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Studio Equipment vinyl due out soon
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SoMa Laboratory Flux 37-key Magnetic Keyboard Synthesiser (magnetic keyboard synthesiser)
Cat: 1065362
Digital magnetic synthesiser inspired by the theremin
Notes: Flux brings forth the musicality and expression of classical instruments, such as violin or vocals, enriched by new timbres and the flexibility of postmodern instruments, harnessing the power of current technology. It is a high end professional synthesizer with unique expressive possibilities, an innovative interface design with top quality digital-to-analog converters and analog components.
Flux features a unique continual touchless keyboard that offers seamless control over a number of sound parameters without quantisation. In many ways, it is inspired by the Theremin, offering the unique opportunity of controlling sound by moving your hands in the air without touching any object.
Unlike the Theremin - which works by virtue of the capacitive coupling of hands and antennae - Flux is based on magnetic principles. Two magnetic bows are pressed between your fingers, and the interface is a multipolar magnetic sensor, registering the bows' positions and movements. The X coordinate of the artist's right-hand bow controls the note's pitch, while the Z coordinate controls volume. The left-hand bow's X, Y and Z coordinates control the various synthesis parameters. Since a magnet has two poles, Flux not only detects the bows' spatial coordinates, but also the bows' angle. This means that flipping the right-hand bow on the Y-axis changes the octave, which allows a range of six continuous octaves without transposing the keyboard. With transposition you can get a range from sub-bass all the way to ultrasonic. The left-right tilting of the right-hand bow on the X-axis controls two independent modulation parameters.
The left-hand bow controls the timbres. The timbral sensor, placed in the left part, has six poles, and independently registers positive and negative magnetic fields. This lets you change which parameters you control by flipping the bow, allowing you to control up to twelve independent sound parameters. Together with the pitch, volume and two additional tilt parameters on the right-hand bow, you have access to a total of sixteen sonic controls that you can use during performance, without ever touching the surface of the instrument.
Summing up the concept of Flux: the most direct and immediate way to play with a large number of synthesis parameters in a musical way, creating a dynamic timbre composition. Different synthesis algorithms (engines) will be created as complete musical instruments for direct timbral control. All engines will be available in a single firmware and any engine can be launched in a fraction of a second. Presets will allow the user to save and recall the entire state of the synth including engine and all tunings.
SoMa Laboratory developed Flux with the aim to create a modern instrument for academic music, offering powerful sonic tools such as distortion, complex FM and physical modelling of non-existent, surrealistic musical instruments. It works in monophonic, duophonic and polyphonic modes. Staccato-enabling and quantisation modes are available. The quantization function has an adjustment parameter for vibrato. Flux has a stable, even, and clearly marked note scale. This makes it much easier to learn and to intone cleanly than on the Theremin.
Flux's synthesis is DSP-based. It features built-in spatial FX. The digital-to-analog converters and the analog circuit are based on our in-house designs using Hi-End principles
… Read moreFlux features a unique continual touchless keyboard that offers seamless control over a number of sound parameters without quantisation. In many ways, it is inspired by the Theremin, offering the unique opportunity of controlling sound by moving your hands in the air without touching any object.
Unlike the Theremin - which works by virtue of the capacitive coupling of hands and antennae - Flux is based on magnetic principles. Two magnetic bows are pressed between your fingers, and the interface is a multipolar magnetic sensor, registering the bows' positions and movements. The X coordinate of the artist's right-hand bow controls the note's pitch, while the Z coordinate controls volume. The left-hand bow's X, Y and Z coordinates control the various synthesis parameters. Since a magnet has two poles, Flux not only detects the bows' spatial coordinates, but also the bows' angle. This means that flipping the right-hand bow on the Y-axis changes the octave, which allows a range of six continuous octaves without transposing the keyboard. With transposition you can get a range from sub-bass all the way to ultrasonic. The left-right tilting of the right-hand bow on the X-axis controls two independent modulation parameters.
The left-hand bow controls the timbres. The timbral sensor, placed in the left part, has six poles, and independently registers positive and negative magnetic fields. This lets you change which parameters you control by flipping the bow, allowing you to control up to twelve independent sound parameters. Together with the pitch, volume and two additional tilt parameters on the right-hand bow, you have access to a total of sixteen sonic controls that you can use during performance, without ever touching the surface of the instrument.
Summing up the concept of Flux: the most direct and immediate way to play with a large number of synthesis parameters in a musical way, creating a dynamic timbre composition. Different synthesis algorithms (engines) will be created as complete musical instruments for direct timbral control. All engines will be available in a single firmware and any engine can be launched in a fraction of a second. Presets will allow the user to save and recall the entire state of the synth including engine and all tunings.
SoMa Laboratory developed Flux with the aim to create a modern instrument for academic music, offering powerful sonic tools such as distortion, complex FM and physical modelling of non-existent, surrealistic musical instruments. It works in monophonic, duophonic and polyphonic modes. Staccato-enabling and quantisation modes are available. The quantization function has an adjustment parameter for vibrato. Flux has a stable, even, and clearly marked note scale. This makes it much easier to learn and to intone cleanly than on the Theremin.
Flux's synthesis is DSP-based. It features built-in spatial FX. The digital-to-analog converters and the analog circuit are based on our in-house designs using Hi-End principles
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,198.84
(No payment required now - pay when released)
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SoMa Laboratory Flux Soft Case (synthesiser soft case)
Cat: 1065366
Soft case for the SoMa Laboratory Flux made of Cordura
Notes: This lightweight soft case has a carrying handle, shoulder strap and a padded interior to protect your Flux. It also contains a compartment for the power supple, cable and any other accessories.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $87.28
(No payment required now - pay when released)
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SoMa Laboratory Flux Hard Case (black) (synthesiser hardcase)
Cat: 1065370
Flight case for the SoMa Laboratory Flux
Notes: Offering optimum protection for transporting and storing your Flux synthesiser, this case of coated multiplex, with aluminium edge protection and two butterfly locks. Foam padding inside for protection and multiple accessory compartments contained within.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $381.18
(No payment required now - pay when released)
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Digitech MonoNeon Whammy Pitch Shifter Effects Pedal (pitch shifter effects pedal)
Cat: 1069471
The MonoNeon Whammy delivers mind-blowing pitch manipulation for guitar and bass alike.
Notes: Make your music Hypersonic
Send your tone soaring with the HyperSonic 3-octave pitch rise.
New octaver blend modes
Create never-before-heard sonic textures with new octaver blend modes.
MIDI-capable
Ready to integrate with advanced performance rigs with support for 5-pin MIDI control.
Artist-inspired design
Unique artwork and signature style make the MonoNeon Signature Whammy a bold addition to your pedalboard.
The DigiTech MonoNeon Whammy pedal goes where no whammy pedal has gone before, with new octave blend modes and up to 3 octaves of HyperSonic pitch shifting. Developed in collaboration with trailblazing bassist MonoNeon, the MonoNeon Whammy delivers mind-blowing pitch manipulation for guitar and bass alike.
Included in the box:
MonoNeon Whammy Pedal
Power Supply
User's Manual
2 Guitar Case Stickers
Warranty Registration Information Card
Special MonoNeon Customizing Kit
> Gaffer's Tape - Neon Yellow & Neon Orange
> Mini Permanent Marker
Specifications
Input / Output
Instrument Input Type: Unbalanced 1/4" TS phone jack
Max Input Level: +5 dBu
Input Impedance: 1 MO
MIDI Input: 5-Pin DIN
Output Type: Unbalanced 1/4" TS phone jack
Max Output Level: +10 dBu
Output Impedance: 1 kO
Electronics
Frequency Response: 20 Hz to 20 kHz
Signal to Noise Ratio: >105 dB (A-weighted): ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1 kHz; ref =1 dBu w/ unity gain
Sample Rate: 44.1 kHz
A/D Conversion: 24-bit
D/A Conversion: 24-bit
Physical
Dimensions: 6.5" (16.51cm) x 7.75" (19.68cm) x 2.5" (6.35cm) (WxDxH)
Shipping Weight: 3.8 lbs. (1720g)
Power
Power Consumption: 2.4 W (265 mA @ 9VDC)
Power Requirements: 9 VDC External Adapter (center negative)
Included Power Adapter: PS0913DC (9V DC @ 1.3 A) center negative
… Read moreSend your tone soaring with the HyperSonic 3-octave pitch rise.
New octaver blend modes
Create never-before-heard sonic textures with new octaver blend modes.
MIDI-capable
Ready to integrate with advanced performance rigs with support for 5-pin MIDI control.
Artist-inspired design
Unique artwork and signature style make the MonoNeon Signature Whammy a bold addition to your pedalboard.
The DigiTech MonoNeon Whammy pedal goes where no whammy pedal has gone before, with new octave blend modes and up to 3 octaves of HyperSonic pitch shifting. Developed in collaboration with trailblazing bassist MonoNeon, the MonoNeon Whammy delivers mind-blowing pitch manipulation for guitar and bass alike.
Included in the box:
MonoNeon Whammy Pedal
Power Supply
User's Manual
2 Guitar Case Stickers
Warranty Registration Information Card
Special MonoNeon Customizing Kit
> Gaffer's Tape - Neon Yellow & Neon Orange
> Mini Permanent Marker
Specifications
Input / Output
Instrument Input Type: Unbalanced 1/4" TS phone jack
Max Input Level: +5 dBu
Input Impedance: 1 MO
MIDI Input: 5-Pin DIN
Output Type: Unbalanced 1/4" TS phone jack
Max Output Level: +10 dBu
Output Impedance: 1 kO
Electronics
Frequency Response: 20 Hz to 20 kHz
Signal to Noise Ratio: >105 dB (A-weighted): ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1 kHz; ref =1 dBu w/ unity gain
Sample Rate: 44.1 kHz
A/D Conversion: 24-bit
D/A Conversion: 24-bit
Physical
Dimensions: 6.5" (16.51cm) x 7.75" (19.68cm) x 2.5" (6.35cm) (WxDxH)
Shipping Weight: 3.8 lbs. (1720g)
Power
Power Consumption: 2.4 W (265 mA @ 9VDC)
Power Requirements: 9 VDC External Adapter (center negative)
Included Power Adapter: PS0913DC (9V DC @ 1.3 A) center negative
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $297.23
(No payment required now - pay when released)
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Nakedboards MC-8 Fader USB & MIDI Controller (USB/MIDI controller)
Cat: 1069979
MC-8 is a powerful yet incredibly easy-to-use MIDI controller designed to bring your music to life
Notes: MC-8 is a powerful yet incredibly easy-to-use MIDI controller designed to bring your music to life. Whether you're producing in the studio or performing live, MC-8 gives you intuitive, hands-on control over your instruments, effects, and mixer.
Simply plug it in via USB, and the faders instantly respond, ready to be assigned to volume, filters, synth parameters, or anything else in your favorite music software.
Supported software: VCV Rack, Ableton Live, Apple Logic, Apple GarageBand, Steinberg Cubase, Max/MSP, Pure Data, NI Reaktor, Cakewalk SONAR, Avid Pro Tools, MOTU Digital Performer and other software that can be controlled by CC messages.
Supported hardware: Elektron (Digitakt, Digitone, Octatrack), Akai MPC, Native Instrument Maschine and others.
Supported OS: Mac OS X 10.4 or later, Windows XP/ Vista/ 7/ 8/ 10/ 11, Linux 2.5 kernel or later, iOS.
Connectors: USB, MIDI out 3.5mm mini-jack (adapter included)
Dimensions: 237x111x50 mm
Weight: 620 g
… Read moreSimply plug it in via USB, and the faders instantly respond, ready to be assigned to volume, filters, synth parameters, or anything else in your favorite music software.
Supported software: VCV Rack, Ableton Live, Apple Logic, Apple GarageBand, Steinberg Cubase, Max/MSP, Pure Data, NI Reaktor, Cakewalk SONAR, Avid Pro Tools, MOTU Digital Performer and other software that can be controlled by CC messages.
Supported hardware: Elektron (Digitakt, Digitone, Octatrack), Akai MPC, Native Instrument Maschine and others.
Supported OS: Mac OS X 10.4 or later, Windows XP/ Vista/ 7/ 8/ 10/ 11, Linux 2.5 kernel or later, iOS.
Connectors: USB, MIDI out 3.5mm mini-jack (adapter included)
Dimensions: 237x111x50 mm
Weight: 620 g
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $109.39
(No payment required now - pay when released)
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Nakedboards MC-24 Knobs USB & MIDI Controller (USB/MIDI controller)
Cat: 1069985
MC-24 is a powerful yet incredibly easy-to-use MIDI controller designed to bring your music to life
Notes: MC-24 is a powerful yet incredibly easy-to-use MIDI controller designed to bring your music to life. Whether you're producing in the studio or performing live, MC-24 gives you intuitive, hands-on control over your instruments, effects, and mixer.
Simply plug it in via USB, and the knobs instantly respond, ready to be assigned to volume, filters, synth parameters, or anything else in your favorite music software.
Corresponding Software: VCV Rack, Ableton Live, Apple Logic, Apple GarageBand, Steinberg Cubase, Max/MSP, Pure Data, NI Reaktor, Cakewalk SONAR, Avid Pro Tools, MOTU Digital Performer and other software that can be controlled by control change messages.
Supported hardware: Elektron (Digitakt, Digitone, Octatrack), Akai MPC, Native Instrument Maschine and others.
Supported OS: Mac OS X 10.4 or later, Windows XP/ Vista/ 7/ 8/ 10/ 11, Linux 2.5 kernel or later, iOS
Connectors: USB, MIDI out 3.5mm mini-jack (adapter included)
Dimensions: 237x111x50 mm
Weight: 620 g
… Read moreSimply plug it in via USB, and the knobs instantly respond, ready to be assigned to volume, filters, synth parameters, or anything else in your favorite music software.
Corresponding Software: VCV Rack, Ableton Live, Apple Logic, Apple GarageBand, Steinberg Cubase, Max/MSP, Pure Data, NI Reaktor, Cakewalk SONAR, Avid Pro Tools, MOTU Digital Performer and other software that can be controlled by control change messages.
Supported hardware: Elektron (Digitakt, Digitone, Octatrack), Akai MPC, Native Instrument Maschine and others.
Supported OS: Mac OS X 10.4 or later, Windows XP/ Vista/ 7/ 8/ 10/ 11, Linux 2.5 kernel or later, iOS
Connectors: USB, MIDI out 3.5mm mini-jack (adapter included)
Dimensions: 237x111x50 mm
Weight: 620 g
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $109.39
(No payment required now - pay when released)
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Nakedboards Archean Single Voice Patchable Synthesiser (analogue desktop synthesiser)
Cat: 1069976
Single voice patchable synthesiser
Notes: Waveforms of Archean are landscapes. The moon observes approaching objects. The meteorite makes noise. Weathering erodes sound. The Element shifts forms. Each mineral is a touch-sensitive key.
Single voice patchable synthesiser
7 octaves (16Hz - 2093Hz)
The instrument can be used as a USB-MIDI keyboard
MIDI, USB, CV/Gate inputs
Touch-sensitive keyboard
Compatibility with Eurorack systems
Two audio outputs (line out and output for Eurorack systems)
Power supply, MIDI-adapter, patch cables included
Dimensions: 22 x 13 x 5 cm
… Read moreSingle voice patchable synthesiser
7 octaves (16Hz - 2093Hz)
The instrument can be used as a USB-MIDI keyboard
MIDI, USB, CV/Gate inputs
Touch-sensitive keyboard
Compatibility with Eurorack systems
Two audio outputs (line out and output for Eurorack systems)
Power supply, MIDI-adapter, patch cables included
Dimensions: 22 x 13 x 5 cm
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $308.27
(No payment required now - pay when released)
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Dreadbox Artemis 6-Voice Polyphonic Analogue Synthesiser (analogue desktop synthesiser)
Cat: 1054559
6-Voice Polyphonic Analogue Synthesiser
Notes: Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!
From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.
At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.
These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.
Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.
This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.
… Read moreFrom classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.
At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.
These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.
Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.
This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,220.93
(No payment required now - pay when released)
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Tascam DR-07XP 2-Channel 32-Bit Float Portable Handheld Recorder With USB-C Audio Interface (portable handheld recorder)
Cat: 1070822
The TASCAM DR-07XP portable handheld recorder makes it easy to capture pro-quality recordings for music, audio-for-video, meetings, dictation, and more
Notes: DR-07XP
2-Channel 32-Bit Float Handheld Recorder With USB-C Interface and Adjustable Mics
Pro-Quality Portable Recording, Simplified
The TASCAM DR-07XP portable handheld recorder makes it easy to capture pro-quality recordings for music, audio-for-video, meetings, dictation, and more. With 32-bit float recording mode, you'll never need to worry about setting audio levels, and adjustable stereo condenser microphones give you full control over your sound. With easy one-handed operation, the DR-07XP makes it simple to start recording with minimal setup time.
Capture Pro-Level Recordings Every Time
With its 32-bit float recording mode, the DR-07XP ensures your audio recordings will always be clear, distinct, and free of distortion that could ruin your recording - and you'll never need to worry about setting input levels.
Adjustable Stereo Condenser Microphones
The DR-07XP features unidirectional stereo condenser microphones with adjustable A/B or X/Y configurations, allowing you to capture incredibly vivid stereo recordings in any setting.
Simplicity in Your Palm
With the DR-07XP, the complexities of audio recording are a thing of the past. Easily access every feature from the palm of your hand. Plus, the backlit LCD screen means no squinting; just clear and concise navigation any time of day, in any environment.
Your Portable Recording Studio
The DR-07XP isn't only a powerful portable recorder - it's also a 2-in/2-out USB-C audio interface you can use to record anywhere, directly to audio recording software on your Mac or PC.
Ideal for Musicians
The DR-07XP is a fantastic portable recording solution for musicians with its high-quality microphones, 32-bit float recording, built-in tuner, reverb, overdubbing and more.
On Location
With its compact size, the DR-07XP can travel anywhere for exceptional field recording. Choose from three different low cut filter options for getting rid of unwanted noises. As a companion for video, the DR-07XP can attach easily to tripods and the Auto Tone output for cameras makes post-production a simple task.
Record Anything, Anywhere
From dialogue to vlogs, whether you're in an alley or a recording booth, the DR-07XP captures clear, crisp audio with ease. In addition to the built-in mics, use the stereo mini jack to add microphones with plug-in power or external line inputs to capture audio from any source in mono or stereo. Connect the unit to a computer via USB-C for use as a USB microphone.
Features
2-channel portable handheld audio recorder with microSDXC card storage
32-bit float recording mode ensures low-noise, distortion-free recordings
Stereo AB/XY condenser microphones handle loud environments and sources (up to 125dB SPL)
2-in/2-out USB-C audio interface for recording directly to your computer
Up to 17.5 hours operation with 2 x AA alkaline batteries
Recording modes include 32-bit float/24-bit/16-bit, 96kHz/48kHz/44.1kHz
microSDXC (up to 512GB) cards can be used as recording media
USB Type-C port
Stereo mini jack for external stereo microphones (provides plug-in power) / External line input
Support multiple menu languages (ENG/FRA/DEU/ITA/ESP/RUS/PRT/JPN/CHI/KOR)
Long recordings as MP3 files possible
Various recording function (Auto rec, Self timer, Pre rec)
Overdubbing function
Limiter and Peak reduction
Three low-cut filter levels (40/80/120Hz)
Auto Tone output for use with DSLR camera
Reverb effect for vocal and instrument resonance
Mark function
128×64 pixel graphic LCD with backlight
Tripod mounting point attaches to any standard tripod
Stereo mini line output and headphone output
Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
Playlist function
Built-in monaural speaker makes it easy to check your recordings
Chromatic tuner for tuning musical instruments before recording
* WS-11 Windscreen sold separately
* SD card not included
Recorder specifications
Recording media/file systems: microSD cards, microSDHC cards, microSDXC cards (up to 512 GB)
Recording/playback formats
WAV (BWF)
Sampling frequency: 44.1 kHz, 48 kHz, 96 kHz
Quantization bit depth: 16-bit / 24-bit / 32-bit float
MP3
Sampling frequency: 32 / 64 / 96 / 128 / 192 / 256 / 320 kbps
Quantization bit depth: 24-bit / 32-bit float
Maximum number of input channels: 2
Maximum number of recordable tracks: 2
Analogue audio input/output ratings
MIC/EXT IN jack (can provide plug-in power)
Connector: 3.5mm (1/8") stereo mini jack
Input Impedance: 18 kO or more (when plug-in power is turned off)
2 kO or more (when plug-in power is turned on)
Nominal input level: - 20 dBV
Maximum input level : -4 dBV
PHONES/LINE OUT jack
Connector: 3.5mm (1/8") stereo mini jack
Output impedance: 12 O
Nominal output level : - 14 dBV (10kO loaded)
Maximum output level: +2 dBV (10kO loaded)
Maximum output: 20 mW + 20 mW (32 ? load)
Working impedance: 16 - 250O
Built-in Speaker
Output: 0.3W (monaural)
USB
Connector: USB Type-C
Format:USB 2.0 High Speed Mass Storage Class
USB 1.1 Full Speed Audio Class
USB Audio
Sampling rate : 44.1 / 48 kHz
Quantization bit depth: 24-bit
Number of inputs: 2 channels (output from this unit)
Number of outputs: 2 channels (input to this unit)
General
Power 2AA batteries (alkaline or NiMH)
USB bus power (5V/0.5A) from a computer, etc.
TASCAM PS-P520U AC adapter (sold separately)
Power consumption: 1.7 W (maximum)
Weight: 184 g / 0.406 lb (including batteries)
136 g / 0.30 lb (not including batteries)
Operating temperature range: 0 - 40 -C / 32 - 104 -F
Dimensions
Mic closed: 68 x 159.6 x 27.0 mm
2.68 x 6.28 x 1.06 inch
Mic opened: 90.3 x 159.6 x 27.0 mm
3.56 x 6.28 x 1.06 inch
Included items:
DR-07XP x1
Safety guide (including warranty) x1
TASCAM ID registration guide x1
*Note:0 dBV=1 Vrms, 0 dBu=0.775 Vrms
… Read more2-Channel 32-Bit Float Handheld Recorder With USB-C Interface and Adjustable Mics
Pro-Quality Portable Recording, Simplified
The TASCAM DR-07XP portable handheld recorder makes it easy to capture pro-quality recordings for music, audio-for-video, meetings, dictation, and more. With 32-bit float recording mode, you'll never need to worry about setting audio levels, and adjustable stereo condenser microphones give you full control over your sound. With easy one-handed operation, the DR-07XP makes it simple to start recording with minimal setup time.
Capture Pro-Level Recordings Every Time
With its 32-bit float recording mode, the DR-07XP ensures your audio recordings will always be clear, distinct, and free of distortion that could ruin your recording - and you'll never need to worry about setting input levels.
Adjustable Stereo Condenser Microphones
The DR-07XP features unidirectional stereo condenser microphones with adjustable A/B or X/Y configurations, allowing you to capture incredibly vivid stereo recordings in any setting.
Simplicity in Your Palm
With the DR-07XP, the complexities of audio recording are a thing of the past. Easily access every feature from the palm of your hand. Plus, the backlit LCD screen means no squinting; just clear and concise navigation any time of day, in any environment.
Your Portable Recording Studio
The DR-07XP isn't only a powerful portable recorder - it's also a 2-in/2-out USB-C audio interface you can use to record anywhere, directly to audio recording software on your Mac or PC.
Ideal for Musicians
The DR-07XP is a fantastic portable recording solution for musicians with its high-quality microphones, 32-bit float recording, built-in tuner, reverb, overdubbing and more.
On Location
With its compact size, the DR-07XP can travel anywhere for exceptional field recording. Choose from three different low cut filter options for getting rid of unwanted noises. As a companion for video, the DR-07XP can attach easily to tripods and the Auto Tone output for cameras makes post-production a simple task.
Record Anything, Anywhere
From dialogue to vlogs, whether you're in an alley or a recording booth, the DR-07XP captures clear, crisp audio with ease. In addition to the built-in mics, use the stereo mini jack to add microphones with plug-in power or external line inputs to capture audio from any source in mono or stereo. Connect the unit to a computer via USB-C for use as a USB microphone.
Features
2-channel portable handheld audio recorder with microSDXC card storage
32-bit float recording mode ensures low-noise, distortion-free recordings
Stereo AB/XY condenser microphones handle loud environments and sources (up to 125dB SPL)
2-in/2-out USB-C audio interface for recording directly to your computer
Up to 17.5 hours operation with 2 x AA alkaline batteries
Recording modes include 32-bit float/24-bit/16-bit, 96kHz/48kHz/44.1kHz
microSDXC (up to 512GB) cards can be used as recording media
USB Type-C port
Stereo mini jack for external stereo microphones (provides plug-in power) / External line input
Support multiple menu languages (ENG/FRA/DEU/ITA/ESP/RUS/PRT/JPN/CHI/KOR)
Long recordings as MP3 files possible
Various recording function (Auto rec, Self timer, Pre rec)
Overdubbing function
Limiter and Peak reduction
Three low-cut filter levels (40/80/120Hz)
Auto Tone output for use with DSLR camera
Reverb effect for vocal and instrument resonance
Mark function
128×64 pixel graphic LCD with backlight
Tripod mounting point attaches to any standard tripod
Stereo mini line output and headphone output
Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
Playlist function
Built-in monaural speaker makes it easy to check your recordings
Chromatic tuner for tuning musical instruments before recording
* WS-11 Windscreen sold separately
* SD card not included
Recorder specifications
Recording media/file systems: microSD cards, microSDHC cards, microSDXC cards (up to 512 GB)
Recording/playback formats
WAV (BWF)
Sampling frequency: 44.1 kHz, 48 kHz, 96 kHz
Quantization bit depth: 16-bit / 24-bit / 32-bit float
MP3
Sampling frequency: 32 / 64 / 96 / 128 / 192 / 256 / 320 kbps
Quantization bit depth: 24-bit / 32-bit float
Maximum number of input channels: 2
Maximum number of recordable tracks: 2
Analogue audio input/output ratings
MIC/EXT IN jack (can provide plug-in power)
Connector: 3.5mm (1/8") stereo mini jack
Input Impedance: 18 kO or more (when plug-in power is turned off)
2 kO or more (when plug-in power is turned on)
Nominal input level: - 20 dBV
Maximum input level : -4 dBV
PHONES/LINE OUT jack
Connector: 3.5mm (1/8") stereo mini jack
Output impedance: 12 O
Nominal output level : - 14 dBV (10kO loaded)
Maximum output level: +2 dBV (10kO loaded)
Maximum output: 20 mW + 20 mW (32 ? load)
Working impedance: 16 - 250O
Built-in Speaker
Output: 0.3W (monaural)
USB
Connector: USB Type-C
Format:USB 2.0 High Speed Mass Storage Class
USB 1.1 Full Speed Audio Class
USB Audio
Sampling rate : 44.1 / 48 kHz
Quantization bit depth: 24-bit
Number of inputs: 2 channels (output from this unit)
Number of outputs: 2 channels (input to this unit)
General
Power 2AA batteries (alkaline or NiMH)
USB bus power (5V/0.5A) from a computer, etc.
TASCAM PS-P520U AC adapter (sold separately)
Power consumption: 1.7 W (maximum)
Weight: 184 g / 0.406 lb (including batteries)
136 g / 0.30 lb (not including batteries)
Operating temperature range: 0 - 40 -C / 32 - 104 -F
Dimensions
Mic closed: 68 x 159.6 x 27.0 mm
2.68 x 6.28 x 1.06 inch
Mic opened: 90.3 x 159.6 x 27.0 mm
3.56 x 6.28 x 1.06 inch
Included items:
DR-07XP x1
Safety guide (including warranty) x1
TASCAM ID registration guide x1
*Note:0 dBV=1 Vrms, 0 dBu=0.775 Vrms
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $165.72
(No payment required now - pay when released)
FORTHCOMING
Related products...
Arturia Pigments 6 Virtual Synthesiser Software (boxed) (virtual synthesiser software)
Cat: 1071523
Pigments is an all-in-one software synthesiser for modern producers, blending 6 cutting-edge synthesis engines, a colour-coded interface, effortless drag-and-drop modulation, premium effects and generative sequencing
Notes: Pigments
Sound design synthesiser
Pigments is an all-in-one software synthesiser for modern producers, blending 6 cutting-edge synthesis engines, a colour-coded interface, effortless drag-and-drop modulation, premium effects and generative sequencing. Shape your sonic vision with boundary-pushing sound design.
Shape your sonic vision
Explore in-depth sound design with every synthesis type you could need and a responsive, color-coded interface that rewards experimentation - from playful discoveries to intricate modulation and patch creation.
Multi-engine versatility
Discover pure sonic possibility with 6 forms of synthesis: Modal, Granular, Wavetable, Sample, Harmonic and Virtual Analog, alongside the Utility engine.
Visual sound design
Streamline your creative process with Pigments' clean, color-coded interface and drag-and-drop modulation - every step is designed for fast, fluid sound design without breaking your flow.
Modern-sounding aesthetic
Pigments is defined by a boundary-pushing sound and over 1600 instantly-rewarding presets - from hybrid-acoustic tones to sweeping granular textures. Expandable with the sound store.
Harness every shade of synthesis
Craft immense, composite soundscapes like no other synth. With 6 engine types, twin morphing filters, 19 high-quality FX, advanced modulation and creative sequencing - Pigments' in-depth sonic architecture lets your imagination lead the way.
Close the gap between inspiration and outcome
Transform your ideas into fully realized sounds with Pigments' visual workflow. Whether you're just experimenting or building complex patches - see what's happening, modulate with ease and watch your creativity come to life.
Clear, color-coded design
Pigments' clean, intuitive layout and color-coded modulation sources make it easy to see where you are and what's connected at a glance - so you can stay focused.
Effortless workflow
From drag-and-drop modulation, quick-edit tools, and streamlined signal routing, every element is crafted to make sound design fluid efficient and enjoyable.
Animation that informs
From engine waveforms to envelope transients and modulation dynamics - Pigments' real-time animated feedback offers instant visual clarity and aliveness.
A next-gen synth for innovative electronic genres
Pigments is at the forefront of modern sound design, embodying an innovative aesthetic that underpins the world's most daring music - from phosphorescent tones to thundering basses and sweeping granular expanse
Modern-sounding aesthetic
Discover a precise, powerful and high-quality sound that goes hand-in-hand with leading electronic genres - from trap to EDM, house, cinematic and beyond.
Extensive factory library
Harness 1500+ meticulously crafted presets that define Pigments' distinctive sonic identity and push its powers to the limit - basses, leads, pads, sequences and much more.
On-trend expansions
Stay on the cutting edge with contemporary presets and genre focused packs that capture today's most innovative musical trends.
Main Features
Two engines in parallel
Modal physical-modeling engine
Complex Wavetable engine
Granular and Sample engine
Harmonic Oscillator additive engine
Virtual Analog triple-osc engine
Includes Engine Cross- modulation
Utility Engine
5-shape Virtual Analog Oscillator
2 Noise Engines
External audio input
Two filters
13 modern filter types and 49 filter modes
Classic filter types from V Collection instruments
Continuous series/parallel routing
Powerful FX section
2 Insert buses, 1 Send bus, 3 FX per bus
Modulable parameters
19 algorithms including Shimmer Reverb, MultiBand Compressor, Distortion, Vocoder, and more.
Advanced modulation system
Colour-coded workflow
Drag-and-drop assignation
Hover quick-edit adjustment
Modulation side-chain
Envelopes, Morphing LFOs, Function generators, Random generators, Combinators and more
4 dynamic, assignable Macro controls
Generative Sequencer and Arpeggiator
Create complex, evolving and polymetric sequences/arps
Advanced random sequence generator
Sequencer lock & browser
Visual interface
4k resizeable interface
Interactive animated interface
Simplified Play View
Dark or Light themes
Extensive library of 1600 presets
MPE compatibility
NKS controller compatible
MTS-ESP microtuning compatibility
Platform specifications
Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows
Apple
Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU
Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).
Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.
… Read moreSound design synthesiser
Pigments is an all-in-one software synthesiser for modern producers, blending 6 cutting-edge synthesis engines, a colour-coded interface, effortless drag-and-drop modulation, premium effects and generative sequencing. Shape your sonic vision with boundary-pushing sound design.
Shape your sonic vision
Explore in-depth sound design with every synthesis type you could need and a responsive, color-coded interface that rewards experimentation - from playful discoveries to intricate modulation and patch creation.
Multi-engine versatility
Discover pure sonic possibility with 6 forms of synthesis: Modal, Granular, Wavetable, Sample, Harmonic and Virtual Analog, alongside the Utility engine.
Visual sound design
Streamline your creative process with Pigments' clean, color-coded interface and drag-and-drop modulation - every step is designed for fast, fluid sound design without breaking your flow.
Modern-sounding aesthetic
Pigments is defined by a boundary-pushing sound and over 1600 instantly-rewarding presets - from hybrid-acoustic tones to sweeping granular textures. Expandable with the sound store.
Harness every shade of synthesis
Craft immense, composite soundscapes like no other synth. With 6 engine types, twin morphing filters, 19 high-quality FX, advanced modulation and creative sequencing - Pigments' in-depth sonic architecture lets your imagination lead the way.
Close the gap between inspiration and outcome
Transform your ideas into fully realized sounds with Pigments' visual workflow. Whether you're just experimenting or building complex patches - see what's happening, modulate with ease and watch your creativity come to life.
Clear, color-coded design
Pigments' clean, intuitive layout and color-coded modulation sources make it easy to see where you are and what's connected at a glance - so you can stay focused.
Effortless workflow
From drag-and-drop modulation, quick-edit tools, and streamlined signal routing, every element is crafted to make sound design fluid efficient and enjoyable.
Animation that informs
From engine waveforms to envelope transients and modulation dynamics - Pigments' real-time animated feedback offers instant visual clarity and aliveness.
A next-gen synth for innovative electronic genres
Pigments is at the forefront of modern sound design, embodying an innovative aesthetic that underpins the world's most daring music - from phosphorescent tones to thundering basses and sweeping granular expanse
Modern-sounding aesthetic
Discover a precise, powerful and high-quality sound that goes hand-in-hand with leading electronic genres - from trap to EDM, house, cinematic and beyond.
Extensive factory library
Harness 1500+ meticulously crafted presets that define Pigments' distinctive sonic identity and push its powers to the limit - basses, leads, pads, sequences and much more.
On-trend expansions
Stay on the cutting edge with contemporary presets and genre focused packs that capture today's most innovative musical trends.
Main Features
Two engines in parallel
Modal physical-modeling engine
Complex Wavetable engine
Granular and Sample engine
Harmonic Oscillator additive engine
Virtual Analog triple-osc engine
Includes Engine Cross- modulation
Utility Engine
5-shape Virtual Analog Oscillator
2 Noise Engines
External audio input
Two filters
13 modern filter types and 49 filter modes
Classic filter types from V Collection instruments
Continuous series/parallel routing
Powerful FX section
2 Insert buses, 1 Send bus, 3 FX per bus
Modulable parameters
19 algorithms including Shimmer Reverb, MultiBand Compressor, Distortion, Vocoder, and more.
Advanced modulation system
Colour-coded workflow
Drag-and-drop assignation
Hover quick-edit adjustment
Modulation side-chain
Envelopes, Morphing LFOs, Function generators, Random generators, Combinators and more
4 dynamic, assignable Macro controls
Generative Sequencer and Arpeggiator
Create complex, evolving and polymetric sequences/arps
Advanced random sequence generator
Sequencer lock & browser
Visual interface
4k resizeable interface
Interactive animated interface
Simplified Play View
Dark or Light themes
Extensive library of 1600 presets
MPE compatibility
NKS controller compatible
MTS-ESP microtuning compatibility
Platform specifications
Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows
Apple
Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU
Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).
Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $182.31
(No payment required now - pay when released)
FORTHCOMING
Related products...
Black Corporation ISE-NIN Voice Module (synth voice synth module)
Cat: 1073596
(ISE-NIN) VOICE brings the legendary Japanese discrete analogue sound into a compact 100% analogue Eurorack creation
Notes: (ISE-NIN) VOICE brings the legendary Japanese discrete analogue sound into a compact 100% analogue Eurorack creation. Ideal for combination with an x0x techno rig, the full depth of rich sonic potential and programmability of ISE-NIN can now be patched into new modular concoctions. A full complement of iconic analog oscillators, filters, envelopes, and modulation make this at once a full-featured semi-modular synth on its own, and a powerful addition to any rig with the addition of ISE-NIN BREAKOUT.
Two Oscillators with Deep Modulation
This is a no-compromise compact recreation of a complete voice - lacking only the desktop synth's polyphony. Two oscillators each include multiple waveforms (triangle, ramp, pulse, and square on the VCO-1, with sine and noise replacing triangle and square on VCO-2). Hard sync is available, as is configurable modulation, with dedicated PWM (controlled manually, via LFO, or via envelope 1), and tweakable modulation amounts from both LFO and envelope 1 to VCO-1, VCO-2, or both. The LFO section provides access to waveform (sine, saw, square, random), rate, and delay.
Unmistakable Filter, Dual Envelopes, Musical Control
The unique classic 80s Japanese filter sound is fully embodied here, with highpass filter, lowpass with two slope options (-12 dB, -24 dB), and resonance, all with their own controls. Dual envelopes, each with four stages, are assignable to the filter, VCO modulation (ENV-1), and VCA (ENV-2), with an envelope mod fader. Envelope 1 also sports a polarity switch. As with our desktop synths, musical control is front and center, literally: you'll find dedicated controls for toggling keyboard input to each envelope, a keyboard amount to VCF fader. If you're using ISE-NIN alone as a voice, you'll have access to 1v/octave and gate inputs with glide control.
Unprecedented Patchability
Start with ISE-NIN VOICE (36HP), and you'll already have a deep semi-modular instrument on its own. But add ISE-NIN BREAKOUT (22HP), and you can place every single control under one-to-one voltage control for unmatched patchability and programmability. This is a level of sound possibility that could would normally require investing in several rows of modules; here, they're all readily accessible on one convenient, compact front plate. Not only do you get dedicated inputs for the oscillators, filters, and each separate envelope stage for both of the two envelopes, but there are separate FM inputs to each oscillator and every possible routing of the LFO, envelope, and keyboard. XMOD amount and VCO-2 quantized range each get their own input.
Power consumption: 110mA at +12V and 30mA at -12V
Depth: 38mm
36 HP
… Read moreTwo Oscillators with Deep Modulation
This is a no-compromise compact recreation of a complete voice - lacking only the desktop synth's polyphony. Two oscillators each include multiple waveforms (triangle, ramp, pulse, and square on the VCO-1, with sine and noise replacing triangle and square on VCO-2). Hard sync is available, as is configurable modulation, with dedicated PWM (controlled manually, via LFO, or via envelope 1), and tweakable modulation amounts from both LFO and envelope 1 to VCO-1, VCO-2, or both. The LFO section provides access to waveform (sine, saw, square, random), rate, and delay.
Unmistakable Filter, Dual Envelopes, Musical Control
The unique classic 80s Japanese filter sound is fully embodied here, with highpass filter, lowpass with two slope options (-12 dB, -24 dB), and resonance, all with their own controls. Dual envelopes, each with four stages, are assignable to the filter, VCO modulation (ENV-1), and VCA (ENV-2), with an envelope mod fader. Envelope 1 also sports a polarity switch. As with our desktop synths, musical control is front and center, literally: you'll find dedicated controls for toggling keyboard input to each envelope, a keyboard amount to VCF fader. If you're using ISE-NIN alone as a voice, you'll have access to 1v/octave and gate inputs with glide control.
Unprecedented Patchability
Start with ISE-NIN VOICE (36HP), and you'll already have a deep semi-modular instrument on its own. But add ISE-NIN BREAKOUT (22HP), and you can place every single control under one-to-one voltage control for unmatched patchability and programmability. This is a level of sound possibility that could would normally require investing in several rows of modules; here, they're all readily accessible on one convenient, compact front plate. Not only do you get dedicated inputs for the oscillators, filters, and each separate envelope stage for both of the two envelopes, but there are separate FM inputs to each oscillator and every possible routing of the LFO, envelope, and keyboard. XMOD amount and VCO-2 quantized range each get their own input.
Power consumption: 110mA at +12V and 30mA at -12V
Depth: 38mm
36 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,081.71
(No payment required now - pay when released)
FORTHCOMING
Related products...
Black Corporation ISE-NIN Voice Breakout Module (breakout synth module)
Cat: 1073600
The output section of the ISE-NIN BREAKOUT is a perfect match for the voice
Notes: Breakout for the ISE-NIN Voice
Extensive outputs, open-ended Functionality
The output section of the ISE-NIN BREAKOUT is a perfect match for the voice. Each waveform for each oscillator has its own independent instrument, as does each envelope and the inverse of envelope 1, each filter and slope, each LFO waveform, noise and low noise, and mix. There's also a dedicated headphone output so you can enjoy ISE-NIN without waking the neighbours. You'd be hard pressed to find as much tonal range, as many distinctive vintage Japanese tones, or as much expandability with as much horsepower as ISE-NIN VOICE and its BREAKOUT.
… Read moreExtensive outputs, open-ended Functionality
The output section of the ISE-NIN BREAKOUT is a perfect match for the voice. Each waveform for each oscillator has its own independent instrument, as does each envelope and the inverse of envelope 1, each filter and slope, each LFO waveform, noise and low noise, and mix. There's also a dedicated headphone output so you can enjoy ISE-NIN without waking the neighbours. You'd be hard pressed to find as much tonal range, as many distinctive vintage Japanese tones, or as much expandability with as much horsepower as ISE-NIN VOICE and its BREAKOUT.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $337.00
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tobinski LFOs Module (LFO synth module)
Cat: 1073612
The Dual LFO Module from Tobinski combines two low-frequency oscillators, each based on Electric Druid technology: the TapLFO3C and the LFO10
Notes: The Dual LFO Module from Tobinski combines two low-frequency oscillators, each based on Electric Druid technology: the TapLFO3C and the LFO10. This module provides a wealth of modulation possibilities, with flexible synchronization, waveform shaping, and dynamic CV control to suit any Eurorack setup.
The TapLFO3C (left side of the module), syncs to an incoming pulse, allowing precise alignment with external clocks or rhythmic triggers. Its built-in frequency multiplier/divider further extends its range, enabling intricate timing patterns. The output can also be set to +-5v bipolar or 0v to 10v unipolar.
The LFO10-based LFO, on the other hand, resets to an incoming pulse, ensuring repeatable, synchronized modulation. The output can also be set to sample and hold mode allowing the LFO waveform to act as the signal to be sampled and the reset pulse to act as the sample trigger.
Each LFO features 16 selectable waveforms split into two banks of eight, accessible via manual switches.
Power consumption: 40mA at +12V and 45mA at -12V and 11mA at +5V
Depth: 27mm
12 HP
… Read moreThe TapLFO3C (left side of the module), syncs to an incoming pulse, allowing precise alignment with external clocks or rhythmic triggers. Its built-in frequency multiplier/divider further extends its range, enabling intricate timing patterns. The output can also be set to +-5v bipolar or 0v to 10v unipolar.
The LFO10-based LFO, on the other hand, resets to an incoming pulse, ensuring repeatable, synchronized modulation. The output can also be set to sample and hold mode allowing the LFO waveform to act as the signal to be sampled and the reset pulse to act as the sample trigger.
Each LFO features 16 selectable waveforms split into two banks of eight, accessible via manual switches.
Power consumption: 40mA at +12V and 45mA at -12V and 11mA at +5V
Depth: 27mm
12 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $314.90
(No payment required now - pay when released)
FORTHCOMING
Related products...
TipTop Audio Polytip 8-Voice Patch Cable (150cm) (patch cable)
Cat: 1073846
Polytip is Tiptop Audio's new type of modular synthesiser patch cable that can pass multiple audio channels using minimal panel space
Notes: Polytip is Tiptop Audio's new type of modular synthesiser patch cable that can pass multiple audio channels using minimal panel space. This innovative design finally adds to modular the capability to patch more than one signal at a time and unleash the full potential of polyphonic patching between modules. Polytips uses the industry standard USB Type C connector although it is not a USB cable (and USB cables do not work with Polytip). Internally multiple lines of shielded analogue audio lines pass from end to end with excellent sound quality.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $14.92
(No payment required now - pay when released)
FORTHCOMING
Related products...
TipTop Audio Polytip 8-Voice Patch Cable (90cm) (patch cable)
Cat: 1073845
Polytip is Tiptop Audio's new type of modular synthesiser patch cable that can pass multiple audio channels using minimal panel space
Notes: Polytip is Tiptop Audio's new type of modular synthesiser patch cable that can pass multiple audio channels using minimal panel space. This innovative design finally adds to modular the capability to patch more than one signal at a time and unleash the full potential of polyphonic patching between modules. Polytips uses the industry standard USB Type C connector although it is not a USB cable (and USB cables do not work with Polytip). Internally multiple lines of shielded analogue audio lines pass from end to end with excellent sound quality.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $13.82
(No payment required now - pay when released)
FORTHCOMING
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ADDAC System ADDAC300 REV.02 Power Starvation Module (effect synth module)
Cat: 1075525
A revision 02 of ADDAC's Power Starvation module
Notes: This is a revision 02 of ADDAC's Power Starvation module.
It provides an "ideal" way to power starve other modules, starving modules means the modules will receive less voltage than the standard +/-12V supply.
Power starvation is the first hack that any "DIY'er" learns. It's also one of the hacks that can generate some of the most interesting sonic effects in circuit bending.
Plug any module below +/-200mA through it and independently tune it's supply power. This will have most interesting effects in analog modules: filters, delays, mixers... They can either go silent or start screaming at your ears, going berserk with the lack of current to behaving normally, making them cough, choke... Something like a safely induced heart attack...
While revision 01 was a simple circuit with pot working as a voltage divider, this upgraded version uses a DC to DC converter that receives its input from the +12V power rail and outputs a bipolar 15V supply. This DC-DC converter also offers short circuit and overcurrent protection. The +/-15V lines are then sent through variable analog voltage regulators that can output a range of 2.5V to 13.5V.
In other words, the module features a +/-200mA PSU with variable voltage outputs.
Safety disclaimer:
While using ADDAC300 should be safe for any module, there may be specific modules where its use may not be advised.
!! Use at your own risk !!
ADDAC System won't be responsible for any issue that may arise while using ADDAC300 power starvation.
If in doubt contact ADDAC prior to any connection.
Tech Specs:
6HP
4.5cm deep
UP TO 600mA +12V (Depending on the starving module connected)
0mA -12V
… Read moreIt provides an "ideal" way to power starve other modules, starving modules means the modules will receive less voltage than the standard +/-12V supply.
Power starvation is the first hack that any "DIY'er" learns. It's also one of the hacks that can generate some of the most interesting sonic effects in circuit bending.
Plug any module below +/-200mA through it and independently tune it's supply power. This will have most interesting effects in analog modules: filters, delays, mixers... They can either go silent or start screaming at your ears, going berserk with the lack of current to behaving normally, making them cough, choke... Something like a safely induced heart attack...
While revision 01 was a simple circuit with pot working as a voltage divider, this upgraded version uses a DC to DC converter that receives its input from the +12V power rail and outputs a bipolar 15V supply. This DC-DC converter also offers short circuit and overcurrent protection. The +/-15V lines are then sent through variable analog voltage regulators that can output a range of 2.5V to 13.5V.
In other words, the module features a +/-200mA PSU with variable voltage outputs.
Safety disclaimer:
While using ADDAC300 should be safe for any module, there may be specific modules where its use may not be advised.
!! Use at your own risk !!
ADDAC System won't be responsible for any issue that may arise while using ADDAC300 power starvation.
If in doubt contact ADDAC prior to any connection.
Tech Specs:
6HP
4.5cm deep
UP TO 600mA +12V (Depending on the starving module connected)
0mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $142.53
(No payment required now - pay when released)
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Michigan Synth Works Xena 6-Voice Polyphonic Hybrid Desktop Synthesiser (Polivoks LPF filter option) (hybrid desktop synthesiser)
Cat: 1075648
Xena is a rework of the legendary Mutable Instruments Ambika DIY synthesiser
Notes: Xena is a rework of the legendary Mutable Instruments Ambika DIY synthesiser. Now fully machine assembled with an updated layout and an improved modern power supply. Available with all original 3 voice cards and compatible with 3rd part operating systems as well as a new AS3109 (modern reissue of the original Roland filter chip) filter
Xena Features:
6 voices with individual outputs, one Mix output (Mono)
2 digital oscillators per voice, with 36 oscillator algorithms/wavetables.
1 sub-oscillator, also configurable as a transient generator.
Pre-filter overdrive and bit-crushing effect.
Analogue 4-pole filter (or 2-pole multimode filter depending on the type of voicecard used) and VCA.
3 ADSR envelopes, 3 patch-level LFOs, 1 voice-level LFO.
Modulation matrix with 14 slots and 4 modulation modifiers.
1 arpeggiator, 1 note sequencer and 2 step sequencers per part.
Flexible mapping of the 6 voices. A single patch with 6 voice-polyphony, 6 independent mono parts, 2 layered patches with 3-voices polyphony, a 3-voice unison bass line on the lower half of the keyboard with a 3-voice unison lead on the upper half... all are possible!
MicroSD storage allows the storing of a life-long of patches, programs and multis, along with the history of editing operations for undo/redo.
Easy to change voice cards
Case size: 10.5"x6.5"x1.75"
Filter Options:
The device is available with the original 3 Mutable voice cards (more will be added later one). Mixing voice cards is possible but not recommended.
SMR Filter: This filter uses the same topology as the Shruthi SMR4mkII. It is a low pass 4 pole OTA-C filter. Its is a smooth "Roland-ish" type filter.
4P Filter: This filter uses the same core as the Shruhti 4-Pole Mission but only offers the LP4 output. The 4P filter is perhaps a a bit fuzzier than the SMR type.
SVF Filter: This filter board features a 2-pole state variable filter with low-pass, band-pass and high-pass modes. It is half of the Shruthi SVF Filter.
Includes:
Xena Desktop Synth
12V DC universal (100-240V) Power Supply
Preformatted SD card
… Read moreXena Features:
6 voices with individual outputs, one Mix output (Mono)
2 digital oscillators per voice, with 36 oscillator algorithms/wavetables.
1 sub-oscillator, also configurable as a transient generator.
Pre-filter overdrive and bit-crushing effect.
Analogue 4-pole filter (or 2-pole multimode filter depending on the type of voicecard used) and VCA.
3 ADSR envelopes, 3 patch-level LFOs, 1 voice-level LFO.
Modulation matrix with 14 slots and 4 modulation modifiers.
1 arpeggiator, 1 note sequencer and 2 step sequencers per part.
Flexible mapping of the 6 voices. A single patch with 6 voice-polyphony, 6 independent mono parts, 2 layered patches with 3-voices polyphony, a 3-voice unison bass line on the lower half of the keyboard with a 3-voice unison lead on the upper half... all are possible!
MicroSD storage allows the storing of a life-long of patches, programs and multis, along with the history of editing operations for undo/redo.
Easy to change voice cards
Case size: 10.5"x6.5"x1.75"
Filter Options:
The device is available with the original 3 Mutable voice cards (more will be added later one). Mixing voice cards is possible but not recommended.
SMR Filter: This filter uses the same topology as the Shruthi SMR4mkII. It is a low pass 4 pole OTA-C filter. Its is a smooth "Roland-ish" type filter.
4P Filter: This filter uses the same core as the Shruhti 4-Pole Mission but only offers the LP4 output. The 4P filter is perhaps a a bit fuzzier than the SMR type.
SVF Filter: This filter board features a 2-pole state variable filter with low-pass, band-pass and high-pass modes. It is half of the Shruthi SVF Filter.
Includes:
Xena Desktop Synth
12V DC universal (100-240V) Power Supply
Preformatted SD card
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $418.76
(No payment required now - pay when released)
FORTHCOMING
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Michigan Synth Works Syncussion SY-1 Analogue Drum Synthesiser With Expanded I/O Configuration (white) (drum synthesiser)
Cat: 1075640
The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion
Notes: The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device.
Assembled versions come with the METAL back standard, the wood case is available as a DIY kit separately.
The Syncussion:
The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold.
OSC Modes:
A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.
B. Sound of one oscillator adjusting the other oscillator frequency; produces a metallic sound.
C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.
D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE
E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.
F. Sound of only noise
Triggering:
The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.
Tuning:
The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.
The inputs and outputs use 1/4" Stereo to 1/4" (3 included) to greatly expand the capabilities of the device. The Mod input is prewired to VCF freq but can easily be switched to decay via jumper on the voice cards.
The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.
Whats included:
SY-1 Synthesiser
Universal Power adapter (100-240V, 12V DC out, Tip Positive)
Expanded I/O: 3x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone
… Read moreAssembled versions come with the METAL back standard, the wood case is available as a DIY kit separately.
The Syncussion:
The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold.
OSC Modes:
A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.
B. Sound of one oscillator adjusting the other oscillator frequency; produces a metallic sound.
C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.
D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE
E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.
F. Sound of only noise
Triggering:
The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.
Tuning:
The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.
The inputs and outputs use 1/4" Stereo to 1/4" (3 included) to greatly expand the capabilities of the device. The Mod input is prewired to VCF freq but can easily be switched to decay via jumper on the voice cards.
The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.
Whats included:
SY-1 Synthesiser
Universal Power adapter (100-240V, 12V DC out, Tip Positive)
Expanded I/O: 3x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $628.70
(No payment required now - pay when released)
FORTHCOMING
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Cat: 1073677
Portable 10-channel analogue mixer with enhanced FX, USB recording modes & Bluetooth
Notes: Mackie ProFX10 GO is a professional analog mixer and USB-C audio interface that can run on a rechargeable, swappable battery for up to 8 hours, so you're always ready to mix on the GO.
ProFX10 GO gives you up to 8 hours of professional mixing and recording on a single charge with the included GB-10 battery. It's the best way to get quality live sound for remote gigs and outdoor events.
Connect your phone or tablet to the dedicated Bluetoothr channel to stream songs, perform over backing tracks or broadcast your gig or live event online. You can even take calls through ProFX10 GOiMix Minus makes sure the caller doesn't hear themselves.
Enhance your sound using high-resolution GigFX+ effects including reverbs, delays, choruses and more. Edit and save your own presets on the fly via the full-size LCD screen, so you always have polished, professional sound when it's showtime.
Capture your event or performance with three USB-C recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.
ProFX10 GO lets you go anywhere and bring the incredibly low-noise, high-headroom performance of four award-winning Onyx preamps. With up to 60 dB gain, 100 Hz low-cut filters and 48V phantom power, these preamps can handle any mic you throw at them.
Even under battery power at a remote event or show, ProFX GO gives you the raw analog power of a professional live mixing board, including essentials like three-band EQ to shape your sound and one-knob compression to help keep levels in check.
Mix your entire live setup under battery power with all the inputs and outputs you need for mics, instruments, stereo playback devices, smartphones, loudspeakers and more, plus a high-quality headphone output for crystal-clear personal monitoring.
… Read moreProFX10 GO gives you up to 8 hours of professional mixing and recording on a single charge with the included GB-10 battery. It's the best way to get quality live sound for remote gigs and outdoor events.
Connect your phone or tablet to the dedicated Bluetoothr channel to stream songs, perform over backing tracks or broadcast your gig or live event online. You can even take calls through ProFX10 GOiMix Minus makes sure the caller doesn't hear themselves.
Enhance your sound using high-resolution GigFX+ effects including reverbs, delays, choruses and more. Edit and save your own presets on the fly via the full-size LCD screen, so you always have polished, professional sound when it's showtime.
Capture your event or performance with three USB-C recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.
ProFX10 GO lets you go anywhere and bring the incredibly low-noise, high-headroom performance of four award-winning Onyx preamps. With up to 60 dB gain, 100 Hz low-cut filters and 48V phantom power, these preamps can handle any mic you throw at them.
Even under battery power at a remote event or show, ProFX GO gives you the raw analog power of a professional live mixing board, including essentials like three-band EQ to shape your sound and one-knob compression to help keep levels in check.
Mix your entire live setup under battery power with all the inputs and outputs you need for mics, instruments, stereo playback devices, smartphones, loudspeakers and more, plus a high-quality headphone output for crystal-clear personal monitoring.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $497.20
(No payment required now - pay when released)
FORTHCOMING
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Tangible Instruments Arpeggio Virtual Analogue Synthesiser Arpeggiator & Sequencer (synthesiser/sequencer)
Cat: 1074000
Arpeggio is a powerful and portable melody maker with a built-in speaker, and battery power.
Notes: Arpeggio is a powerful and portable melody maker with a built-in speaker, and battery power. It's a synthesizer, arpeggiator, and sequencer all in one. You can compose and perform anywhere, save hundreds of melodies and create millions of arpeggiator styles. It creates a looping sequence of the notes you select in real time. It's a completely new musical instrument designed to give you the freedom to make melodies with nuance and distinction. Save hundreds of melodies and create millions of arpeggiator styles. Control your gear wirelessly with MIDI over bluetooth or go old school with control voltage and gate. The notes you select from the one octave keyboard instantly create a looping sequence. Unlike a step sequencer, Arpeggio does not limit you to a set number of notes in your sequence. Add rests into your melody and adjust note lengths, tempo, octave, portamento, and swing. Save your melodic phrases as they are created into one of 512 memory banks. They can be chained together to create more complex melodies.
It's equally at home on stage, in the studio, or on the couch. With an editable 2-oscillator virtual analog synthesizer, a built-in speaker, and battery power, Arpeggio can help you make melodies wherever inspiration strikes.
Sequences are created and saved on the fly. You can create a sequence and then save it to a bank while it's playing. Sequences are monophonic and can be up to 128 notes long. Individual steps in a sequence can be of different note lengths, and gate lengths. Like an arpeggiator the sequence length expands as notes are added. You can link melodic sequences together, add rest notes, and delete notes all in real time. Attach the advanced sequencing overlay and scrub through your sequence to delete or insert notes, add slides, and adjust swing to create the exact melody in your head.
A monophonic virtual analog synthesizer. Turn the voice knob to cycle through 24 different synth patches and adjust shape, attack, and portamento. Synth features include: dual oscillators, dual ADSR Envelopes, dual LFOs, six oscillator waveforms, low-pass filter & detune. Dive deeper using the synthesizer overlay and completely customize all synth parameters, create and save your own sounds.
A one octave keyboard from low C to a high B is where you'll play the notes to create your own melodic sequences. Turn the octave knob to shift the pitch of the keyboard up and down to play any note you want. Notes may also be input using an external MIDI controller. In transpose mode the currently playing sequence can be shifted up and down by either selecting a note from the built in one octave keyboard, a whole octave by turning the octave knob or by playing a note on an external MIDI controller. The melody will be shifted up by the number of steps the selected key is away from the low C.
Arpeggio is an amazing instrument all on its own, but its expansive I/O makes it a powerful companion for your other electronic instruments. Add an arpeggiator to any synth. Connect a larger external MIDI keyboard and record a full chord's worth of notes into arpeggio instantly. Expand your sonic palette by using it as a sequencer to control other synthesizers and sound modules. Sync it up to external clock sources for integration with drum machines, samplers, iOS devices and computers. Instant looping sequences. Up, up-down, down, down-up, sequence (as played), reverse styles. Or activate the Arpeggiator Overlay to create your own arp styles and rhythms. Millions are possible.
The Arpeggiator Overlay gives you an insane amount of control over custom arp styles. Start by mixing and matching any two of the base note orders (or just pick one): Up, Down, Sequence, Reverse, and Random. Then apply and combine separate modifiers to each like Inside Out, Skip Forward, Alternating First, Zig Zag, and more. Each arp style can also have an Arpeggiator Rhythm of up to 16-steps. The result of all this is that literally millions of unique arp styles are possible.
The Sequencer Overlay lets you go through each note of your saved sequences and change the pitch or octave, add slide notes where you want, adjust swing, and note probability. Here you can also customize global settings and create sequence frequency patterns to add sections of silence before or after your melodies.
The Synthesizer Overlay lets you explore new sonic territory, tweak and fine tune Arpeggio's built-in synth engine, and create and save your own custom synth presets. The virtual analog synthesizer architecture is designed to reproduce a wide range of timbres. Features include: dual oscillators, dual ADSR Envelopes, dual LFOs, six oscillator waveforms, low-pass filter & detune.
… Read moreIt's equally at home on stage, in the studio, or on the couch. With an editable 2-oscillator virtual analog synthesizer, a built-in speaker, and battery power, Arpeggio can help you make melodies wherever inspiration strikes.
Sequences are created and saved on the fly. You can create a sequence and then save it to a bank while it's playing. Sequences are monophonic and can be up to 128 notes long. Individual steps in a sequence can be of different note lengths, and gate lengths. Like an arpeggiator the sequence length expands as notes are added. You can link melodic sequences together, add rest notes, and delete notes all in real time. Attach the advanced sequencing overlay and scrub through your sequence to delete or insert notes, add slides, and adjust swing to create the exact melody in your head.
A monophonic virtual analog synthesizer. Turn the voice knob to cycle through 24 different synth patches and adjust shape, attack, and portamento. Synth features include: dual oscillators, dual ADSR Envelopes, dual LFOs, six oscillator waveforms, low-pass filter & detune. Dive deeper using the synthesizer overlay and completely customize all synth parameters, create and save your own sounds.
A one octave keyboard from low C to a high B is where you'll play the notes to create your own melodic sequences. Turn the octave knob to shift the pitch of the keyboard up and down to play any note you want. Notes may also be input using an external MIDI controller. In transpose mode the currently playing sequence can be shifted up and down by either selecting a note from the built in one octave keyboard, a whole octave by turning the octave knob or by playing a note on an external MIDI controller. The melody will be shifted up by the number of steps the selected key is away from the low C.
Arpeggio is an amazing instrument all on its own, but its expansive I/O makes it a powerful companion for your other electronic instruments. Add an arpeggiator to any synth. Connect a larger external MIDI keyboard and record a full chord's worth of notes into arpeggio instantly. Expand your sonic palette by using it as a sequencer to control other synthesizers and sound modules. Sync it up to external clock sources for integration with drum machines, samplers, iOS devices and computers. Instant looping sequences. Up, up-down, down, down-up, sequence (as played), reverse styles. Or activate the Arpeggiator Overlay to create your own arp styles and rhythms. Millions are possible.
The Arpeggiator Overlay gives you an insane amount of control over custom arp styles. Start by mixing and matching any two of the base note orders (or just pick one): Up, Down, Sequence, Reverse, and Random. Then apply and combine separate modifiers to each like Inside Out, Skip Forward, Alternating First, Zig Zag, and more. Each arp style can also have an Arpeggiator Rhythm of up to 16-steps. The result of all this is that literally millions of unique arp styles are possible.
The Sequencer Overlay lets you go through each note of your saved sequences and change the pitch or octave, add slide notes where you want, adjust swing, and note probability. Here you can also customize global settings and create sequence frequency patterns to add sections of silence before or after your melodies.
The Synthesizer Overlay lets you explore new sonic territory, tweak and fine tune Arpeggio's built-in synth engine, and create and save your own custom synth presets. The virtual analog synthesizer architecture is designed to reproduce a wide range of timbres. Features include: dual oscillators, dual ADSR Envelopes, dual LFOs, six oscillator waveforms, low-pass filter & detune.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $386.71
(No payment required now - pay when released)
FORTHCOMING
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Synclavier Knob For Regen (synthesiser control knob)
Cat: 1073973
A modern recreation of the original knob found on vintage Synclavier II systems.
Notes: Regen Knob is a precision rate-of-change dial. Using the knob to dial-in settings is not only an authentic way of controlling your Synclavier, but an efficient method to design sounds. Your left hand doesn't leave the knob, your right hand dances over the button panels. You close your eyes and set the parameters by ear. It's all very right-side-brain.
The Regen Knob comes with a bracket and screws to secure the knob to the side of your Synclavier Regen. It can also be used stand-alone. The weight and feel of the knob are identical, as we have used the exact measurements and a balanced spring mechanism. The two-inch diameter knob is milled from a solid bar of instrument-grade aluminium. The interface software and hysteresis algorithm are taken directly from Synclavier II.
… Read moreThe Regen Knob comes with a bracket and screws to secure the knob to the side of your Synclavier Regen. It can also be used stand-alone. The weight and feel of the knob are identical, as we have used the exact measurements and a balanced spring mechanism. The two-inch diameter knob is milled from a solid bar of instrument-grade aluminium. The interface software and hysteresis algorithm are taken directly from Synclavier II.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $331.46
(No payment required now - pay when released)
FORTHCOMING
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Cat: 1025150
Portable synthesiser & sequencer
Notes: Wee Noise Makers PGB-1 is an advanced yet portable synthesizer and sequencer that allows you to craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn't just an instrument-it's your gateway to the world of music production and audio synths.
PGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
… Read morePGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $314.90
(No payment required now - pay when released)
FORTHCOMING
Related products...
Notes: Unlock Limitless Creativity.
Experience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.
Redefined sensitivity.
ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.
The most playable surface yet.
ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.
A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.
Complete musical articulation.
Add polyphonic portamentos, slides and after-touch to your musical creative process.
Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.
Expressive looping.
Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.
Every gesture recorded on the fly is replayed visually, creating a show for the eyes.
Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.
Modular mastermind
Multi-dimensional connectivity.
ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!
Different skins.
ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.
This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.
Expressive Controller Looper
Erae Touch is a polyphonic MIDI Controller & Looper.
Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.
Built with unrivalled sensitivity and offering infinite configurability.
User-friendly configuration
No more back & forth menu diving.
Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.
The ERAE Lab
Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.
ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.
Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.
An open canvas.
This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).
A new kind of arpeggiator.
Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).
Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!
What's in the box:
Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable
… Read moreExperience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.
Redefined sensitivity.
ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.
The most playable surface yet.
ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.
A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.
Complete musical articulation.
Add polyphonic portamentos, slides and after-touch to your musical creative process.
Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.
Expressive looping.
Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.
Every gesture recorded on the fly is replayed visually, creating a show for the eyes.
Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.
Modular mastermind
Multi-dimensional connectivity.
ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!
Different skins.
ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.
This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.
Expressive Controller Looper
Erae Touch is a polyphonic MIDI Controller & Looper.
Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.
Built with unrivalled sensitivity and offering infinite configurability.
User-friendly configuration
No more back & forth menu diving.
Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.
The ERAE Lab
Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.
ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.
Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.
An open canvas.
This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).
A new kind of arpeggiator.
Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).
Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!
What's in the box:
Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $893.88
(No payment required now - pay when released)
FORTHCOMING
Related products...
Mellotron M4000D Compact Polyphonic Digital Synthesiser (digital keyboard synthesiser)
Cat: 1076454
Mellotron have reintroduced the iconic tape-based machine in a compact digital version, the Mellotron M4000D, that retains the authentic sound, look and feel of the original keyboard while adding some significant improvements
Notes: The world first heard the instantly recognizable sounds of the Mellotron on hits from the Moody Blues ("Nights in White Satin") and the Beatles ("Strawberry Fields Forever") in the 1960s. In 2010, Mellotron reintroduced the iconic tape-based machine in a compact digital version, the Mellotron M4000D, that retains the authentic sound, look and feel of the original keyboard while adding some significant improvements.
The M4000D has been used onstage and in the studio by artists, musicians and producers including Foo Fighters, Red Hot Chili Peppers, Smashing Pumpkins, Wilco, Incubus, Queens of the Stone Age, Eels, Jackson Browne, Bruno Mars, Band of Horses, Fleet Foxes, Sean Lennon, Brendan Benson, Air, Kooks, Train, Elbow, Michael Beinhorn, Bob Rock, Raphael Saadiq, Noel Gallagher and Gotye.
Specifications
100 instantly accessible Mellotron and Chamberlin sounds, captured from original tape sources at 24-bits, uncompressed
Expansion slot for 100 additional sounds
A and B sound banks simultaneously accessible, with mix control
Controls for volume, tone, normal/half-speed play and pitch adjustment
A, B and Master outputs available on gold plated balanced XLR and gold plated unbalanced 1/4-in line connectors
1/4-in connectors for sustain, expression, and volume pedals, and for headphones
MIDI in, out, and thru
Dimensions: 34 in (W) x 19.5 in (D) x 5.25 in (H); weight: 38.5 pounds
… Read moreThe M4000D has been used onstage and in the studio by artists, musicians and producers including Foo Fighters, Red Hot Chili Peppers, Smashing Pumpkins, Wilco, Incubus, Queens of the Stone Age, Eels, Jackson Browne, Bruno Mars, Band of Horses, Fleet Foxes, Sean Lennon, Brendan Benson, Air, Kooks, Train, Elbow, Michael Beinhorn, Bob Rock, Raphael Saadiq, Noel Gallagher and Gotye.
Specifications
100 instantly accessible Mellotron and Chamberlin sounds, captured from original tape sources at 24-bits, uncompressed
Expansion slot for 100 additional sounds
A and B sound banks simultaneously accessible, with mix control
Controls for volume, tone, normal/half-speed play and pitch adjustment
A, B and Master outputs available on gold plated balanced XLR and gold plated unbalanced 1/4-in line connectors
1/4-in connectors for sustain, expression, and volume pedals, and for headphones
MIDI in, out, and thru
Dimensions: 34 in (W) x 19.5 in (D) x 5.25 in (H); weight: 38.5 pounds
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $2,760.09
(No payment required now - pay when released)
FORTHCOMING
Related products...
Mellotron M4000D Mini Compact Polyphonic Digital Synthesiser (digital keyboard synthesiser)
Cat: 1076599
The M4000D Mini Mellotron was developed to meet the needs of keyboardists who want an even smaller and lighter Digital Mellotron
Notes: The M4000D Mini Mellotron was developed to meet the needs of keyboardists who want an even smaller and lighter Digital Mellotron. The Mini is also designed to fit perfectly on top of the regular M4000D to make a great looking dual manual Mellotron. Instead of the M4000D's wooden keyboard, it includes a high-quality, semi-weighted Fatar piano-style keyboard with velocity sensitivity, and mono aftertouch.
Specifications
100 instantly accessible Mellotron and Chamberlin sounds, captured from original tape sources at 24-bits, uncompressed
Expansion slot for 100 additional sounds
A and B sound banks simultaneously accessible, with mix control
Controls for volume, tone, normal/half-speed play and pitch adjustment
A, B and Master outputs available on unbalanced 1/4-in. line connectors
1/4-in. connectors for sustain, expression, and volume pedals, and for headphones
MIDI in, out, and thru
Dimensions: 32 in (W) x 13 in (D) x 3 in (H); weight: 21 pounds
… Read moreSpecifications
100 instantly accessible Mellotron and Chamberlin sounds, captured from original tape sources at 24-bits, uncompressed
Expansion slot for 100 additional sounds
A and B sound banks simultaneously accessible, with mix control
Controls for volume, tone, normal/half-speed play and pitch adjustment
A, B and Master outputs available on unbalanced 1/4-in. line connectors
1/4-in. connectors for sustain, expression, and volume pedals, and for headphones
MIDI in, out, and thru
Dimensions: 32 in (W) x 13 in (D) x 3 in (H); weight: 21 pounds
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,947.97
(No payment required now - pay when released)
FORTHCOMING
Related products...
Mellotron Micro Compact Polyphonic Digital Synthesiser (digital keybaord synthesiser)
Cat: 1076630
The Mellotron Micro is the smallest version available of the Digital Mellotron, and includes many of the features of the full-size version
Notes: The Mellotron Micro is the smallest version available of the Digital Mellotron, and includes many of the features of the full-size version. It includes one hundred 24-bit uncompressed sounds sourced from original first-generation Mellotron and Chamberlin tape libraries. Sound Card 01 is the built-in library for the Micro and M4000D series of instruments.
To update your Micro Rev 2, please use the Mellotron Updater app (iOS only). This update process uses Bluetooth and takes less than 1 minute. The Rev 2 Micro is the revision without the SD slot in the back. This is not supported by the Android app.
On the Rev 1 the SD slot is between the MIDI jacks and the Phones jack. The Rev 1 needs to be updated with an SD card.
Specifications
Sample playback engine with 24-bit audio data
100 Mellotron and Chamberlain sounds - based on the original sound of the first generation from the 60s and 70s (Sound Card 01)
25-Key keyboard
Controller for octave, volume, tone, pitch and A/B mix
2 Displays
Line output: 6.3 mm jack
Sustain pedal input
Stereo headphone-output 6.3 mm jack
MIDI In/Out/Thru
External power supply connection
… Read moreTo update your Micro Rev 2, please use the Mellotron Updater app (iOS only). This update process uses Bluetooth and takes less than 1 minute. The Rev 2 Micro is the revision without the SD slot in the back. This is not supported by the Android app.
On the Rev 1 the SD slot is between the MIDI jacks and the Phones jack. The Rev 1 needs to be updated with an SD card.
Specifications
Sample playback engine with 24-bit audio data
100 Mellotron and Chamberlain sounds - based on the original sound of the first generation from the 60s and 70s (Sound Card 01)
25-Key keyboard
Controller for octave, volume, tone, pitch and A/B mix
2 Displays
Line output: 6.3 mm jack
Sustain pedal input
Stereo headphone-output 6.3 mm jack
MIDI In/Out/Thru
External power supply connection
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $925.92
(No payment required now - pay when released)
FORTHCOMING
Related products...
Black Lion Audio PBR TRS3 LIT 48-Point Gold-Plated TRS Patchbay (audio patchbay)
Cat: 1075401
Gold-Plated TRS patchbay with customizable LED displays
Notes: Eliminate confusion and non-aesthetic labeling when routing your racks of precious gear with the PBR TRS3 LIT patchbay from Black Lion Audio. Built to proven Black Lion standards of build quality and signal conductivity, the PBR TRS3 LIT patchbay features customisable, brightly-lit LED displays for every input and output. Simply connect a USB keyboard directly to your LIT to customise the displays, or use the included PatchCAD software to create custom text to export directly to your patchbay using a USB drive.
To customise the displays, you have two options: simply connect a USB keyboard to the front of the unit and start typing... or you can use the included PatchCAD software to create your custom digital labels on your computer, and export them to a USB drive to load directly into the unit.
PatchCAD (Mac/Win) lets you customize your digital labels using a quick, familiar spreadsheet-like interface. Simply type out how you want your labels to appear, export the file to a USB drive, and connect the USB drive to your LIT patchbay and press the Update button.
Your studio needs more than accessible patching - audio quality throughout the entire signal chain is essential. Black Lion Audio has been trusted for years to modify the best gear to perform beyond its original spec, and they leveraged every bit of that know-how when designing their patchbays.
Every PBR product uses audiophile-grade connectors. Every contact point is gold-plated; a major factor that's missing from most patchbays that you might have encountered. Black Lion's team of engineers have worked tirelessly to ensure that the PBR series delivers proper quality through-and-through.
The PBR patchbay series is built Black Lion-tough, with black-anodised aluminium faceplates that make for a matched and sophisticated look.
… Read moreTo customise the displays, you have two options: simply connect a USB keyboard to the front of the unit and start typing... or you can use the included PatchCAD software to create your custom digital labels on your computer, and export them to a USB drive to load directly into the unit.
PatchCAD (Mac/Win) lets you customize your digital labels using a quick, familiar spreadsheet-like interface. Simply type out how you want your labels to appear, export the file to a USB drive, and connect the USB drive to your LIT patchbay and press the Update button.
Your studio needs more than accessible patching - audio quality throughout the entire signal chain is essential. Black Lion Audio has been trusted for years to modify the best gear to perform beyond its original spec, and they leveraged every bit of that know-how when designing their patchbays.
Every PBR product uses audiophile-grade connectors. Every contact point is gold-plated; a major factor that's missing from most patchbays that you might have encountered. Black Lion's team of engineers have worked tirelessly to ensure that the PBR series delivers proper quality through-and-through.
The PBR patchbay series is built Black Lion-tough, with black-anodised aluminium faceplates that make for a matched and sophisticated look.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $462.96
(No payment required now - pay when released)
FORTHCOMING
Related products...
Omni-Tone Melodi Semi-Random Sequencer Module (sequencer synth module)
Cat: 1078387
Melodi generates sequences based on the mood you set so you can create the sound you're searching for
Notes: Melodi generates sequences based on the mood you set so you can create the sound you're searching for- it can be tweaked to create anything from a powerful bassline to a sparkly melody.
Ships with version 2 of firmware
Improvements: Skip, tie, length are now LIVE knobs. Added a ping-pong trend line and a blues scale.
GENERATE
1. NEW - will prompt Melodi to generate a new sequence.
2. TRIGGER IN - accepts a trigger to prompt Melodi to generate a new sequence.
CYCLE
1. ON/OFF - determines if the sequence will loop or require retriggering.
2. TRIGGER - button and jack trigger the sequence to restart at the beginning.
TUNE
* While adjusting tunable parameters, the light bar will reflect the current selection. For continuous parameters the light bar shows amount from 0-100%, for quantized parameters the light bar shows steps.
1. SKIP (continuous) - sets the probability that a note will be skipped in a sequence.
2. PLUCK (continuous) - sets the length of the gate, from short plucks to gliding between notes (portamento).
3. TIE (continuous)- sets the probability that a note gets tied to the next (effectively making the note last two clock cycles).
4. TREND (continuous) - sets whether the sequence trends upwards or downwards in pitch.
5. SCALE (quantized) - select the quantization of the notes used in the sequence. Choose from perfect notes, pentatonic scale, diatonic scale, chromatic scale and completely unquantized.
6. RANGE (continuous) - sets the range of notes from 1 to 4 octaves (unquantized)
7. LENGTH (quantized) - select the number of notes to play in a sequence (from 1-16, or infinitely generating at the max position).
8. SPEED (continuous) - sets the tempo of the internal clock, between 20 and 2000 BPM.
OUT
1. GATE - outputs the gate of the notes in the sequence.
2. PITCH - outputs the pitch (in V/OCT) of the sequence.
CLOCK
1. SELECT - Melodi will generate internal clock signal if select switch is up, and will use external clock signal when down
2. IN - connect external clock signal
3. OUT - output clock signal
Technical specs:
- Module Size: 3U X 8HP X 25 Mm Deep.
- Current Draw: 85mA @ 12V, 10mA @ -12V.
What's in the box:
- Ready to use Assembled Module
- Mounting Screws
- Power Cable
- User Manual
… Read moreShips with version 2 of firmware
Improvements: Skip, tie, length are now LIVE knobs. Added a ping-pong trend line and a blues scale.
GENERATE
1. NEW - will prompt Melodi to generate a new sequence.
2. TRIGGER IN - accepts a trigger to prompt Melodi to generate a new sequence.
CYCLE
1. ON/OFF - determines if the sequence will loop or require retriggering.
2. TRIGGER - button and jack trigger the sequence to restart at the beginning.
TUNE
* While adjusting tunable parameters, the light bar will reflect the current selection. For continuous parameters the light bar shows amount from 0-100%, for quantized parameters the light bar shows steps.
1. SKIP (continuous) - sets the probability that a note will be skipped in a sequence.
2. PLUCK (continuous) - sets the length of the gate, from short plucks to gliding between notes (portamento).
3. TIE (continuous)- sets the probability that a note gets tied to the next (effectively making the note last two clock cycles).
4. TREND (continuous) - sets whether the sequence trends upwards or downwards in pitch.
5. SCALE (quantized) - select the quantization of the notes used in the sequence. Choose from perfect notes, pentatonic scale, diatonic scale, chromatic scale and completely unquantized.
6. RANGE (continuous) - sets the range of notes from 1 to 4 octaves (unquantized)
7. LENGTH (quantized) - select the number of notes to play in a sequence (from 1-16, or infinitely generating at the max position).
8. SPEED (continuous) - sets the tempo of the internal clock, between 20 and 2000 BPM.
OUT
1. GATE - outputs the gate of the notes in the sequence.
2. PITCH - outputs the pitch (in V/OCT) of the sequence.
CLOCK
1. SELECT - Melodi will generate internal clock signal if select switch is up, and will use external clock signal when down
2. IN - connect external clock signal
3. OUT - output clock signal
Technical specs:
- Module Size: 3U X 8HP X 25 Mm Deep.
- Current Draw: 85mA @ 12V, 10mA @ -12V.
What's in the box:
- Ready to use Assembled Module
- Mounting Screws
- Power Cable
- User Manual
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $171.27
(No payment required now - pay when released)
FORTHCOMING
Related products...
JHS Pedals 3 Series Tape Delay Effects Pedal (time effects pedal)
Cat: 1076251
Tape delay pedal combining affordability and simplicity with high quality effects
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
Tape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201's tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear & tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire.
… Read moreTape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201's tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear & tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
(No payment required now - pay when released)
FORTHCOMING
Related products...
JHS Pedlas 3 Series Octave Reverb Effects Pedal (pitch shifter/time effects pedal)
Cat: 1076227
Octave reverb pedal combining affordability and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
In the early 1980s, Brian Eno invented an effect called "Shimmer," which was popularized in U2's The Unforgettable Fire (1984). The effect mixed ambient reverb and octave effects in the reverb's decay. The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space. Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.
… Read moreIn the early 1980s, Brian Eno invented an effect called "Shimmer," which was popularized in U2's The Unforgettable Fire (1984). The effect mixed ambient reverb and octave effects in the reverb's decay. The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space. Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
(No payment required now - pay when released)
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JHS Pedals 3 Series Compressor Effects Pedal (dynamics effects pedal)
Cat: 1076238
Compressor pedal combining simplicity and affordability with a wide range of effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.
… Read moreThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
(No payment required now - pay when released)
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JHS Pedals 3 Series Reverb Effects Pedal (time effects pedal)
Cat: 1076214
Reverb pedal combining affordabilty and simplicity with high quality effects.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
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JHS Pedals 3 Series Distortion Effects Pedal (distortion effects pedal)
Cat: 1076215
Distortion pedal combining affordabilty and simplicity with a wide range of high quality distorted tones.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.
… Read moreThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.
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We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
(No payment required now - pay when released)
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JHS Pedals 3 Series Oil Can Delay Effects Pedal (delay pedal)
Cat: 1076220
Delay pedal combining affordabilty and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
After being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay.
These delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal charge was written and read through rubber wiper heads. The playback speed was directly related to the drum's rotation speed. The oil acted as a protective layer to keep the audio signal "charge" electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: Why settle for less with a Leslie when you can get more with Morley? Morley manufactured oil can delays up until 1989.
At Wilco's Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they'd ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn't have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco's Cruel Country and now their latest release, Cousin.
Though the JHS Oil Can Delay isn't a signature artist pedal, we're still grateful to Nels Cline for inspiring it. We're proud to offer you this unique pedal for your own collection.
… Read moreAfter being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay.
These delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal charge was written and read through rubber wiper heads. The playback speed was directly related to the drum's rotation speed. The oil acted as a protective layer to keep the audio signal "charge" electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: Why settle for less with a Leslie when you can get more with Morley? Morley manufactured oil can delays up until 1989.
At Wilco's Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they'd ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn't have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco's Cruel Country and now their latest release, Cousin.
Though the JHS Oil Can Delay isn't a signature artist pedal, we're still grateful to Nels Cline for inspiring it. We're proud to offer you this unique pedal for your own collection.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
(No payment required now - pay when released)
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JHS Pedals 3 Series Hall Reverb Effects Pedal (time effects pedal)
Cat: 1076217
Reverb pedal combining affordabilty and simplicity with high quality effects, imitating large spaces.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.
… Read moreThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
(No payment required now - pay when released)
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JHS Pedals 3 Series Chorus Effects Pedal (modulation effects pedal)
Cat: 1076222
Chorus pedal combining affordability and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA
… Read moreThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
(No payment required now - pay when released)
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JHS Pedals 3 Series Delay Effects Pedal (time effects pedal)
Cat: 1076225
Delay pedal combining affordability and simplicity with a wide range of effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.
… Read moreThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
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JHS Pedals 3 Series Screamer Effects Pedal (distortion effects pedal)
Cat: 1076228
Tube screamer clone combining affordability and simplicity with a faithful replication of the tones of the legendary Ibanez pedal.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Screamer is the beloved JHS Tube Screamer Strong Mod, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that's for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.
… Read moreThe 3-Series Screamer is the beloved JHS Tube Screamer Strong Mod, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that's for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
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JHS Pedals 3 Series Phaser Effects Pedal (modulation effects pedal)
Cat: 1076236
Phaser pedal combining affordability and simplicity with high quality effects
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.
… Read moreThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
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JHS Pedals 3 Series Fuzz Effects Pedal (distortion effects pedal)
Cat: 1076243
Fuzz pedal combining affordabilty and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.
… Read moreThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
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JHS Pedals 3 Series Overdrive Effects Pedal (distrotion effects pedal)
Cat: 1076244
Overdrive pedal combining affordability and simplicity with a wide range of tones
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.
… Read moreThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
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JHS Pedals 3 Series Rotary Chorus Effects Pedal (modulation effects pedal)
Cat: 1076247
Rotary chorus pedal combining affordability and simplicty with high quality effects
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made byJHSusing high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond organs, the Leslie was a rotating speaker that created the recognizable Doppler effect (think church organ). You've heard rotary effects on everything from It's Only Love by the Beatles to Cold Shot by Stevie Ray Vaughan and from City Love by John Mayer to Black Hole Sun by Soundgarden. It's everywhere! The JHS Pedals 3 Series Rotary Chorus brings you this classic, spinning chorus tone in an affordable, easy-to-use pedal format!
Intensity determines the modulation depth. Speed lets you control how fast the simulated speaker spins. When you turn the Room toggle on (up position), it adds a roomy, reverb ambiance to the sound, much like the ambient room microphone sound that happens when recording a real Leslie.
… Read moreThe rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond organs, the Leslie was a rotating speaker that created the recognizable Doppler effect (think church organ). You've heard rotary effects on everything from It's Only Love by the Beatles to Cold Shot by Stevie Ray Vaughan and from City Love by John Mayer to Black Hole Sun by Soundgarden. It's everywhere! The JHS Pedals 3 Series Rotary Chorus brings you this classic, spinning chorus tone in an affordable, easy-to-use pedal format!
Intensity determines the modulation depth. Speed lets you control how fast the simulated speaker spins. When you turn the Room toggle on (up position), it adds a roomy, reverb ambiance to the sound, much like the ambient room microphone sound that happens when recording a real Leslie.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
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JHS Pedals Pulp N Peel V4 Compression Effects Pedal (dynamics effects pedal)
Cat: 1076262
Compressor pedal with options for parallel compression, overdrive and with preamp/DI box functionality
Notes: The Pulp N Peel V4 is the truly transparent compressor pedal you've been dreaming of. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You're able to add a touch of grit to your tone thanks to the pedal's Dirt mini toggle. Also, whether you're a bassist sending your signal direct or a guitarist running the Pulp N Peel on your pedalboard, the pedal's 1/4", balanced XLR outputs have you covered. This compressor/preamp pedal sports a ton of tone-shaping power, so no matter what your compression needs are, the Pulp 'N' Peel V4 is your go-to solution.
JHS know how much effort you put into getting your tone exactly right. That's why we worked so hard to ensure the Pulp N Peel V4 maintains your instrument's natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note from your amplifier.
Whether you're looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you're there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.
No matter what electric instrument you play, we've outfitted the Pulp N Peel compressor/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.
… Read moreJHS know how much effort you put into getting your tone exactly right. That's why we worked so hard to ensure the Pulp N Peel V4 maintains your instrument's natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note from your amplifier.
Whether you're looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you're there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.
No matter what electric instrument you play, we've outfitted the Pulp N Peel compressor/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $219.87
(No payment required now - pay when released)
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JHS Pedals Flight Delay Time-Based Effects Pedal (blue) (time effects pedal)
Cat: 1076265
Delay pedal with analog, digital and reverse options alongside optional chorus or vibrato
Notes: The JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don't. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Analog, Reverse, and Digital) inspired by some all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 "Reverse Mode" - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $261.87
(No payment required now - pay when released)
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JHS Pedals 3 Series Flanger Effects Pedal (modulation effects pedal)
Cat: 1076240
Flanger pedal combining simplicity and affordabilty with a high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.
… Read moreThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
(No payment required now - pay when released)
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Rides In The Strom Stormnest 2x66HP Powered Synth Module Enclosure Case (synth module enclosure case)
Cat: 1080030
2x66HP aluminum Eurorack case
Notes: 2x66HP Aluminum Eurorack case
Inbuilt M3 Threads
PCB with 20 Power Sockets
Inbuild Power Supply +1A/-1A/+0,5A
ON/OFF Switch and Mini USB Power source (5V)
STORMBAG Case inclusive Shoulder Strap and Handle
Laptop stand with six heights
Power Wall with interchangeable Power Adaptors (UK/US/EU)
Size: 41cm x 32cm x 6cm (Bag), 35cm x 28,5cm x 3,5cm (Case)
Weight: 2kg (alltogether) / 1,1kg (case)
… Read moreInbuilt M3 Threads
PCB with 20 Power Sockets
Inbuild Power Supply +1A/-1A/+0,5A
ON/OFF Switch and Mini USB Power source (5V)
STORMBAG Case inclusive Shoulder Strap and Handle
Laptop stand with six heights
Power Wall with interchangeable Power Adaptors (UK/US/EU)
Size: 41cm x 32cm x 6cm (Bag), 35cm x 28,5cm x 3,5cm (Case)
Weight: 2kg (alltogether) / 1,1kg (case)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $261.85
(No payment required now - pay when released)
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ADDAC System ADDAC511 VC Stochastic Voltage Generator Module (voltage generator synth module)
Cat: 1080319
This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer
Notes: This module greatly expands on the principles of the ADDAC501 Complex Random from 2013.
This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.
The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.
Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.
The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.
Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V
… Read moreThis is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.
The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.
Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.
The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.
Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $580.08
(No payment required now - pay when released)
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Doepfer A-145-2 LFO Low Frequency Oscillator Module (slim line series) (LFO synth module)
Cat: 1081646
Module A-145 is a low frequency oscillator, which produces cyclical control voltages in a very wide range of frequencies
Notes: Module A-145 is a low frequency oscillator, which produces cyclical control voltages in a very wide range of frequencies.
Five waveforms are available: sawtooth, inverted sawtooth, triangle, sine and square wave. The LFO can be used as a modulation source for any number of modules - for instance modulating the pulse width or frequency of a VCO, modulation of the cut-off frequency of a VCF, or amplitude modulation with a VCA.
A three-way switch lets you select three frequency ranges, spanning from one cycle every several minutes at the lowest, to moderate audio frequency at the highest (about 4-5 kHz).
The LFO signal can also be synchronised, via the reset input.
Identical to the A-145-1, but only 4 HP wide and with additional LEDs for the square wave and the sawtooth signal.
Power consumption: 30mA at +12V and 20mA at -12V
Depth: 45mm
4 HP
… Read moreFive waveforms are available: sawtooth, inverted sawtooth, triangle, sine and square wave. The LFO can be used as a modulation source for any number of modules - for instance modulating the pulse width or frequency of a VCO, modulation of the cut-off frequency of a VCF, or amplitude modulation with a VCA.
A three-way switch lets you select three frequency ranges, spanning from one cycle every several minutes at the lowest, to moderate audio frequency at the highest (about 4-5 kHz).
The LFO signal can also be synchronised, via the reset input.
Identical to the A-145-1, but only 4 HP wide and with additional LEDs for the square wave and the sawtooth signal.
Power consumption: 30mA at +12V and 20mA at -12V
Depth: 45mm
4 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $104.97
(No payment required now - pay when released)
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Doepfer A-119-2 Dual External Input/Amplifier Module (amplifier synth module)
Cat: 1081647
Module A-119-2 is a Dual external input amplifiers with only 4HP module width
Notes: Module A-119-2 is a Dual external input amplifiers with only 4HP module width. The module contains two amplifiers with separately adjustable amplification levels. Each channel is equipped with an overload display. The module can also be used for stereo signals, e.g. the stereo output of a smartphone.
Controls and displays:
Level 1/2: manual control of the amplification in the range 0 - about 45.
Overload 1/2: overload LED, begins to light up for output levels beyond about 10Vpp (+/-5V)
In 1: audio input 1 (monophonic or stereophonic, see technical details)
In 2: audio input 2 (monophonic)
Out 1/2: audio output (monophonic)
Technical Details:
For higher amplifications the two amplifiers can be daisy-chained
Different normallling options are available via the rear of the modules with jumpers.
All inputs and outputs are DC coupled. Thus the module can be used also for the amplifications of control voltages.
Power consumption: 20mA at +12V and 20mA at -12V
Depth: 30mm
4 HP
… Read moreControls and displays:
Level 1/2: manual control of the amplification in the range 0 - about 45.
Overload 1/2: overload LED, begins to light up for output levels beyond about 10Vpp (+/-5V)
In 1: audio input 1 (monophonic or stereophonic, see technical details)
In 2: audio input 2 (monophonic)
Out 1/2: audio output (monophonic)
Technical Details:
For higher amplifications the two amplifiers can be daisy-chained
Different normallling options are available via the rear of the modules with jumpers.
All inputs and outputs are DC coupled. Thus the module can be used also for the amplifications of control voltages.
Power consumption: 20mA at +12V and 20mA at -12V
Depth: 30mm
4 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $65.19
(No payment required now - pay when released)
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Doepfer A-149-3 Fluctuating Random Voltages Module (random synth module)
Cat: 1081649
Based on the homonymous "Fluctuating Random Voltages" by Buchla, with more functions added
Notes: A-149-3 is the third module of the A-149-x range. In this group, this module present several functions of Don Buchla's "Source of Uncertainty 265/266" (SOU) modules that cannot be realized with existing A-100 modules. Some functions of Buchla's 265 and 266 SOU can be realized with existing A-100 modules.
Module A-149-3 is based on the homonymous "Fluctuating Random Voltages" by Buchla. Compared to the historic original, a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original.
For example, the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S&H or slew unit can be used independent from the other units.
The functions in detail:
As in the original a digital noise signal is filtered in three different ways. The three "noise flavours" are available at three sockets and can be used for all kind of noise applications:
+3db (+3dB per octave, a bright noise, also called blue noise)
-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it "reciprocal white noise")
Flat (flat spectrum, also called pink noise)
In the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed "noisiness". The result is called "noisy triangle". In the A-149-3 the frequency of the triangle oscillator and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket "N Tri" and is displayed with a dual colour LED.
The "N Tri" signal is normalled to the signal input of the subsequent Sample&Hold unit (S&H). The clock signal for the S&H is generated by an internal rectangle oscillator. This signal is normalled to the S&H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position "man." the period is controlled manually by the "Period" control. With control "Period" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position "auto" of the switch the period is controlled by the slew unit.
In this position a vactrol is used to define the frequency of the S&H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S&H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.
The S&H has another special feature: the Correllation control. It's a feedback function where shares of the S&H output are fed back to the S&H signal input and mixed with the actual S&H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a "digital slew function" because the gradation of the signal persists.
The S&H output is availabe at the corresponding socket and is displayed with a dual colour LED.
The S&H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode/LED and a light dependent resistor/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control "Man." of the slew unit) and by an external control voltage (socket "SL CV" with associated attenuator "CV" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S&H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual colour LED.
Due to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S&H unit (incl. correlation) or the SL unit can be used for other signals. The S&H clock can be applied also from outside to synchronize the S&H to other signals.
If required, the internal clock signal is available at a pin header of the pc board.
Controls, Switches and Displays:
Slew Unit
Man.: manual adjustment of the slew time
CV: attenuator for the SL CV input
LED: display of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs
Triangle LFO
Frq.: LFO frequency, range ~ 110 Hz ... 5 seconds period
Noise: adjustment of noisiness (= perturbance of the triangle signal)
+3dB/-3dB: switch for the source of noisiness
LED: display of the noisy triangle signal, dual color LED (rot = positive / yellow = negative output voltage)
Sample&Hold (S&H)
Period: period of the internal clock signal for the S&H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency
LED: display of the internal clock signal
Correl.: adjustment of the correllation of the S&H unit
Man./Auto: switching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit
LED: display of S&H output, dual color LED (rot = positive / yellow = negative output voltage)
Slew Limiter (SL)
LED: display of SK output, dual color LED (rot = positive / yellow = negative output voltage)
Sockets:
+3dB : filtered digital noise with +3dB per octave (output)
-3dB : filtered digital noise with -3dB per octave (output)
Flat : flat noise output
N Tri : Noisy Triangle output, about 10Vpp (-5V ... +5V)
S&H In: S&H signal input, normalled to N Tri
S&H Out : S&H signal output
SL CV: control voltage of the slew limiter unit, connected to the corresponding attenuator "CV" of the slew unit
S&H Clk: clock input of the S&H unit, normalled to the internal clock oscillator
SL In: slew limiter input, normalled to S&H Out
SL Out : slew limiter output
The arrow symbols indicate the normalling of sockets. Outputs are inverse labelled.
Technical details:
Frequency range of the triangle LFO: about 110 Hz ... 5 seconds period
Output level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)
Frequency range of the internal clock oscillator: about 3 seconds ... 30Hz
Output level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)
Required input level of the S&H clock input: +5V
Depth: 45mm
8 HP
… Read moreModule A-149-3 is based on the homonymous "Fluctuating Random Voltages" by Buchla. Compared to the historic original, a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original.
For example, the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S&H or slew unit can be used independent from the other units.
The functions in detail:
As in the original a digital noise signal is filtered in three different ways. The three "noise flavours" are available at three sockets and can be used for all kind of noise applications:
+3db (+3dB per octave, a bright noise, also called blue noise)
-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it "reciprocal white noise")
Flat (flat spectrum, also called pink noise)
In the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed "noisiness". The result is called "noisy triangle". In the A-149-3 the frequency of the triangle oscillator and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket "N Tri" and is displayed with a dual colour LED.
The "N Tri" signal is normalled to the signal input of the subsequent Sample&Hold unit (S&H). The clock signal for the S&H is generated by an internal rectangle oscillator. This signal is normalled to the S&H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position "man." the period is controlled manually by the "Period" control. With control "Period" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position "auto" of the switch the period is controlled by the slew unit.
In this position a vactrol is used to define the frequency of the S&H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S&H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.
The S&H has another special feature: the Correllation control. It's a feedback function where shares of the S&H output are fed back to the S&H signal input and mixed with the actual S&H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a "digital slew function" because the gradation of the signal persists.
The S&H output is availabe at the corresponding socket and is displayed with a dual colour LED.
The S&H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode/LED and a light dependent resistor/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control "Man." of the slew unit) and by an external control voltage (socket "SL CV" with associated attenuator "CV" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S&H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual colour LED.
Due to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S&H unit (incl. correlation) or the SL unit can be used for other signals. The S&H clock can be applied also from outside to synchronize the S&H to other signals.
If required, the internal clock signal is available at a pin header of the pc board.
Controls, Switches and Displays:
Slew Unit
Man.: manual adjustment of the slew time
CV: attenuator for the SL CV input
LED: display of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs
Triangle LFO
Frq.: LFO frequency, range ~ 110 Hz ... 5 seconds period
Noise: adjustment of noisiness (= perturbance of the triangle signal)
+3dB/-3dB: switch for the source of noisiness
LED: display of the noisy triangle signal, dual color LED (rot = positive / yellow = negative output voltage)
Sample&Hold (S&H)
Period: period of the internal clock signal for the S&H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency
LED: display of the internal clock signal
Correl.: adjustment of the correllation of the S&H unit
Man./Auto: switching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit
LED: display of S&H output, dual color LED (rot = positive / yellow = negative output voltage)
Slew Limiter (SL)
LED: display of SK output, dual color LED (rot = positive / yellow = negative output voltage)
Sockets:
+3dB : filtered digital noise with +3dB per octave (output)
-3dB : filtered digital noise with -3dB per octave (output)
Flat : flat noise output
N Tri : Noisy Triangle output, about 10Vpp (-5V ... +5V)
S&H In: S&H signal input, normalled to N Tri
S&H Out : S&H signal output
SL CV: control voltage of the slew limiter unit, connected to the corresponding attenuator "CV" of the slew unit
S&H Clk: clock input of the S&H unit, normalled to the internal clock oscillator
SL In: slew limiter input, normalled to S&H Out
SL Out : slew limiter output
The arrow symbols indicate the normalling of sockets. Outputs are inverse labelled.
Technical details:
Frequency range of the triangle LFO: about 110 Hz ... 5 seconds period
Output level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)
Frequency range of the internal clock oscillator: about 3 seconds ... 30Hz
Output level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)
Required input level of the S&H clock input: +5V
Depth: 45mm
8 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $248.61
(No payment required now - pay when released)
