main panel for patching anywhere into Cascadia.
1/4" TS Pedal FX Send Return and 14" TRS Expression Out.
MIDI DIN In/Out/Thru and USB-MIDI all routed to the MIDI > CV Interface on the top panel.
MIDI > CV Interface
Deeper MIDI configuration is available with the Intelljel Config App (link below). MPE Support has been added in v1.4 and supports the Ableton Live 12 Tuning systems. Dual Mono mode (added in 1.3) allows an additional channel to send its own Pitch/Gate signal on the CC/MOD outputs. All modes support MIDI Portamento.

MIDI Pitch / Velocity Outputs and Learn Button
MIDI Gate / Trig Outputs
MIDI CC / Mod - Learnable and assignable to any CC or Channel Pressure
MIDI LFO - Multimode LFO synced with MIDI or Tap Clock
MIDI CLK - Dividable MIDI clock with alternate Tap Clock functionality.
Cascadia comes ready to play.

The normalization behind the panel allows for a ton of exploration without ever adding a patch cable; there is years of material to explore in Cascadia and years more when you start patching. There is everything you need to get started: 14 assorted patch cables, USB-A to USB-C cable, and an international power supply.

Expand and Customize

In addition to additional patch cables, there are additional options for swapping the wooden cheeks for metal side cheeks or a rackmount kit with a storage tray - great for an effects pedal or patch cables.

Specs

In the Box: Cascadia Semi-modular Synthesizer
14 Patch cables - 4×10cm, 4×15cm, 4×30cm, 2×45cm
USB-C to A cable
Intellijel cable tie
15V/1.2A AC Adaptor (Euro/American prongs included)

Height: 66mm (from rubber foot to top of knobs)
Width: 348mm (including wood end cheeks)
Depth: 246mm (front to rear jacks).
Power: 15V DC/1.0 A (minimum), centre-pin-positive.

Notes: Say goodbye to MIDI connection headaches and hello to limitless possibilities! The H4MIDI WC is your ticket to seamless USB MIDI integration like never before.

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Audio cables.

This USB 2.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Audio Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Audio Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official. For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Notes: Harvezi Hazze is a versatile and unique distortion pedal with a wide tonal palette.

The heart of Harvezi Hazze is a waveshaper designed around a unijunction transistor, a relic from the early days of the semiconductor industry unearthed from the e-waste bins of flea markets in Tbilisi, Georgia.

The unique properties of the unijunction transistor allow one simple component to replace a number of very complex devices: depending on the operating mode, we can get a distortion, a limiter, a waveshaper and a generator - with a smooth transition between them. Experiments have shown that this transistor is an excellent basis for a distortion stompbox.

The name translates from Georgian as "a fault on the transmission line" or "signal jamming", and both the semantic and phonetic natures of it unequivocally imply what to expect - an impediment to the input signal, ranging from pleasant harmonic distortions to complete obliteration. The signal chain of the unit consists of an optical compressor with fixed parameters; a dual-mode distorting amplifier with either softer or harsher clipping; a waveshaper built around a unijunction transistor; and a tone stack section trying to tame all this mess.

Signal Chain:

Input -> Compressor -> Distorting amplifier -> Waveshaper -> Tone stack -> Output

Controls:

Gain - controls the output amplitude of the signal in the distorting amplifier section. Depending on the position of the switch, the distortion introduced by this section is soft (switch in the left position) or more aggressive with an abundance of high harmonics (middle position).

Spoil and Spread - control the operation of the unijunction transistor (waveshaper section). Spoil sets the point on the amplitude axis at which the wave will fold, and Spread sets the amplitude of the folding. The sonic meaning of these knobs can be described as follows: the higher the Spread value, the more severe the distortion will be, and Spoil changes timbre and response threshold. By adjusting Spoil you can achieve various gating and cutoff effects. At low Spread values, distortion sounds are mixed into the clean sound.

Tone - adjusts the brightness of the sound; the higher the value, the more high harmonics are present in the signal.

The switch regulates either the distortion mode in the amplifier section (left and center positions), or it turns on the total feedback mode (right position), when the values of all knobs begin to influence each other and effects occur such as resonance at certain frequencies and self-oscillation.

Level - controls the output volume of the signal.

The footswitch routes the signal through the effect circuitry or from input to output directly (true bypass).

The array of switches on the side of the unit gives a few more tonal options:

TONE STACK - routes the signal through the tone stack section (Tone knob).

BASS BOOST - enhances bass frequencies.

TONE MODE - changes the behaviour of the Tone knob (tilt or lowpass).

NOTCH FREQ - changes the central frequency of the filter.

HIGH CUT - attenuates high frequencies.

COMPRESSOR - routes the signal through the compressor.

The lower position of the switch enables the function.

Examples:

Compression:

Switch in the central position, Spoil, Spread, Gain - min, Tone - 12 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.

Soft clipping:

Switch in the left position, Spoil, Spread - min, Tone - 12 o'clock, Gain - 2 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - on, HIGH CUT - off, COMPRESSOR - on.

Distortion:

Switch in the middle, Spoil, Spread - min, Tone - 1 o'clock, Gain - max.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - off.

Fuzz:

Switch in the left position, Spoil - 1 o'clock, Spread - max, Tone - 11 o'clock, Gain - 10 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - on, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.

Black:

Switch in the left position, Spoil - 12 o'clock, Spread - 1 o'clock, Tone - 3 o'clock, Gain - 3 o'clock.

TONE STACK - on. BASS BOOST - off, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - off.

Feedback:

Switch in the right position, Spoil - 11 o'clock, Spread - 4 o'clock, Tone - 2 o'clock, Gain - 9 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.

Technical specifications:

Input - 1/4-inch/6,35mm mono jack.

Input impedance - 750 kOhm.

Output - 1/4-inch/6,35mm mono jack.

Output impedance - 100 Ohm

True bypass.

Power - DC 9V, 50mA, DC jack 2.1mm, centre negative.

Notes: Based on Mooer's extensive experience producing looper pedals, the GL100 offers affordable, powerful dual looping options and drum machine features. Two foot switches provide hands-free control for guitarists and keyboard players.

Supplier's Notes:
Throughout MOOER's track record of producing electric guitar pedals, the company has put a lot of its innovative prowess into its range of loop pedals, including 2023's VP3 Loopation. Ever since, MOOER's engineers have been hard at work designing the GL100, a feature-packed dual-footswitch stereo phrase looper and drum machine that has far more on offer than its younger looper siblings.

Perhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.

The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.

In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.

Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.

As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.

Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.

Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.

2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g

Notes: Dual 1 x 4 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×8 buffered mult.

Notes: 50 of Befaco's unique screws designed specifically for Eurorack. These M2.5 screws can be secured by hand, all common screwdrivers and Allen Key. These are great for saving time when rearranging your synth.

Each Knurlie comes with a fitted plastic washer to prevent rack rash.

Notes: Excellent value from Arturia's hugely popular mini controller. 25-key design with pads, faders, rotary pots and transport controls for full hands-on playability of software synths and DAW features.

Supplier's Notes:
MiniLAB 3 is a compact MIDI keyboard & pad controller that let's users make music, right out the box.
Notes: Excellent value from Arturia's hugely popular mini controller. 25-key design with pads, faders, rotary pots and transport controls for full hands-on playability of software synths and DAW features.

Supplier notes:
MiniLAB 3 is a compact MIDI keyboard & pad controller that lets users make music, right out the box. With a creative plug-and-play workflow, versatile assignable controls, 500 curated sounds from Analog Lab's massive library, and a bundle of world-class creative software, MiniLAB 3 is designed to finally help beginners and professionals to get truly immersed in their music creation flow, whatever their style.

Hands-on, easy to use

From the great-feeling keyboard to the smart DAW-integrated pads & faders, to the real-time mini display, every aspect of MiniLAB 3 is designed to be intuitive, expressive, and a joy to use - for beginners and pros alike.

Creative features

Enjoy a workflow that aids the creative process, with features like a built-in arpeggiator, Chord mode, custom DAW presets, and easy transposition. Making music has never been so accessible.

Portable, compatible design

MiniLAB 3 is built to fit seamlessly into any setup, from bedroom to stage, with its compact & lightweight design, deeper DAW integration, and MIDI out & USB-C connectivity.

Eco-Designed

MiniLAB 3 is built with longevity and sustainability in mind. A rugged road-ready design, 5-year warranty, minimum 50% recycled plastic construction, and 100% recycled packaging means this controller goes the distance.

Creative software included

On top of a world-class MIDI controller, users get a full package of premium music-making software, from an industry-standard DAW to well over 500 synth & keyboard presets.

Production-ready bundle

Everything that users need to start creating their own music. Explore premium tools like Ableton Live Lite, Analog Lab Intro, UVI Model D grand piano, and Native Instruments "The Gentleman upright piano; enjoy access to millions of royalty-free lifetime loops & samples with a Loopcloud 2 months subscription + 1 Welcome pack + 1 pack of your choice; get to grips with playing keyboard, finger drumming, DAW production, and even music theory with a Melodics "unlimited" trial subscription & bonus lessons.

What's fun to play with

MIDI Control Center

Use the Midi Control Center to customize your MiniLAB. You can change the Velocity curves (keyboard and pads), the Knobs acceleration, the Pedal input type and polarity, the Message types with their Min and Max values, the MIDI Channels, and much more. Shape the MiniLAB exactly the way you need it to be.

Switch MIDI Channel - Shift + a key with a number above it will change the MIDI Channel.

Hold a note - When engaged, every note played will be held. Playing new notes will replace the previously held notes.

Chord mode- Shift + Hold will activate "Chord mode". Then, just play one note and it will play the full chord with the pressed note as the root note. You can record a custom chord by keeping Shift + Hold pressed while entering up to 16 notes.

Transposition - Transpose the whole keyboard by octaves or semitones by pressing Oct or Shift + Oct.

Transport Control - While pressing Shift, you can use the corresponding pads to Play, Stop, Record, Loop, and tap the tempo.

Arpeggiator mode - Shift + Pad#1 engages/disengages the Arp. Long press Shift + Pad#1 to enter the Arp settings. Then use the 8 knobs or the main encoder to set the Arp as you please.

Hold + Chord + Arp - Can be activated at the same time, allowing you to keep the Arp running while tweaking the parameters of a preset.

Pad banks - Shift + Pad#2 toggles between Bank A and B).

Programs - Shift + Pad#3 cycle through the programs. Arturia and DAW programs will automatically connect to any Arturia Software or DAW if there is one open on the computer. You can create and add some User Programs to customize the MIDI CCs, notes, pad colours etc.

Arturia Program - use the main encoder to browse through presets. Press the Main encoder to select a Preset. Long Press the main encoder to like/unlike the Preset. Shift + Main encoder will browse through Types. Select one, and then browse through the filtered presets.

DAW Program - use the main encoder (turn or click), and "Shift + the main encoder" (Shift + Turn and Shift + Click) to access different features depending on the connected DAW.

Back Panel connectivity
USB-C = Connect to a computer or a power source
Control Input = you can set the pedal input to be Sustain, Expression or Footswitch.
MIDI Out = Send midi through MIDI Din port

Notes: PRO Expanders:

Extra Pam Outputs.

ALM034-EX

PPEXP1 & PPEXP2 are two expander modules for Pamela's PRO Workout that both offer additional dedicated fixed clock, Din Sync & MIDI clock outputs.

Extend Pam as a master to clock external gear with super solid dedicated MIDI & Din Sync clock outputs. The Din Sync clock (x24) and Run outputs can also be patched into a 2nd Pam to easily sync it.

Use the extra fixed clocked gate outputs to free up Pam's main outputs for unique sequencing or complex modulation duties.

Connects directly to and is powered by the 'MIDI-EX' expander header on rear of Pamela's PRO Workout.

Only a single output expander is supported at any time but either can be used alongside an AXON-1 CV input expander.

A MIDI adapter cable and a Din Sync adapter cable are both available for connecting to 5 pin 'Din' type connectors. The PPEXP 1 includes a MIDI Din adapter cable.

Technical Specifications

Power: Additional approx +12V 40mA (PPEXP1) / 20mA (PPEXP2)
Size: 4HP & 2HP
Depth: 32mm

Notes: Updated version of Korg's excellent Wavestate, drawing on the iconic Wavestation synth to create a modern take on wavetable synthesis, now with added polyphony.

Supplier's Notes:
Wavestate mkII

Extended polyphony. Extended possibilities.

Korg's legendary Wavestation introduced the world to wave sequencing, and the 37-key Wavestate mkII builds on that legacy with a reimagined, compact synth designed to satisfy today's demanding musicians and producers. MkII expands polyphony to 96 stereo voices and adds a fresh look. It's completely compatible with sounds and samples for the original Wavestate.

Overview

Korg's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS, Kronos and Nautilus keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, Korg is proud to present the new Wavestate mkII, with improved polyphony (96 stereo voices) and a fresh look. It's completely compatible with sounds and samples for both the original Wavestate, Wavestate SE and Wavestate Native software, including many excellent third-party libraries. Updated sounds and software keep it fresh and the compact form-factor, with 37 full-size keys, still transports easily and fits neatly into any stage, studio, or desktop setup.

Keyboard: 37-keys, velocity sensative
Sound generation: Wave Sequencing 2.0
Polyphony: 96 stereo voices
Configuration: Performance: 4 layers, reverb, EQ
Layers: Program, Arpeggiator, Key, and Velocity Zones
Programs: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Presets: 261 Performances,799 Programs, and 1042 Wave Sequences
Controllers: MOD wheel, PITCH wheel, Vector Joystick, 8 x program/Performance Mod knobs.
Effects: Pre FX x4, Mod FX x4, Delay x4, Reverb, Performance EQ

Inputs/outputs:

Audio Outputs L/MONO, R (6.3mm TRS phone jack, impedance balanced)
Headphones (6.3mm stereo phone jack)
Damper (6.3mm phone jack)
MIDI in,out
USB Type B

Power: AC adapter (DC12V, 2500mA)
Power consumption 5w
Dimensions: 565 W x 338 (D x 92 (H mm
Weight: 2.9kg

Notes: The ‘Pip Slope’ (rev II) is a compact envelope and function generator. It supports both Attack/Decay and Attack/Sustain/Decay type envelopes with both direct and voltage control of Attack and Decay times. Envelope shapes can be morphed between exponential, linear and logarithmic type slopes. Envelopes can be made to loop, repeating infinitely or decreasing with time or amplitude for echo and bouncing ball type effects. An ‘End of Cycle’ trigger output further extends the envelopes functionality for both clocking and burst or fill type effects.

The improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.

Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.

Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm

Notes: A Digital DJ/ Producer looking for a professional, durable case solution for your Universal Audio Apollo X4? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Universal Audio Apollo X4, these cases are perfect for the travelling DJ/ Producer that needs to protect their equipment.

Color: Black
Weight: 0,77 kg / 1.694 lbs
Outer Dimensions (W x H x D): 27.8 x 20.2 x 7.6 cm | 10.9 x 7.9 x 2.9 inch
Inner Dimensions (W x H x D): 23.8 x 16.2 x 6.6 cm | 9.4 x 6.4 x 2.6 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Extra's:
Heavy-duty handle
Convenient carry handle
Easy grip zipper puller

Fits Universal Audio Apollo X4

Please note: The Audio Apollo X4 is not included in this purchase, it is shown for demonstration purposes only.

Notes: Set of 5 high-quality braided & soft 3.5mm patch cables for use with eurorack modules. The braided patch cables have a soft touch & are perfect for traveling with your eurorack system patched as they are super-bendable and much less likely to get tangled even with your case lid closed. Pleasant & practical for a better patching experience.

Notes: Set of 5 high-quality braided & soft 3.5mm patch cables for use with eurorack modules. The braided patch cables have a soft touch & are perfect for traveling with your eurorack system patched as they are super-bendable and much less likely to get tangled even with your case lid closed. Pleasant & practical for a better patching experience.

Notes: Set of 5 high-quality braided & soft 3.5mm patch cables for use with eurorack modules. The braided patch cables have a soft touch & are perfect for traveling with your eurorack system patched as they are super-bendable and much less likely to get tangled even with your case lid closed. Pleasant & practical for a better patching experience.

Notes: Set of 5 high-quality braided & soft 3.5mm patch cables for use with eurorack modules. The braided patch cables have a soft touch & are perfect for traveling with your eurorack system patched as they are super-bendable and much less likely to get tangled even with your case lid closed. Pleasant & practical for a better patching experience.

Notes: Audio Optimized USB-A to USB-B Cables

Dual slimline ferrites prevent signal dropouts
Gold connectors ensure long cable life
Available in 8 colours and 2 types

Ideal for home and professional use where impeccable audio is a must, Chroma Cables complement the modern DJ and music production technology with a streamlined styling that keeps your setup looking fresh and sleek. All cables are not created equal, and these are engineered from scratch for digital performers, by digital performers.

Noise-Filtering Features

Each cable has two ferrite core chokes, one at each end of the cable. Paired with fully-braided shielding, Chroma Cables do a great job of eliminating interference along the signal path - making these the best USB cables for DJs.

Two Styles, Eight Colours

Cables come in straight and right-angle options. The angled cable helps to prevent accidental removal and takes up less space, giving you a less crowded DJ booth. Label gear by colour so you always know your soundcard from your controller.

Always Strapped

Even after placing your cables neatly in your bag, it's easy to wind up with a tangled clump of cables. The built-in velcro cable strap helps prevent this, keeping your gig bag nice and tidy. You'll wonder how you managed without this.

Compatibility Notes:

Works with all* USB devices with a USB type B connector but it's worth checking for obstructions if you plan on ordering an angled cable.

*Please note that the right angle cable won't work with a Kontrol D2, S2, S4, S5, S8, or Z1 or Traktor Audio 10 while using the power supply.

Size + Weight:
Length: 59.05" / 150cm
Weight: 0.18lb / 0.08kg"

Notes: The tools we use to compose and produce music are dear to our hearts.

Dust, liquid and accidental impact have taken many a good unit down over the years, this is where Decksaver steps in.

Precision trimmed for perfect fit whilst accommodating cables, the Roland Aira TB-3 can sit ready for operation.

Slides straight into a flight or soft case for maximum protection during transportation.

Shields delicate controls and internal components from damage at home, on the road and on stage.

Key features:

Patented smoked/clear transparency, unique to Decksaver.
Protects against dust, liquid and impacts.
Low profile design enables compatibility with most flight cases and travel bags.
Shields vulnerable faders, switches and knobs during transportation.

Dimensions

Weight 0.17 kg
Length 24.6 cm
Width 17.5 cm
Height 2.6 cm

Notes: High quality audio leads for exceptional sound quality and reliability. High grade twin cable comprises an insulated pure copper core and global shielding.

The durable PVC sheath has a soft texture to avoid knotting. Terminated at each end with a pair of 6.3mm mono jack plugs.

Notes: This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4" TRS to Dual 1/4" TS

Notes: 1/4" TRS to 1/4" TRS

This snake is designed to interconnect pro audio gear with balanced phone jacks. It is ideal for use with mixing consoles and patch bays. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4" TRS to 1/4" TRS

Notes: High quality audio leads for exceptional sound quality and reliability. Twinned high grade cable comprises 2 insulated pure copper cores and global shielding.

The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling.

Terminated at one end with a 6.3mm stereo (TRS) jack and at the other end with 2 x RCA phono connectors.

Notes: You can never have too many knobs, right? The PC4 packs 24 rotary pots into a handy little box, allowing you to control software and hardware parameters over MIDI. Nice.

Supplier's notes:
PC4 is a universal controller for all kinds of midi controllable hard- and software.

The device has 24 standard pots with rubber knobs designed in a 4 x 6 matrix. Various kinds of midi commands like control change, pitchbend and program change are possible.

Of course you can assign the pots to any of these commands by learning incoming midi commands like software it does. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instruments, effects and DAW's. Use the internal 16 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

A special feature is the switchable snap function for all pots. This simple function is very rare on standard midi controllers with pots. It avoids possible annoying value jumps.

Three switchable midi routings makes the unit much more flexible for complex midi setups.

Simultaneous control of external gear and software instruments is no problem for the PC4 due to the available USB and MIDI ports.

Notes: Used by artist's such as Dubfire, Richie Hawtin and Carl Craig the d+ RCA series is specialized for DJs and designed according to feedbacks of DJs, Artists, and Clubs. By connecting between a DJ mixer and some DJ equipments such as CDJ, Traktor and Serato, you can get a huge advantage about the sound quality.

About the product planning for the d+ RCA series, Neo contemplated the best combination of important materials and factors such as its structure, conductor, insulator, shielding, outer sheath, and contact of plug.As a matter of course, for not only a data compressed file but also WAV, AIFF, and CD, it contributes to dissolve the stiffness and shallowness of digital sounds. In addition, its hi-definition playback property helps for making a good quality file recording for vinyl sound capturing.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a 3.5mm stereo (TRS) jack and at the other end with a 6.3mm stereo (TRS) jack plug.

Notes: High grade cable comprises an insulated pure copper core and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a female XLR connector and a 1/4" TRS stereo jack at the other end.

Notes: The Endorphin.es 1U Cockpit X Black is a newly designed 6-channel stereo mixer with transparent VCAs, featuring four inputs on the front and two auxiliary inputs on the rear. Sidechain ducking makes it easy to get a great balanced sound, just input the trigger of your sound and you are good to go.

The perfect mixer for summing signals in your system while patching, or even as an end-of-chain mixer to go into your interface, mixer... whatever you fancy.

Power consumption: 55mA at +12V and 35mA at -12V

Depth: 30 mm

24 HP

Notes: The UDG Ultimate Headphone Jack Adapter Screw 3.5mm (1/8") to 6.35mm (1/4") connects your headphone's mini-jack plug to a larger stereo jack output. It has a grippy surface to help you grab hold of it. The gold-plated adapter provides a solid connection without compromising sound quality.

Specifications

Colour: Gold
Weight: 0,01 kg
Outer Dimensions (W x H x D): 4.5 x 1.0 x 1.0 cm | 1.77 x 0.39 x 0.39 inch
Inner Dimensions (W x H x D): Not Applicable
Material: Metal
Protection: Gold-plated contacts
Adapter Stereo Mini Jack F / Stereo Jack M (Screw-in)
Nice grippy surface to help you grab hold of it

Extras

High-end realisation
Stereo jack adapter - 3.5mm (1/8 inch) mini jack socket stereo - 6.35mm (1/4 inch) jack plug stereo

Fits: Fits correctly on most headphones - Just screw and play
Please note that this 3.5mm female ports only compatible the 3.5mm male cable with screw threaded

Notes: AIAIAI's affordable XE range might just offer the best value studio headphones around. Balance S01 drivers and comfortable E04 ear pads are paired with a slim headband for great sound at a reasonable price.

Supplier's Notes:
Modular studio headphones.

Balanced and detailed sound
Enhanced comfort over-ear cushions
High sound isolation
Weighing only 190g
Modular headphone design

Modular studio headphones with highly detailed sound and full bass extension, balanced for music production. Comfortable PU leather over-ear earpads provide high isolation, reducing surrounding noise when creating on the go. Weighing only 190g for enhanced comfort over extended periods of time.

Balanced detailed sound

Critically acclaimed sound stage specifically designed for studio use with a clear and highly detailed sound representation.

The speaker unit contains a bio-cellulose diaphragm made from bacterial cellulose, an organic compound grown using certain types of bacteria. The precision-grown diaphragm from bio-cellulose is stiffer, lighter, and stronger than regular PET speaker units, allowing the sound-producing diaphragm to vibrate without the levels of distortion found in other speakers.

Each of these qualities results in more accurate and detailed sound from the speaker with the ability to retain clarity of sound at high volumes.

With a minimal and lightweight construction of only 190g, the TMA-2 Studio XE is ideal for the flexible, versatile and dynamic workflow of modern music makers.

Lightweight & comfortable

High grade over-ear memory foam cushions covered in resilient and soft PU leather, for enhanced comfort during long creation sessions or live performances. The over-ear cushion design provides high sound isolation when creating in noisy environments.

Headband made from high grade nylon combined with durable PU leather earpads, results in a total headphone weight of only 190g.

In the box

S01 . Balanced sound - Bio-diaphragm

Engineered with a 40mm speaker diaphragm made from stiff bio-cellulose to reduce distortion and increase transparency. Tuned for a balanced, accurate sound. Balanced sound - Bio-diaphragm.

H01 . Slim - PU foam

Slim and lightweight polycarbonate headband with soft, durable PU foam padding.

E04 . Over ear - PU leather

Soft over-ear memory foam cushions covered with PU leather. The thickness and materials provide better comfort and excellent isolation. Adding a low end boost for a warmer sound with powerful dynamics.

C05 . Straight - 1.5m - Adapter

Straight black 1.5m thermo plastic cable with soft touch surface. Comes with 1/4 to 1/8 screw-on adapter.

Headphones for life

As a music creator, you need headphones that can keep up with your evolving needs and styles. These TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

By investing in this modular headphone system, you're not just buying headphones - you're investing in a long-term solution that evolves with your music. This reduces electronic waste while ensuring that you always have the optimal headphones just for you.

Diaphragm: Bio-cellulose
Driver diameter: 40 mm
Impedance: 32 Ohm
Magnet: High-grade Neodymium
Max power: 100 mW
Rated power: 40 mW
Resonance freq: 80 Hz

Notes: Step into the world of cutting-edge synthesis with the Roland SH-4D, a modern masterpiece designed to inspire your sonic exploration.

Bursting with innovative features and top-of-the-line controls, the SH-4D empowers musicians and producers to create captivating sounds that push the boundaries of electronic music.

As you immerse yourself in the sonic wonderland of this device, it becomes essential to protect your prized synthesizer from the rigors of everyday use. To ensure your synth remains in prime condition and ready to perform at its best, Decksaver presents the Roland SH-4D Decksaver cover.

Meticulously engineered from super-tough polycarbonate, this Decksaver cover provides unbeatable protection against dust, liquid spills, and accidental impacts. Preserve the sleek aesthetics and pristine functionality of your SH-4D with ease, so you can focus on making music without worry.

The custom-moulded design of this Decksaver cover perfectly fits your Roland SH-4D, allowing for hassle-free setup and easy access to all controls and connectors. Whether you're composing in your studio, performing on stage, or collaborating with fellow musicians, your synth will remain safeguarded throughout its musical journey.

Decksaver take immense pride in the craftsmanship of this Decksaver covers, and the Roland SH-4D lid is no exception. Each cover undergoes rigorous testing to ensure it meets the highest standards of durability, ensuring a long-lasting partnership with your beloved synth.

Unite cutting-edge brilliance with unrivalled protection - choose the Roland SH-4D Decksaver cover, your companion on the journey of musical innovation. Discover new sonic horizons with confidence, thanks to Decksaver's dedication to quality and your passion for making music.

Dimensions

Weight: 0.52 kg
Length: 36.6 cm
Width: 19.6 cm
Height: 3.4 cm

Material: Smoked clear polycarbonate.

Notes: The 1010music line of stereo breakout cables are designed to connect 2 mono audio signals to a single stereo TRS 3.5 mm minijack plug. The slim caps fit side by side with other cables in compactly spaced input jacks, like those on the 1010music bluebox. These cables may have been designed for the bluebox, but they have a wide variety of uses with other gear as well.

Each of these cables has a male TRS stereo 3.5mm minijack plug on one end and two male TS mono 3.5 mm minijack plugs on the other end. They are 1.4 m/4.5 ft long with the 1010music logo printed on the plug caps.

This stereo breakout cable connects two 3.5mm male mono TS minijack plugs to the left and right channels of one 3.5 mm male stereo TRS minijack plug. Red and black end caps on the split end differentiate the left and right channels. Each cable is 1.4 m/4.5 ft long and has slim metal caps with the 1010music logo on all plugs.

Specifications:
1.4 m/4.5 ft long
one 3.5 mm male stereo TRS to two 3.5 mm male mono TS
Nickel / 24K Gold plated connector
Highly flexible PVC / TPE Jacket Materials
Rohs, UL, CE, and FCC approved

Notes: The DS2 is a compact desktop studio arm that's ideal for microphones, cameras, smartphones, lights and other accessories up to 900g. With its heavy base stand, there's no need for clamps or mounting points - simply sit it on your desk or other flat surface. It features two pivot points so you can quickly reposition your equipment, and its integrated cable guide slots will ensure your desktop remains tidy.

Weight (grams): 1471g
Dimensions (millimetres):
Length: 170mm
Width: 120mm
Height (folded): 190mm
Height (extended): 380mm
Maximum Capacity: 900g

Compatible Products (including, but not limited to): Can be used with any microphone, accessory or other product that is under 900g and either features or is compatible with an accessory that has a 3/8" or 1/4" thread mount.

Thread Mount: 3/8"-16 UNC Thread (1/4"- 20 UNC adapter included in the box)

In The Box:
DS2 Arm
DS2 Base
M4 Screws (x2)
3/8" to 1/4" thread adapter
M3 Hex key
Quick Start Guide

Notes: 12-voice version of Waldorf's Iridium Core, a compact synth from the same range as the Quantum. Running on the Waldorf OS, the Iridium features a versatile selection of Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator synth engines.

Supplier's Notes:
The Core

Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.

Sonic Explorer

Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.

Wave Traveller

The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.

Driven by Inspiration

Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.

Team Player

Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.

Family Member

Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.

Specifications

Compatible with the Waldorf Quantum synth engine
Software: Waldorf Synthesis Platform OS

Oscillators
3 Oscillators each capable of 5 synthesis modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM, AM or Wavetable-position at audio rate)

Dual Stereo Filters per voice
True stereo path Dual Digital Filter with independent modes:
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Analyzer displayed in Filter view
Filter curve animation when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Digital Former
Filter models like State Variable, Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filters, Bit-Crusher, various Drives, Ring-Modulation

Modulators
6 Envelopes
6 LFO
Komplex Modulator (LFO/Envelope combination with user-definable shape and morphing)

Mod Matrix
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Effects
5 slots per layer
Various parallel and sequential routing options
Reverb, Delay, Chorus, Phaser, Flanger, Drive, EQ, Compressor, Tremolo

Performance features
Advanced Arpeggiator
Step-sequencer with up to 64 steps for notes and parameters
2x4 button pads assignable to notes or chords
4 user-assignable potentiometers
6 user-configurable macro buttons
Favourites screen for quick patch recall
XY control on touchscreen
Wheels touchscreen for MIDI controls like mod wheel, pitch bend, aftertouch and velocity
MPE capable

Screen
Industrial-grade highly responsive touch screen with Brightness control
1024x600 pixels

Voices
12 voice polyphony
Duo-timbral
Mono, Legato and Unisono modes

Patches
Over 1700 factory patches
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum and other Iridium variants can be loaded and vice-versa
Category filter for patch list
2.6 GB sample flash memory preloaded with 2 GB factory samples

Connections
Stereo Audio Out: 2x TS jacks
Stereo Audio In: 2x TS jacks
Headphones TRS output with level control
DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included)
USB Type B (device) for MIDI connection to computer
USB Type A (host) for storage media and MIDI devices
MicroSD slot
2 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix
Analogue clock In & Out with clock divider settings

Overall
Sturdy metal case
Dimensions: 346 mm wide by 200 mm depth by 64 mm height (including controls)
Weight: 2.2 kg
External Power Supply: Input 100-240 V / AC 50-60 Hz, Output 12 V DC / 3 A

What's In the Box?
Iridium Core Synthesizer
Two MIDI adapters: mini TRS to DIN sockets
Power Supply
Printed Quick Start Guide

Notes: Gross, gritty, and dark industrial-strength voice on a swappable oscillator platform. Pangolin approved.

Manis Iteritas Alia is a voice based on the architecture of Basimilus. It was designed to be grittier and more aggressive by using only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis Iteritas Alia is fantastic for leads, basslines, drums, darkness, detuned swarminess, or pure mayhem. Plus, MIA's dedicated envelope output is a great modulation source for the rest of your patch.

MIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

A portion of the proceeds of every Manis Iteritas Alia sold goes to pangolin conservation.

Width: 10HP
Depth: 22mm

Notes: An updated version of the excellent Batumi quad LFO, version II introduces performance updates plus compatibility with the new Poti II expander. Original Poti I breakout functions are now included in the Batumi II.

Supplier's Notes:
Xaoc Devices presents Batumi II - a greatly improved and enhanced new iteration of the modern day classic that is/was the original Batumi, preserving its layout and form factor. The premise remains the same: four LFO's with individual outputs for sine, assign and rectangle waves. The channels can operate independently or they can be linked - phase shifted, divided or multiplied (new mode alert) with regard to the first channel. Multiple major and minor improvements have been implemented, e.g. when synced to an external clock source, each channel's frequency slider selects a clock division for that channel's outputs.

Xaoc Devices have managed to incorporate the features of the original expander into Batumi II (sync mode switching and assign waveform selection) without changing the size of the module which opened up new possibilities for the new optional expander. The Poti II expander for Batumi II adds multi destination inputs for sine wavefolding, assign output waveform selection or rectangle pulse modulation with the destination set for each channel independently. Poti II also features frequency input attenuation as well as sine and assign output attenuation. All adjustments may be performed separately for each individual channel or for all channels simultaneously.

The Batumi II software has been rewritten from scratch to ensure best performance. The hardware has also been updated to allow for V/oct tracking and stable operation up to audio rates (more powerful CPU, precise, wideband converters, antialiased waveforms).

-4 LFO's
- redesigned from scratch - both the hardware and software
- new waveforms for the assign output (including random)
- new frequency multiplication mode
- all features of the Poti expander incorporated into the main module
- very wide frequency range well into audio rate
- 1V/oct tracking = so can be used as 4 VCO's
- in the Phase/Divide/Mult modes the random waves at the ASGN output follow the values available in the master/A channel
- 10HP
- +90/-50mA

Notes: Plug in, play a note or chord, and you feel it: All the warm, saturated, distinctive qualities and subtle nuances of vintage tape echo combine to instantly create an unmistakable atmosphere. Everything from classic slapback echoes to psychedelic space explorations have stunning richness and depth, responding to each note and knob turn in a musically inspiring way.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping. Styrmon's meticulously handcrafted dTape technology and powerful ARM DSP give you a range of tape experiences that would be unattainable with a single traditional tape machine. Plus you get sound on sound looping, all without the headaches of tape machine maintenance and repair.

The second generation El Capistan keeps the same rich magnetic tape echo tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via El Capistan's EXP/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analogue JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Some classic tape echo machines included small integrated spring reverb tanks tuned for limited bandwidth. For El Capistan, we captured this vintage vibe while creating a spring reverb algorithm with a gorgeous, gentle character that stands on its own, in addition to enhancing delayed signals.