Review: 'Disco Tape', which launched via a must-check 12" back in August 2023, os Sound Exhibitions' multi-artist EP series. This second volume is a similarly action-packed affair that gleefully blurs the boundaries between reworks, re-edits and sample-heavy original productions. Alexny kicks things off with two sun-soaked treats - the percussive and warming tropical disco tribute 'Caribbean Breeze' and the sax solo-sporting dancefloor shuffle of 'Bada Boom' - before Paride Pavone rounds off side A with the jazzy disco-house celebration of 'In Key'. Phil Disco impresses on side B with two killer cuts (the funky bass-propelled disco heaviness of 'Never Gonna Leave You' and the swirling jazz-funk-house bump of 'Disco Ipno', while disco-funk specialist C Da Afro rounds things off in fine style via the insatiable grooves and fluttering flute solos of 'The Choice'.
Review: B2 Recordings is a label run by Greek talent Bengoa as a platform to offer up his own diverse sounds. Here he serves up a new single featuring Pan that is sublime, seductive and deep. The vocals you will recognise from a classic pop hit but here they get all resung in an even more libidinous fashion. The drums roll, and the percussion is loose, and bright but soft chord stabs heighten the mood. Flip it over for an instrumental version of 'Thelxis' that is all about the late-night grooves. Two stylish sounds for romantic moments.
Black Devil/Prins Thomas - "On Just Foot (Slide Inside)"
Black Devil/Unit 4 - "An Other Skin (Days Of Blackula)"
Black Devil/Black Mustang - "Constantly No Respect (The Phenomena Of)"
Review: Black Devil Disco Club returns to action on LoEB with "Ride Again", a collection of mixes from his "In Dub" album. First up is the Prins Thomas mix of "On Just Foot", a chugging Italo disco groover led by a rolling arpeggiated b-line, quirky analogue stabs, vocoder vocal hits and wicked conga-laden beats. Proper floor-pleasing Italo workout. Next we have the Unit 4 mix of "An Other Skin", more b-line driving space disco with dark sounds and huge synth lines. Last but not least is the Black Mustang mix of "Constantly No Respect", a hard-hitting percussive jam exploring the darker side of the Italo universe.
Mark Brickman & Yam Who? - "Shined On Me" (feat Venessa Jackson) (7:30)
Wayfaring Strangers - "Get Your House In Order" (6:12)
Platinum City - "Holy Spirit" (7:35)
Yam Who? & Brian Lucas - "Yah Mo B There" (6:16)
Review: House music's roots are in the church and this new a celebratory various artist collection pays homage to that. The grooves are laced with soulful vocals, churchy chords and big strings that make for grand architecture and grander feelings of joy. Mark Brickman & Yam Who? open with a vocal gem that cannot help but bring a smile, while Wayfaring Strangers pump it up a little more with some funky disco house before Platinum City get you locked in a nice loose, long legged groove that is resplendent with lush keys and big vocal turns. 'Yah Mo B There' has an irresistible 80s vibe and big sing along choruses that will get hairs standing on end.
Peter Seiler - "Timebend" (feat Sheryl Hackett) (4:32)
Eoism - "Ultraverse" (5:00)
Voertuig - "Cego" (5:19)
Voertuig - "808 Ambient Jazz" (3:45)
Eoism - "Even Flow" (5:45)
Review: Colkin from Raw Soul and Mauke Club sets the tone on this new FUTUR compilation, which has been curated by Benedikt Meger with a spherical acid house meditation. Peter Seiler's track, a standout from the reissue of his debut album Flying Frames, features Sheryl Hackett's soulful vocals and merges song structure with jazz improvisation. Eoism from Pulse Drift, Undersound, and Inch By Inch delivers low-swung electro flavours perfect for sunset vibes while the B-side opens with Voertuig of Tonal Oceans and Cobra Club who presents a seriously raw acid jam followed by an experimental, jazzy piece, reminiscent of the 90s downtempo era. 'Eoism' closes things with a floating, futuristic banger, going to make a well rounded (in more ways than one) and ultimately very useful piece of vinyl.
Dirtyelements & Drunkdrivers - "Keep It Coming" (De Gama edit) (6:09)
De Gama - "Some More" (De Gama edit) (5:53)
Paul Older - "Sax Francisco" (De Gama edit) (6:22)
MB Edit - "Got The Feeling" (De Gama edit) (6:24)
Review: Samosa Records makes a big stride into 2024 with their first offering of the year in the form of the intriguingly named (Re)-Funk+Head EP. Crafted by De Gama himself, all four tracks have undergone careful selection and re-editing. The A-Side kicks off with Dirtyelements & Drunkdrivers' hypnotic club anthem 'Keep It Coming', a blend of bass, keys, and vocals that seductively engage the senses. De Gama follows with 'Some More', a flute-infused funk bomb that ignites primal urges. On the B-Side, Paul Older's 'Sax Francisco' serves up a tropical sorbet of a tune, while MB Edit's 'Got The Feeling' delivers a relentless disco journey. '(Re)-Funk+Head' really embodies Samosa's commitment to pushing things on.
Review: While hardly a "Holy Grail"all bar a few people didn't know it existed until recently, D.J Never Sleep's sole single, the private press gem 'Teorema', can certainly be described as "buried treasure". It was reportedly the work of some experienced Italian producers, though its' sound is all Spanish guitar solos, early house-meets-Latin freestyle beats, joyous Piano riffs and evocative female vocals, it is pure formative Balearic house. This Thank You reissue not only showcases the original EP's two leading mixes (track two here, the more chugging and synth bass-sporting rework, is the pick), but also a never-released, effects-laden 'Never Sleepy Beats' drum took, plus versions in Spanish (B1) and French (B2).
Review: Africa Seven's A7 Edits offshoot has already proved to be one of the better re-edit series around, primarily because they consistently employ some of the best re-editors in the business, offering them the opportunity to select tracks they want to rework from the parent label's vast catalogue of licensed cuts. This edition - the seventh EP to date - is another action-packed winner. Rising star Alan Dixon delivers a lightly tooled-up, all-action revision of Gyedu Bley Amadou's tropical disco classic 'Highlife', before Barcelona-based John Talabot and Pional re-frame Ekambi Brilliant's 'Afrika Afrika' as a kind of Afro-post-punk/dub disco mash-up. Over on side B, Escapade dances through a bouncy disco-house take on Pasteur Lappe's 'Na Real Sekele Fo Ya', while Jacques Renault expertly rearranges Michael Amara's Afro-disco-funk staple 'New Bell'.
3kelves & We Are Neurotic - "Laguna Reservoir Funk" (4:00)
Naux - "Foxxy Cleopatra" (6:18)
Partner Music - "People Should Romance" (5:15)
Review: Moiss Music is dropping two slabs of heat this month - their sixth and seventh EPs overall. Both are various artists' collections with plenty of 'floor-facing disco fun. Mathew Ferness opens this one with 'Paradisio' which has plenty of inspiration taken from late afternoon dances somewhere like Ibiza. 3kelves & We Are Neurotic get you working your feet with the busy percussive grooves and squelchy synth funk of 'Laguna Reservoir Funk' while Naux brings lots of loopy fun and throwback vocal goodness to his steamy 'Foxxy Cleopatra.' Partner Music rounds out the EP with the most energetic and busy of the lot - the restless melodies of 'People Should Romance.'
Review: 'Suite For Chick' is a heartfelt tribute to the late jazz legend Chick Corea. This 12" was assembled to reimagine classics like 'City Gate, Rumble,' 'Time Track,' 'Hymn of the Heart' and Return to Forever's 'Romantic Warrior.' It finds Bangkok-based Maarten Goetheer collaborating with Thailand's jazz virtuoso Pong Nakornchai and blending Wurlitzer chords, Moog basslines, ARP leads and Rhodes phasings. Inspired by his jazz-pianist father, Maarten fuses classic jazz with modern genres like techno, cosmic disco and ambient for a fresh take on jazz fusion. These electrifying interpretations honour Corea's pioneering legacy in jazz and fusion from his groundbreaking work with Miles Davis to founding Return to Forever.
Peter Britto - "I Want Your Love" (Ben Gomori Festival Romance edit) (7:58)
Emmanuel Kahe & Jeanette Kemogne - "Ye Medjuie" (Ben Gomori Open Goal edit) (7:49)
Black Truth Rhythm Band - "Umbala" (Ben Gomori M'bala edit) (6:20)
Review: Monologues boss Ben Gomori has served up plenty of edits of African classics for labels like Sterns Music and Analog Africa, and now presents four Afro-Caribbean reworks licensed from tastemakers in the scene, namely Mr. Bongo, Soundway Records and Analog Africa. He injects South African legend Marumo's 'Khomo Tsaka Deile Kae' with big beats, while Black Truth Band's 'Umbala' is paired back to a disco bumper. Emmanuel Kahe Et Jeanette Kemogne's 'Ye Medjuie' brings 1980s Cameroon funk and Peter Britto's lo-fi soca gem 'I Want Your Love' is beefed up for the club. Useful tools for sure.
Review: Intrallazzi and Dario Piana have been friends and Milanese scene contemporaries since 1981, when they both fell in love with the distinctive Afro-Cosmic sound of local DJ (and later Piana collaborator) Daniel Baldelli. Since then, they have both made records aplenty under a variety of aliases, but this EP on Leng marks their first joint release. The headline attraction is opener (and lead cut) 'Out of Control', a dubbed-out cosmic disco chugger propelled by echo-laden percussion and a deep, low-slung bassline, smothered in psychedelic synth and guitar sounds. Fellow Italian producer LTJ Experience remixes, offering up a stripped-back and acid-flecked interpretation. Elsewhere, 'Lazise' is a TB-303-sporting cosmic shuffler and 'Saocraffen' is a Baldelli-influenced fusion of Afro-cosmic funk and ethereal Balearic sounds.
Review: The third volume in Colpo Grosso's edits series amounts to yet another slinky slice of sensual post-Italo disco sundries. With each original artist and track title on the record respectively lent a three-letter and N-letter abbreviation, we'll leave it to you to piece together the puzzle as regards to whose source material is being reworked here. On this occasion, the hired hands are Massimo Voci, M.B. Funk, Wandevogel and Legowelt, each of whose takes on the various steam-downs and sweat lodgings of the genius genre that is Italo amount to four farther, slammingly sexual condensations of the sound. Our fave has to be Vandevogel's version of 'PRNDLCS', which starts out dramatically downcast before launching into a well-placed implantation of baritone sax and *bonne brisse* vocals.
Review: Mr Bongo's Brazil 45's series brings us two Brazilian classics: Rita Lee & Tutti Frutti's 'Agora E Moda' and Pete Dunaway's 'Supermarket'. 'Agora E Moda' from Lee's 1978 album Babilonia is a psychedelic disco-boogie groove highlighted by squelching guitar licks, funk drums, and cosmic vocals. Rita Lee, the former lead singer of Os Mutantes and a key figure in the Tropicalia movement, left a lasting legacy upon her passing in 2023. On the flip side, Dunaway's 'Supermarket' is a rare groove/AOR gem with a standout bassline, swaggering guitar, and lush strings, showcasing his talent as a composer and multi-instrumentalist. This release celebrates the enduring influence of Brazilian music.
Review: Whether she likes it or not, Sophie Lloyd will always be known for the unfeasibly uplifting gospel disco-meets-gospel-house anthem 'Calling Out'. That was released five years ago and ever since, she's struggled to embrace it's shadow. With 'Angels By My Side', Lloyd seems to have embraced this, delivering another fine gospel-powered number that inhabits a similar sonic space while being different enough to avoid accusations of treading water. It's genuinely good, too, with Pauline Taylor delivering superb lead vocals over a hybrid gospel disco/stomping gospel sound hybrid full of Hammond organ licks, booming bass guitar, piano house riffs and stirring orchestration. In other words, it's another anthem in waiting.
Review: According to the hype sheet we have to hand, the "Home Turf EP" is House of Disco's first multi-artist extravaganza for two years. There's plenty to get the juices flowing throughout, from the bounding bounciness of LPM's rap-sampling disco-house cut "Get With It", to the impeccably warm and sun-kissed jazz-house vibes of Purple Ice's "Adeus". In between you'll find the rolling, synth-heavy warmth of Mix & Fairbanks' deliciously loved-up "Shergar's Revenge" and "Me, You, Us" by Shee, a chunky sample-house number full of swirling strings, looped guitar riffs, hazy chords and righteous spoken word samples.
Tu Amor (feat Persona RS - Your Love Spanish version) (5:40)
Tu Amor (feat Persona RS- Double Drop Luke E Soul re-edit) (7:14)
Review: Sometimes, the right track just lands in your lap. That's exactly what happened with Mamacita's 'Tu Amor', a Chilean cover of Jamie Principle & Frankie Knuckles' 'Your Love'. Originally released in 2012, it started making waves after being played in sets by the Idjut Boys, catching the attention of DJ Steve KIW, who passed it on to Mr Bongo. It quickly became a favorite. While playing in Barcelona, Luke Una dropped the track in his set, and it instantly clicked with him. The track's raw, DIY vibe, paired with its quirky arrangement, made it a perfect fit for E Soul Cultura, and now it's getting its first vinyl release. The song was created by Chilean DJ Mamacita (Carolina Vallejos) and producer Persona RS (Sebastian Roman) on lo-fi equipment, channeling a DIY energy that recalls early Chicago house. It became a hit in Chile's underground scene, though it didn't receive much attention outside of Latin America and the US. For this release, Luke Una and Luke Solomon re-edited it, extending the track and emphasising its wonky synths, while still keeping that unique cosmic feel. Both the original and the re-edit are included in this vinyl release, bringing new life to a previously overlooked gem.
Pam Todd & The Love Exchange - "Can't Hold The Feeling"
The Music Makers - "Jump, Jump, Jump"
Review: Some rare late night delights championed by the great Ron Hardy brought back to life on this one. Catherine Miller's 'Hunchin' All Night' from 1977 is good old fashioned disco that way it was intended, while Pam Todd & The Love Exchange deliver the life-affirming and timeless 'Can't Hold The Feeling' from the same year, and on the flip you have The Music Makers' classic 'Jump, Jump, Jump' from 1979 making RDY #48 a must have for disco lovers.
What Cha Gonna Do With My Lovin (instrumental mix) (7:00)
You Gonna Make Me Love Somebody Else (extended club mix) (8:14)
You Gonna Make Me Love Somebody Else (instrumental mix) (7:38)
Review: Spencer Morales taps into the most lavish and soulful end of the house spectrum here with a glorious new single 'What Cha Gonna Do With My Lovin.' The glossy and sophisticated production oozes charm and high end touches while the vocals are as pure as they come - soaring, full of soul and nicely in sync with the rolling beats and golden chords, sumptuous strings and loose percussion. On the flip, 'You Gonna Make Me Love Somebody Else' is a rework of a disco classic with another catchy vocal and more infectious soulful house grooves.
Review: Two Balearic musicians with no relation beyond chemistry, Kiko Navarro and Pere Navarro debut as a duo with three tracks that stitch together house and jazz with an intuitive ease. Kiko's Mallorca-honed sense of deep, groove-led house is given new colour by Pere's nimble trumpet work, rooted in his training and practice across Ibiza's jazz and club scenes. 'Byrd's Groove' opens with dusty swing, its crisp drum programming softened by Pere's sunny phrasing and melodic asides. 'Keepn On Loving Me' is the standout, built on a chunky low-end and looped vocal that moves like classic New Jersey house, with trumpet lines that smoulder and lift. 'Blown Flow' closes on a dubbier, more headsy tip i less peak-time, more sunrise session i giving a stylish finish to an impressively coherent first outing.
Vente Pa Ca (feat Jimena Angel, Jah Sazzah & Poirier) (4:34)
Vente Pa Ca (feat Jimena Angel, Jah Sazzah & Poirier - Poirier remix) (3:47)
Review: This is a global single with a great story that starts with an afro-funk groove made by Italian Jah Sazzah. He wanted a vocal for it so turned to Nickodemus who handed his own touches and then sent it Grammy-nominated Colombian vocalist Jimena Angel. The result is a vibrant Afro tune with vivid melodies. Remixer Poirier is a legend in Latin music circles. The Montreal man has formerly been associated with Ninja Tune and is synonymous with lots of classy remixes and fresh takes on a modern Afro-Caribbean sound. This is another one that reworks the ring into a more bouncy and infectious sound with gorgeous vocals and a clean arrangement that allows the drums and perc to shine.
Review: Global Essence Sampler is a new series from Deep Inspiration Show Records that calls upon a fine roster of international producer talent to serve up one track each and reflect on what deep house is today. For Allstarr Motomusic the answer is smooth and cruising house grooves with elastic basslines and distant vocal wails. Barce explores classic Larry Heard-style cosmic melodic territory with plenty of star-gazing potential, and Zarenzeit's 'Zahara' is another one that floats amongst the stars with lush ambient pads. Jank offers a more dusty, rhythmic house sound for cosy backroom parties, and then come the jazzy melodies and soulful bass noodling of Jan Kincl's '3300 Gratiot Ave.' Magic stuff.
Review: This a unique release that features a song that was released by two different bands during within the same year. The song 'Meshkalina' was by a psychedelic and prog band from Peru called Traffic Sound and then, soon after, by Latin duo Paco Zambrano and Reynaldo Murrieta under the name Paco Zambrano Y Su Combo. The latter version is more traditional and Latin while the Traffic Sound version is more psychedelic garage rock band-like. Two formidable and very different versions featured on limited splattered 7" vinyl.
Painel De Controle - "Relax" (extended Waxist version) (5:54)
Rabo De Saia - "Ripa Na Xulipa" (Charles Maurice extended version) (5:28)
Famks - "Labirinto" (Nick The Record extended version) (6:17)
Review: France's Favorite label dabbles in all things funky and disco-flavoured, and this time they've decided to go with a Brazilian edge on their latest 12". Painel De Controle begins with a Waxist mix of "Relax", a chilled-out boogie monster with sultry vocals, while "Ripa Na Xulipa" by Rabo De Saia is more uplifting and heavy on the disco strings. Finally, Nick The Record rewires "Labirinto" by Famks into a subtly electro-fied boogie nugget. Nice!
Review: Ravanelli Disco Club has assembled a selection of remixes of Palavas and this first instalment of them comes from the likes of deep house master Jimspter, disco king DJ Rocca and the melodious Musumeci. It is the Freerange boss Jimpster who goes first with his version of 'One Night Is Not Enough', a lithe and soul drenched sound with horns, chords and vocals that all melt the heart. Musumeci brings a more direct and soulful techno sound, and the DJ Rocca remix is a sparkly one full of cosmic energy. 'Chevauchee Fantastique' (JKriv remix) brings some classic string-laced Philly sounds and Dicky Trisco shuts down with Metro Area style nu-disco.
Late Train (Emperor Machine special extended version - vocal)
Late Train (Emperor Machine special extended version - instrumental)
Review: Nurtured by Mudd and owners of their own stunning live band, Paqua should really deliver more Balearic bliss than they have. As we wait tentatively for more heartfelt, organic sun-kissed soul, Claremont 56 have commissioned some incredible remixes... "Late Train" gets a full cosmic treatment from the Idjut Boys while Emperor Machine takes it down a dark alley and roughs it up with a series of analogue synth slaps. Ray Mang, meanwhile, focuses on the dreamiest aspects of "The Visitor" and rearranges and polishes them in a way that's reminiscent of a certain Andrew Ashong. Stunning.
Review: The Paradise Projex is a UK group that says they make "music with friends old and new." And that music is stylistically a balance of old and new, as this first EP from the new Expansion signings shows. It has slick modern production but a classic soul vibe over lush jazz drumming, with plenty of glowing and golden synths. The vocal work is buttery smooth and spreading positive messages of love. 'Feels Like Home' is all swooning grooves and beautiful harmonies, 'For This Love' has a Stevie Wonder feel and 'One Mind,Two Hearts' is life affirming dance floor goodness. 'With You' ends on a more pensive note and closes a fantastic EP.
Still Waiting (Brian Not Brian & Piers Harrison 'Like A Version' Disco Dub No.4) (6:39)
Always Liked Scarecrows (7:16)
Eavesdropper (5:47)
Review: Hilarity ensues with Miles J Paralysis and his new 'Folktronic' EP. Brought to the Leeds-based label Crying Outcast, this is an authentic crock of real dancefloor experimentations by the debuting artist, furthering our sense that this West Yorkshire city's contribution to dance music history an indelible one. Here, one can really hear the admixture of humour and attention to detail gone in, with dark-comedic label name matching tongue-in-cheek-microgenre-used-in-title, which mocks the Four Tet populariser style. We were surprised to hear, then, a relative lack of dulcet arp twinkles set to tricky fidget-tech house here, as is the "folktronic" sensibility. Instead, 'Still Waiting' and its corresponding Brian Not Brian and Piers Harrison dub bring a much headsier, erudite, lettered sound, with trippy didgeridoo design marking the opener and wonkier speed-plods following on the remix. 'Eavesdropper' plays on the Leodian favourite that is chug music, with reverso-yearny pads alternating away in the back, while 'Always Liked Scarecrows' makes titular use of the kind of offhand, fieldside observation many daydreamers like us often use: uncanny mock 303s, dubbing martial arts.
Review: Paris Acid City are an intriguing label, taking their namesake from acid house but focusing their efforts largely on contemporary disco. Though we're not exactly sure who concocted these ones, 'Throwing Stones', 'It's Music' and, yes, 'Music', still make for squeezy, excitable disco struts. Huge vocoder-play, G-funk whistles and massive, emotionally charged breakdowns abound.
Review: French progenitors of the dance Paris Acid City keep the spark of French (disco-) house alive with their latest EP 'PA City Two'. A label / moniker seemingly dedicated to capturing the bustle and excitement of 80s-90s Paris, bottling it in disco-house music form, the likes of 'Falling Planet Earth' are glamorous ear-grabbers, the equivalent of bowling down a high-fashion Boulevard with a wad of cash in hand. Then comes a tribal detour on 'Hupendi Muziki Wangu' before we land touch down g-funky, P-Funky Los Angeles on '212 North 12th'.
Review: Attention banger alert! Parissior is a Spanish DJ producer who has been producing countless tracks for many years now. His style could be described as a mix of dark disco, indie dance, Italo, and trance, but personally we think it goes much further. He has a total mastery of the art of production (something we have rarely seen); it seems more like sound design it sounds so huge. He's managed the perfect EP - one that all the Italian indie dance producers, one that even the biggest names in the genre have thus far failed to create. There's nothing cheesy about it; we've been listening to his music non-stop since we received it, with no weariness in sight. This guy is monstrous. The 12" begins with the brilliant 'Antennae', which is the perfect mix of Italo new wave & trance, followed by 'Canes Venatici', which could've been created by Daft Punk if they'd chosen to be less commercial. and put their balls on the table instead of hiding behind masks. 'Ceres' and 'Alpha Apodis' follow the same line. This maxi is gigantic - a f%c$ing masterpiece.
George Duke - "I Want You For Myself" (Theo Parrish edit) (7:43)
Review: Adhering strictly to a distinctly Chicagoan tradition in DJ sets - using razor and tape to prolong the most crucial parts and phrases of the track, to unseat and suspend ravers - house music legend Theo Parrish has always sprinkled his sets with his own, unique takes on classic and obscure disco, funk and soul. Some of these edits were available to fans in mid-noughts via Parrish's Ugly Edits series, which set the tone for the "edits series" format at large; but whereas most of these outfits have only adopted this approach by a sort of prescribed mimesis - their efforts adding up to precious little more than one, somewhat formless pale imitation - the OG Parrish here returns to the format with a punny new round-two (not Ugly Edits, but Lovely Edits) blowing said inane, bordering-on-AI-generated competitors out of the park with two new, fully-sample-cleared versions of two corresponding, utterly heated staples: BT Express' 'Peace Pipe' and George Duke's 'I Want You For Myself'.
Review: Naples does disco like nowhere else and that is from where this EP originates. It is like a siren call to Balearic beat lovers with its hypnotic drum loops and dazzling Italo melodies, The angelic vocals rise out of the mix next to pixelated pads on 'Sirenusa' and soon have you shaking your ass. On the flipside is 'Vetara' which is edgier and driving for the later night hours. But it is still lush and cosmic disco, with swathes of retro-future synth sounds, chugging drums and crispy 80s textures. Irresistible stuff.
Review: The Neapolis label brings us two slices of sun drenched house with a distinctly European feel and a dubby twist, as Partenopes from Naples offer up the beach ready 'Nella' before Craig Bratley takes the track and turns it on its head. His remix is a slow burning acid affair set to leisurely, breezy hip-hop beats, tailor made for that hour when the sun goes down and the tempo goes up. Magical.
Review: Neapolitan producer Partenope certainly wears a big Underground Resistance influence on his sleeve in the case of 'Odysseya' - it's even mentioned in the press release, and we're not going to argue either. But it's no bad thing, especially as it's a general love of the soulful, uplifting, musical end of the techno scale rather than a creative plunder of any UR track in particular. The label has pulled out the big guns with a Gerd Janson remix to accompany it too, and Janson certainly delivers with his warm production bringing out the best via three way acid trance techno hybrid.
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