Back catalogue:

Review: For the latest volume in their Foundations series on BBE, Kai Alce and DJ Spinna have decided to reissue one of the finest records from the earliest days of Chicago house, Chip-E's spellbinding 1985 anthem "Like This". This seven-inch edition features a fresh edit of Chip-E's original cub mix on the A-side. This version is essential largely because of the quality of K-Joy's impeccable vocal, though the re-mastered sound also makes Chip-E's crunchy Roland drum machine hits, bold synth-bass and spacey lead lines sound better than ever. Turn to the flip for the heavy and stripped-back "DDD Dub" version, which makes more use of the short "Like This" vocal, which was originally provided by the Godfather of House himself, Frankie Knuckles.

Review: UK legend Dego and killer keys-man Kaidi Tatham have been in a rich vein of form of late, dropping brilliant EPs on Eglo, Sound Signature and Rush Hour (the latter under their 2000Black alias). Here, they return to Eglo with four more slices of warm, rich, soul-flecked fluidity. As with previous outings, much of the material has a laidback jazz-funk feel, particularly "Orbiting Uhara" and the delicious "The Vault Descends" (think bustling bruk rhythms and darting boogie synths). They also offer up some tougher, synth-laden bruk-funk in the shape of "Man Made", while "Black Is Key" sees them unfurl a head-nodding vocal roller.

Review: Many years after the first instalment we are now treated to a second volume of the Culross Close project from K15, a one time Wild Oats graduate, artist, DJ, producer and deep thinker who mixes up house, hip hop and jazz. He assumes his usual alias for the opener 'Pulse' which dances on dusty drums with nagging melodies in the middle and plenty of swing. On the flip he becomes Culross Close for 'Dawn' which his less club ready and more expressive, with heart melting pianos and a real jumble of drums and perc that is brilliantly loose.

Review: Radio Slave's Rekids label welcomes Berlin mainstay Mathias Kaden for a new single that features Zoe Xenia and remixes from label regular Ian Pooley. 'Blackbird' is a big tech house cut that is defined by its scintillating synth work which dances a busy dance over metallic, synthetic drum sounds. The vocals are the fiery finish that will make this a real club anthem. It also comes as an instrumental while the Ian Pooley Pooley main remix brings a little more funk and nuance to his well swung house drums. His basic dub then ups the bas weight and drum intensity to make for a fine finish.

Review: Kalita Records are proud and honoured to announce the first ever and official reissue of Kallaloo's sought-after 1982 disco single 'Star Child', accompanied by interview-based liner notes. Originally released on Jeffrey Turpin's Trinidadian record label IDA, 'Star Child' has since become highly sought-after by both DJs and collectors alike as an invisible, yet astonishing piece of Caribbean disco. Unable at the time to gain the traction and success that it deserved, we hope that this re-release provides an opportunity to bring such a great record to a much wider audience.

Kallaloo consisted of various Trinidadian musicians including Keith Alexander and Peter Wayne Barkley. Keith had been well-respected as a member of the Trinidadian group Impact, and was later to become an in-demand producer and composer under the name of Keith Diamond, responsible for various hits by Billy Ocean, Donna Summer, Starpoint and Melba Moore. In contrast, Peter was a well-known recording session drummer, but after 'Star Child's' release he moved to North Carolina to pursue other interests and "was never heard from again".

'Star Child' was recorded at Right Track Recording, in mid-town Manhattan, New York. As Jeffrey recalls, the atmosphere in the studio was "great", with "everyone upbeat, the cream of the crop just looking for that break... everyone was talented and just wanted the chance to express their own ideas". Five hundred copies of the record were released on IDA with a white label design, and they were sold both in Brooklyn, New York and Port of Spain, Trinidad. It was also released on a red label, however this was not to Jeffrey's knowledge at the time.

Jeffrey explains that the reason why the record didn't fare well at the time was because of the difficulty in getting the song played on the radio. As he recalls, radio stations were much more likely to play 'radio versions' of songs which lasted for a couple of minutes, rather than five or seven minute 'extended' versions such as 'Star Child', which were more suitable to a club environment. In addition, as Jeffrey explains, radio airplay is a "political business", and also within a short while band members such as Keith got their own breaks, and the Kallaloo era was over as quickly as it had started.

Review: The Polyversal Souls are renowned for the strength of their collaborative singles, which to date have featured all manner of legends and rising stars from the underground African music scene. This time around, the German-Ghanaian band provides high-grade backing for guest vocalist Frank Karikari, son of legendary Highlife musician Ralph Karikari. The A-side medley of "Siakwaa/Nana Agyei" is particularly good, with Karikari's confident lead vocal rising above shuffling, soft-focus drums and ear-catching juju guitars. Flipside cut "Odo Agye Gye Me" is great, too, offering a slightly more upbeat and undeniably percussive fusion of highlife/Afrobeat fusion.

Review: The new Balearic release from Italian producer Katzuma is a four-track compendium of futuristic slosh, blending the essence of a classic beachside party sound with the pristine synthetics of the 21st Century. Packed with three originals and a fourth, unprecedented remix from fellow pusher Al Kent, it's a release packed with both low-end propulsions and shimmering, pool-refractive strings, providing a nice sonic dialogue of tension and release throughout.

Review: Fingier Records is a new Acid Jazz sub-label that is back with a brand new 7" from The Kevin Fingier Collective. It's a real dance floor heater that is perfectly aged and authentic as it mixes up Northern Soul and r&b with driving guitar rhythms and steamy piano chords. The horns are killer but the vocal is the icing on the cake. On the flip things get Latin flavoured with the bossa-tinged mod jazz of 'The Great Akerman' which is defined by lush flute and organ vamps. This is a great taster of the full length to come from The Kevin Fingier Collective.

Review: Spain's Esuoh White label kicks on here with a sixth outing that welcomes various talents to offer up their own deep house delights. Kid Mark kicks off with 'Need U' which is a big-hearted jam with full-throttle vocals and hefty house drums. Chris Fry & Owain 124 slip into a deeper vibe with the sunny loops of 'Together' and lush guitar trills. Ezequiel G channels the raw jack of early era-Chicago house with 'Soul Enough' then George Feely shuts down with the high energy and hard hitting house sounds of 'Groovin'' complete with an effortlessly uplifting and soulful filtered vocal.

Review: Emotional Rescue closes out another brilliant year with one final hot drop. This sorting 7" Safari by King Sporty was the artist's first ever single back in 1976. It comes after the label has served up plenty of reissues of the man known as Noel Wiliam's tackle but this one might be the best. It's from his album Deep Reggae Roots and is nice tropical excursion with steamy hits, wooden percussive sounds and funky bass over a low-slung groove and chanting vocals. This one is backed with a special disco mix by Lexx that reworks the tune for more lively moments.

Review: After kicking off the year with the stellar MoBlack Gold Vol. 2 VA, Mimmo Falcone's label does it again with a crucial cluster of spiritually charged, Afro-rooted house jams from on-point producers. This 12" kicks off with Manoo's remix of KingSfiso, creating a delicate, melancholic trip out of 'Ilanga' with Mbuso Khoza's vocals front and centre. David Moralez gets seriously deep into the groove with his Red Zone mix of Sound's Good Inc's 'Masen'hamba'. FNX Omar offer up a brooding cut driven by organic tones on 'Ghomari', and Re You & Soheil bring a more electronic palette to bear on their own Afro-house throwdown, 'Mapawani'.

Review: Soundscape Versions delivers its third edition of the various artists series and offers four effective cuts between subtle house breaks, acid house, electro and atmospheric techno. Featuring Kintaro 89, Faune, Arian Alexander and Douala.

Review: Blending elements from disco, Italo, jazz and Balearic house, this release delivers a fresh take on techno and house while paying homage to dance music's rich history. 'Enjoy You So Much' starts things off with an electrifying mix of disco and Italo-inspired tech house. A driving beat and infectious piano hook make it an undeniable floor-filler, bursting with energy. 'Volero' follows with an effortlessly fun vibeiplayful yet groove-focused, designed to keep bodies moving without overcomplicating the rhythm. Flipping to Side-2, 'Work Harder' injects a jazzy, tribal-influenced groove, complete with an impressive horn section that adds a touch of live-band warmth to the dancefloor. It's a breezy, sun-soaked track with a balearic spirit that radiates positivity. Closing things out, 'You Can, You Will' takes a deeper, techier route. While it leans into a more hypnotic groove, it never loses its sense of fun, balancing depth with an upbeat momentum. This release helps bridge the evolution of house and techno with style, bringing classic influences with contemporary production. A creative and danceable ride through the spectrum of electronic music's past and future.

Review: This London-based crew follows up their recent and acclaimed Akyio project with a 12" that dives deep into the vibrant rhythms of Brazil. The original is by the unique Samba De Matuto Leao Do Norte De Maragogi and was recorded by DJ Tudo. Kolago Kult offers a mix that is packed with Latin swagger, organic percussion and jumble of hand drums while the late Master Tiao adds his vocals to this samba-inspired street sound. Kolago Kult then steps up with two psychedelic remixes that are packed with heavy and dubby rhythms and many layers of percussion. A truly global journey, this one.

Review: From Kon's forthcoming compilation on BBE entitled Kon & The Gang, this 12? sampler features two cuts taken from the LP and an exclusive remix from Boston producer and mix engineer Caserta, namely "Timeless" (Caserta mix)" a tasty serving of super deep and low slung disco goodness. A more functional edit for DJ use follows on "Timeless" (remix - Caserta mix)". On the flip Truccy (better known as Compost's Rainer Truby and Corrado Bucci) present "Closer", a gorgeous slo-mo house jam with a rolling groove fetauring all the good stuff: swirling Rhodes keys, groovy congas and hypnotic vox.

Review: Bosq's take on Konkolo Orchestra's 'Le Secret' feels like the moment when an Afrobeat anthem gets suited up for the club. Infused with his trademark Latin disco edge, the remix blends the rich pulse of Afro rhythms with sleek, dancefloor-ready beats. It's clear Bosq's move to Colombia has added a fresh sense of urgency to the track: percussion snaps with precision, while lush, warm keys wrap around the groove. The instrumental mix on the B-side strips it back, leaving only the track's hypnotic beats and intricate textures to breathe perfect for DJs looking to build atmosphere. This is Bosq's take on Afrobeat, refracted through his own shimmering lens, and it's infectious.

Review: Spanish reissue label Rocafort present this wonderful slice of highlife from Konkolo Orchestra, this time on nice blue wax as well as a plain black version. It's not exactly clear where, or indeed when, exactly the band came from, but their sound is all you need to worry about. 'Blue G' is a lilting, shuffling message of love and support for future generations, and from the message to the effervescent musicality, it's a no-brainer. On the flip, 'That Good Thing' is an instrumental that spirals outwards on the sweetest keys, joyous brass and dreamy guitar, driven by a pattering drum section to radiate good vibes wherever it's played.

Review: "Fresia Magdalena is about activism" says Berlin based Peruvian Sofia Kourtesis. It comes after a breakout 2020 that saw her get props as far and wide as The Observer and Mixmag as well as playing in NME's Top 100 list. She builds on that success with another EP that marks a big step up and features her singing properly on her own music for the first time. The sound sources here owe a lot to Peru, with jingling bells and rumbling bass, rich melodies and also explicit field recordings collected from around the city of Lima. The grooves are rooted in house but explore the every edges of the genre in personal and absorbing ways.

Review: Burnski's Constant Black kicks with yet more robust tech house for considered dance floors. This one comes from the ever-present underground stalwart Diego Krause and he opens with 'Bound', a perfectly driving and deep cut with slinky drums and smart vocals that are brought to life with sci-fi synth effects. 'Munro' is brilliantly lithe and elegant, with wispy synth motifs peeling off a super smooth and slinky groove. 'Phantom' ups the pace with a little more tech house urgency but still plenty of deftly designed cosmic pads. 'Flux' shuts down with kinetic, tightly coiled drum funk and popping neon colours. Great work all around from Krause.

Review: Afrobeat virtuoso Seun Kuti is soon to release his highly anticipated album, Heavier Yet (Lays The Crownless Head) later this year. It features guest appearances from Damian Marley and Sampa The Great so promises to be a global sensation. Ahead of that, we get a taste of things to come from his distinctive Afrobeat sound with this powerful new work on Milan's Record Kicks. First up here with get the bubbly rhythms of 'Emi Aluta' (Zamrock remix) then 'Emi Aluta' (feat Sampa The Great - 45 edit) comes complete with some hard bars.

Review: GLBDOM Classic drops a second vinyl release here in the form of a various artists' selection of vintage house sounds. Manuold's 'Hey Sunshine' gets things underway with some back-to-the-90s kick drums and playful horns with uplifting vocal samples making for a sweet vibe. Evenn's 'Inner Dance' is a nice raw house bumper with vamping chords and some soulful Detroit chords in the background. Scart Lead then keeps things silky with the smooth pads and muted melodies of 'Everglades' and Esspee and Kid Only close out with two more ageless house gems that pair dance for clout with heartfelt soul.

Review: Exploited is one of those ever-present labels that have never made big headliners or had breakout anthems, but that's probably helped it stay relevant rather than getting chewed up and spat out by the hype cycle. Label head Shir Khan is back here to present a 36th Black Jukebox EP, with Paul Rudder & Kresy serving up the tunes. Their first collab is warm Euro-centric deep house which then gets remixed by Kresy into a 'Continuum mix.' On the flip side, Rudder goes it alone with another warm, well-designed and catchy house roller in the form of 'Her Dream Road'. This time, Kresy serves up a heady Mellonized mix to close out.

Review: After 20 years of a restful sleep, the legendary Icelandic Thule offshoot house label 66 Degrees has been resurrected. Three deep cuts exhibiting what is in store for the year 2022.

It begins with "Can Ride", a neo-disco anthem from former resident Justin Simmons. Nifty groove with an acid-bassline - topped with all the razzle and dazzle that is needed to get the dancefloor moving.

The flipside starts with a remastered Raresh secret weapon, a proper minimal percussion-driven groove from Kate & Joan, a side-project of Dole & Kom from the renowned label BCC music. The Detroit-influenced dub house anthem will, without a doubt, be a useful tool for any DJs to get the crowd going.

The second cut on the B-side is from a Reykjavik-based beatmakers Oh Mama. Its wild style sample-based approach caught the label's attention and the result is a worthy debut vinyl release. Hypnotic, sexy and groovy - with a big and dirty bassline.

Review: Ketiov aka Wojciech Taranczuk, best known for his projects 3 Channels and Catz 'N Dogz. offers us a batch of percussive workouts extends his deep love affair with rhythm, offering seven tracks that blur the line between utility and artistry. Each track breathes with the warmth of live instrumentation, as if lifted straight from a jam session with an unstoppable groove. His knack for organic drum sounds, textured layering, and playful syncopation turns raw percussion into something deeply human. 'FT' and 'BA' roll with 130BPM urgency, while 'SU' takes a detour into loose, 105BPM funk, proving Ketiov's versatility. His approach recalls the tactile swing of old-school house yet feels utterly freshieach track a pocket of kinetic energy, primed for movement.

Review: Journey Through Life witnesses Afrobeat pioneer, pallbearer and powerhouse Femi Kuti's very latest transformation in sound, as we witness the artist turn vividly, self-reflectively inward. The LP proposes a rare self-produced window into Femi's personal evolution, spanning childhood memories to fatherhood and, of course, the unshakable presence of family. As he puts it: "At the end of the day for me family is all that matters. The essence is to manage such events and let love prevail." Long celebrated for his uncompromising political voice, Femi leans evermore into an already evident vulnerability, revisiting earlier material through several, pylonic stylistic anchors: his signature horn-laced grooves, not to mention themes of personal legacy and posterity.