Back catalogue: Funk Soul & Jazz

Review: The third instalment in the 'Cumbia Sabrosa' series delves into the rich archives of Colombia's Codiscos label, unearthing a selection of tracks that exemplify the vibrant energy of cumbia. Artists such as Los Trotamundos, Aniceto Molina y su Conjunto, and Los Hermanos Martelo contribute to a compilation that seamlessly blends traditional rhythms with the dynamic flair characteristic of the sonidero scene. Each track offers a unique glimpse into the musical landscape of the era, highlighting the enduring appeal of cumbia's infectious beats.

Review: Rotterdam is one of the many big port cities around the world that welcomed a high number of Cape Verdean immigrants. In the 1970s, Americo Brito was one of them and he soon got involved with the local music scene and found an ever larger community of likeminded talents. He took to the stage with his band and made for a buzzy little scene that found them tour with their own sound system. Here he works with Rotterdam local Arp Frique to serve up Cape Verdean music old and new with plenty of traditional Funana and Coladeira sounds next to jams influenced by wave, disco and funk, jazz, reggae and Latin pop.

Review: This album transports listeners to 1950s and 60s Colombia, where the tropical sounds of the Caribbean and Pacific coasts dominated the mainland music scene. Edmundo Arias, alongside Lucho Bermudez and Pacho Galan, was one of the pivotal figures of this era, yet his introverted nature kept him out of the spotlight, making his contributions less celebrated than his peers. Born in Tulua in 1925, Arias came from a musical family and mastered several instruments. After his father's death in 1948, he and his brother moved to Medellin, the epicenter of Colombia's music industry. Arias quickly established himself as a talented musician, composer, arranger, and band leader for leading labels like Zeida, Ondina, Silver, and Sonolux. Despite his preference for working behind the scenes, Arias' impact was profound, collaborating with numerous musicians and mentoring young artists. His prolific output included hundreds of compositions and numerous albums. This compilation, Guepa Je!, shows the finest of Arias' work from the 50s and 60s, a period often regarded as the pinnacle of his career. Enjoy the vibrant, joyous sounds of Colombia's tropical music heritage.

Review: Alzheimer, the record, is a stranger everywhere on earth - that is to say, wherever you might be listening to it, it will always sound like it's from somewhere else. The product of a foreign culture, for even though it was created and recorded in Caracas, Venezuela between January 1997 and 9/9/99, it's the result of forgetting everything and recomposing a new Sound World from the faintest, blurriest recollections of musical culture. Its purpose is confusion, its uniqueness is creating it in the realm of Music; a clash of instruments and minds. Everything you hear on the record was performed by humans and insects, spoken and sung by living beings, roughly a decade before the smartphone. The Alzheimer ensemble still exists and fully supports this initiative of celebrating the 24th year of its first of two published albums on vinyl. The spirit of our group will never be captured by robotic 'intelligence'.

Review: The third and most especial edition in the latest selection of versions of the reissued LP by Alonso Toro, Paul Desenne, and Pedro Vasquez - Alzheimer. Coming hot on the heels of an original, as-it-was reissue as well as a gemmy Ricardo Villalobos rerub, this deluxe edition comes in a beautiful yellow and lilac LP box, and features the latter's two remixes as well as an exclusive Wetsuit Je Me Souviens version. A curio of the Venezuelan vanguard, the album was recorded between January 1997-99, and hears the fabled trio of musicians "forget everything" that came before, enlisting the recorded help of every member of the animal kingdom - from mammals to insects - and shooting squarely for a whole new sound-world-order in the process. Sonically flowing between heritage Latin music and minimal electronica, the purpose is to confuse and the effect is indeed confounding, though no less dazzling.

Review: In 2019, Resistencia Sonora was born as a collaborative project uniting urban and rural ethnic-peasant resistances in Montes de Maria, Colombia's western Caribbean. Rooted in a musical epicentre renowned for gaita, cumbia, bullerengue, son palenque, son de negro and accordion styles like porros and pajaritos, the initiative celebrates and preserves the region's rich folkloric life. This album documents festive gatherings, knowledge exchange and co-creation inspired by composer Andres Narvaez, a social leader and land-rights activist. His vision brought musicians together to uphold traditions and honour regional elders and this limited edition vinyl includes a 12-page bilingual booklet with extra background.

Review: Revisionist history is just as important for music as it is for geopolitics or economics, so we're more than happy to recognise this 'Alternative Vision Of Argentinian Music' throughout one of the most important decades in popular music history. Whereas popular thought tended towards Argentina being a hotbed for 'rock nacional' (national rock) music made in the post-dictatorship return to democracy, here Soundway focus on the more extreme ends of the experimental music fringes that cropped, thanks to the newfound freedoms allowed by neoliberal policies. Arthur Russell-esque disco, downtempo battle breaks, avant-garde obscurities - it's all there.

Review: There are immersive experiences that inspire artists to do great things. Then there's Aboutface heading to the Wampis Territory, in the Peruvian Amazon, to live with the local community, learn a little of how they live and their relationship with the Lungs of the Planet, capturing field recordings collaboratively with those people, and trying to articulate their world through an electronic-organic deep dive album. After you've got over the jealousy about how life-changing that trip was, let's focus on the fundamentals. This is seriously escapist stuff that seems to have been made using every root, branch, and animal encountered during those weeks. The synthesised elements are audible, but take a backseat to what was and is actually there. Or here. Quite unlike anything we've heard this year, it's a stunning way to raise awareness and support for Indigenous-led conservation and initiatives trying to stop illegal deforestation and ecocide.