Review: Budde & Osti of 100 Records presents an experimental "playground" that offers listeners a unique perspective on their work. The sizzling six-track EP blends jazz and house and features experimental highlights from the Trash Archives, which is a collection of 99 tracks available for free on Bandcamp. All pieces were recorded live in the studio utilising, on the whole, analogue gear that best shows off the duo's raw and unfiltered creativity. From the opening jazz dance of '40' to the closing jazz-funk-techno of '57' this is a beguiling collection.
Review: Frustrated Funk, Shopwrec and Central Processing Unit are just some of the quality labels on which the enigmatic 214 has delivered his wayward strains of electro and techno. This new single for Lunar Disko is straight-up, high calibre business, as per usual, starting with the mesmerising pads and alluring soundscapes of "The Breakfast Club", a beat-driven escapade through a wave of majestic synths. "Lunar Landing" is more on the Dutch electro side of things, thanks to its sub-aquatic beats and general demeanour while, on the flip, "Jade" injects some Chicago house live through an industrial filter, and "Hurley" liquifies its synths down to a thick pool of sonics and subtle beats. Gorgeous music.
Review: Nijmegen label Shipwrec have been in fairly imperious form this year, canvassing the spectrum of electro for some fine sounding and even-finer-looking records. Washington State artist Chris Roman issued his second 214 album on Shipwrec last year and returns here for "I See What You Did There", the first of several singles to arrive over the coming months - Central Processing Unit, Frustrated Funk and Lunar Disko also have records in the works with him. Taking shape as a one track 12" for the latest in Shipwrec's Silk Screen Printed Series, "I See What You Did There" snaps and throbs in all the right places across its nine minutes but is tempered with a sense of emotive contemplation that lends it some extra depth.
Review: CFRT's fourth release features early productions from Sven Rohrig under his acclaimed techno and house alias, 3 Phase. These tracks were originally released on Push back in 1996 and offer a window into his innovative approach, even though he was in his formative years. All these decades on, they still bang. 'Moon' is textured, edgy techno with restless drum rhythms and metallic percussive sounds, 'Other Edge' is a psyched-out number with bleeping melodies and thudding drums and 'Magic Edge' strips tings back to deep, pulsing bass, lashings of synth detail and a paranoid mood while 'Stash' shuts down with more slow motion sounds for the post-rave comedown.
Review: O-Wells and 41ISSA team up for their first joint EP, with three tracks full of big room manoeuvres that clock in somewhere between electro, techno and trance, plus a Sansibar remix of 'Encoder' to complete the package. 'Suzuki' outrageously throbbing sequencers bring the decadence of electroclash to mind, but the likes of 'Are You Ready' and 'Pulse' are more gradual builders, with a touch of Carl Craig in his 69 mode. The Sansibar mix is a bleepy electro cut blessed with plenty of drama. Nice work all round.
Review: Fran Mela's Dog In The Night label continues it's haphazard assault on our affections with a seventh release so far this year coming from French producer 45 ACP. Otherwise known as D.K., Parisian Dang Khoa has experienced something of a creative rebirth this year after a few years working as Darabi alongside Low Jack, with releases on Antinote, Odd Frequencies and Get The Curse. This being Dog In The Night, Khoa has reserved his most bugged out productions for the five track Hold On EP and anyone that's dipped their toes in the label's previous output will most definitely approve. If you like your house music to sound like it's on the cusp of all out malfunction then cuts like "Hold On" and "keep Walking" are likely to pepper your sets for months to come.
Review: There's lots to get your teeth stuck into on this new and blistering collection of electro from Adepta Editions. And don't let the title fool you - it's not all accessible summer festival fare, in fact none of it is. It is all head down and serious tackle. 7053M4R14's '4 N3W HUM4N' is a driving, dark, visceral sound with raw breakbeats powering through the cosmos. Rec_Overflow offers a moment to catch your breath with some slower, dubby rhythms on 'Pocket Dial' and Pauk explores twitchy future synths capes and post-human transmissions on 'Shiawasena Fukushu'. Promising/Youngster shuts down with a sense of optimism and hope with the airy melodies and slithering electro drum patterns of 'Arbey.'
Tactics Of Bass - "Big Hips Blue Gloves (No Dubs)" (7:48)
Tactics Of Bas - "Tactics Of Bas" (7:59)
The Ron Honey Experience - "D66" (7:15)
Quadruplex - "Sky Wave" (7:01)
Quadruplex - "Robot Rotate" (5:30)
Quadruplex - "G-Hop" (7:24)
The Secret Garden - "Rough Diamond" (3:25)
Review: Matt Hodgson's 7th Voyage is one of those mid-90s labels that enjoyed cult status almost from the off. Its releases helped to define the sound of the London underground of the time and have since become pricey and sought after. The Return Voyage is a new seven-track collection of back-catalogue gems that pays tribute to the label's fine work. From the deep and atmospheric 'Big Hips Blue Gloves (No Dubs)' by Tactics Of Bass to the squelchy lo-fi hip-hop funk of The Secret Garden's 'Rough Diamond,' this is a vital look back at a hugely influential label.
Control The Rhythm (Carl Finlow, DJ SaY edit) (4:06)
Access Denied (Carl Finlow edit) (5:30)
Review: Italy's Emilio Urbano is back on ACEW Studios (A Credible Eye Witness) and it's been a long time between drinks; fifteen years to be exact. But what better way to return to the scene with a release featuring three edits by undisputed electro legend Carl Finlow (the man behind Silicon Scally and Random Factor) in collaboration with Alessandro Ferranti aka dj SaY. Absolutely epic sounds on "Many Machines" with its apocalyptic, vocoded vocals. "Control The Rhythm" is killer peak time electro bass, as is "Access Denied". For fans old old Anthony Rother and Bass Junkie & Dexorcist, look no further. Tip!
Review: The second release on the fascinating Mooziken Analog Room label comes not from Detroit-based Iranian Salar Ansari, who delivered the imprint's debut release, but rather British acid house, techno and drum & bass pioneer A Guy Called Gerald. The Mancunian channels the raw, analogue-rich heaviness of his early work throughout the EP, which sees him skip between twisted, cunningly swung, acid-fired heaviness ('Old Skool'), pleasingly metallic blends of electro, clonk and house ('Sugoi'), trippy and hypnotic early morning mysticism (the Berlin-friendly haziness of 'Flash Fight') and chunky, funk-tinged tech-house (the 'is it heavyweight house or light-touch techno' of 'False Religion', where Gerald makes a rare appearance on the mic).
Review: Oslo's A:G has been doing his thing successfully for some time, side-stepping expectations of music from his home city by delivering music that's frequently heavier and more mind-mangling. Here the Norwegian delivers the debut release of a new label, Nocturnal Expeditions, beginning with the restless acid lines, deep bass, vintage progressive house motifs and semi-bleeping lead lines of 'Beyond The Veil'. He opts for more stomping beats and LFO-inspired bass on the similarly psychedelic 'Patient Paradox', before reaching for rave piano stabs on the nostalgic excellence of 'First of 22'. Best of all, though, is closing cut 'Gone Full Circle', where ethereal melodiesm spacey pads and squelchy TB-303 tweaks ride a psychedelic house groove.
Review: Since Zip and Villalobos made it one of their coveted deep digs to be heard pealing out of a thousand after hours sessions, the Metamatics remix of A1 People has been a teasingly out of reach dream grab for many a minimal electro head. Now Yossi Amoyal has done the good deed of getting the track remastered and repressed as part of his Fluere series toasting 15 years of Sushitech. As well as that masterclass of elegant machine funk, there's also Kosmogonik's mind-bendingly brilliant 'Circuitry', Silicon Scally's body-popping electro-noir 'Relay' and Matt Chester's melancholic 'November Pathways' to keep your up-all-night marathon sets peppered with spangled surprises.
Review: Always a good week when some new RAND Muzik drops. The Leipzig imprint's brand of understated grooves are on fine display once again on this various artists EP. On RM 12015, feel the low-slung and funky dub of A2's 'Open Your Mind' which they follow up with some moody computer funk on the next track 'Entity'. Over on the B side, Andy Panayi serves up some dusty 303 shenanigans on 'Acidbend' in the vein of classic Cabinet Records and closing it out is Stopouts with the subterranean breaks of 'Pass Go'.
Review: The Abstract Eye aka Gifted & Blessed always makes electrifying music that brims and bristles with energy. It is dense and textural and requires close attention to unpack and get lost in but that effort is always more than repaid. This is another brilliantly heavy outing, a first on Technoindigenous, that makes great use of one of the most legendary bits of gear in any studio - the TR-909, Here the artist finds new ways to make it sing with acid-laced house, clattering percussion and cosmic synth work that will rewire your brain.
Review: Last seen in 2008 dropping a trio of EPs from Creepy Autograph, Valentine Connexion make a welcome return. Little may be known of The Abstract Eye, the mysterious entity responsible for the five tracks that make up Cool Warm Divine, but there's a certain Detroit hotness, a vintage rawness and undeniable analogue sexiness running through the production here. The title track pays homage to the vintage Detroit sound pioneered by Drexciya et al, laying a multiplicity of bubbling synth flourishes over rippling drum machine kicks. It's the slippery analogue flex of B Side opener "The Unseen" that impresses the most though; all neon synth lines tinged with futuristic sensibilities over simmering bass and snapping Model 500 kicks.
Review: "Rubber Chunks" is Luke Vibert's latest emission under the Ace Of Clubs tag, a moniker he first used back in 2002 for the Paperplane imprint. This righteous four tracker keeps Vibert firmly rooted in the slowed-down acid territory that's marked out some of his best ever material. This First Cask release is dazzling.
Review: It's time to strap in for another ride around Planet 3030, this time with Acid Synthesis as your pilot. Theer are zero prizes for guessing the style son offer here: right from the opening cut the acid lines begin to warp themselves around you over icy techno pulses. 'Optic Flow' then brings a more rugged 303 line that is stretched and skewed over dubby, bulbous drums and 'Acid' then gets down and dirty with a nice menacing lead and haunting pads off in the distance. Last of all, 'Perception Of Time' cuts loose on far-sighted pads and bendy bass, taught kicks and a nice heady sense of soulful futurism.
Review: Acid Sessions Vol. 3 is another white-knuckle journey into the world of acid with five top talents in the field all pushing their own limits. Acidulant opens with "Serpentacid' featuring hypnotic 303 grooves and relentless energy, then Sarufaromeo & Papaverhof deliver 'Acid Nihonshu' which blends atmospheric depth with chaotic acid vibes. G303 takes you beyond with 'Live Long and Prosper,' an interstellar anthem filled with cosmic acid and resonant grooves. Paul Renard closes with 'SO36' which is all about the fat rhythms and powerful dancefloor drive. Long live acid is what we say.
Review: Some six years after debuting via a deliciously angular and energetic EP from Jaquarius and Mono-Enzyme 307, the Acid Avengers imprint notches up release number 20. Like most of the label's EPs, it's a multi-artist affair. Sometime Balkan Vinyl and Bass Assault artist Acidulant handles side A, bouncing between rushing, piano-sporting 1992 hardcore revivalism ('Super Rave'), sub-heavy deep electro haziness ('Save The Last Rave') and throbbing, arpeggio driven trance/breakbeat techno fusion ('Hauz Trax'). Voiron, who last graced the label back in 2016, takes over on the flip. The Paris-based producer first fuses glistening, spacey melodies, twisted acid lines, post-electro beats and dirty bass on 'Bon Kick Voiron', before opting for deep acid house on 'Digital Voiron Workstation' and atmospheric, Orbital-meets-'90s tech-house on 'Sugar Voiron'.
Every Pleasure, Every Sin (Ivan Iacobucci's remix) (6:02)
Review: Acoustic Vision crafts an exceptional EP bursting with rich techno personality. The opening track, 'Peyote Country Club' grabs attention immediately with its infectious rhythm, sharp percussion, and irresistible flow. A light yet captivating melody hovers over deep, bouncing basslines, building into a perfect storm of dancefloor energy. It's a standout cut that seamlessly blends a cool vibe with driving momentum. 'Human Endeavour' ventures into darker territory, offering a tribal groove layered with eerie, hypnotic elements. The haunting melodies create a sense of being swept into a deep, mystical rave, where the rhythm pulls you in. Subtle house influences sneak in as the track progresses, with distant keys adding a sophisticated touch that leaves an impression on you.
'Every Pleasure, Every Sin' shifts gears, delivering a refreshing blend of ambient house that feels like a breezy summer afternoon. The track is pure elegance that harkens back to the vintage early 90s. The remix of the same track turns things on their head, adding a wicked bassline, playful breakbeat, and a more ominous vibe. The inclusion of an acid line gives it a nostalgic, classic feel, ensuring this version stands out with its playful edge.
Definitely an artist to watch in the future."
Review: Mannequin's line in techno is always steely and fad-free, so Alessandro Adriani is a perfect person to step up and make the next contribution to its catalogue. There is an electro overtone to the opener with its muscular rhythms and zippy synths making for a dark, dystopian vibe. 'Life Reborn' then ups the energy levels with paddy kick drums beneath coruscated arps and tumbling hits that bring a hint of old-school EBM to the party. 'Spectres' is more overtly dark and hard and menacing with its ghoulish vocals and 'Digital Space Interface' then takes off to the cosmos on more sleek lines and something machine drum funk.
Review: Cisco Ferreria may be better known for his banging techno as The Advent, but also proves his talent as a producer of bass heavy electro here for Billy Nasty's electro side label Electrix. "Eurodynamic" is darkside aquatic electro for freaks that fans of Dopplereffekt will equally admire. "Diverse Scope" intensifies things with a fierce beat assault and an epic sci-fi atmosphere. On the flip are two tracks by Mazzula. The affectionately titled "Carl Craig Always Did" features layer upon layer of razor sharp synths, whether they're played or arpeggiated, that's such a delight to hear; its like a massage for your ears. Finally "Doors" goes out all guns blazing on this fierce four to the floor peak time electro stomper. Tip!
Review: EPM20 Ep2 goes off on an electro tangent here. On this one, we have veteran producer Cisco Ferreira aka The Advent teaming up with his son Zein on the ferocious electro dystopia of "Strangeform" and as if that was not enough, another legend, the one and only Carl Finlow appears next with the abstract, cybernetic beats of "Optogenetic". Over on the flip, we have someone by the name of Detroit's Filthiest (quite an accolade!) who is in fact Motor City stalwart Julian Shamou (Motor City Electro Company) known for his work as 313 Bass Mechanics or Digitek, and longstanding hero of the Midwest Freddie Fresh should need no introduction; his contribution here under the Modulator alias is the deep mind IDM journey "Promars".
Review: Aedis, aka one half of Iso Aka, is the work of David Iriarte, an Amsterdam-based artist who delves into deep techno territory here with burrowing sounds that are physical but cerebral in equal measure. It's a sound he has interrogated on several EPs for the likes of Hivern Discs in the last five years but never as successfully as this. On Zevar, he navigates tech house depths, mystic 2-step and rolling techno and the EP's spaciousness is striking-modulated delays, cavernous reverb and deep sub frequencies create an immersive trip detailed with fragmented voices and psychedelic refrains on 'Xtz'', intricate breaks on 'Station' and heavy bass tones on 'RTHM' which add texture and tension. Each track balances revelation and restraint. Classy stuff.
Review: A new project based out of Copenhagen - Aether's Spring comes shrouded in mystery but makes a bold statement with this first transmission. WATER: Dancing Moon 12" leads in with "House In Blue Rain," a downcast track bathed in melancholic pads and blown out percussion around a steady 4/4 tick. "Dancing Moon" is a more kinetic affair that works with all kinds of synth shapes alongside some primal drum machine percussion that lends the track a new wave quality that suits it just fine. Closer "Throne Of Clay" spreads across the B side in a brooding, journeying epic fit for the likes of classic James Holden or a more wave-minded Jon Hopkins.
Review: Lirica White Series makes its debut here with the first 12" from AI Robot. There is an element of humanity and real emotion in these sounds right from the off: 'Chicago Babussa' is a bustling and percussive techno cut with some zippy leads that head off to the cosmos. 'Desert Earth' again blends tribal percussion with retro-future synth sounds and chunky grooves that will sound great nice and loud. 'Dynamic' is a throwback proto-house sound with crashing hits and twitchy pads and 'Electric Love' closes out with some pulsing acid lines and a more pensive feel in the chord structures. Four fresh cuts that get this label off to a good start.
Kidz (Elena Colombi's Are The Kids Alright remix) (6:14)
Review: This is the debut EP from DJ, producer and multidisciplinary artist Sol Leon under the moniker aka-Sol. It marks years of creative evolution and finds him blending vibrant energy with raw emotion across three tracks. aka-Sol channels a psychedelic edge into the punk roots of electronic music here by using modular synths and analogue textures to challenge modern club norms and genre boundaries. It results in a fearless offering that is equal parts love letter and provocation and invites headbanging and liberation on the dancefloor. A remix by Osare! Editions' Elena Colombi completes the EP, with experimental, post-punk and club intersections.
Review: Exotic Dance Records founder J.Albert has been scouted out by Will Bankhead for the man's The Trilogy Tapes imprint, and we have to say that this feels like the perfect match. Both the label and the artist have a knack for the unexpected, with the former having released an infinite multitude of electronic genres and the latter twisting and turning between techno, electro, and something undefinable. Made up of glitchy breaks and surreal waves of electornic dust, "Money Between Friends" and "Envy Turned Curiosity" both exude an industrial dubbiness that is rarely achieved by others. On the B-side, "Deepstate Riddim" is some neo-jungle badness that evolves the genre magnificently, and "Designer Life" ends on a more sinister note, launching a minimal wave of electronics surrounded by warm blasts of sub-bass. Recommended, naturally...
Review: With previous appearances from talents such as D. Tiffany, Iron Curtis and Priori, Canadian label 00:AM bring you their fourth various artists compilation. On the A side of 00AM 004, they roped in two artists that they've have had the pleasure of hosting in Montreal over the past couple years: the inimitable DJ Fett Burger, who gives Copenhagen's Alfredo92 (Axces) a woozy slo-mo acid rework of his 'Tente Hjul' (XB3711 F3 Remix). This one is perfect tackle for getting weird at the afterhours. On the flip it's clearly more of a dub techno affair, and where this EP really got us moving and grooving: Vancouver's Elan Benaroch aka ESB with the rolling and hypnotic "Sequential Dub", followed by the glacial and cavernous thump of "Immune" by 2wo2imes taking you deeper into the Quebec winter frost.
Review: Rising Ukrainian producer Aliana shows off a bright, emotional sound on this debut EP. 'My Star Is Acid' kicks off with fresh breakbeats overlaid with metallic synths and busy melodies that uplift your mood. Tito Mazzetta joins Aliana for the more dubby and swinging Detroit house of 'In My Dream' which is a beautiful track and then 'Gravitational Pool' strips things right back to another dubby rhythm that is kinetic and holds you in suspense thanks to the sustained and eerie chords. 'Galaxy Orchestra' is a cosmic techno symphony with more great acid lines and 'Lost In The Future' is space-y ambient for deep thought. A superb debut.
Review: ALIEN FM / RELEASED 1995 ......definitive original broadcast double LP From the minds of Keith Tucker and Blak Tony 430 West records / Direct Beat were pushing the Detroit techno and electro sound to new heights with the original members of Aux88 doing aliases from every member this gem is no exception. Keith Tuckers and Blak Tony's work from the early nineties are master classes on the art of doing something different conceptually and musically. Electronic vocals on this lp. are classic as Tucker and Tony show from the start with the Art of illusion.......and nightmare. Pulsating arps and infectious bass lines round out the first two sides. Side two Infinity and Optaphonic Opera gives you a window into the styles of what was to come from Optic Nerve. Keith Tuckers solo project. This double LP has been sought after for a very long time.......
Review: If you like your electro to be scraped off the sewer pipes and flambeed for extra effect, then ZEMENT have you covered with this mucky gem from Alonzo. "Time Tales" has the kind of grinding synth tones and dystopian vocoder action that would be right at home in a Helena Hauff DJ set, while "My Vibe" switches things up with a saucy vocal take from WMN that comes on like Peaches jamming with Dopplereffekt. "Shades Of Tuch" takes things in a spooky direction, while "The Dead Cry" keeps things sparse and chilling. "Patch Dance" turns the distortion up to 11, and "Ten Fold Rule" rounds things off with another wonderfully murky lead line for the end of days.
Review: Mutual Pleasure clocks up a sixth outing here with more searing electro sounds. Behind the beats is Amadeezy who is from Boston and behind the much-loved trap and dirty south night PVRPLE. He makes plenty of sleazy sounds as demonstrated here on a fun, party-starting EP that is not low on quality. 'Freak Syndrome' (feat partiboi69) kicks off with booty-shaking bass and tight bars while 'Freaky Bitch' is just that with its bumping bottom ends over oversized kick drum funk next to a classic vocal sample. Two further, even more frenzied bass-driven bangers round out the b-side.
Review: This new one on mysterious UK label MoonVoid Records serves up a trio of previously unreleased tracks that were originally recorded in the early 90s on tape cassette by Benjamin Wetherill under the Amethyst Moon alias. Apparently this EP is the first of a few, which is great news once you hear them. 'Lifestheme' is a crunchy and wiry electronic workout with fizzing synths and dense beats. 'Human At The Controls' brings slower rhythms and snaking synths and hissing hits while 'False Alarm (Look Over Your Shoulder)' spins you out in silky cosmic synths and snappy metallic snares.
Review: Dan Andrei is arguably one of the finest selectors of this generation and a master minimal producer who makes electronic music of the highest order. His latest outing sees him inaugurating his own brand-new label alongside Claudiu Stefan. Rainbow Hill is a platform for their more personal ideas and starts with four more of Andrei's brilliantly deft yet dramatic tracks. 'Numan's Touch' kicks off with rolling drums and bass and a fine eco-system of cosmic pads, twinkling keys and fizzing synths that are theatrical and involving. 'What Else?' then gets darker and more intense with heady loops and wispy pads, and again the ante is upped and the darkness pervades once more on the tense and taught dub-tech roller 'This Is What I See'. Last of all, 'Bluer Than Ever' floats above the floor with airy pads and radiant chords. A perfect 5am vibe.
Review: Chiwax welcomes Andrew Red Hand here for his third outing on the revered house label. We're told it is one of his most intimate and personal releases and there sure is plenty of deep and pensive energy to 'In The Cemetery (part III)' with its snappy electro rhythms but long-sustained and introspective chords. 'Summer Nostalgia' is raw, punchy techno and 'Autumn Nostalgia' gets more banging with a brazen bassline and celestial synth glow. 'Sorrowful Joy' closes down with a celebratory air in the happy chords but the betas remain heady.
Review: Circulo Cerrado introduces its first sub-label, here. E.T.D.G. is "where sound tells a story." Aniano invites you in with Una Serie de Crimenes Sonoros, a concept EP that blurs the line between fiction and reality. Driven by a techno undercurrent, the release continues the exploration of El Terror De Galdar while incorporating electro and minimal influences and drawing inspiration from 1980s sci-fi cinema and retro video games. The EP features TR-909 rhythms and intricate Nord Lead 2 synth work and delves into human darkness through electronic soundscapes.
Review: Any Act bring a truly punk sensibility to their techno. This latest visceral offering comes on the Tram Planet label and it is another continuation of their previous outing Ne Boyat'sya. 'Gypsy Man' launches into a collision of twisted melodies and oversized kick drums before a lashing breakbeat arrives to take over. 'Nahuy' is another eye-watering mix of brutal drums and bright, squealing synths then corrugated industrial techno defines 'Amo Delphino' and 'Mabe.' Noise master Cardopusher does his thing on a high-impact remix to close.
Review: Paul Byrne aka Apiento follows up releases on Music For Dreams, World Unknown and World Building with six tracks that go deep for the collaborative Love International & Test Pressing label LIXTP, covering esoteric electronica through to transcendental dance. Beginning with the mesmerising and celestial electro beats of 'Beau6', leading into second A-0side track 'Axis' an evocative one which has you covered for sunrise breaks. There's also more retro vibes aplenty over on the flip with 'Escape Light' which is an intelligent and contemplative IDM cut, while 'The Us Frequency' channels the high tech soul of first wave Detroit.
Review: Manchester's Robbie Mecrow is an acid and electro specialist who is therefore a perfect fit for the interplanetary sounds of Furthur Electronix. This marks his fourth EP on a fourth different label in three years, which might be a slow pace but the music is worth waiting for. There is roomy, IDM inspired atmosphere on 'Spatial Plucks' then more jungle leaning breaks and glistening metallic surfaces on 'Xsd'. The fantastic 'Reconbination' might just be the EP highlight however with its broad bass, twisted drum loops and forlorn sense of mood. 'Rev' (Stack Refix) is an airy, ambient laced closer that suspends you in a techno dreamscape.
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