Sanderson Dear - "A Place For Totems" (extended version) (6:10)
Review: Sanderson Dear's Stasis Recordings released the original Time Capsule compilation in 2020 - a 20-track exploration of ten different ambient techno artists exploring two ideas each in compact form for a box set of 7"s. Now the label has revisited some of the project's standout moments and offered a chance to enjoy extended versions gathered on a single 12". From Maps Of Hyperspace shaping out atmospheric halls of synth work on 'Beta' to Glo Phase offering some gorgeous, sparkling grooves on 'Fire Flies', there's plenty of ground covered on this release. Of course the mighty John Beltran is a big drawer too, and his typically stellar 'The Descendent' doesn't disappoint in its full extended version.
Marvin The Sun - "Of Us Together" (Gorje Hewek edit) (5:53)
Marvin The Sun - "Say Hello" (Gorje Hewek edit) (5:44)
Alexey Union - "Yakamoz" (7:33)
Makebo - "Good Morning" (8:40)
Amonita - "Milky Way" (7:56)
Review: Peace Symphonies returns this week with a various artists compilation titled Symphony Of The Early Awake. Marvin Sun rules the A-side, with label staple Gorje Hewek delivering two edits of his tracks, all the while still retaining their Balearic deep house quality, followed by Alexey Union - who also is no stranger to the label - presenting the dreamy rooftop fantasy of 'Yakamoz'. Over on the flip, the All Day I Dream/Tale + Tone influence continues with the glassy-eyed and bittersweet 'Milky Way' by Amonita likewise catering to your ethereal sonic needs.
Review: 'Fix The Pitches On Your Old Turntables To Improve Quality Of Life' on Mud Trax Russia delivers a dynamic and immersive experience in the world of minimal and tech house. The first side opens with Kirill Matveev and Wiklauri's 'Ioli (Kirill Version)', a track that offers a strong, late-night tech house vibe, filled with a driving techno sound. Ataneus' 'Napolitaner' follows, a deeper, chord-based piece with an atmospheric quality and fast-paced tech house elements, designed to energize the dancefloor. On the flip side, Genning's 'Red Lights' brings a fusion of dub techno with flighty, melodic techno sounds, building energy through airy, atmospheric layers. Etzu Mahkayah's 'Cs-13' closes the compilation with a melodic tech house track that introduces trance-like elements, offering a spacey, progressive soundscape. Each track expertly balances depth with dancefloor energy, creating an album that is both atmospheric and immersive, perfect for fans of techy minimal beats and progressive grooves.
Prayer To The Cloud (Simone De Kunovich remix) (8:54)
Prayer To The Cloud (Peter Power remix) (4:07)
Prayer To The Cloud (Prayer-a-Pella) (2:24)
Clockshop (Auntie Flo remix) (6:29)
Clockshop (Kaleema remix) (5:05)
Clockshop (album version) (5:44)
Review: Earlier in the year, Multi Culti dropped the first collaborative album from MD Pallavi and Andi Otto, a decidedly cosmic and otherworldly, but undeniably alluring and accessible affair entitled Song For Broken Ships. This expansive remix package sees a wealth of artists (including the pair themselves) give their spin on two tracks from the set. On side A we get three passes on 'Prayer To The Cloud': a bleeping, intoxicating and heady deep house interpretation by Simon De Kunovich, a dreamy downtempo version by Peter Power, and a 'Prayer-a-Pella' based on the track's Hindi vocals. Over on the B-side, the pair's sub-heavy and shuffling 'Clockshop' comes accompanied by two new tweaks. Auntie Flo's fine, Kwaito influenced rework is followed by a sparse, echoing and minimalistic revision courtesy of Kaleema.
Asylum - "Guitarz" (Honey Dijon & Luke Solomon edit) (5:32)
Review: You will of course know if you are reading this that Nu Groove was a seminal New York house label that lay a blueprint for deep stuff back in the 80s and 90s. This fresh 12" serves up a third volume of label edits from various artists from across the spectrum. Metro's 'Turnstyle Turbulance' is tackled first by NiCe7 who brings bumpy drums, then Mark Broom's Vox Flanger Mixx of an N.Y. House'n Authority classic is a steamy jacker with lovely old-school vibes. Our favourite though is Asylum's 'Guitarz' (Honey Dijon & Luke Solomon edit) which is a nice mid-tempo workout with seductive claps and excellent hi hats.
Review: Micky More is the alias of Michele Mingo, an Italian DJ and producer who's co-founder of Ancona-based Groove Culture Music with Andy Tee. His latest track is his best yet; 'All About The Culture' features US legend Cevin Fisher and it is real proper deep house with an infectious vocal underpinned by surefire elements, such as a low slung bassline and creamy Rhodes keys - enough said! If that's not enough, over on the flip Mingo taps the one-and-only Roland Clark for his participation on 'The Rhythm', a serving of low-slung, ultra smooth mood music for the late night.
Micky More & Andy Tee, Reverendos Of Soul, Anduze - "Devoted" (6:23)
Serge Funk - "Can't Get Enough" (6:30)
Danny Losito - "All I Want" (Micky More & Andy Tee mix) (6:11)
Micky More & Andy Tee - "Philly Sensation" (6:55)
Review: There is an immediately loveable vibe to the carefree and breezy house music that the Italian label Groove Culture deals in. This is the 15th such offering - a third volume of its Jam series - and again the good times flow from the off. 'Devoted' is a four-way collab between Micky More, Andy Tee, Reverendos Of Soul and Anduze that layers up the soulful drums and disco percussion with buttery smooth soul vocals. Serge Funk's 'Can't Get Enough' is all swirling strings and sunny trumpet motifs over funk house beats and then Micky More & Andy Tee appear to remix 'All I Want' into another future Body & Soul classic. The duo's own 'Philly Sensation" is a disco-tinged, string-heavy house dream to close.
Love's Gonna Get You (Hugo LX Underwater mix) (6:32)
Love's Gonna Get You (Art Of Tones remix) (6:34)
Love's Gonna Get You (main mix) (6:16)
Review: Astonishingly, a decade has now passed since Timothee Milton's last significant single - a digital-only affair on Moodmusic called 'Back In Time'. This 12", featuring the mighty vocal talents of Dome Records soulstress Angela Johnson, is therefore long overdue. Milton's 'Main Mix' (B2) is a nostalgic, retro-futurist chunk of vocal house - think driving drums, incessant minor key melodies, early morning synth riffs, organ bass and a typically inspired lead vocal from Johnson. The accompanying remix package is unsurprisingly strong, too. On the A-side 'Underwater Mix', Hugo LX adds Johnson's wonderful vocal to a backing track rich in undulating acid bass, bouncy, Afro-house-influenced beats, King Britt chords and woozy synth sounds. Art of Tones version, meanwhile, is a looser and more organic-sounding affair that takes cues from disco and gospel house.
Review: Although they've been serving up high-grade blends of disco, funk, soul and house for some time, it's only in recent years that many of Micky More and Andy Tee's most potent productions have made it to wax. The two tracks here, which first appeared digitally in the middle of the last decade, are fine examples. 'I'm Another Man' is heavy, raw and impactful, with the pair adding rolling house beats to a horn-heavy deep funk song complete with gravelly male lead vocals. Over on the flip, 'Night Cruiser' is their (successful) attempt to make (and update) a Vincent Montana style, Salsoul disco instrumental with added house chops. Keep an ear out for the Roy Ayers style vibraphone solo that drops midway through.
Fleur De Mur - "Ease My Mind" (Micky More & Andy Tee mix) (5:48)
Derrick McKenzie & Angela Johnson - "On My Way Out" (7:02)
Ron Carroll - "My Prayer" (Micky More & Andy Tee mix) (6:21)
House Freakers - "Tease Me" (feat MO) (5:34)
Review: Sultry purist disco house moods from Groove Culture Italy, welcoming four standalone originals to the first edition of their 'Groove Is In The Heart' series, three out of four of which are remixes of tunes that have already been released on the label. True to their form, this record welds the ways of classic disco and disco-house, opening with the melismatic vocal tones of 'Ease My Mind' by Fleur De Mur before moving into the slightly slower chic-funk of Derrick McKenzie and Angela Johnson's 'On My Way Out'. Things turn housier - as the outdoor shindig moves indoors at first sign of the crepuscular tide - with 'My Prayer', while House Freakers' 'Tease Me' rounds things off on a well-sidechained womper.
Review: Such is the prolific nature of FXHE at the moment, which ever pressing plant Omar S uses must be pretty happy with their contract. Following swiftly from Omar S's ode to the Axel F sound comes the debut missive from Aaron "Fit" Siegel. Named so thanks to his work at the helm of Fit Distribution, Siegel is a key figure in ensuring the ongoing healthy output of Detroit's house and techno militia and "Tonite" proves to be an auspicious debut. Featuring the vocal talents of L'Renne, the track is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly. Such a track and the tougher B Side Detroit Mix just demonstrate how on top of their game FXHE are right now - big tip!
Review: When it featured in its original mix form on Omar-S's Pain EP, 'I Love Your Girlfriend' was something of a blink-and-you-miss-it gem: a two-minute fusion of piano-powered balladry, seductive soul vocals (provided by guest singer John FM) and sparse, occasional house beats. It was crying out for an extended mix, and the Detroit legend has duly delivered. Now five minutes in length, with more prominent drums, extensive use of P-funk style synth squiggles and auto-tune effects, the mix effectively re-imagines the track as a fluid, soulful, piano solo-laden club track that's as classy as it is tasty.
Review: Any Omar S release is worth checking, but when it also features Detroit funk godfather and Motor City legend Amp Fiddler, as well as Andre Foxxe of Parliament-Funkadelic, then it's pretty much buy on sight. You never know what you're gaping to get with the FXHE boss, and never was that more true than here on this sweet little 7". A-side 'The First One Hundred' is a loop of Omar S's trademark dusty drums and a deeply buried bass guitar riff that is super funky, and 'Dance Your Blues Away (feat Amp Fiddler)' sounds like Prince making house music in Omar S's studio. They are short, but oh so sweet.
Review: Opolopo and Alafia have hooked up here to work together on a new musical journey that takes the form of these two richly layered percussive monsters. 'Axxanxxan' and 'Axxiove' which arrive on this 12" from Canopy are as addictive as it gets - they fuse Afro rhythms and disco dazzle with synth innovation to create a pair of dance bombs with real tribal energy. The A-side is detailed with metallic bass, choppy guitars and swirling synths that add up to a nice tropical sotmg, while the flip has more prominent drums and hypnotic rhythms that have a subtle cosmos twist. Two gems from Canopy, then.
Review: Ukrainian selector and producer Lola Palmer makes her first appearance on Get-Traum with a blend of groovy, vestibular, and deep sonorities, blending the very best of lo-fi and progressive house motifs to produce a slickly recalled dream. Backed up by a filtrating titration of flicky acid funk by Alci, the bulk of the EP can be best qualified as a lurch through liminal space. Best in this category is 'Be Sure', a warming buildup not to be belied, if only for its creep-up pads and automatic, deep-mind, reflexive bass lines.
Paolino & Gianni Bini - "Love" (Classic mix) (6:33)
Sasha - "Key To Heaven" (6:14)
Paramour & Adrian Morrison - "Transmutation" (7:51)
Open Spaces - "The Far Side Of The Mood" (5:46)
Review: Rebirth's fresh new 12" is a various artists affair that looks back while striding forwards. It is full of the sort of bliss out, dreamy, soft-edge deep house that is perfect for the warmer months and outdoor dances. Paolino & Gianni Bini lead the way with the effortlessly hazy and lush feeling 'Love' (Classic mix) while Sasha's 'Key To Heaven' is a perfect prog house tune that harks back to the heyday of Renaissance. Paramour & Adrian Morrison then link for the more dark and driving 'Transmutation' which has train track drums and suspensory chords always building but never bubbling over. Open Spaces run out with the widescreen and chunky dub house of 'The Far Side Of The Mood.'
Review: Theo Parrish's Gentrified Love series seems to be a collaborative affair. Part two, available separately, contained hook-ups with fellow Detroiters Wajeed and Duminie Deporres. "Ghetto Proposal", which is available in Vocal and Instrumental versions, features sublime contributions from another Motor City legend, veteran modern soul man Amp Fiddler. It's something of a deliciously trippy affair, underpinned by a freaky, delay-heavy groove, fireside-warm Rhodes keys, meandering trumpet lines and - on the vocal version, at least, drowsy female vocals. Both artists jazz influence is clear, particularly in the crunchy percussion hits that begin to dominate as the track progresses. Interestingly, the instrumental moves a little further towards jazzy broken beat territory.
Review: Pawsa has a reputation for delivering perfect party-starting music, often via funky, sub-heavy takes on tech-house. Who better, then, to remix The Adventires of Stevie V's infectious 1989 anthem 'Dirty Cash' - arguably, Jungle Brothers' 'I'll House You' aside, the most famous hip-house record of all time. Pawsa's 'Extended Mix' (side A) retains the warehouse-ready vibe of the original, placing the vocals, stabs and some wiggly new acid lines atop a squelchy TB-303 bassline and pumping house beats. Over on the B-side there's another chance to savour David Morales' 'Sold Out' mix, a slower, deeper, dreamier and lightly breakbeat driven interpretation that naturally earned plenty of plays when it was first released way back in 1990.
Review: Pawsa and Adventures of Stevie V breathe new life into an iconic dance classic with an exhilarating update, a gesture of Pawsa's innovative production skills adding a fresh dimension to Adventures of Stevie V's timeless vocals. The 'Extended Mix' is a pulsating journey through house music's vibrant landscape, capturing the raw energy of the original while injecting a contemporary twist. On the flip, David Morales delivers a masterful remix, his 'Sold Out Mix' taking the track into deeper, more soulful territory. A real double-sided gem.
Hieroglyphic Being - "An Astronomical Object" (6:29)
Review: Mother Tongue's 'Yellow Jackets' series is wilfully eclectic, meaning second-guessing what will be on the next release is nigh-on impossible, but undeniably essential. Put simply, each EP in the series so far has been nigh on essential. Happily, volume five is superb too. On side A, Detroit scene stalwart Marcellus Pittman does a superb job of reworking a cult classic - Belgian outfit Arbeit Adelt's 1983 post-punk masterpiece 'Death Disco'. His resultant re-edit emphasises the track's weighty, low-slung groove, mind-mangling electronics and weirdo noises, extending the intro and outro to allow DJs to ride the mix. Over on side B, Chicagoan genius Jamal Moss dons the Hieroglyphic Being guise and offers up a sublime slab of intergalactic excellence, peppering a deep, shuffling, distorted rhythm track with spacey electronics and shimmering, star-gazing melodies.
Review: German artist Purple Disco Machine is a studio wizard and something of a throwback - he manages to make tunes that are rich in musicality as well as having plenty of focus on the dancefloor. Each one brims with colourful hooks and catchy grooves and this new one 'Beat Of Your Heart' comes with delightfully soulful vocals from singer-songwriter ASDiS. It's got summer anthem written all over it such is the feel-good nature of the whole thing with both a club dub and instrumental also included for different settings. Bring on the sun!
The Ray & John - "Day By Day" (instrumental) (6:08)
Angel'o - "Angelo" (5:19)
All Trouvee - "Darling" (3:50)
Angel - "Tomorrow Night" (3:53)
Eggs Time - "Feeling Action" (4:12)
Review: Leng Records' 59th release is something a little different: a very personal collection of largely obscure and hard-to-find gems, mostly created by European pop producers in the late '70s and early '80s, from artist and record collector Paul Beckett. Firmly Balearic and sun-soaked in tone, there's plenty to set the pulse racing throughout. For proof, first check Ray & John's 'Day By Day (Instrumental), which sounds like Please-era Pet Shop Boys reclining at a pool party in Rimini, before admiring the space rock/synth-pop fusion of 'Angelo' by Angel'o. Over on the flip, Beckett offers up three more slices of glassy-eyed goodness, with the loved-up deep synth pop of Angel and the fretless bass-sporting wooziness of Eggs Time standing out.
Review: Detroit-raised, London-based Demi Riquisimo assembles a dynamic mix of label favourites and fresh talent on Love State, the 22nd release from his Semi Delicious imprint. This six-track V/A hears offerings from Demi himself alongside Clint, Swoose, Lulah Francs, Dukwa, Anastasia Zem & Asa Tate, blending club modernity with classic analogue dance influences, sampling every sonic cate from Italo to tech house. Best among the bunch has to be Swoose's 'Re/Vision' and Anastasia Zems' 'Eternal Beauty', which bring together wasted electro, Italian new beat and trance for well-measured tinctures of dreaminess.
Review: REPRESS ALERT!: This new 12" on US label Seasons Limited brings together two of deep house's most accomplished and tasteful names in French legend Franck Roger plus Arnold Jarvis who he last collaborated with in 2007, while UK mainstay and Freerange label boss Jimpster remixes. It is one the label has been cooking up for a while but proves more than worth the wait. 'Living My Life' is the one original collab and is smooth, buttery deep house with lush vocal tones. Jimpster brings a little more bounce and a fat bassline on one mix, then dubs things out to prefect for the second. A timeless set of grooves that will level-up any collection.
Review: Fresh from releasing his "Sagittarii" album on Bear Funk, the ever-prolific Ilija Rudman is back on his own label Imogen with two stellar remixes from the mighty Ron Trent. First up is the vocal mix of the track, keeping Andre Espeut's passionate voice front and centre around a classy cascade of pattering rhythm and swirling deeper than deep keys. On the flip you get treated to the Imogen Soundsystem edit of Trent's instrumental, which finds the track charting a course for the stars in the most delicate and elegant of ways. Truly life affirming, soul-soaked stuff.
Allstar MotoMusic - "Not A Place I Call Home" (feat Roger Versey) (6:32)
Alton Miller - "Italio Love" (6:09)
KemeticJust - "Taking Flight" (7:10)
Review: People Of Earth hits release number 20 with Part 2 of The Elements series again offering some super deep sounds from Patrice Scott, Allstar MotoMusic aka Dan Piu, Alton Miller & KemeticJust, which is a cut first released on the old SOCO Audio label. Scott's 'Cycles' kicks off with super deep kicks and heady pads swirling up top, 'Not My Home' (feat Roger Versey) then brings some majestic jazz keys and spiritual vocals and Miller's 'Italio Love' is a strident cut with leggy kicks and celestial pads. KemeticJust's 'Taking Flight' shuts down with more heavy beats but still romantic moods.
Afrodelic - "Je N'Aime Pas Les Fetes" (Shkema remix) (6:47)
Review: The super French crew Hard Fist have got a brilliantly twisted new Balearic record on their hands here thanks to the work of Shkema in both original and remix mode. He goes first with the deep, dubby and post-punk moodiness of 'Tas Malonumas' then 'Room Of Men Eaters' is a chugging deep disco cut with a fine vocoder vocal that brings some trippiness. 'Sarka Syrkaza' on the flip is another dark one with twisted metal guitar lines and rooted drum drums, then he remixes Afrodelic's 'Je N'Aime Pas Les Fetes' into a loose-limbed and percussive dub disco delight with filtered and freaky vocals.
Review: Shonky & Alexander Skancke team up for the third release on the Berlin based label Stoned Pilot ran by Shonky. 'The Answer' is an excellent late-night jam that is seductive and sexy. So, too is 'XXX' adding some great Chicago style claps with a great vox sample in "Get on up!". If you like Adonis's 'No Way Back' then you are sure to like that one(who doesn't?!'. For the second side the title track is a more eerie romp into the unknown wild. This track is magnetic! Closing out the EP is '2019' that almost sounds like something that should have been on Metroplex in 1985. Robot-funk of the upmost! This EP is some serious business. We can see this rocking some serious dancefloors with ease.
Avenue 6 (Is This The Real Life?) (Real Crooked mix) (7:45)
Avenue 6 (Is This The Real Life?) (Crooked Girl Crooked Boy mix) (7:20)
Review: Si Brad was the original in-house producer for the Toko label. Dormant for 20 years, it is now back with a brace of brilliant new releases that immediately put it right back at the top. 'Avenue 6(Is This The Real Life?)' is pure blissed out sunset house music. The drawn out baseline, the gently bouncing drums and the airy vocal from Azeem all take you to a perfect party by the sea. The Real Crooked mix is a low slung and playful yet menacing dub. The Croocked one then steps up once more for a second and final mix that is sparse and eerie with subtle FX and speaker tweaking details.
Bessa Simmons - "Sii Nana" (JKriv Fit rework) (7:11)
Vincenzo - "Love Accurate" (6:54)
Ilija Rudman - "Discoteka Parmida" (5:25)
Yasmin - "Real High" (4:59)
Arnau Obiols - "Pagan Mambo" (5:04)
Review: On this sampler EP for the Razor N Tape label's latest Family Affair compilation, the Brooklyn based imprint showcases previously unheard cuts from a mixture of new artists and long-established names. In the latter camp you'll find long-serving deep house don Vincenzo, who delivers the gorgeous, tactile and loved-up deliciousness of 'Love Accurate', and Croatian nu-disco don Ilya Rudman (the acid-heavy dancefloor squelch of 'Discoteka Parmida'). Elsewhere, Yasmin impresses with the neo-soul/nu-disco fusion warmth of 'Real High', Arnau Obiols slams down the Fela-influenced Afrobeat excellence of 'Pagan Mambo', and label co-founder J Kriv turns Bessa Simons 'Si Naana' into an Afro-tinged analogue house treat
After building up a nice head of steam with its first few releases, French label Groovence now starts a new series, Amour Deep, with volume number one. It's a various artists affair that kicks off with the deep and sensuous sounds of Moonee's 'Amour Deep' (feat Simple Request) which has swirling and romantic pads and a great r&b vocal sample. Milk & Honey picks up the pace with the more raw and bumpy 'Chi Train' and Armless Kid goes deep into an electro workout complete with bittersweet piano chords on 'Night Ride'. Roy Vision's 'What's Your Name' rounds out the release with a more glitchy and stripped-back house sound for the dub lovers.
Son Palenque - "A Pila El Arroz" (Sound Culture remix) (3:58)
Tropical Scenes (Afroqbano remix) (4:07)
Review: Windy City collective Future Rootz are all about mixing up worldly electronic sounds, Latin, tropical bass and global jazz. This second volume in their new series does just that with two expressive remixes of iconic Afro-Colombian tracks. On Side A, Sound Culture delivers a modern take on Son Palenque's legendary 'A Pila el Arroz,' which was originally composed by Justo Valdez for Palenque Records. He infuses it with fresh and bubbly bass and hypnotic vocal chants. On side-B, Afroqbano reimagines 'Tropical Scenes' by adding a vibrant, rhythm-heavy twist to the original that sympathetically blends traditional Afro-Colombian sounds with electronic influences into a wiggling bit of irresistible and sunny global fusion.
Review: Tricky UK garage via tech house from Moxy Muzik's ongoing V/A series. The seventh top-up hear harks back to a little-sung stylistic moment, when UK garage carried with it an unpolished flair, and focused purely on the elements that made up the form. Sosa's 'Bring It Back', which leads, swings between two femme vocal incantations - "to the beat" and "take it back" - against a sparse but for that reason effective balance of drums; this starkly contrasts to Jordan Peak's 'Disco Nights', which deftly weaves samply vocal science around a future disco tool, an unusual method to be sure. Adam Lance's 'Hip Movement' is the bass-heaviest tune we've heard all year, while Darius Syrossian's 'Tear The Club Up' does just that with its lo-fi, jukey hip-house mantra and a suspenseful string sostenuto.
Review: Fools Paradise offer the next edition of their Paradise Vinyl sampler series: a very special two-tracker shared between peaktime UK house music connoisseur Soul Avengerz (Paul Gardner) and fabulous French producer Sebb Junior. On the A, Avengerz partners with vocalist extraordinaire Adeva to deliver a fresh, raw, re-recorded version of her 1989 vocal house classic with Paul Simpson, 'Musical Freedom'; the new version is a total rerub and makes for an impressive, dance-reviving extended mix. Sebb's 'Colors', meanwhile, revolves around a central 'colours of your love' sample, and dextrously weaves its beats round a central gelatinous, nigh vesicular synth hook, one that froths and jiggles throughout an overall funky, jacking groove.
Review: The genius of Nu Groove's ongoing 'Edits' series lies in the quality of its subtle 21st century tweaks of classic cuts from house music's golden age. You'll find plenty of fine examples of this on the latest instalment, volume four. Check first Nice7's bumpin', bass-heavy and organ-rich take on The Sound Vandal's 1991 gem 'Tonight's The Night', which the producer has successfully stripped-back and subtly beefed up, before admiring Hugo Massien's bleeping, tech-tinged remake of the Burrell Brothers' N.Y Housin' Authority classic 'Apt 2A'. You'll find tweaks of two more Burrell projects on the flip: a pleasingly driving Mak & Pasteman edit of the techno, acid and bleep inspired Utopia Project cut 'File #3', and a blissed-out, chugging and saucer-eyed Honey Dijon and Luke Solomon rub of A.B.T's Donna Summer sampling 'Luv 2 Luv U'.
The Soundstealers - "Steal It An' Deal It" (Sahara dance mix) (5:35)
The Soundstealers - "Steal It An' Deal It" (Sahara dub mix) (4:59)
Amazonia - "Amazonia" (dance version) (5:52)
Amazonia - "Amazonia" (Good Block remix) (7:10)
Review: After a debut release that got plenty of people talking, Heels & Souls now serve up a reissue 12". It explores the work of Frankfurt's under the radar production trio Manfred Holz, Michael Buchner and Jurgen Blomke who work under two different names here. The EP is a real treasure trove of gold for deep diggers, with obscure synth and electro disco flavours on the 80s tinged ''Steal It An Deal It'.' It comes as two different versions and both are hugely characterful. 'Amazonia' that draws on dreamy Italo house and Balearic bliss bout beats for a new age trip that is first class.
Review: Blackmarket is a New York party that has always led from the front and been a rare underground haven for threads. The label reflects that similar mindset and here label boss Taimur and long-time Costa Rican friend Artro link up for a four-track techno trip. 'Know Your Friends (Vox)' is a percussive workout with sinewy synths reaching into the cosmos. There is more low-end heft to 'Machina' which is weighty and dubby. A second version of 'Know Your Friends' is surging and metallic and last of all 'Elements' brings a touch of high-speed funk to a techno framework.
Review: Disco Tape 4 is a compelling collection that navigates the full spectrum of disco's evolution, seamlessly blending house and late-night techno grooves. The Mechanical Man's 'eyes supreme' stands out with its melodic hook that gradually intensifies the energy. It's a slow-burning groover featuring soulful disco lyrics, creating an atmosphere that's both beautiful and entrancing. 'with you' by Just Guess and Tecam takes a funkier route, with a vibrant guitar riff and a soulful house vocal reminiscent of the best Naked Music releasesiideal for setting a warm, inviting vibe. Other great highlights include the other Mechanical man track 'Space Exploration,' a track that dives into deeper techno territory. Its wicked atmospheric groove adds a layer of sophistication, perfect for those late-night moments when the dancefloor craves something more introspective. Closing out the highlights, Ohn De La Noise's 'good afternoon' offers a smooth deep house sound that blends late-night disco into house, creating a seamless transition that's both elegant and satisfying. A very well-rounded record, expertly capturing the diverse influences of disco's enduring legacy.
Tm Shuffle, Monoder & Tapani Rinne - "Velvet" (Tm Shuffe Housedub) (7:44)
Tm Shuffle, Monoder & Tapani Rinne - "Velvet" (6:29)
Aleksi Myllykoski - "Slowburn" (feat Tapani Rinne) (8:45)
Aleksi Myllykoski - "Slowburn" (feat Tapani Rinne - Tm Shuffle Distant dub) (6:50)
Review: The second instalment from this young but already cultured label delivers another round of superb dub tracks and they come on a cool eco-vinyl pressing. The release starts off with a collaboration between Tm Shuffle, Monoder and Tapani Rinne. Tm Shuffle's dub version sets a subtly evocative mood with wooden hits and a steamy sax adding a loved-up feel. The original version is a minimal, slow-motion dub with a broken beat then Aleksi Myllykoski contributes a deeper, more propulsive track and closing is Tm Shuffle's final dub to offer some more warmth to sink right into.
Tm Shuffle, Monoder & Tapani Rinne - "Velvet" (Tm Shuffe Housedub) (7:44)
Tm Shuffle, Monoder & Tapani Rinne - "Velvet" (6:29)
Aleksi Myllykoski - "Slowburn" (feat Tapani Rinne) (8:45)
Aleksi Myllykoski - "Slowburn" (feat Tapani Rinne - Tm Shuffle Distant dub) (6:50)
Review: The second Soulful Dubs outing is full of a load more of just that. It's a various artists affair with Tm Shuffle, Monoder & Tapani Rinne hooking up for the opener which comes dubbed out by Tm Shuffle. It is gorgeously evocative and subtle with organic, wooden hits and synths floating up top while steamy sax adds the romance. The original is a minimal and slow-motion dub cut that rides a nice broken beat. Aleksi Myllykoski steps up on flip for 'Slowburn' (feat Tapani Rinne) which is more paced but no less deep. Last of all comes the Tm Shuffle Distant dub for more heady and zoned-out vibes.
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