Review: After the success of Lextended, the mysterious Lex Wolf is back with a second volume of sweet edits of classic dance tracks. Highlights include the clean edit of Smokin' Gang's hip-house classic 'Just Rock', a Latin house remix of the classic 'Conceicao' and a huge mix of the legendary banger 'House Music' at Eddie Amador. All these edits succeed in focusing in on the grooves while keeping the soul and energy of the original. True and proper edits, primed to reign on the dancefloor.
Review: Tom Middleton and Mark Pritchard created a landmark of ambient music when they released 76:14 back in the 90s. Their Global Communication project was never just about ambient though, and it also coursed through deep house and more besides. In the spirit of progress, Middleton has returned to thinking about the project from a contemporary perspective, stepping forth as GCOM with the epic scope of E2 XO. From stirring orchestral suites to high octane DSP, it's an expansive listening experience that shows Middleton pushing himself into new terrain in the studio. Whether you tie it back to the prior material or not, it's a towering piece of work from an elder statesman of UK electronica.
Review: Black Key return from a four year hiatus in style, with 4 sublime tracks from Australian ultra deep house don, Planisphere, aka David Swatten. Following an incredibly well received LP on reissue label, For Those That Knoe, Swatten returns here with more expansive, smokey and utterly consuming deep house cuts, stamped with his unique sound but offering a different flavour from his Definitive Transmission LP - one which immediately stands out from the crowd. Being only his third release in 20 years, there's an understandable sense of anticipation around Swatten's output. This release undoubtedly puts Black Key firmly back on the map, picking up their deserved reputation for releasing only the very best deep house, aimed well and truly at the heads.
Review: Leon Vynehall long again made the transition from decent tune maker to revered and unpredictable electronic artist. Now he proves why he holds that status one again with a follow up to his critically acclaimed debut long player Nothing Is Still. This time out he distils everything he has done so far in to a record with few comparisons. It is ready for dance floor deployment but never just functional. There are cavernous ambient pieces next to grainy, heavy, dubby rhythms with grand but lo-fi synth architecture as well as moments of intriguing experimentalism.
Review: Correcciones Calypso returns from a generous hiatus with the fourth edition of its acclaimed edit series, replete with four re-edits that veer from the subtle to the downright brazen. Thomass Jackson and INigo Vontier invite the French duo Youkounkoun to open proceedings with an insane early 80s edit full of big drums and exotic touches that's been blowing dancefloors all around the world for the past years - and definitely resides in the brazen category, despite a lot of work having gone into it. Olta Karawame make their debut on the series with a powerful, compact edit full of ballsy keyboard riffing and a military-sized kick drum that is guaranteed to have heads banging . To complete the release label bosses Thomass and INigo deliver edits of their own with their characteristic sound, giving this EP maximum a value for money factor and entertainment from start to finish.
Review: More from the reliable Moxy Edits series, a sneaky, rework-focused offshoot of Darius Syrossian's Mozy Muzik label. This time round, there's no superfluous filler and alternative versions, just a sole, peak-time focused workout that's been designed to have maximum dancefloor impact. What's on offer is unusual but rather brilliant: a tooled-up house revision of a classic chunk of psychedelic era pop cut that wraps jangly guitars and a glassy-eyed female vocal around a driving bassline and sweaty house beats. It's a simple idea that's been brilliantly executed and far more tasteful than it has any right to be. In other words, it's a genuinely good bootleg remix that you'll hear loads in clubs in the weeks and months ahead.
Review: Howard Dodd (Tongue, Anoesis, Oxidation, Doc Bozique) takes control on the third Anoesis release on Cosmic Soup. Supercade is one that's been long anticipated by fans of their well designed breakbeat sounds and their first since 1995's Blood & Sweat on D*Fusion. As such there is a hint of 90s post rave magic to the 11 cuts here, all with cosmic intent and deep grooves - tunes that have you lost in a reverie on the heart of the dance floor but with your gaze turned skyward. Essential stuff.
Review: Razor-N-Tape throw it over to Lex Wolf here for some homemade and high impact edits from the disco world. The artist is already well known for some red hot recent releases on the Make-A-Dance crew's MAD Edits series and now brings more big samples and bigger beats to some main stage bangers. The opener layers up raw drum machines, r&b vocal hooks and withering melodies. 'Russle Love' then plays with filtered and screw about with some synths to make for a prickly bit of body music with what sounds like an Arthur Russel vocal lost in the middle. 'Warmer' is another energetic and twisted fusion of disparate sounds and 'Sendsome' then shuts down with a little extra soul.
Review: Less than 10 months have passed since the release of Matt Lord and Dennis 'Dego' McFarland's first collaborative album, but the long-serving duo have already readied album number two. The pair have been working together on-and-off for years and are clearly kindred spirits, at least musically. There's a warmth, looseness and pleasingly effortless feel about much of the material on show, which - like much 2000 Black crew material of recent years - adds luscious synthesizer and electric piano motifs to rubbery bass guitar parts and crunchy beats. It's naturally rooted in broken beat, but rhythmically also pays homage to jazz-funk, hip-hop, Azymuth-esque jazz fusion and boogie. It also includes an excellent, acid-flecked collaboration with mutual friend (and fellow bruk stalwart) Domu.
Review: French label D3 - which when pronounced in French sounds like their word for Detroit - is a decade old and celebrates the milestone with a special three-part EP series. As has always been the case over that 10 year period, the sounds it serves up are deep and housey. This various artists affair kicks off with AsTreJinkins' slow and propulsive 'Terror' before some nice airy and live sounding broken beats from New Digital Fidelity. Moroka picks up the pace with some hi-tek soul that sounds straight from the Motor City and Byron The Aquarius shows off his mastery of the keys again with a dreamy deep cut 'Tua Su Ra'. Nico Lahs shuts down with a heavyweight beatdown in the form of 'It's Spelled BARI.'
Review: London label Mysticisms knows how to dig out some truly lush house grooves whether that's in the form of unreleased house meets IDM, classic reissues or debuts from new school artists. N-GYNN falls into that latter camp having started to make waves on the likes of Hamam House Pleasure Club and his Superlux Records label. He explores a dreamy and cuddly house world here with rolling analogue drums, wispy new-age percussion and whimsical cosmic melodies that all make for otherworldly grooves. 'Journeys' has the feeling of an ancient ritual in the sky, 'Alistera' is a kaleidoscope of colour and 'Kebaya' has a more earthy Afro feel. 'Funk Break Beat' closes with a jumbled groove peppered with dial tones, string loops and bulbous acid.
Review: Bradley Zero's ever hard to pin down but always excellent Rhythm Section International comes through with some deep house excellence here. Far from standard sounds, though, these tunes are infused with all manner of mystic referees. 'Individuality Riddim' is tinny and percussive, empty yet compelling. 'Subtropique' pairs aquatic sound design with shimmering rhythms that seem to owe a debt to djembe rhythms while 'What Now' is astral house with cosmic vibes to spare. There are also two darker, more percussive tunes to close out this fantastically expressive and adventurous EP.
Review: Anonymous label Tartan kicks off with two tracks that should pique the interest of anyone who seeks out unusual swerves to spice up their DJ sets. On the A side, 'Took My Heart Away' fuses uncanny sounds from rolling thunder to South Asian vocals, strapped to a brooding beat that should be compatible with the chugging crowd. On the flip, 'Sun' nudges up the tempo a touch and spaces things out considerably, creating a swirling deepest techno mood which might well herald the odd sunrise given half a chance.
Review: (Emotional) Especial looks to the emergent producer that is Chez De Milo for a new EP that collides the energy of Glastonbury, historic echoes of the free party scene and the psychedelic electronics of Bristol and the West Country into four fresh new cuts here. 'Et Al' is a mystic late-night house cut with crisp hits and spooky synths keeping you on edge, while 'Gieser' is dark and paranoid as the churning beats and snaking leads tempt you into the shadows. 'Kremer' keeps you locked in a synth-heavy and transcendental suspense at the heart of the dancefloor with Egyptian folk samples and ethnic grooves and 'Thus One' is a razor-sharp electro closer.
Que Sakamoto+NT - "Ninjya Wa Sugoi" (Radial Gaze remix) (7:30)
Review: Saint-Petersburg based duo Andrey Redkov and Stas Redkov have been hugely prolific since first pairing up in 2019. They have already served up seven EPs and now arrive on Fauve with another new one. It is a second volume of their West & East series and kick off with the jittery analogue grooves and post-disco wonkiness of 'Focal Savor' which is a writhing mass of detuned synths and chattery percussion. Que Sakamoto+NT's remix is a little more smooth and groove based but still sounds unhinged. The same outfit then serve up an original, 'Ninja Wa Sugoi', which is all tense and drawn out electronics that become more techno at the hands of the Radial Gaze remix.
Review: Underworld's latest album, Strawberry Hotel maps a distinct sonic landscape where minimalistic techno pulses meet textured and scratchy guitar tones, creating an uncanny blend of precision and spontaneity. Each track occupies its own atmosphere-from tracks built around tight, rhythmic kicks and monotone voices, to others steeped in lush melodic swells. Highlight tracks 'and the colour red' and 'denver luna' showcase their talent for boundary-pushing compositions, while 'black poppies' stands as a tribute to dancefloor euphoria and pure vitality, all without a single beat.
Hieroglyphic Being - "An Astronomical Object" (6:29)
Review: Mother Tongue's 'Yellow Jackets' series is wilfully eclectic, meaning second-guessing what will be on the next release is nigh-on impossible, but undeniably essential. Put simply, each EP in the series so far has been nigh on essential. Happily, volume five is superb too. On side A, Detroit scene stalwart Marcellus Pittman does a superb job of reworking a cult classic - Belgian outfit Arbeit Adelt's 1983 post-punk masterpiece 'Death Disco'. His resultant re-edit emphasises the track's weighty, low-slung groove, mind-mangling electronics and weirdo noises, extending the intro and outro to allow DJs to ride the mix. Over on side B, Chicagoan genius Jamal Moss dons the Hieroglyphic Being guise and offers up a sublime slab of intergalactic excellence, peppering a deep, shuffling, distorted rhythm track with spacey electronics and shimmering, star-gazing melodies.
Pretentious Friends (feat Busdriver - Call by Pillowtalk)
Shipwreck (with Thom Yorke)
Evil Twin (vocals by Otto Von Schirach)
German Clap
Berlin (feat Miss Platnum)
Grillwalker
Green Light Go (with PVT - additional synth by Siriusmo)
Humanized (feat Anti Pop Consortium)
This (with Thom Yorke)
War Cry (guitar by Sascha Ring of Apparat)
Review: Over the years, Modeselektor have forged a reputation as fearless innovators, neatly sidestepping genres and frequently confounding critics. Given their tireless touring schedule and the fact they run two prolific labels it's perhaps no surprise that it's been some four years since the last full-length Modeselektor album. Monkeytown flits effortlessly between skittish 140 BPM bass music, clandestine electronica, sludgy hip-hop and even warehouse-flavoured tropical rhythms (see "German Clap"). There are some real standouts, including a dreamy, slo-mo pop outing with PVT, two collaborations with Thom Yorke and a droning Anti-Pop Consortium hook-up. Must-check.
Review: K Lone has been turning out super sweet club sounds for years now, mixing up deep house, garage, a love of r&b samples and generally a good time groove on a range of labels but mostly Wisdom Teeth which he co-runs with Facta. Now he follows up his 2020 debut with Swells, an expansive record that also takes in synthpop, leftfield R&B and beyond. It showcases a rich array of melodies, chords and undulating arps and is defined by the lo-fi aesthetic of his CR78 drum machine. British singer-songwriter Eliza Rose features throughout the record in various forms but the highlight is the dubbed-out and diffuse 'With U'.
Your Ghost In Me (feat Hard Ton, Noteless & Ruf Dug - Lipelis remix) (8:20)
A King Of Comets (feat New Composers - Samo DJ remix) (5:35)
Time Traveller (feat Cefric Gasaida, Lipelis & Mujuice - Cable Toy remix) (8:04)
Untitled Ritual (feat Noteless - Linja remix) (7:48)
Review: With such a collaboration heavy project in the "Yet Another Kito Jempere Album" announced it is no surprise that this following remixes pack comes laden with familiar friends'n'family, plus additional support.
Taking the ambient meets acappella paene Your Ghost In Me and creating one of his on-point dance floor dramas, Lipelis (Animals Dancing / LIES), utilising Hard Ton's classic 'US House' vocal delivery to create a perfect "big room" anthem.
Next up Born Free boss, Samo DJ (Public Possession / Trilogy Tapes) pumps A King Of Comets with Mood II Swing punch meets Ballistic Brothers riddim'n'culture for some hip-breaks-dancehall swing.
Cable Toy (Low Budget Family) presents the label favourite with his bouncing, yearning remix of album stand out, Time Traveller. Countered with a perfect touch of summer vibrations and melancholia this up and coming St Petersburg resident has to be watched.
Finally, Linja (Avidiya / Malka Tuti) offers a deep, shuffling version of Untitled Ritual. Arpeggios throb, percussion snaps, tempos shift, planets realign, vocals by Noteless call...wait believing, just we have seen it, God is waiting, nothing can bleeding.
Only friends. Only family. This is Kito's emotional response.
Review: A welcome return to action from Studio Barnhus boss man Axel Boman, who has been surprisingly quiet since the release of his excellent Luz/Quest For Fire double album in 2022. On the Space Drag EP, Boman showcases the depth, variety and imaginative eccentricity of his deep house productions to the full. For proof, check side A, where the ghostly, stab-happy hedonism of 'Acid Left and Right' - all bubbly TB-303 motifs, synth-strings, digital woodblock lines and repetitive bleeps - is followed by the druggy, dubby and percussively dense Latin house quirkiness of 'Forever Latino'. He throws in a fine curveball in the shape of 'Space Drag', where looped-effects laden Swedish vocal samples and woozy chords ride a tight kick-snare pattern and deep, warm bass, before closing things out via the picturesque breakbeat house deepness of 'Ohh Baby'.
Katmandu (Eddy Ramich feat Jan Kincl & Regis Kattie remix) (7:31)
Review: The worldly wide Far Our label turns its attention to some fascinating house sounds from Ivan Mamao Conti. "Katmandu" is all bendy bass and tropical drums, steamy humidity and sensuous synths. Pablo Valentino flips it into warm and jazzy number for cosy basement clubs that harks back to the 90s, and Jazzanova then layer in plenty of the golden instrumentals and key playing that makes the music come alive. The closing remix is all Moodymann vibes with its rough kicks and claps, funk bass and lived-in aesthetic. This is classy house music from front to back.
Review: French game-changers Daft Punk's tours are always some of the most iconic in all of dance music. They took the band around the world at the height of their powers and in 1997 they dropped a live recording from one of the shows in Birmingham on November 8th. It contains a 45-minute excerpt of recorded during Daftendirektour which the band themselves said was one of their favourite ever live gigs. Plenty of their biggest hits of the time make the cut such as Homework cuts like 'Da Funk', 'Rollin' & Scratchin'', 'Revolution 909' and 'Alive' but they all sound vastly different when played live.
Review: The iconic North London dance music duo Idjut Boys are famed for their nostalgia fueled offerings of dub, disco and house and join forces again for this 4 track single featuring 4 completely different takes on the track 'Speedball'. The 'Full Whip' version is an 80s powersynth with powerful kicks and synth perfection, an authentic use of a commodified sound used in the past couple of years. 'Severe Itching' takes the party downstairs into an acid techno rave, the liquid bass seeping through your ear canal into your skull - an utterly extraterrestrial experience. 'Strip Off Dub' is just that: a stripped back dub version of 'Full Whip'. Focusing on the heftier synths and bass, with the rushing wind effects that compromised 'Full Whip'. 'Whizbang Mix' invites you back into the bassment for another slice of acid house pie, the meeting point between 'Full Whip' and 'Severe Itching' that feels like trying to listen to the former after the laters aforementioned liquid has blocked your eardrums. This one's for the messy afterparty.
Review: The mysterious Medieval Man is joined by Thomass Jackson, Mytron & Ofofo and Barry Sunset on this new split EP from the fledgling Culted label. Their edit series tackles plenty of interesting dark disco source material with beguiling results. The freaky future sounds of Mytron & Ofofo's 'Machinenhimmel' opens up with phased bass and spooky leads. Barry Sunset's twisted sci-fi disco stomper 'Hit The Drums' then takes off to the cosmos and Thomass Jackson twists and turns on loose, jangling percussion that is underpinned by fat bottomed bass. The brilliantly entitled 'Humble Frodo' is a weird and wonderful closer.
Review: Some years back, Ben Norris AKA O'Flynn looked set for a major breakthrough, with his EPs on Blip Discs and Ninja Tune getting singled out for praise. Since then, his career has stalled, though we wouldn't be surprised if this impressive debut album propels him into the spotlight once more. It's a wonderfully fluid, evocative and enjoyable set that attractively sashays between languid ambience, Afro and Latin-influenced cut-up club cuts that cannily fuse disco, nu-disco and deep house, drum dubs and percussion jams, and off-kilter affairs that defy simplistic categorization. Highlights are plentiful throughout, from the dreamy dub disco flex of "Tru Dancing" and jazzy deep house warmth of "Painted Wolf", to the huggable dreaminess of two-step shuffler "Celestine" and the loved-up haziness of enveloping closing cut "Neptune".
Review: Astonishingly, GRIT is Luke Vibert's 18th album under his given name (he's released many more as under other aliases such as Wagon Christ, Kerrier District and Amen Andrews), though his first for a couple of years. It's a predictably fun, TB-303 heavy affair, with the prolific Cornishman giddily sprinting through rubbery acid-electro ('Surrounded By Neighbours'), deep acid wooziness ('Decay Hole'), thrillingly wayward machine funk ('Partron'), subdued, bass-heavy swingers (the vaguely Wagon Christ-ish 'Gas Legs'), surging jack tracks (the breathless title track), jaunty house retro-futurism ('Swingeing Cuts'), Kerrier District-goes-acid insanity ('Disco Derriere'), hard-to-pigeonhole madness ('Screwfix Typeface'), and much more besides. A must-check for lovers of trippy acid lines and sweaty, loose-limbed beats.
Review: California's Joe Babylon has been steering his own Roundabout Sounds through some lovely deep house waters over the last few years. Now the producer makes a big statement with his own debut album. He is something of a veteran having co-founded Plug Research back in 1994 and hosted underground events in Los Angeles during the mid '90s. Following on from outings alongside the likes of Rick Wilhite and Rondenion he now brings his own dusty, carefully disheveled house sounds to the fore. They have been crafted using an MPC which gives them their rough-edged appeal and they go from heads down back room joints to dubbed-out minimalism via dream late-night reveries. It makes for a fresh take on a tried and tested house template.
Review: A strong example of contemporary deep house that blends in a regional and deep sound palette, Makebo's 'Belief' is the next EP to top up the artist's repertoire. Following up releases on the likes of Anjuna and Peace Symphonies, this EP works through four tricky yet melodic and depth-plunging forward-movers, carefully removing and adding elements back in, in direct correlation with our faith in the music. Whatever belief system you ascribe to, 'Belief' zooms out into an amorally blissful zone - the self-titled closer is a particular highlight.
Review: Colombian house maestro Felipe Gordon has a brilliantly musical and artistic take on house music. He's prolific, too, but always manages to offer up freshness whenever he steps out. Here he lands on GAMM and shows his jazzy side on a release brimming with his signature style. The standout track, 'Self Love,' is a warm jazz-infused journey with playful electronic twists perfect for uplifting moments. 'The Punk Automata' follows with a bouncy, club-ready rhythm. For deeper vibes, 'Your Feelings' dives into late-night deep house territory and closing the EP, Felipe teams up with Bob The Egoist for 'Please Don't Go,' a soulful, vocal-driven gem.
Review: Weirdo minimal tech soul, anyone? Any takers should be directed towards this oddball release from Melchior Productions and Paul Walter. Two tracks of serious strangeness: timestretched vocals and repetitious yeahs blossom between the beat-thickets of Melchior's 'Yeah X 3', while many more percussive hits and cuts and clicks and pops and booms come courtesy of Walter's B-side, 'Xvive'. It's an impressive first foray for Maria Newyen's new imprint Scious; let's hope future 12"s stay just as weird.
Review: Belgian DJ and producer Gratts have joined forces with London-based vocalist Mr. Beale to follow up on to success of their well-received 'Sun Circles' release last year. Here, on the sublime 'Submerge Me', they are in fine form once more with a brooding sound that features the uniquely mesmerising mantras of Beale and plenty of raw, compelling and percussive grooves that full lock you in and get you going. Versatile Records' own Gilb'r then steps up on the flip and manages to take things even deeper with some fine liquid dub excursions to complete a top 7"
Review: Named after their infamous Brixton club night, Basement Jaxx's second album Rooty saw them continue to push the boundaries of pop and club music. The album mixes classic house with generous lashings of punk, funk, R&B, jazz, hip hop, 2-step and pop song-craft in a mad genre crash that works like a charm. It features the massive tracks 'Where's Your Head At', 'Romeo' and 'Do Your Thing'.
Feel Young Again (Ricardo Villalobos remix) (16:24)
Don't Let The Light In (Ricardo Villalobos remix) (15:13)
Review: For fans of off-kilter, minimalistic dance music, there is little more exciting than seeing the words "Ricardo Villalobos remix" printed on to the label of a brand-new record. For all his faults, Villalobos rarely delivers a duff rework, and he's once again hot gold with these revisions of experimental art-rock ensemble Low Island. He first tackles 'Feel Low Again', reinventing the indie-rock cut as a low-slung chunk of woozy minimal techno full of drifting vocals, bubbly electro bass, distant cymbals and snare-heavy beats. On the flip Villalobos reworks 'Don't Let The Light In', offering a slightly less dense and undeniably energetic take full of oddly-tuned electro bass, glitchy sounds, hazy chords and layered vocal samples.
Review: Four Tet's Live at Alexandra Palace London 24th May 2023 captures the boundless energy of a live performance that effortlessly blends his signature electronic sound with the intimacy of a live setting. The opener 'School Green Romantics' builds slowly, layering intricate beats and subtle melodies, before escalating into a full-bodied rhythm that really commands attention. Tracks like 'Tides' take on a new life in this setting, with their intricate textures expanding and contracting, creating an immersive atmosphere that pulses with anticipation. Throughout, Four Tet's control over the crowd is palpable, using his deep knowledge of rhythm and melody to take listeners on a journey. A mesmerising live experience in every sense.
Axel F - "Geronimo" (Special instrumental mix) (6:52)
Review: Continuing the research project started last year, Sound Metaphors, Transmigration, and historian Ray Castle present an in-depth analysis of the dancefloor scene in Goa during the 80s and early 90s, before trance became a mainstream genre. This tropical underground haven thrived on unique aesthetics, with dedicated collectors and DJs curating the finest "special goa music" from the era's emerging electronic tracks. This compilation features impactful new beat, proto-techno, early progressive, trance, industrial, EBM and house music tracks, accompanied by event photographs in a double LP gatefold with a poster and liner notes by Ray Castle. Re-mastered in Berlin, it's an essential addition to any record collection.
Review: New label Taf Kif kicks off with this classy VA package from some cool cats who know how to lay down a slick groove or two. First up on this distinctly 80s-styled package is Axel Boman, who brings some of his signature sparkling melodies to a synth-pop indebted jam entitled 'Oasis'. Meanwhile Velmondo follows up with something a little more trippy and adventurous on 'Echo Welt', before MLiR inaugurates the B-side with the sultry tones of 'It's Baby Time'. Lusille completes the set with the hazy Afro house deviations of 'Une Longue Route', riding a swung groove that offers something different from the everyday cookie cutter house we know so well.
Review: Theo Parrish is a world-renowned name in the global Detroit house and techno game, and he's thrown a fascinating curveball as the latest entrant for the acclaimed DJ-Kicks series. Mr. Parrish has gone above and beyond the duties of most invitees - rather than just licensing tracks from his favourite artists and big-name-friends, he's asked his own community from Detroit to each produce their own mixable tracks, exclusively for the comp. What's more, these are hardly established names - they're organic connections to Parrish, not occupying the top layer of attention and recognition. Bits from H-Fusion, Jon Dixon, Donald Lee Roland II, Ian Fink and Raybone Jones all dominate this anarchic new deconstruction of the otherwise exclusivist mix series.
Review: CWPT's founder Palms Trax is next to coax some left of centre house goodness from the studio of Wallace following fine outings on the likes of Mule Musiq, Studio Barnhus and Rhythm Section. They usually come on his own label Tartan but have increasingly been heard all over the shop and we're glad about that because the more the merrier. 'Willow' is the sort of airy and uplifting melodic hose sound that will make whole crowds float on a cloud. 'Breathe' has the same levitating effect while 'Masada' is a slower sound with more patent chords and sinewy synths. 'River Dancers' is a steamy jungle roller with bird calls, whimsical melodies and a typical feel.
Review: This is the thirrd release by the amazing Italian producer Ivan Iacobucci for the Perlon label. The previous two were so well received, this next one was destined to come out sooner than later. Perlon fans know what to expect from their label of choice and Ivan delivers the goods. Those addictively quirky and fonky jackin' minimal techno jams. The title track is that and then some! We especially like the sexy jam 'Waiting For My Love'. Expect the unexpected when you flip over the record as 'Close the Door' is a full-on acid banger that combines high energy techno into what sounds like a video game soundtrack theme song! Closing things out is the wild sounding 'Fear & Madness in the Desert'. We are smiling at the thought of someone playing out these corkers to audience. Expect to see WTF typefaces everywhere!
Review: Detroit innovator and singular soundsmith Theo Parrish returns with a new EP which we're told is his response to "stagnation and nonmovement" either physiologically, mentally or physically. 'Positive Mental Attitude Solves All' is up first and is a tribute to the late great funk-father Amp Fiddler. It's a typically deep cut with dusty drums and irregular, scruffy percussive lines layered in next to diffuse synth warmth and soulful melodies. 'Traffic Jams' plays with similar signature themes and is sure to loosen up mind, body and soul. Another standout bit of work from the venerable Motor City man.
Review: Over the past ten years brothers Sasha and Sergey Lipsky have been throwing down their own brand of wayward grooves as Simple Symmetry, tapping into a kind of cosmic sound which has been right at home on labels like Disco Halal. Now the Russiann pair have arrived on Multi Multi after teasing the connection with a compilation offering in 2021. On this EP we get dark n' dirty electro throb, ascendant trancey techno, sentimental sax-laden wooze-house (think 'Pacific State' on luudes) and a remix from kindred spirits Red Axes which will do maximum damage on the floor.
Review: Casinoboy makes a triumphant return to Duca Bianco with a sparkling EP that once again shows his studio mastery. Previously featuring alongside luminaries like Rune Lindbaek and Khidja on a well-received compilation, Casinoboy's latest kicks off with 'Honesty' which is a blend of Balearic and breaks that brings a shuffle-and-wiggle experience with uplifting samples and an old-school UK rap edge. 'This Feeling' has a catchy Street Soul feel, while 'Searos' mixes up ambient sounds and Spanish Guitar to evoke the essence of the White Isle. Closing with 'Astral Go Go,' really pumps the party in ways only he knows how.
Review: Before his work became reduced to a fine slither and he shifted into experimental, concept-driven realms, Jan Jelinek dropped some of the finest early doors micro house as Farben. Originally released on Klang Elektronik and now reissued by Jelinek's own Faitiche label, Textstar is a masterpiece of glitchy sample-based electronics with a subtle, implied funk. In some ways the sound has dated - it's very much of the late 90s-early 00s era it was first crafted in. But it's a sound that still engrosses and intrigues, reveling in microscopic detail and subdued moods while retaining a groove that comes through the best on eternally magnificent cut 'Beautone'.
Review: Move D's latest release, Something 'Bout The D, on his own label Source Records, shows his enduring ability to produce excellent electronic music. Regardless of the genre, David Moufang is a name people trust and purchase without listening. On the A-side, 'Aspiration 2010' mesmerizes with its deep, dubby vibes, infused with low-slung acid elements and techy nuances that permeate the track. On the B-side, the title track 'Something 'Bout The D' channels Detroit-style 90s melodies with ambient undertones, creating a nostalgic yet forward-thinking atmosphere. 'Marshmellow Boots' on the same side offers a departure into deep house territory, with a light jazzy touch and ambient backgrounds that envelop the listener in a gentle, smooth embrace. Move D's ability to blend diverse influences seamlessly is on full display here, making Something 'Bout The D a must-listen for fans of ambient and deep house alike.
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