Back catalogue: Disco/Reediciones

Review: It's a sizzling seven up for Moiss Music here as they draw together four different artists to offer up one cut each for this new various artists collection. Boogietraxx goes heavy on the filter vibes on 'S N T' which is French touch disco-house of the highest order. Kellit's 'Pryscoks Sockin Socks' is all about sultry sax lines and loose-limbed disco house beats while C Da Afro gets heads up with the streaming sunshine synths of 'Don't Be Quiet.' Groovemasta shut down with the funky Afro-disco stylings of 'Gonna Make U Rock.'

Review: Former Whiskey Barons man Bosq has enjoyed a long working relationship with Nigeria-based, Benin-born guitarist and vocalist Kaleta. We make this the pair's eleventh collaborative single in the last decade and, as with their previous outings, it trumphantly blurs the boundaries between Afro-disco, Afro-beat and Afro-funk. On side A you'll find vocal and instrumental takes on 'Meji Meji, a pleasingly live-sounding affair full of rubbery bass guitar, righteous horns, infectious drums and Kaleta's evocative guitar licks. Over on the flip, they opt for even heavier, life-affirming horn motifs, Afro-disco grooves and more sun-splashed Afro-funk guitars on vocal and instrumental versions of the similarly inspired 'Sonayon'.

Review: Cool Million featuring Kenny Thomas on vocals is a refreshing return to the soulful sounds of yesteryear. With Without Your Love, the duo, Rob Hardt and Frank Ryle, once again showcase their talent for crafting infectious grooves that harken back to a more musically satisfying era. Thomas's soulful delivery shines on this track, serving as the perfect complement to the funky rhythm and melody. The song exudes a timeless quality, reminiscent of classic soul and R&B from the 80s, with its boogie-inspired feel and soulful synths reminiscent of artists like Paul Laurence and Kashif. Originally released in 2012, this track now get's its own 7" for DJs and collectors to highlight the standout track.

Review: Jalapeno jive maestro Soupasoul had another standout year, in 2024 and only heightened his reputation for crafting exceptional edits that bring new life into funk standards and hidden gems. With a sharp focus on the groove-rich breaks, he is back once again with another instalment that will ignite dance floors everywhere. This time his scorching rework of 'Give It Up' spotlights dynamic horn interplay and soulful jazzy choruses and 'Rock Steady' celebrates Aretha's powerful vocals paired with a killer breakbeat. These finely tuned edits honour the originals while adding fresh energy.

Review: Funkhut Records is proud to bring to you the anticipated release by DjPope & The Funkhut All Stars Feat. Kenny Wesley "Listen Love". With all the live instrumentation along side Kenny's extraordinary interpretation of the great Jon Lucien's original, "Listen Love' makes this release a must have for any music connoisseur. Produced, Mixed and Arranged by DjPope. Additional Mixing by David Sussman, Mastered by Joey Hernandez, Bass : Irv Madden Guitar: Karlos Brickhouse Drums: PJ Spraggins Congas: Kevin Pinder Keyboards: Charles Dockins.

Review: Given that both producers are underground titans, traversing the blurred lines between disco, acid, deep house and wide-eyed dreaminess, you'd expect this two-track collaboration between Eddie C and Keita Sano to be pretty darn good. It is, of course, with the pair carving their own mind-mangling, breathlessly energetic niche on 'Disco Universal' - a certified throb-job in which trippy noises, exotic instrument samples and pulse-racing electronic motifs rise above a thumping beat and Italo-disco style sequenced bassline. It slows down midway through, 'French Kiss' style, before the duo brilliantly bring it back to a peak-time tempo. They explore sub-heavy, garage-influenced deep house and breakbeat pastures on the dreamy, weighty, impactful and acid-fired 'Joy Joy Joy', once more showcasing the diversity of their musical influences.

Review: The second volume of edits of classic outings on Nu Groove records, assembling modern house heroes such as Dam Swindle, Phil Weeks, and Honey Dijon to re-fix tunes by the legendary Equation and The Burrell Brothers among others. Highlights include Dam Swindle's misty eyed extension of Equation's 'I'll Say A Prayer 4 U'- a perfect rainy day house anthem, and the paranoid phonk of Rhano Burrell's 'When Can I Call You' as remapped by Honey Dijon & Luke Solomon. Surefire party starters all round.

Review: Now under new ownership (international dance music powerhouse Armada Music, fact fans), long-serving New York house imprint King Street Sounds is doing a good job in showcasing gems from its vast archives. This second label sampler contains four more genuine must-have cuts. First up, there's a chance to admire the deep, soulful house wonder that is Dennis Ferrer's 2008 hook-up with honeyed vocalist K.T. Brooks, 'How Do I Let Go'. It's followed by Masters at Work's deliciously loose, disco-influenced deep house revision of 'Give It Up' by Lil' Louis' Rain project (first released in 2000), Mood II Swing's DIY Soundsystem favourite 'Sunlight In My Eyes' (easily one of the greatest deep house jams of all time) and Lil' Louis's swinging garage-house rub of Kimra Lovelace's 'Misery'.

Review: It's ten up for the FrescoEdits Iabel with this latest entry into their esteemed series and as always there are plenty of irresistible beats on offer. The in-house FrescoEdits add their touch to the glorious, string-laced and funky disco of 'Little Love' and bring bumping beats and funky guitar riffs to 'Philadelphia'. Rogue D's 'Pensi A Me' is a super smooth heart melter for dancing in the open air as the sun begins to fade, while Kings Of Groove's 'You Got The Funk' is a soulful, slapping house cut with cosmic synth energy and hooky vocals that will always bring the good times.

Review: Especial Specials has joined forces with Osaka-based imprint Chillmountain Recordings to offer up another Enjoy Your Self EP. This one once again showcases the talents on its roster with label head Ground kicking off with a beatdown meets trance sound on "Utau Narukoyuri'. After that slow burner come tribal percussive sounds from 'Arauma' (Kobato Dub), sunny cumbia on 'Something Sign' and a meandering Balearic journey from Akira Arasawa With KUN & FRANKY-CH that is brought to life with new age flute sounds, bird calls, jungle drips and folkloric strings. A fantastic EP, then.

Review: Son of Todd Osborn (Soundmurderer/Ghostly) Kaito Ian makes a hugely impressing first outing on the Galaxy Sound Co label with a series of lo-fi hip-hop beat-strumentals that cannot fail to get your head nodding. He is a dedicated music lover and skater with a deep knowledge of his craft and that shows here with some refined sounds starting with the soul drenched 'Revert', then on to the warped angelic vocal samples of 'Sequoia' and the percussive jumbled and scratching of 'Trek'. 'Wait Up' is another excellently blissed out joint and 'Sloan' is a sunny, laid back, lazy vibe to close down a superb EP.

Review: Kalita Records are proud and honoured to announce the first ever and official reissue of Kallaloo's sought-after 1982 disco single 'Star Child', accompanied by interview-based liner notes. Originally released on Jeffrey Turpin's Trinidadian record label IDA, 'Star Child' has since become highly sought-after by both DJs and collectors alike as an invisible, yet astonishing piece of Caribbean disco. Unable at the time to gain the traction and success that it deserved, we hope that this re-release provides an opportunity to bring such a great record to a much wider audience.

Kallaloo consisted of various Trinidadian musicians including Keith Alexander and Peter Wayne Barkley. Keith had been well-respected as a member of the Trinidadian group Impact, and was later to become an in-demand producer and composer under the name of Keith Diamond, responsible for various hits by Billy Ocean, Donna Summer, Starpoint and Melba Moore. In contrast, Peter was a well-known recording session drummer, but after 'Star Child's' release he moved to North Carolina to pursue other interests and "was never heard from again".

'Star Child' was recorded at Right Track Recording, in mid-town Manhattan, New York. As Jeffrey recalls, the atmosphere in the studio was "great", with "everyone upbeat, the cream of the crop just looking for that break... everyone was talented and just wanted the chance to express their own ideas". Five hundred copies of the record were released on IDA with a white label design, and they were sold both in Brooklyn, New York and Port of Spain, Trinidad. It was also released on a red label, however this was not to Jeffrey's knowledge at the time.

Jeffrey explains that the reason why the record didn't fare well at the time was because of the difficulty in getting the song played on the radio. As he recalls, radio stations were much more likely to play 'radio versions' of songs which lasted for a couple of minutes, rather than five or seven minute 'extended' versions such as 'Star Child', which were more suitable to a club environment. In addition, as Jeffrey explains, radio airplay is a "political business", and also within a short while band members such as Keith got their own breaks, and the Kallaloo era was over as quickly as it had started.

Review: There are few bigger or more celebrated Italo-disco singles than Kano's 'I'm Ready', which became an anthem on underground U.S dancefloors (as well as in its native Italy) following its release in 1980. Here it gets a new pressing courtesy of re-established original Italo-disco label Full Time Production, with Kano's original mix - a soaring, synth-heavy sing-along driven forwards by waves of arpeggio-style synth sounds and insatiably funky bass - being joined by a trio of 21st century revisions. Mousse T delivers vocal and instrumental takes that cleverly chop-up and loop up key sections to re-imagine the track as a surging funky house number smothered in vintage Italo-disco synth sounds, while FrescoEdits stretches out an extra-percussive disco groove before throwing in choice synth sounds and vocals from Kano's peerless original mix.

Review: Italo disco heads take note, here's a quintessential one-hit wonder from a mystery crew known only as Kash. Arriving in 1981, this particular release leans more towards the organic, band-led sound of the 70s with some choice synth flourishes on top, rather than the more driving sound which would catch hold further into the 80s. 'Supercool' is a bubbling, funky-as-hell joint which will loosen up any dancefloor with ease, but 'Percussion Sundance' might well be the popular pick here thanks to its outstanding drums and hazy ambience. It's an essential purchase for anyone who loves a proper disco curveball made the classic way.

Review: 15 months after dropping his first Versions EP of re-edits and reworks, sometime Shall Not Fade and SB Jamz producer Kassian has finally got round to readying volume two. If you're looking for bona-fide peak-time thrills, we'd recommend A-side 'If You Want Me', a subtly straightened and toughened-up re-arrangement of Barbara Roy and Ecstasy, Passion & Pain's 1981 disco anthem 'If You Want Me'. Kassian teases out some of the Italo-disco style elements audible on some of the early mixes of the boogie-era track, adding some twerkin' acid lines towards the end of the track. Over on the flip, 'So Nice' is a bouncy, shuffling, house-style tweak of a gorgeous disco bumper of unknown origin.

Review: This new release from Best Record Italy contains for the first time the 3 tracks edited and mixed by John Jellybean Benitez between 1981 and 1982 of the Italo Disco songs by Kasso (the pseudonym used by Claudio Simonetti) who became a classic in the underground house music scene of N.Y. and Chicago !

Review: The new Balearic release from Italian producer Katzuma is a four-track compendium of futuristic slosh, blending the essence of a classic beachside party sound with the pristine synthetics of the 21st Century. Packed with three originals and a fourth, unprecedented remix from fellow pusher Al Kent, it's a release packed with both low-end propulsions and shimmering, pool-refractive strings, providing a nice sonic dialogue of tension and release throughout.

Review: Kaymany & Asestar hail from Rome, a city where many musicians spend most of their days producing sounds for the television industry and even shopping malls. That's part of the reason the country has such a reparation for great jazz-funk sounds and now adding to that cannon are Kaymany & Asestar. 'Effimera' is glossy and feel good disco with retro future chords, while 'Digressione' has a Bob James style energy to it with its high speed funky bass and incidental chords. 'Capao' closes in Latin fashion with manic keys and more plucked and funky bass slaps making you shake every limb.

Review: The intriguingly named Humus Per Tutti label has made us wait well over two years for a seance EP after the tantalising first volume of this self-titled series. It comes from a section of artists who are all editing some worldly source material. First off is a Jean Kefta edit that locks you in a guitar loop while intoxicating vocals up top bring the charm. The Babach Flangerman mix of the A1 is another loopy disco cut with a Middle Eastern flavour and the comes Jean Kefta & Max Houmous's snake charming and psychedelic disco groover 'Muharaqa'.
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Review: Taken from the album of the same name, this 1976 classic from Temptations frontman Kendricks was a huge disco anthem when released. Only, apparently, to be overshadowed by Donna Summer's "Love Trilogy". Kendricks' trademark falsetto rings with emotive insistence and with a tight guitar and bass backbone, big strings and bold horns, funk oozes out of every single beat matching his soul bar for bar. An excellent reissue.

Review: If we had to put together a list of the world's greatest dusty disco re-editors, Al Kent would come somewhere close to the top of the list. Further proof of the Glaswegian's scalpel-wielding genius can be found on this epic two-tracker for GAMM. We're particularly enjoying flipside "Erotic Queen", a 12-minute-plus revision of a near unknown disco track that boasts densely layered, sweat-soaked percussion, razor sharp strings, hammered-out Clavinet lines and, as the track speeds towards its near orgasmic conclusion, spacey synths and all manner of alternating instrument solos. Massive! A-side "Fist Of Fury" is tidy, too, with Kent working his magic on a particularly spacey, deeper disco jam that has Moog solos for days.

Review: Elado Gulab Jamun did a fantastic job with his edit of this Bollywood gem to the extent that it has become a real dancefloor gem that's been much loved all around the world for the last two years. Now it makes its way to a 7" vinyl pressing and is backed with his 4am mix of the same tune. This one is a sublime and dubbed out, acid tinged electronic trip that comes with original CD artwork that pays great tribute to original artist Nadim Khan. Another tasteful outing from Razor-N-Tape for this fresh edit.

Review: A top value for money opportunity here, as Moiss Music deliver the latest in their sweet and sticky Jam series of various artist 12" line ups, bringing you no less than six bubbling, vivacious disco triumphs from six artists. Khemir's 'Disco Bandit' kicks off proceedings, a production that sounds like it was made by a band of around 45 musicians, a proper cavalcade of strings, brass, brazen disco thump and beautifully bold vocals. Wurzelholz's 'Prince' goes for a bit more economy but with a slinky funk bassline like that - not to mention the occasional exclamation from the purple overlord himself - it's equally devastating in dancefloor terms. Among the other highlights, 'Golden' by I Gemin has the feel of a lost Daft Punk flip tune and Cosmocomics' 'Glamorous Garcon', boasting 70s-style synth bubbles that are as cute as they are retro. Tasty as ever.

Review: Spain's Esuoh White label kicks on here with a sixth outing that welcomes various talents to offer up their own deep house delights. Kid Mark kicks off with 'Need U' which is a big-hearted jam with full-throttle vocals and hefty house drums. Chris Fry & Owain 124 slip into a deeper vibe with the sunny loops of 'Together' and lush guitar trills. Ezequiel G channels the raw jack of early era-Chicago house with 'Soul Enough' then George Feely shuts down with the high energy and hard hitting house sounds of 'Groovin'' complete with an effortlessly uplifting and soulful filtered vocal.

Review: Emotional Rescue closes out another brilliant year with one final hot drop. This sorting 7" Safari by King Sporty was the artist's first ever single back in 1976. It comes after the label has served up plenty of reissues of the man known as Noel Wiliam's tackle but this one might be the best. It's from his album Deep Reggae Roots and is nice tropical excursion with steamy hits, wooden percussive sounds and funky bass over a low-slung groove and chanting vocals. This one is backed with a special disco mix by Lexx that reworks the tune for more lively moments.

Review: Here comes Emotional Rescue and Konduko's last in their series of Noel Williams/King Sporty reissues, this time looking at later electro productions and the hip-hop/boogie influenced 'Sun Country'. Vocals and co-production come from Williams' long-time partner Betty Wright and as well as a vocal and instrumental mix there's a longform remix by Bay Area disco dub stalwarts, 40 Thieves.
By this point in his career, the godfather of Miami Bass had travelled a long way from his Jamaican roots in reggae and soul, paying homage to the warm climbs of the Sunshine State and laying down a much copied template using the TR-808 drum machine create the electronic emulations of the breakbeat, claps accenting the backbeat and trademark low frequencies shaking the floorboards. The instrumental stretches the arrangement, emphasising the interplay between electronics, bass, vocal samples, scratching and fx, the voice transformed into a percussive element in its own right. The flip sees 40 Thieves flexing their understated understanding of electro funk, making for a rounded, generation-jumping package.

Review: The last of the Konduko series from Emotional Rescue arrives now and quite possibly it is the best of the lot from Noel Williams. His 'Fantasy' saw him work with Larry Dermer aka Der Mer on what is an effective and catchy electro jam that operates at the higher end of the tempo chart with some classic vocoder vocal action to really make it pop. Despite being released originally in 1984 this one still bangs with its emulated TR-808 beats and nagging melodies. The instrumental heightens that and then the Jonny Rock Discomix shuts down with long-form rework that shows why the DJ, editor and all-round amiable bloke is so well regarded.

Review: King Sporty is something of a chameleonic artists, not that many people know. He started out int he 70s making reggae and soul 7"s, then moved into disco, boogie, hip-hop and electro 12"s during the 80s, and then when house music hit in the 90s he evolved once more. This new drop from Emotional Rescue takes a tune from that late era. 'Computer Music' is four to the floor with electro influences and a lazy break that pull you in deep. Far-sighted chords bring a serene sense of cosmic majesty while a filtered vocal adds space age vibes. A dub is included as well as the Universal Cave Discomix by the Philadelphia DJ and production crew. A retro-future EP indeed..

Review: There is some class edit and mash up business going on here with the latest one from the Disco Bits crew. The 45 takes the form of of classic cuts reworked with an all new and contemporary edge with the dancefloor very much in mind. First up, a Patti Job classic gets taken apart and rebuilt with new vocals and a more stepping beat. The Chopper's 'People Hold On' is a more smoochy sound with classic vocal refrains singing out and twanging guitar riffs powering along a groove that is suited for everything from weddings to late night shenanigans.

Review: Italy's Groovin Recordings - based out of Milan's Vinylbrokers record shop, and dedicated to repressing some of the best and often hard-to-find disco and soul bits - have pounced at the chance to reissue and rework this gem as a 4-tracker. Taken from NYC disco band Kleeer's debut album, 'Tonight's The Night' is a classic diggers' disco divertissement. Now, it gets a thorough makeover. Along with the original version rounding this 12" off, Groovin have provided an extended version on the A-side. Two remixes come courtesy of the inimitable Dave Lee (fka. Joey Negro), who shines extra light on this tirelessly bright classic's rolling strings, divine choruses, wrist-slinging funk guitars and banging kettle drums. The 'Seeekret' mix is a standout: dubbing out the track to call attention to its laid-back moments.

Review: During a record digging trip to South Africa a year or two back, Rush Hour co-founder Antal stumbled on an obscure local cover of Klein & MBO's Ron Hardy and Larry Levan favourite, "The MBO Theme". The Warrior version, which was recorded at some point in the early '80s, is a little slower and breezier than Klein and MBO's original, with even finer fretless bass flavours and the track's famous melodies re-played on some particularly spacey synthesizers. Helpfully, the Klein & MBO version is on the A-side, so you can easily compare the two: Warriors' little known cover is definitely our pick of the pair.

Review: KooKoo offers up a sampler of what it is all about here and it spans some big-name house talents and equally big tunes. Mark Knight & Armand Van Helden open up with 'Don't Abuse It' (extended) which is a full-throttle house sound with diva vocals and plenty of raw fills. Cloud One's 'Disco Juice' (Fabrikate rework) brings some 70s disco energy to modern production and Full Intention's 'Sky's The Limit' is a celebratory house cut with loose grooves and freewheeling pads. Last of all is the party-starting disco house pumper 'Plain Outta Luck' from Ewan McVicar.

Review: Fool's Paradise is the exciting new label from Toolroom Records' Mark Knight. Coming straight from the heart, it's a natural progression from his hugely acclaimed 2021 album release, 'Untold Business', which saw Mark go back to his roots, paying homage to the more funky, soulful, and vocal house from the 1990s from where he came. With a focus on real instrumentation and production, coupled with great songwriting, this new Toolroom sublabel will be a platform for high quality house music designed to stand the test of time. Launching the new label with a mighty bang and delivering the first in our exciting new vinyl sampler series is head honcho Mark Knight, who joins forces with his Australian Toolroom labelmate, Sgt Slick, and British Soul sensation, Beverley Knight, on a dynamite cover of Prince's 1979 classic, 'I Wanna Be Your Lover'. Respectfully transporting the song onto today's dancefloors, Mark & Sgt Slick deliver a classy uplifting soulful house production, loaded with funky guitars, warm pads and sublime key performances. Adding the icing on the cake and putting her own stamp on things, Beverley belts out one of her signature spine-tingling vocals, garnished with lush harmonies and BV's that would indeed make The Purple One proud. Completing the vinyl package is dance music stalwart, Opolopo, and British soul icon, Jaki Graham, whom together bring the dancefloor heat with their new single, 'Fire'. Powered by a potent soulful house groove from Opolopo, loaded with warm piano hooks, emotive synth melodies and a sublime popping bass hook, 'Fire' see's Jaki flaunt her electrifying vocal talents with a show-stopping performance on this irresistibly catchy song.

Review: Razor-N-Tape is back again this week, this time with Kokoro Disco-San, an experienced trio of musicians and producers from Barcelona who have clearly stayed on the pulse of the nu-disco scene in recent years. 'Sunshine' in its original form is an edit of a familiar vocal-led disco groove which is perfect for poolside chilling, but it's the reworks by label chief Jkriv which really bang the party. The bright like neon Beach Burn mix is sure to get the hands in the air, as will the low slung SPF76 mix which is perfect to drop just before sunset.

Review: For the 29th instalment in their ongoing series of seven-inch singles, Demon Singles Club has decided to offer up a 45rpm pressing of Komiko's 'Feel Alright'. First released on legendary disco-boogie imprint SAM Records back in 1982, the track has long been a favourite with boogie DJs and with good reason. Built around a memorable bassline, squelchy electrofunk synths and unfussy machine drums, 'Feel Alright' boasts a fine female lead vocal whose lyrics extolls the virtues of dancing all night with happy strangers. As it did back in 1982, the vocal mix comes backed with an instrumental take in which producer Darryl Payne's killer bassline and synths rightfully take centre stage. If it's not in your collection already, you need to grab one of these copies pronto.

Review: From Kon's forthcoming compilation on BBE entitled Kon & The Gang, this 12? sampler features two cuts taken from the LP and an exclusive remix from Boston producer and mix engineer Caserta, namely "Timeless" (Caserta mix)" a tasty serving of super deep and low slung disco goodness. A more functional edit for DJ use follows on "Timeless" (remix - Caserta mix)". On the flip Truccy (better known as Compost's Rainer Truby and Corrado Bucci) present "Closer", a gorgeous slo-mo house jam with a rolling groove fetauring all the good stuff: swirling Rhodes keys, groovy congas and hypnotic vox.

Review: Up next on Los Angeles based label Take Away is prolific Swedish producer Daniel Savio aka Kool DJ Dust. The Stockholm native has also produced under such aliases as Dusty Gringo, Koolius Cesar and Simpleton on labels diverse as Flora & Fauna, Fasaan and Born Free over the years. Savio displays his deft hand as an editor on the Healthy Edits EP, with all of the being enough off the well-trodden paths and presented quite respectfully indeed. From the A side's powerful and life affirming soul jam "Really Love You", right through to the saucy "The Teacher" on the flip that is followed by "Summer Night" and its lo-slung groove.

Review: Kozmik Funk is also known by aliases such as QUADRANT 77 and Synthman, but when they're donning this cap they tap into organic grooves with a space age slant that are a true gift to interstellar spinners. Following a prior volume of similarly astral jams, they return to NYC Records with a fresh trio of drum-focused rollers that keep the beats front and centre and weave subtle threads of synth around them for a heads-down experience that will delight DJs and dancers alike. Our pick is 'Percussion Invasion', which works wonders with pattering bongos and congas, and tickles the ears with artful flecks of boogie lead lines.

Review: Krewcial is a master of clever cut up and paste and edit jobs. He tackles a big range of old soul and disco sounds that many will know and love and he does it on labels like Gamm, Riot, We Play House and now Vinylators. 'Extended Girl' is a shoe cold classic with big trumpets and drawn out breaks all making the original that bit more club ready. 'Piano Girl' is another edit of the same tune but here with more pianos laced in - no prizes for guessing that one - and Dub Girl is a final version of the same tune that pairs things back to the bare essentials.

Review: Krewcial unleashes Discosaurs Vol Two with another series of raw edits that are all given some modern dance floor weight to get dance floors roaring. 'Track 1' is all about the soaring strings that bring great scale to the instrumental disco beats. 'Track 2' gets even more expressive with florid melodies, big disco male vocals and hurried funk grooves. 'Track 3' keeps the soul train chugging with more gorgeous strings but this time some cute balearic style guitar noodles and then the closer slows things down a touch to allow a female vocal plenty of room to to its work.

Review: Hot on the heels of his Discosaurs EP, which saw him expertly re-edit a swathe of obscure disco jams, Pascal Garnier AKA Krewcial delivers another hot-to-trot dose of dancefloor focused rearrangements. This time round, he's chosen to do a bit of (we think) multi-track "versioning", offering a trio of reworks of the same killer cut: Chaka Khan's 1980 disco hit 'Clouds'. The 'Extended Clouds' version is fairly faithful to the original, just longer and even more epic. Arguably more revolutionary and revelatory is the 'New Clouds' take, which opts for a denser, more freewheeling disco-funk sound with crunchy guitar licks aplenty and heavier bass. On the 'Acoustic Clouds' take he removes the groove entirely, instead showcasing Chaka's vocal and the original instrumentation. It's a real treat!

Review: DeLaChaud is the long-time home and record label of Krewcial, who is something of what you might call a young veteran in the game. Following impressive solo albums on PlayItAgainSam and UK's BBE in the early 2000's he is still going strong and this new one proves it. Whether sampling jazz greats, laying down funky bass and infectious drums there is no mistaking the soulful impact of these tunes. 'Love & Devotion' is a vocal gem that will raise anyone's spirits no matter which version you pick here and 'Nereci' brings a throwback house sound with a Latin vocal on the club mix. The Bruk mix is a lovely London broken beat and a final acoustic mix is a useful tool.

Review: Anita Baker, quiet storm legend and balladmaker, gets two of her most heartwarming classics remixed by Krewcial, with Texan vocalist Sheelah Monae filling in for Baker's original vox. 'Sweet Love' hears a lounge and club mix respectively, both versions heavy on the most broken housey, piano-centric moods. 'Whatever It Takes', meanwhile, gets a club mix and an intriguing version of the original acoustic, rapidly homing in on disco strings and deep-hit bass licks.

Review: In recent times, Krystal Klear's EPs have wholeheartedly paid tribute to a variety of (mostly New York-based) historic clubs, artists and dance music sub-genres. While he's officially broken the spell with The Division EP - his first outing on Running Back - for the most part it's still a heart-warming, retro-futurist treat. He kicks things off with the cheery, Italo-disco revivalism of "Neutron Dance", where throbbing synthesizer arpeggio lines and mid-80s melodies are underpinned by a bustling mid-tempo house groove, before slowing things down via the Balearic synth-pop shuffle of "Division Ave". Turn to the flipside and you'll find more muscular, freestyle-meets-acid house fun (wild and mind-altering peak-time highlight "Shockzoid") as well as the baggy, glassy-eyed Balearic house rush of closer "Moonshake Mike".

Review: North East producer and DJ Anish Kumar has put together a brilliant selection of Bollywood-inspired tunes here that collide house-and-disco into exciting new forms. The boldly but correctly entitled Bollywood Super Hits! collections starts with the exotic house depths of 'Asha' with its whimsical vocals and melodies, then 'Sadhana' layers bubbling bass funk with percussive invention and 'Nazia' is all big disco drum funk and archetypal Bollywood vocals. 'Ananda' gets sunny with a fantastic flute lead and medley of string sounds and 'Lata' is a heads-down Bollywood techno roller.

Review: There's naturally much to enjoy on the latest volume in Africa Seven's A7 Edits series, which pairs original - and usually obscure - old Afro-disco and Afro-boogie gems with fresh 21st century edits. This time round, the A-side is all about Kemayo & K System's piano and horn-heavy disco-funk jam 'Biram', a two-minute blast of dancefloor exuberance that Phillip Lauer cleverly re-imagines as loopy, locked-in chunk of Afro-disco/disco house fusion. Over on the flip there's a chance to savour Afro National's heavy, low-slung stomper 'Push Forward', a cut that brilliantly adds chanted vocals and Hendrix style guitar solos to a sweaty, non-stop groove. Al Zanders does a great job in ratcheting up the tension and heaviness on his accompanying club-ready extension.

Review: Tonight we're going to party like it's 1975, as two disco classics from that crucial year on the very cusp of the disco revolution are lovingly overhauled by Dave Lee. The A-side sees the original version of 'Don't Leave Me This Way' by Harold Melvin & the Blue Notes featuring Teddy Pendergrass - also covered by Thelma Houston in 1976 and British duo the Communards in 1986 - beefed up and preened for the modern dancefloor, in what you'd describe as a respectful but not overly reverential rework. On the flip it's the turn of Kokomo's 'Use Your Imagination', bursting with Saturday night bustle but also boasting a funky guitar riff that bears an uncanny resemblance to the one that would turn up on Pink Floyd's 'Another Brick In The Wall pt2' a couple of years later. Dynamite party starters, whichever side of the vinyl coin you toss.

Review: REPRESS ALERT!: Funkyjaws Music is back to make your body move with the latest instalment in its ongoing edit series, Let's Dance, this time with a sixth sizzling volume. Monsieur Van Pratt's loose and languid 'Besame' opens up with some gorgeous strings and funky guitar licks then Kiko Navarro brings a rich Afro flavour with the shuffling and percussive rhythms of 'Bosinga'. Bogdan Ra's 'Get On The Floor' is a fresh take on a disco classic with irresistible vocal charm and swooning pads. Last of all, Zaffa demands you 'Shake It' and you surely will as he layers up wet claps, sliding hi-hats and lively drums into a big-hearted party starter.

Review: Spanish producer Kiko Navarro has joined up with veteran Beninois vocalists and musical powerhouse Kaleta and the next level skills of The Ibibio Horns for this vibrant new 12". It's an inspired and Afro-infused groove exploration with funk, disco and acrobat all bottle dup in the beats that traverse Afria from East to West. The Ibibio Horns are on fire of course as they blaze up the sounds with their expressive horns and red hot keys while the vocals from Kaleta add further fuel to the fire. Instrumentals are also provided for more direct to dancefloor business.

Review: The Tropical Disco crew continue to show an utter disregard for the season by serving up more of their seamy and summer grooves. The super strong Various Artists collection kicks off with the funky bass riffs of 'In Motion' from Phazed Groove, who ride the riffs and fluttering flute lines to the cosmos and back again. Ziggy Phunk gets more raw and punchy with a freewheeling disco house cut that will shake your booty loose and on the backside are two more timeless tracks: 'Funky Tranky' has lush trumpets reaching for the skies and 'Calabao' brings a real Latin vibe and flailing percussive energy.