Back catalogue: Broken Beat/Nu Jazz/Nu Soul

Review: Impossibly powerful and soul fuelled sounds from Gabriels,who have headlined a fine list of all the major musi events, not least Glastonbury with a stirring performance that took them to all new levels. 'Love & Hate In a Different Time' is their most hard hitting tune but still comes with plenty of sweetness and sits at the centre of this 12" of the same name with an alternate version also included next to dusty and lo-fi soul gut wrenchers like 'The Blind' and the intimate vocals, swooning strings and finger clicks of 'In Loving Memory.'

Review: A new four-track EP reflecting ever-expanded horizons for the band, 'Bloodline' is the latest output from loose-limbed, soul-stirring funk band Gabriels. Quickly finding fans in the likes of Elton John, Celeste, Paul Weller, Benji B, and Gilles Peterson, Gabriels should soon find plenty more on a record that could soundtrack a David Lynch epic; such is its drama, its suspenseful, late-night orchestral ruminations. Capped by frontman Lusk's voice - a weapon that swoops through the octaves breathlessly - Gabriels have that rare ability to make you re-evaluate music, and what it can do, in a heartbeat. Whilst Lusk provides the wow factor with that ridiculous larynx, Gabriels are very much a close-knit trio. Producer, keyboardist (and full-time video director) Ryan Hope hails from Sunderland but calls LA home. Fellow producer-composer and violinist Ari Balouzian, a man with endless musical projects on the go at any one time, gives Gabriels' songs a real 'feel' to them. Sultry, soulful mood music certainly isn't the band's modus operandi, but this new experimental EP should paint an altogether more rounded idea of where Gabriels are at today.

Review: Massimo Napoli is Galathea and he is still riding high off the success of his second album Sacred Love. Now he backs up the quality of that one with this new EP on Space Echo which features four unreleased tracks. 'Ancestral' and 'Karimabao' on the A-side feature hypnotic atmospheres and blend African rhythms with tribal percussion and sleek pads to make for a rather addictive fusion for sophisticated dancefloors. 'Africa Carnival' then offers an Afrobeat groove infused with Brazilian spirit and plenty of jazz, and funk all added to by Mario Pappalardo's masterful keyboard work. The EP closes with 'Sacred Club,' a track which mixes up African mysticism with a danceable, clap-driven rhythm that is perfect for a more subdued yet entrancing dancefloor experience.

Review: Yet two more Brownswood bubblers rise to the surface, this time under the well-organised branch of the tree known as Brownswood Remix Editions, which does what it says on the lovey-dovey carving. Here, back-to-back debutants Musclecars and Laroye receive the Olympic torch from London-based acid jazz group Galliano, who've blazed a thick trail of flame since their original formation in 1988, not to mention a recent reformation in 2023. 'Pleasure, Joy & Happiness' hears a house musical chorale from Musclecars, with added vocal mystifications threshed in the stereo field, producing a Balearic effect. Laroye's version of 'Circles Going Round The Sun' brings swelling "Kaytra" grooves and bumper drums to an anticipatory mood, provided by the original's solo siren song and urban monologue.

Review: Gaika is the experimental rapper, producer, and visual and performance artist you need in your life, and what better way to get acquainted if you aren't already than with this new 12" for Theme LTD. 'S Composites' opens up and features Liu adding some angelic vocal sounds to the crunchy broken beast, glassy synths and generally frosty, lo-fi production aesthetic. It's a tune that will lodge deep in your brain then on the flipside is 'Racing Gloves' (feat The Narrator). It's a spacious, eerie, rather haunting number with woozy pads and some nice conscious bars over the dubby low ends.

Review: This naive street soul gem is so rare, that - prior to its repress here by Heels & Souls - it was barely accessible anywhere save for a potential L500 re-flogging on eBay. Luckily, those with their best interests at heart do the glorious work of repressing the tracks 'Over You' and 'Shining Through' - as well as their slightly different dance mixes - to EP-length wax. You're lucky to be in the presence of some quintessential street soul here, featuring detuned vocals, crude plodding drums and digital strings that evoke shafts of evening light on city concrete. And if you're ever suffering a bad breakup, 'Over You' is the harsh remedy.

Review: It has always been hard to define the exact sounds of Shall Not Fade behind 'just good tunes'. The Bristol label is one of the UK's finest at this point and Felipe Gordon is exactly the sort of artists who fits their vibe. His new EP The Lichtenberg Effect is a timeless one that draws on jazz for its vibrant house kicks. The drums are raw and punchy on 'Happy Sunday' while the keys are off grid and wonky. 'I'll Find A Way' brings a little swing to get those hips moving while clipped vocals add some soul. The title cut is a blend of off-dance jazz chords and feathery hi hats with leggy drums and 'You Can Do It On Your Own' closes with some downbeat introspection.

Review: Gratts returns with a release that perfectly balances club-ready energy and laid-back vibes. The opening track, 'Sunsets (FBI Mix)', pays tribute to Sydney's DJ Simon Caldwell, blending dubby West Coast deep house influences with smooth, atmospheric vocals from Lesley Williams. On 'Sundays With U (Neapolitan Mix)', Gratts delves into jazzy, bruk-inspired sounds with a standout soprano sax performance by Andreas Poppelbaum and lyrics in the Neapolitan dialect from Ambra. The 'GT Remix' of 'Sundays With U' shifts gears, enhancing the original with a deep, dancefloor-focused rhythm. Gratts and his collaborators create a textured release that's as suited for radio as it is for late-night sets.

Review: The DFA debut of longstanding member Jayson Green also signals the revival of the classic DFA twelve-inch format, so you might playfully suggest it stands for Dying Formats Always. Jay has lent his vocals to various bands such as Panthers, Violent Bullshit, Cheeseburger, and the renowned hardcore group Orchid, always showcasing his wit and humor without veering into cynicism. Assuming a bandleader role, he presents a classic A-side here with the low slung funk of 'Local Jerk,' which was recorded during a lively party. It has tight disco drums, resounding claps and a groove-inducing bassline with big horns. On the B-side, 'I Need Love' unfolds as a darkly humorous nightlife satire.

Review: Groove Chronicles are as legendary as it comes when you're talking about garage acts. They have such a rich legacy and it dates as far back as 1997. The dup known as Noodles & Dubchild are now back with another 12" that is going to fly off the shelves and offer up their much sought-after Brokenstep edits. These have been getting big time plays from influencers like Gilles Peterson and Bradley Zero and take in sax-led good time grooves, bustling broken beats and blissed-out instrumentals.

Review: Rahaan is an absolute don when it comes to disco done right and with genuine soul. He's been rolling it out in original and edit form for many years and none of it ever goes out of date. Here he presents Gregory Carmouche & Cherelle Cherisoul Sullivan on the second release on the Yellow Taxi label. 'It Is What It Is' is a lovely loose jam with noodling chord work, rolling drums and magnificent vocals that bring plenty of sunshine next to playful whistles. Those vocals are more centred on the B-side opener while an instrumental remixes peels them away entirely.

Review: Sound Signature kick off the new year with a pleasing reissue of some smoky soul from Theo Parrish's outlet for his most jazzy tendencies. On "Seasons Of My Life" Billy Lo croons over a muted trumpet while a surprisingly rough stomp gets hammered out of a live kit. It's a dreamy, sunkissed jam with all the loose, free-flowing elements you would expect from something with Parrish's stamp on it. Marcellus Pittman helps out on "Feedback", as a sparser, meandering groove does the nasty with some restrained keys. For that Detroit beatdown flavour away from the dancefloor, this is as good as it gets.

Review: The first vinyl release to grace the freshly-decked halls of the newly minted Lost In The Rhythm label, the EP known by no name other than 'EP' is a promising debut sampler of a new curative effort and community-first initiative, helmed up by Rob Coley aka. RevolutionsLDN. With the express aim of blending the soulful, intestinal feelings of deep and Chicago house with its ancestral roots, the EP achieves a rawly hewn yet neatly knitted sound; one first laid down by Floyd Vader and DJ Solid on the A, the latter of whom especially dazzles with the saw-washed amapiano-ish melancholy of 'I Like To Kiss', whose machinic dunduns serve to taper off our inhibitions to a sunset vanishing point. The pace is lifted on the B-side's choice, Mikekon's 'It's Yours', which indulges a sparse Afro-driven palette, as we're treated to a suggestive, therapeutic monologue from vocalist Novakone Omega: "I'm giving you... *the*... license... to get you some... break you off some... take you some... come get it... it's here... it's waiting..."