Review: Subb-an's latest EP on the Sub Series imprint, titled Conscious, marks a dynamic return for the artist, displaying an evolution towards heightened musical and spiritual awareness. The EP features five equanimous club tracks, each distinct in its style and vision. 'Liquid Sun' kicks off the journey with a blend of deeper vibes and uplifting tones, offering a track that appeals to a wide audience. 'Contact' follows with its chord-driven, house-styled groove, adding a layer of depth to the EP's sonic landscape. Other highlights include, 'Wobble', which dives into a late-night deep groove, exuding a playful energy that keeps the dance floor moving. Throughout the EP, Subb-an demonstrates his ability at making intricate rhythms and hypnotic basslines, creating an immersive experience for listeners akin to his amazing DJing sets. From garage house to brooding acid, each track is carefully crafted to leave a great experience on the dancefloor.
Review: Following up that excellent Synchronicity on EP Phonica AM a couple of months back, hero of the Birmingham scene Subb An returns with more underground quality with this new one on the mighty 20/20 Vision. 'State Of Flow' is an emotive and breathtaking affair that's equal parts acid, progressive breaks and UK tech house with a seething Reese bassline lurking throughout that underpins angelic vocals. Over on the flip, remixes come from Adam Pits who takes you beyond the strobelights to reach for the lasers on his ravey take, followed by Armec's menacing experimental techno rework.
Review: The mighty Rawax has now put out more than 100 releases and they are all as timeless and useful as the next. Sublee steps up for this new slab of sound and kris off with 'v' which take sup the whole of the A-side but enervating outstays its welcome. It is a progressive house cut with a driving low end, plenty of grit in the percussion and pads that circle round to bring scale and a sense of cosmic adventure. 'Simple Two' slips into a deeper, more silky tech house vibe with lovely melodic patterns raining down from above. 'Hey Brother' shuts down with some dark breakbeats and mind melting synth leads that are pure peak time, post-rush fodder.
Review: Romania has been hotbed of techno producers in the last handful of years. One of the important figures that is leading the charge is Sublee. Mesmerizing Fields is the newest original work for the producer and it finds a home at the Italian label Hashplant. The upbeat 'Spinning' starts the program off with a club stomper that is full of tension and tech. Then the title track completes the A-side with a broken electro workout that ultra-futuristic and funky. On the second side, we really like the ability 'Itsmyb' has to keep the peak time going along with some really cool electronic sounds. 'Your Coldness' just might be our favorite of the bunch. We love the anticipation, beauty and spacey style. Goosebump material. When you take into account the entire EP, you realise you have a lot of great varied techno here!
Review: Following the Bowery EP from DubTape, Skip Audio returns to its various artists format with a tidy four-tracker taking an extended journey into the realms of psychedelic house music. Sublee leads the way with the smoky, subliminal sound of 'Shuffle Kings' before DubTape offers up a subtly crooked beat to carry the whispers of pad and errant machine bleeps of 'Ziggurat'. Cosmjn keeps things steady and seductive with the late night tones of 'Grun', and Andy Catana's 'Everybody Dance' toys with broken beats and acid tweaking to get limbs all juicy when you up to your neck in heady party people wanting to get deeper on the dancefloor.
Review: Oslo-born, London-bred, Delhi-influenced DJ and producer lands on K7 here with an EP that comes after a period of "creative stagnation". To get through it she decided to try and forget what she knew, and went with the flow as she embraced experimentation. The results are fantastically deft - fresh rhythms, wispy synths, plenty of detail but also effective club cuts that make you want to move. Dub, techno and house all get collided in freeform fashion with 'Blamerke' built on double-time polyrhythmic drums and overlaid with warped synths. 'Bottlepop' is more loose and funky with wispy neon melodies and 'Ghungroo' is layered up with sonorous bell and a real sense of urgency. Colourful stuff.
Review: We've been loving the playful Looney Tunes for a while - they put out decent edits and left of centre underground grooves that always have a real sense of character. Next up is Supersanity with one much such track that is pressed up to a one-sided and hand-stamped vinyl. 'Bender' is named after the Futurama character who is stamped onto the label and is a warped and late-night afterparty take on deep techno with percolating synth motifs and a spoken word vocal that sounds emo and indie. It's sure to make for some brilliantly WTF moments in the club.
Review: First released in 1999, Swayzak's 'Floyd/Doobie' shook the British duo's catalogue. Though it wasn't 'Bueno' or 'Fukumachi', this deep house cut was the next best choice for followers of the then burgeoning tech house circuit. Swayzak were already favourites on this and the deep house scene, and had clawed in acclaim for their involvement in both as early as 1993. One particularly prolix bio deems them the incipients of "1st wave 2000-era progressive deep minimal", which is too analytic even for us manic categorisers. No, we prefer to take these two big-hitters as they are: brimming with enthusiasm for a gadget-packed future, 'Floyd' fizzes and twitches with the pulsing blurts of a saw synth, as if to suggest constant magnetic stimulation from above. 'Doobie', meanwhile, hears our protagonist disrobe the techno utility belt, returning to a wireless home, so to gaze out over a subtly detuned chord landscape set to munching percs.
Chuwee, Seb Hall & Gaspar Muniz - "Sheeeesh" (6:06)
Cyborg George - "Laguna Vere" (6:31)
Review: Another round of lush sound from the Frog Dog Records crew from Philadelphia. Four housey groovers procured with love from a star cast of artists - Sweater, John Manhard, Chuwee, Seb Hall, Gaspar Muniz and Cyborg George - this is a variegated record serving every angle of contemporary East Coast breaks, from b-people funk to aerated, sonic fibre-optic-mystics. Our favourite of the bunch has to be the tonal quarter-note slice-of-heaven, Sweater's 'Gemi', which shimmers against the ears and pushes our buttons with an especially cleanly, future-angelic breaks stride.
Review: Warm Sounds hits release number 15 with more of its signature house grooves and they come from a pairing who have often worked together before to great effect. That is John Swing feat David Soleil Mon and they offer up a trio of delightfully left-of-centre deep house and minimal cuts starting with 'Find Your Way' which deservedly takes up the whole of the a-side and is a sublime excursion. 'Gaia Planet' is a dusty, lo-fi and mysterious beatdown with chords full of suspense and 'From Within' closes down with more paddy kick drums and wispy synth details.
Review: "Inside" is the rallying cry of many a pirate radio hypeman, and we're just as readily apt to stay locked in, not least after hearing this new one from Manchester-after-Berlin producer SY, debuting for Slump Recordings. An eighth escapade for the label in the vein of trippy cheek and nostalgia, this fresh plate of pluperfect pulses is a real sure-starter. The titular 'Inside' leads with organic diatones and surreptitious squelches, while Baldo's rework is a heftier hurl through additive breaks verging on acid trancebreaks mayhem. 'Perceptions' brings up the rear side through classic house synthwork and slippery percs, while the eminent Baby Rollen abstracts said mix with an alien hand, also throwing in compelling "hup" samples for good measure.
Review: Mystique is a brand new label out of the always fertile Dutch scene and it opens its account with a no holds-barred EP from Sylvester Javier, aka Stefano Curti of Vibraphone fame. He offers three originals and two versions starting with 'Secret Ceremonies' (Italo Disco mix) which is a pulsating house cut awash with plenty of across textures and percussion. The Cocorico mix has shimmering vocal sounds stitched into the arrangement and the original has a spooky, rather eerie feel with its hurried drums and squirrelling synths. 'Lost In 1st Avenue Loop' is a gritty Detroit house cut with heart of the dance floor intensity and 'Microdot' gets as twisted as you would expect of such a track title. A fine debut EP overall.
Review: The Top Secret label keeps things tight once more with a pair of very different jams, but both are going to get huge reactions when dropped at the right time. U first is 'Get Criminal' which is a rework of an MJ classic with his smoky vocals reusing by scene else in a more unsettling fashion and the original drums run through with some futuristic and molten melodies. On the flip is 'Eurotrance', a good old-fashioned piano rave-up with belting vocals, trance synths and euro dance drums. Lovely, fun, accessible and effective.
Review: Toothpick aka Swirl People step out with their newly entitled label Lost In The Swirls, which they have distilled to the more simple name L.I.T.S. Records. The Belgium-based project is an alias of Dimitri & Raoul and they bring fresh house sounds here even though this is a reissue of some classic 90s material. The title track has lush and bright summer pads over driving, tight kick drums. The opener 'May The Funk Be With You' has a classic UK flavour to it with woodpecker-like hits and dusty drum loops under some smart chord work. Last but not least is 'Naked Speedway' which has a warm bassline meandering below expansive chords that bring an early morning vibe. Good stuff.
Slick Rick Da Master - "Everybody Dance" (dub) (4:17)
Slick Rick Da Master - "Acid Jack" (4:13)
Review: Steve Poindexter and Traxman's Factory Music Chicago imprint has been around for a while, though releases have historically been occasional rather than regular. This split EP, featuring three acid-fired jackers apiece from Traxman and Slick Rick Da Master, is only the label's fifth vinyl outing - and fifth in total. Traxman handles side A, confidently striding between the mind-mangling jacking stomp of 'Pulaski Road', the lo-fi acid crankiness of 'Get Some Act Right Acid' and the sleazy and breathless TB-303 insanity of 'Warp Acidz Warp'. Turn to side B for Slick Rick Da Master's three heavyweight contributions: the mind-bending hypnotism of EP highlight 'Acidbo 1', the sample-rich nostalgia and red-lined beats of 'Everybody Dance (dub)' and the effects-laden trip that is 'Acid Jack'.
Review: Plenty of sonic sleaze is on display on this new hand-stamped weapon from Boot Waves. It kicks off with Tyree OG's 'Poppin' which pairs snaking cosmic synths with some raw ghetto beats. The vocal sample, (the classic 'my neck, my back') brings the naughtiness as this one marches on and gets crowds nicely revved up. Skinny T chucks loads of goods stuff int a blend - speed agar bass, garage energy, deep house warmth - and out comes the compelling 'Messy Idiot' which is stiff and urgent but full of character that will always stand out.
Review: Cough & Laugh is a rather unusual name for a label and it deals in rather unusual minimal sounds. Following a couple of head-turning first EPs it now offers up this fine various artists release with a trip of tunes from a trip of new talents. Uniix's 'Mindegy' opens up with a glitchy mix of dry hits and sinewy sine waves all peppered with a freaky mix of vocal fragments. Shato's 'Nephilim' then takes a darker turn with ghoulish sounds and synth mutations over an icy beat. Dubfound takes over the flip side with 'Sonya Baskerville', a supple minimal rhythm with well-worked samples smeared into the kinetic mix.
Warehouse Preservation Society - "Fugitive Funk" (6:28)
Flash Mitra - "Spring Street Shuffle" (6:24)
Praus - "Magnetism" (6:01)
Sherman C & Space Ace - "Just A Dream" (6:23)
Warehouse Preservation Society - "Fugitive Funk" (dub) (4:35)
Review: Techno House Connoisseurs return with a fresh VA, packed with five top-tier acid and tech house tracks. Kicking off the A side is Los Angeles duo Warehouse Preservation Society with 'Fugitive Funk', a bass-heavy, breakbeat-infused slammer that captures the essence of hypnotic West Coast vibes. London's Flash Mitra makes a debut with a moody, percussive acid house gem. On the B-side, THC regular Praus delivers 'Magnetism', an acid chugger with warped vocals and 303 grooves, while Space Ace and Sherman C team up for 'Just a Dream', a relentless acid banger destined for peak-time sets.
Review: More tripped-out tech house wizardry on Gene On Earth's Nug Net label, with entrancing elements throughout. Will & Batty, MightyHor, Matichap and Sekance each deliver their own take on the contemporary trance prance formula, be that the opener 'Relax' or the notable 'Back Swing', both of which are indelible synaptic overloads, working in many transitional sweeps, sizzles and slurps between the beats and motifs.
Review: One Eye Witness rounds up another four acts for their periodic V/A series, spewing forth four breaks-driven whooshers crossing into progressive techno territory. The Hague duo Young Adults nod to a 1997 Loveparade anthem with 'It's Only Temporary', while breaks and kick implants converge on Christopher Ledger's 'Change That', a track which sounds like the starting firings of an interplanetary expedition pod after years of disuse. Joely brings cosmic chug on the cocooning B1 'Transitional', while the Samesame closer 'Novel End' is just that, traversing a noxious atmosphere with a flexoskeletal electro beat.
Silat Beksi & Soyro - "Shout In 30 Seconds" (7:22)
Last Pines - "Sway" (7:04)
Fedo - "Lena Told" (6:42)
Review: Juuz Records box up, package and release the fifth edition in their vinyl only series. Silat Beksi, Soyro, RWN and Zlatnichi are the latest artists to be spotlit, and all of them deliver a seamless minimal techno experience, teeming with tics and fidgets, the four-piece sonic equivalent of a gut microbiome. Usually, we like to home in on the oddest tunes and we'll certainly indulge the impulse here; Silat Beksi and Soyro's 'Shout In 30 Seconds' makes impressive use of gurgly, subharmonic dream-voices, swabbed across the otherwise sticklike mix, like glue holding a skeleton together. Equal technical and ambisonic itches are scratched on Fedo's closing 'Lena Told', whose transitional vocal scramblings play back like furtive rumours spread through a fragile transmission chain.
Review: Kyle Hall and Steven Julien have been working together on and off for a whole decade now as Funkinevil. To mark the occasion they have pulled together their first two releases - namely 2012's 'Night / Dusk' and 2013's 'Ignorant' - on one new double album that very much sums up their raw house sound. The Detroit-London duo draw on plenty of their hometown's signature aesthetics, from well swung drums to soulful synths, and the results are still fresh sounding and captivatingly deep. Importantly, all these years later, there is still real emotional punch in these tunes as well as damn good grooves. Essential stuff from this vital pair.
Review: 'PULSE 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by SYNE and Influx.
SYNE is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his SYNE alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP.
'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy.
Influx is the techno/acid/trance moniker of James Bernard. With his first release in 1993 (Braineater EP on Sapho Records), Influx is no stranger to techno and acid. This project had been in hibernation for nearly 14 years until his 2021 remixes for his collaborative album with 36 and awakened souls (The Other Side of Darkness). Revel Dub is a dub-techno excursion with sprinkles of ambient and psy-trance rounding out the frequencies. The Slow Version dials back the tempo to half-time and travels to more ambient dub territories.
Review: 'PULSE 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by SYNE and Influx.
SYNE is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his SYNE alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP.
'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy.
Influx is the techno/acid/trance moniker of James Bernard. With his first release in 1993 (Braineater EP on Sapho Records), Influx is no stranger to techno and acid. This project had been in hibernation for nearly 14 years until his 2021 remixes for his collaborative album with 36 and awakened souls (The Other Side of Darkness). Revel Dub is a dub-techno excursion with sprinkles of ambient and psy-trance rounding out the frequencies. The Slow Version dials back the tempo to half-time and travels to more ambient dub territories.
Review: Omar S and Shadow Ray hooked up back in 2005 as Oasis and turned out a low key classic with Collaborating. It's an essential double album packed with signature Motor City heat and dishevelled deep house workouts for mind, body and soul. Things open with the slow paced crawler 'Oasis 4' then take in 'Oasis 11' with its pinging percussion and stripped back grooves, the standout 'Oasis 1s-1/2' with its gorgeously melancholic synth bleeps and heart melting chords and the darker energy of 'Oasis 7'.
Review: Cabale Records is a Parisian label that has, for the last few years been exploring the minimal techno world. It now branches out with its first various artist release featuring some tasteful tune makers starting with Pheek. He brings some loose percussive energy and wonky drum funk to his opener then Mod303 layers in dreamy and immersive pad work to deft, subtle drums on 'Paris City Zoo.' Night No Tori Vs Hubble keeps it deep and dubby with the late-night introspection of 'Deja Vu' then Sten's 'Slope' is a trippy afterhours sound with tumbling synth smears and percolating dub tech beats.
Review: Sakro has long been turning out his expertly designed and highlight impactful minimal house and tech cuts, so it's about time we finally heard a full length from him. Psychophonies is the name of his debut and it arrives on his own label Bon Vivant with a signature palette of dark grooves and ghostly synth atmospheres. 'Unicos' soon draws you in with just that sort of vibe before the hurried drum funk of 'Loneliness' and freaky minimal-jazz-house stylings of 'Psychophony'. This is pure dancefloor music that is both perfectly functional but also full of delightful forms.
Something That's For Life (feat Cari Golden - 2024 rework) (5:12)
Sanctuary (feat Stereo MCs - 2024 rework) (7:58)
Aura (feat Sophie Hunger - Deetron remix) (6:00)
Rain (2024 rework) (5:44)
Belize (2024 rework) (6:23)
Review: Anja Schneider has been at the heart of the Berlin underground for decades. Famously she headed up the Mobilee label which was a powerhouse of, well, house, and now she revisits her sizeable back catalogue for a bumper triple album of remixes, works and updates. If nothing else this collection shows what great range she had as all styes are covered from dark and driving tech to more blissed out deep house. The likes of 'Turning My Head' show great percussive flair and 'Dubmission' (Julian Muller remix) is quick and slick, stripped back minimal. Vocal delight 'Rain' is a real classic amongst many here.
Review: EXPERIMENTAL/ELECTRONIC: M=Minimal come through with an excellent vinyl accompaniment to their recent CD of reworkings of Conrad Schnitzler's Zug from Ricardo Villalobos and his Fisherman's Friend, Max Loderbauer. At over 19 minutes, the Aktion remix just about fits on this twelve inch and sees Max and Ric adopt a club ready approach with a stripped back, heads down groove driving forward through a slightly unnerving, guttural re-appropriation of Schnitzler's alien synth textures. Adopting a more ominous and wholly experimental tone, the Sorgenkind mix sounds vaguely like a heavy breathing bull pondering the surrounding expanses of shifting dronal textures as you wait in vain for anything approaching a beat to surface. Download codes are included.
Two Right Wrongans - "They'll Never Get It Right Them Two" (9:54)
Impossible Beings - "Back To The Imbiss" (6:19)
Impossible Beings - "A Hundred To One" (previously unreleased) (6:04)
Review: Asad Rizvi, known as Silverlining, presents this white hot three-vinyl set showcasing his collaborative work with fellow artists. This collection spans the genres of minimal and tech house, tagged with elements of tech house, minimal, and breakbeat house. Some of the highlights include 'If You Were A Cat You'd Follow Me' by Appleheadz with its jazzy downtempo future jazz vibe, evoking a smooth and melodic atmosphere. Followed by 'In My Sky' (instrumental), delivering smooth melodic tech house adorned with jazz guitar and soft keys. The set continues with 'Taken Over,' a melodic house gem from Bluegoose Vs Silverlining, exuding infectious rhythms and melodic hooks. 'Tuesday Morning Milkman' by Impossible Beings takes listeners on a deep techno journey, perfect for late-night sci-fi vibes. Another excellent additions is 'They'll Never Get It Right Them Two' by Two Right Wrongans, a dynamic banger that tears the roof off the dancefloor. Overall, this triple pack is jam-packed full of excellent dance music.
Review: New Interplanetary Melodies is a great name for a label and it also sums up the sounds of this new album from Sindaco. It's a beautiful mix of exploratory soundscapes, organic percussion and lush melody that unfolds in charming and captivating ways. Found sounds add more real world details to these tracks which range from lazy downbeat jaunts on a wide open savanna to more dynamic deep house trips through the cosmos. Worldly percussion, exotic melodies and unique instruments are all deployed to mark for multi-layered tracks that work equally on brain and body. It makes for a triumph of a record that is experimental yet aborsbing and packed with great detail.
Review: SIT, short for Sideways Invisibility Theory, is the collaborative project of Vlad Caia and Cristi Cons. As two scene leaders of the Romanian minimal phenomenon, both artists have proven over many years to have a unique vision for creativity and fresh approaches in what can be a homogenised scene. Of their many achievements, on their Amphia label as much as elsewhere, this album on Sushitech stands as one of their finest moments. As with all the best Romanian minimal, it's also still hotly in demand, making it a welcome addition to Sushitech's 15th anniversary pressing marathon. From dub tech laced rollers to gossamer-light trippers, this is the classiest end of the minimal tech house game from two artists with the vision to push things a little bit further.
B-STOCK: Creasing on corner of outer sleeve, product unopened and in excellent condition
Elevation (LP 1: Invisibility Chapter I)
Layers
Exhibit
Block
Waiting
Diatonic (LP 2: Invisibility Chapter II)
Concealed
Drytime
Dimming
Webspace
Review: ***B-STOCK: Creasing on corner of outer sleeve, product unopened and in excellent condition***
SIT, short for Sideways Invisibility Theory, is the collaborative project of Vlad Caia and Cristi Cons. As two scene leaders of the Romanian minimal phenomenon, both artists have proven over many years to have a unique vision for creativity and fresh approaches in what can be a homogenised scene. Of their many achievements, on their Amphia label as much as elsewhere, this album on Sushitech stands as one of their finest moments. As with all the best Romanian minimal, it's also still hotly in demand, making it a welcome addition to Sushitech's 15th anniversary pressing marathon. From dub tech laced rollers to gossamer-light trippers, this is the classiest end of the minimal tech house game from two artists with the vision to push things a little bit further.
Review: Dutch industrial techno producer Parrish Smith created Light Cruel & Vain over the course of nearly three years. Each track on the record was originally conceived solo, then further realised with the assistance of contributing musicians Sofiane Brahmi and Javier Vivancos. The collaborative where no studio sessions occurred due to the pandemic - the full collaboration conducted remotely. Notable tracks include the seething post-punk swagger of "Black Scarlet" or the brooding industrial rock of "Sway", to the industrial strength breaks of "Never Break Faith" and a frantic techno banger towards the end "I Wanna Be An Idol".
Review: After being commissioned to produce several 'interlocking' ambient pieces for an art gallery piece in LA, Brian Foote and Sage Caswell decided to take the concept of 'audience crossfading' to the next level, creating an entire ambient album using a particular sonic technique. Over five long pieces from 'Waterwheel' to 'Smiley', their aim was to evoke the feeling of bodies moving in thoroughfares. The tracks are long-exposed movements captured in ambient space, blending rhythms and soundscapes for chillout rooms that exist only in memory now.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Ocean (feat Jamie Foxx)
Home
Your Love Gives Me Gravity (feat Planningtorock)
The Center Will Not Hold
Out Of Focus (feat Zoot Woman)
Tuk Tuk (feat ATNA)
Never Sleep Again
Take Control (feat Anne Clark)
Kreatur Der Nacht (feat Isolation Berlin)
Wadim
Prospect (feat ATNA)
Night Travel (feat Tom Smith)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
It has been 11 years since Solomun's last album, and few could have predicted the career arc he has enjoyed since. The big man started out as an underground favourite. His Diynamic label was famous for bringing colour back to dance music after the bleak minimal years. He made 'fairground tech house' as it was called. He then became a huge draw at Ibiza's premium VIP clubs and appeared in Grand Theft Auto. This album takes him to major label Sony and features Hollywood names like Jamie Foxx. It is melodic, accessible house from one of electronic music's most famous names.
Review: Sarah Sommers' inaugural album HeartCore was captured live at Princess Tower Studios in Berlin. Clocking in at 74 minutes, it's a vibrant fusion of dance music genres fuelled by Sarah's profound passion for electronic beats that span various eras. From dub to techno, house to dubstep, and drum & bass to breakbeat, the record showcases all that and more across nine tracks extracted from Sarah's live sets and previously performed across Berlin clubs in 2022 and 2023. A testament to her lifelong love of the music, this LP epitomises authenticity and comes on lovely gatefold neon pink wax.
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