Babe Ruth - "The Mexican" (Mr Fantastic edit) (3:37)
Organised Konfusion - "Prisoners Of War" (4:35)
Review: Consistently on-point and expertly dug, Originals continue to join the dots with creativity. Here we rewind to 1973 for Babe Ruth's biggest cut "The Mexican". Its lolloping, rolling bassline and spacious drums have been sampled by many but Organised Konfusion's use is definitely one of the best. Needle down and listen as Prince Po and Pharoahe Monche lay down lucid 1991 flows with a serious political agenda that's still just as resonant today. Timeless on both sides.
Review: In 2011, Banda Achilifunk & OJO served up Gitano Real, one of the year's most essential albums. It was caned far and wide by funk lovers, in particular Craig Charles on his 6 Music show. Now, two cover versions taken from the essential album have been pressed to limited edition translucent yellow vinyl. First up, 'I Believe in Miracles' is an overwhelming take on the Jackson Sisters classic with plenty of happy Latin vibes and rumba funk rhythms. Flip it over for a more abstract version of McFadden and Whitehead's seminal 'Ain't No Stoping Us Now' which is a soulful disco number packed with sunshine.
Review: Second time around for Banda Achilifunk and Original Jazz Orquestra's sought-after 2011 cover of disco classic "I Believe in Miracles", original copies of which now change hands for serious sums online. The expansive Spanish crew's baggy, sun-kissed and rumba-soaked Latin disco cover of the Jackson Sisters' classic is perfectly pitched, adding layers of crunchy Clavinets and punchy horns to a sumptuously summery groove. Over on the flip we get two different takes on McFadden & Whitehead classic "Ain't No Stopping Us Now": a decidedly Balearic Spanish language cover ("No Nos Pararas"), and an instrumental cover full to bursting with superb grooves and even more scintillating horn solos.
Review: If we said 'a Latin funk cover of Michael Jackson's "Bad"' what would you say? If the answer is anything other than 'WTF? I need that in my life' we are officially worried about you. Who wouldn't want that? Not to let the cheeky b-side outshine the A, "Feelings" is a Banda Achilifunk original; rolling with a rhythm n' blues motif and some fly Spanish lyrics, it's feel good party joint with heaps of distinction.
Review: ,Joe Bataan has been busy in East L.A. with Orquesta Rene for this new Latin jazz double 7" courtesy of Steady Beat. It features four all new pieces drenched in soul and percussion, starting with 'So Fine' (feat Big Sandy), a mid tempo groove with vocal longing and languid horns. 'Mestizo' is a more steamy and intimate piece with sung-spoken lyrics and glowing, golden chords. 'Mom & Dad' (feat Claudia Lennear) has s steamy shuffle to its rhythms and classic Latin percussive sounds next to a call and response vocal and 'Time After Time' closes with a sentimental feel.
Review: The Moiss Music label seems to like to drop their EPs two at a time. They did it in February and they're doing it again in May. This eighth outing collects four more lively disco cuts, each with their own subtle influences. Berobreo's 'White Rabbit' for instance has funky undertones with loopy guitar riffs and nice breaks. The Magic Track's 'Jamming With Mom' meanwhile is more sensuous and deep, with late-night synth work and seductive vocals. Oldchap's 'I Want To Show You' has an expressive soul vocal with more low-slung grooves and Alexny's 'Not Bad' then gets quick, clipped and loopy for its lip-pouting disco thrills.
Orchestre Les Mangelepa - "Kanemo" (No Nation dub) (5:33)
Review: The cursed global pandemic may have put paid to this year's Tropical Pressure festival in Cornwall, but thanks to this first compilation style EP from its' new offshoot label, we can now recreate the event's humid, colourful musical vibe in our own homes. The selections are naturally top-drawer, with the heavy tropical Afro-funk of Guy One's EP-opening 'Bangarre Tomme' brilliantly setting the tone. Faith Mussa impresses with the deliciously positive and sun-kissed 'Ngoma' - all rubbery bass, JuJu style guitars and bouncy beats - while Guided Souls get hot and heavy on the raw and fuzzy Afro-house of 'Freedoms Light'. We'd also recommend checking out the 'No Nations Dub' of 'Kameno' by No Nations Orchestra, a sun-bright slab of audio sunshine rich in glistening guitars and punchy horns.
Review: Agogo Records put out some serious jazzed out funk this year and Hidden Jazz Quartet's EP was among its best to date. The title track "High Heels" features the voice of Omar and it's a blissful modern funk piece - exactly what we want to see! On the flip it's the Lack Of Afro remix, a irresistibly upbeat and feel-good bundle of piano chords and gentle lyrics.
Review: Mr Bongo's Brazil 45s series is like catnip to all collectors of Latin music. It has turned out more than 85 editions that cover all forms of South American soul and funk. This time out it's a is sublime four-tracker from the much loved Brazilian pair of Luli Lucinha e O Bando. It first saw the light of day in 1972 but has long since been lost to the public. Aspects of psychedelic rock, MPB and folk are all stirred dup with the tunes being held together by Luli and Lucinha's vocals. The EP is packed with magic and musical brilliance and also features Brazilian percussionist Alyrio Lima, who was a member of the iconic Weather Report in later years.
Review: The previous instalment in Mr Bongo's ongoing Brazil 45s series offered up two sought-after cuts from Di Melo's 1975 self-titled debut album. This volume takes a slightly different approach, instead delivering killer cuts from two different artists, both of whom hail from the North of Brazil. On side A you'll find Magalhaes' 1986 gem 'Xangos', a cheery and energetic Lambada workout rich in jangling guitars, shuffling percussion, ear-catching vocals and restless bass. On the reverse Os Panteros takes over with 1987 jam 'Lambada Pauleira', a quirky chunk of Lambada full of fuzzy synths, infectious percussion and lo-fi guitar licks. The cut was famously re-edited some time back by Joutro Mondo, though this original version is - in our opinion - far superior.
Review: French label Act Of Sedition returns this week with another splendid 7' double pack. A1 is Mikeandtess with a nice edit titled 'Preacher Man' that's seriously Dusty and slo-mo as you like it, while Oldchap's 'Big At The Jazz Club' chugs along just as slowly with its locomotive and jazzy groove with rap vocals. Over on the second disc, Bully Boy gets the late night boogie-down vibes in effect on 'Central Train' followed by Vibes4yoursoul with the sunny and low slung goodness of 'Delicious'.
Oriental Brothers International Band - "Oku Ngwo Di Ochi" (Uproot Andy remix) (6:18)
Oriental Brothers International Band - "Mu Na Gi Wu Nwanne" (Caribombo remix) (5:06)
Review: The third volume of the AfroColombia Remix series merges African and Colombian sounds with contemporary electronica. It's a collaboration between Colombian labels Galletas Calientes and Palenque Records that celebrates Palenque's 20+ years of activism and Galletas Calientes' two-decade legacy while honouring the late Abelardo Carbono with a remix of his track 'La PiNa Madura' by Voilaaa - it's a standout here with hints of funk, soul and disco all bringing the sunshine. The compilation also reinterprets Nigerian Igbo Highlife and Ekobe music thanks to producers Captain Planet, Uproot Andy and Caribombo. They bring new, funky energy to timeless classics while preserving the original cultural essence.
Brotherson (Strings & vocal shorter album version)
Review: Repress of the sought after Mukatsuku Records 12 containing two remastered tracks of Atlanta musician Ojeda Penn presented here according to Ojeda officially for the very first time.The A side kicks off with the extended holy grail instrumental version of 'Brotherson' taken from the Happiness album. There were two versions of the album Happiness in 1980 on the IFE independent label. They looked almost identical but the first version contained the now rarer elongated 9 & half minute jazz fused instrumental version of 'Brotherson' and then a few months later Penn recut the same album but with a much shorter version of the main track but this time adding strings and vocals assisted by Tommy Stewart from 'Bump N Hustle Music' fame. The former version is now being sold up to 500 dollors so this 180 gram single is a welcome release to the reissue market. Juno copies come in an exclusive branded card sleeve + sticker
Turn It Up (Exclusive unreleased instrumental) (4:04)
Review: The latest storming 45 from Mukatsuku is a vocal version fronted by Tyra Hammond & is classic textbook explosive femme funk with brass stabs galore and twangy southern styled guitar.On the flipside an exclusive never heard before instrumental unleashes breaks heavy b boy drums and enough melody to carry on its own merit compacted into a loud cut funky dinked 45. Juno copies come in an exclusive sleeve only available to Juno customers...As played by DJ Koco,Skeme Richards,Smoove,Charlie Dark & DJ Moneyshot from The Allergies,
Review: "Mundafunka", by O Cravo and Fabiola, has support from Spiritual South, Toshio Matsuura, Eddy Ramich (Croatia), John Armstrong, Dom Servini, Michael Rutten, Patrick Forge, Mike Chadwick, Askew, Kev Beedle and Bruce Q.
Review: Classic soul band The Moments serve up a couple more gems for this red hot series on Dynamite Cuts. First is a steamy, seductive, sexy version of the Lee Forsey classic 'Ride Your Pony'. The gentle drums, the swinging synths and the sting sounds are all topped with butter-smooth vocals. On the back side is something just as majestic and heart warming - 'Sugar Sugar' is a real singalong gem with nice sax stabs, freaky synth bass that never stops squelching and just good vibes that you never want to end.
Review: Some more classic hip-hop action on the cheekily-named Old Chilin' label, this time courtesy of D.I.T.C crew member Omar Credle AKA O.C. Many fans of golden-era hip-hop may already be familiar with 1994 gem 'Born To Live', a Buckwild-produced jam that also features vocal contributions from Pharoahe Monch and Roc Raida. The full vocal version - or at least the "Rap Edit" version prepared for radio stations - resides on the A side and sees Credle spitting atmospheric, largely positive rhymes atop a snappy, head-nodding beat, deep bass and some deliciously jazzy instrumental samples. The quality of Buckwild's production, and the weightiness of the beats in particular, can be further enjoyed on the flipside instrumental take.
Review: Tower Vinyl is very quickly becoming one of our favourite labels. its current run of releases is absolutely top notch and focuses on vintage soul sounds from across a wide spectrum. This latest 7" as part of the Free Soul series comes from Odessey whose 'Battened Ships' has big brass, funky drums and lots of killer guitar lines and rich bass, all topped with heartfelt vocals. The wonderful Terry Callier and is unique ones then bring jazz and soul stylings to the bouncy 'Ordinary Joe' on the flip.
Review: Two hugely historic versions from Adidas's high-schooling Originals imprint. Odetta's 1970 original is a beautifully sexy, smouldering piece of smoky blues while Bo Diddley's cover (that came four years later) is much more upbeat and funk focussed with added horns and head-turning bass runs. Both have inspired every generation that's followed and have undergone myriad sample treatments. Return to the source and understand just why they've been so influential.
Review: 2 great tracks from Odyssey, fusing modern soul elements with a bit of a clubby touch. "Native New Yorker" has a soaring string laden approach over a mid tempo disco groove. The B Side contains "Ever Lovin' Sam".
Review: Gustavo C's G.U.S label - short for 'Golden Unreleased Songs' - exists for one purpose: to offer-up limited-edition singles featuring previously unheard gems from the disco and boogie era. The label has already released buried treasure from Central Line and Kenni Rightout and here delves into the archives of obscure 80s electrofunk outfit Odyssey & Co, a band not to be confused with the far better-known Odyssey. 'It's On' was originally recorded and mixed in 1983, but for one reason or another never hit stores. It's a quality slab of soul-fired boogie-funk rich in rubbery bass guitar, spacey synths, eyes-closed vocals and post-electro machine drums. The A-side original mix is on-point, but we prefer the slightly stretched out and more dancefloor focused flip-side 'Dance Mix'.
Review: GAMM pulled off a real coup in securing a double drop of edits from Istanbul's Onur Engin and we implore you head straight for the A Side brilliance of his Freddie Hubbard tweak. Anyone with a cursory knowledge of deep house history will immediately recognise the opening string flourishes of "Sunflower" - the basis to Pepe Bradock's timeless "Deep Burnt"! Engin's take on the Hubbard original remains faithful yet adds just the right amount of percussive deftness to give it some dancefloor feet. The flipside is dedicated to a delightful take on the mid seventies soul rarity "For Real" by Flowers which again provides ample evidence of Engin's intricate editing skills.
Review: Onur Engin is one of the few producers whose edits consistently hit the spot. Unlike many of his contemporaries, Engin has a subtle touch, an approach that pays the source material due reverence. More often than not, this old-fashioned approach pays dividends. This ninth volume of his popular OE Edits series boasts four more hits, from the spiritual disco-funk of "Expansions" (a re-cut of Lonnie Liston Smith's original), to the sweaty closeness of Roberta Flack re-version "Feel Like Makin' Love". For the Balearic heads, there's also a delicious version of Santana's "Aqua Marine", and a dash of spiritual jazz in the form of "Maracatu". They'll go like hot cakes, so don't sleep.
Review: Blissful boogie reissue from Junko Ohashi, whose 7-inch promo for 'Dancin' here functioned as the promo material for the 1983 album 'Point Zero'. Sounding just as rough, farty and raw as its original LP cut, the track is a perfect example of what Japan brought to disco - blending it largely with city pop - at the time. 'In Your Lovin', as it did on the original album, brings up the B-side with a downer-tempo funk beat, and a lyrical subject dealing with a romanticized, ideal lover.
Review: Frafra gospel artist Alogte Oho was rumoured to be a leading artist within the 'explosive' music scene of Bolgatanga, in Northern Ghana. His debut release "Zota Yinne" in 2014 has already become a collectors item. On this release, Oho is joined by the all female choir group Sounds of Joy, comprised of Lizzy Amaliyenga, Patricia Adongo and Florence Adooni. On the A side, we have the uplifting and soulful vibes of "Mam Yinne Wa" featuring some wonderful wind and string instrument passages. On the flip is the reggae influenced swagger of "Yu Ya Yumma".
Review: The first drop on the new Disco Mind Records is a top collection of well-designed and perfectly executed re-edits by two Italian disco stallions, Paul Older and Bplan. Each of these men is respected for previous works on the likes of Toy Tonics and Tropical disco and here they delve into their collections and come out with four fiery and authentic new cuts. 'Ma Quale Amore' is a peak time bomb, there is groove and funk to spare on 'Travolgente' and much more to win over all sorts of disco lovers. A great start to what is sure to be a fine label.
Review: Ivan Makvel and Olli join forces for the first time, laying down two suitably sizzling slammers on a dinky seven-inch single. A-side "Blow Your Mind", a talkbox-sporting P-funk jam that reminded us of early '80s era Roger Troutman releases - all stabbing, kaleidoscopic synth motifs, colourful solos, punchy machine drums and lyrics celebrating "funk" - is particularly special, sounding as it does like a genuine relic of a bygone era. Almost as good is flipside P-funk instrumental "Virgin Lion", which sounds a little like an instrumental revision of the A-side with added flash-funk guitars and D-Train style synth doodles.
Review: Any Omar S release is worth checking, but when it also features Detroit funk godfather and Motor City legend Amp Fiddler, as well as Andre Foxxe of Parliament-Funkadelic, then it's pretty much buy on sight. You never know what you're gaping to get with the FXHE boss, and never was that more true than here on this sweet little 7". A-side 'The First One Hundred' is a loop of Omar S's trademark dusty drums and a deeply buried bass guitar riff that is super funky, and 'Dance Your Blues Away (feat Amp Fiddler)' sounds like Prince making house music in Omar S's studio. They are short, but oh so sweet.
Review: In 1985, Isy Martin Jr. released 'Rug Burns' and it became a low-key disco stepping classic. Now, Prime Time Records and Tapes has secured the rights and presents this official repress featuring that cut on the A-side so you no longer have to play high prices on the second-hand market. As well as that fresh bit of ass-shaking and funky dancefloor fun, the label has pressed a special re-do of 'Rug Burns' featuring XL Middleton and Zackey Force Funk on the B-side. It's a slightly more contemporary boogie-down sound with the same original vocal charms.
Review: Want a fight with your dad? Sure you do. Even we do. So play this awesome funk double-A to him and he'll swear he's back in the 60s. He'll swear so hard that he'll think you're a figment of his imagination. Worse still; he'll think you're an alien who's teleported him to a dark and sinister future where bands pretend they're from the 60s with such crackly, wigged out authenticity it hurts. Yup, this follow up to their "Soul Banshee" EP is that funky; "Suction" is the more upbeat member of the pack. A hammond-led jive with cool guitar stabs, underplayed Clapton style noodles and a cool key change, this rocks in every way. "Acclaimed Shitt" is more your early doors number. With a smoky tinge, head-swinging riff and endlessly swaying groove, it's so good we'll even let them off for swearing. Badly.
Mayolye (Nik Weston official Mukatsuku edit) (5:26)
Review: Destination Paris, 1980: Gabonese singer Jean Ondeno is in the eye of the French capital's afro-disco storm. Championed by broadcaster Alphonse Marie Toukas and partnered with songwriter, producer (and 70s TV host) Philippe Brejean, Ondeno blessed the world with one eponymous album and "Mayolye" was the opening cut. Vibrant, upbeat and loaded with effortless funk and Ondeno's soft falsetto, it's a vital slice of afro-disco fusion that comes complete with a subtly-charged, floor-primed Mukatsuku edit from Nik Weston. One per customer; this is not to be slept on.
Review: The classic 1982 funk anthem 'Don't Fight The Feeling' by American r&b and funk band One Way gets a fine 12" pressing here, which means it can be played nice and loud. Singer Al Hudson leads the way with his buttery vocal, while a stepping and broken rhythm with lovely dry claps and w sloppy synth squeal make for a pretty unique sound given when this was first recorded. On the flip side, Windjammer's 'I Thought It Was You' offers a more mellow, melodic contrast full of the band's signature blend of r&b and jazz with cooing, heart-melting vocals and a nice stepping rhythm that lovers of UK street soul will surely be drawn to.
Review: Flower Japan is back with another delightful 7" of Far Eastern takes on reggae, lovers rock and dub. Tokyo's finest Onegram - formed by reggae singer Sakko in collaboration with a panoply of fellow musicians, all hailing from Miyazaki Prefecture - are no strangers to this sound having served up plenty of it on the likes of this label and Jazz Room over the last few years. This latest is another flower-powered delight with natty horns, summery keys and a mix of English and Japanese vocals that add an exotic edge.
Review: Backatcha continues to unearth and reissue Brit-Funk gold. This obscurity from Oneness, a Leicester-based roots reggae band who were persuaded to record and release a lone Brit Funk single, could well be their most potent discovery yet. 'Watching You' is typical of that era of post jazz-funk Brit-funk, with spacey synth sounds, sweet male and female vocals, clipped guitar licks and rubbery bass riding a two-step, electro-influenced groove. As was the case on the hard-to-find original 12", it comes backed by a terrific, dub-influenced 'Version' that layers up the sax and synth sounds while allowing the original groove a chance to breathe. In a word: essential!
Review: Although Oneness Of Juju are often lauded for their avant-funky-spiritual-jazz albums from the mid 70s, they are really
best known in clubland for this killer 80's groove track that was released on Sutra. 'Every Way But Loose' still retains
some of their afro jazz elements, but it's got a heavy dancefloor beat, with a darn nice groove to it!
Oby Onyioha - "Enjoy Your Life" (Ben Gomori New Lease Of Life edit) (6:59)
Afia Mala - "Koma" (Jura Soundsystem dub) (7:15)
Eko - "Bowa Nga Ngebe" (D Tourn edit) (4:49)
Review: The A7 edits series has been responsible for some of the classiest re-rubs of recent memory, and they're not letting up on this latest 12". First up Ben Gomori has some fun with Oby Onyioha's eternally summery Nigerian hit 'Enjoy Your Life' before Jura Soundsystem bring some serious Balearic boogie flex to Togo icon Afia Mala's 'Koma'. Finally Eko's swooning disco delight 'Bowa Nga Ngebe' brings all the Cameroonian joy, respectfully edited for maximum satisfaction by D Tourn. If you want deeply dug gems from the annals of African disco history, look no further because these cuts will bring joy to anyone they come into contact with.
Review: Opolopo is a machine when it comes to serving up superb disco, funk and soul sounds. He's done so for two decades on plenty of top labels from Toolroom to Version Galore to Gamm. This time out he finds himself on a self-released tip with X Machine which is a mash-up of James Brown. The original vocals cut through funky basslines and lots of big percussions as the loose drums rumbled on next to warming organ chords. The instrumental is a more direct to dancefloor jam.
Headhunters - "God Made Me Funky" (Opolopo Tweak) (6:12)
Sylvia St James - "Motherland" (Opolopo Tweak) (6:24)
Review: The good folks at Gamm pop up with another of their irresistible slices of feel good funk. This one takes what some people would say is one of the most significant rare groove tracks ever in Headhunter's 'God Make Me Funky' and get Opolopo to tweak it with his usual sense of elan. The results are deadly, full of funky bass and sample course you will well recognise. On the B-side Opolopo draws out the grooves and goes for a soulful house roller that reworks Sylvia St. James's downtempo groover 'Motherland' to perfection.
Orchestre Poly-Rythmo De Cotonou-Dahomey - "It's A Vanity" (4:21)
Clement Melome Et Le Orchestre Poly-Rythmo - "Nougbo Vehou (La Verite Blesse)" (4:49)
Review: The legendary Afro funk fusionists Orchestre Poly-Rythmo De Cotonou Dahomey have got unlimited amounts of big tunes in their back catalogue and the fiery 'It's A Vanity' is one of them. It has fat and chunky drums with trademark horns leading the way next to the impassioned vocals. The tune twists and turns on a vibe as it funks you up and then on the flip is the more lo-fi and stripped back, earthen funk sounds of 'Nougbo Vehou' (La Verite Blesse). Anotehr killer 7" reissue from this great collective.
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