Back catalogue: House

Review: Toolroom has gone from underground house label to one of the UK's most successful and large scale dance brands. They keep on serving up the sort of hits that become big festival anthems and this is another one, with new school Chicago artist Gene Farris paired off with ATFC for big, rollicking piano house sounds on 'Spirit of House.' 'R U' then gets more tech edged and sweaty on a big synth loop and walls of drums, while 'Tech House Kinda Thing' is a supersized tune designed to do plenty of damage. There is real funk and soul in the cut up and filtered vocal loops of closer 'Not Enough.'

Review: Rebirth kicks off its 2024 with a remix EP that serves as "a tribute to the Brescian music scene in its many facets and declinations." The full original project is a complete 12-track album that brings together many different sounds, scenes and generations, with the best bits now assembled on this new 12". The revered deep house master Fred P opens up with some texture spiritual synth depths, K-Lone brings some nice house swing to his version of 'Paline' and edit maestro Rahsaan also keeps it paired back and late night on his soulful take on 'Scent Of An Old Life'. A great reimagining of some moving musical adventures, then.

Review: It's coming home, it's coming home - house music is coming home! A second instalment of the Groove Access: series Chicago Is Home offers us five fresh tracks from the windy city landing in a glorious cavalcade of razor edged snares and hypnotic jack house. Ed Nine & Kid Enigma's 'Bandleaders' opens side one in spectacular fashion with spoken mantras lying deep in the mix, distinctive phasing arpeggios, poking keyboard riffs and ringing cymbals. JSquare's 'Get Wicked' kicks with even more power, tribal rhythms bouncing of bleepy melodies, before 'Move' by Geto Mark rounds off the side with the strutting, beautifully brutal 'Move', a proper 3AM peak time pleaser. Steve Noah's 'The Hater' opens side two, a wily acid line worming its way across a raw, stripped down backing before exploding into serious gnarliness when you least expect it. AFTR's 'Undercover' rounds things off with another knuckle duster of a tune, leaving no doubt that Chicago is still the place to be when it comes to house.

Review: Emil Gayles made a brilliant impression with his recent and excellent 12" on Glenn Underground's Strictly Gaz Unit Extensions label and now follows it up with another tasteful deep house exploration. He hails from Chicago's South Side where he has made his mark as a DJ and played with dons like Gene Hunt and Theo Parrish and now backs that up with his studio prowess. 'Trinity' is a lush symphony of subtle chord work and rubbery drums while 'Mustafa' has a spiritual edge thanks to its glowing harmonies and leggy drums. 'Lotus' gets even deeper with its subaquatic bass and then 'Black Trojan' layers up seductive spoken words with another bubbly mix of drums and bass.

Review: This new 12" on Aliens On Wax declares that Chicago Jack Is Back and we are fine with that. The raw, early, street wise sounds of the Windy City are still some of the best house has ever given rise to and that is encapsulated across four new cuts from Gettoblaster and two collaborators. First it's Baggi on 'Throwin' Down' (feat Chip E) then it's Terry Mullan on 'Armando's Ghost'. The flipside has the solo cuts though both feature house legends Chip E and Joe Smooth making this the most authentic package of jack you will have heard in some time.

Review: To think associatively for a hot sec, the command to 'Make Life Funky' - the command that also abounds throughout this latest fidget house release by Gettoblaster and Roland Clark - might mean a lot of things. Funky in musical terms implies swing, rancour, arousal, and the occasional bared lyrical fang; to "get oneself into a funk", in idiomatic terms, might mean to muddy the waters, to abandon purity of life and accept a bit of dirt, a bit of stank, a bit of funk. Though there's no 'funk' in the strict funk genre sense here, 'Make Life Funky' is an expert masterclass in funk as vibe, bringing peak hour hands-in-the-air house vibes as Gettoblaster mans the controls, while Roland Clark dispenses some solid life-advice on the mic. Phenomenal remix support covering wide stylistic ground from DJ Sneak, Kevin & Dantiez Saunderson and Amine Edge & DANCE.

Review: Belgian-born producer Gratts and pioneering Chicago vocalist Robert Owens first collaborated on 'Brighter Future' back in 2021 after meeting in the streets of Kreuzberg years before. The pair now join forces again for follow up 'Today', a powerful and emotive, 90s inspired deep house cut with layered backings and Owens' lilting affirmations soaring above. The extended club version takes you straight to house music's ecstatic heydays, while the twelve also includes an acapella tool for those singalong moments. On the flip, Mark Hand's slower, soulful rendition takes things into sideroom territory. Finally, 'Mount Olympus', home to the Greek deities, fuses a rattling drum machine, arpeggiated synth lines and a potent analogue bassline - with added bonus beats to bang the box and get weird!

Review: ** Camera's ready. Prepare for the Repress ** Curtis Jones is never one to rest on his laurels, as his staggering back catalogues as Green Velvet and Cajmere can attest but such is the force of his personality that a new release still feels like an event. "Bigger Than Prince" capitalises on Jones' knack for a vocal that lambasts the less earnest quirks of the dance music industry, while creating the hook to make the track a bomb in the same instance. Production-wise, there's a measured strut to the track with some choice growling bass synths and an underlying disco flavour that suits Jones just fine. On the remix front, Circus turn to The Martinez Brothers to hammer out a rolling, percussion focused version perfect for big room mixing, while Hot Since 82 turn out a similar line in boompty peak time damage.

Review: DJ and producer Mark Grusane is a hails from Chicago and is co-owner of Mr. Peabody Records, which specialises in rare and obscure vinyl from around the world. While many prior releases have appeared due to that affiliation, 'Book Me For Your Birthday Party' hears the cream of his music released for German label Bless You. Four raw, sexual, jacking, jukey house music cuts appear, showing off the kind of production antics Grusane gets up to while enjoying his off hours at the record store. While they're at least ten years old, we're sure Grusane still has access to the same inner clown that not only allows him to be such a great party guest, but also lets him make such heaters.

Review: That man Glenn Underground is back with more of his masterful melodic house workouts as GU aka CVO. 'Jack & The Madman' goes super deep with moody drums wired up with burrowing, melancholic synths and time-keeping hi-hats. 'Nutso Jack' lands with some tribal drum heft and a melange of percussive details and wispy synths while 'Acid Disco (Supadisco)' is a woozy ste night exploration of jazzy keys and solar pads with soft cid lines weaving their way in and out of the beats. It's timeless and fresh once again from this Chicago mainstay.

Review: Toolroom head honcho Mark Knight has pulled out all the stops here and joined forces with some of house music's biggest names. His ow-slung new tune 'The Greatest Thing Alive' is a collab with the one and only Chicago don Green velvet plus James Hurr and it has already made an impact on global dancefloors since its digital release in October last year. Between these talents they all dig deep and cook up something perfectly chunky and detailed with fresh percussion. It's the sort of tune that will blow up in Miami and has the addition of Green Velvet's take on the classic 'Mannish Boy' from Muddy Waters.

Review: Well here's something no one expected from the annals of house music history. Back in 2000 a chance link up took place when Steve Bug invited the legendary Chicago producer Spencer Kincy, aka Gemini, to his studio in Berlin. Two tracks were laid down, and now after all these years they're finally seeing the light of day as Chiwax got the blessing from all relevant parties to press them up for our grooving pleasure. They're crisp, unfussy tracks which are perhaps less wild than a lot of Gemini-related projects, which no doubts speaks to Bug's well-known style, but there's a whole lot of vibe in these cuts whichever way you look at them.

Review: The French deep house label D3 Elements is now a decade old and to mark the occasion it has assembled a superb three part EP series featuring plenty of talents both new and old. The second EP kick off with some Japanese stylings from Koizumi Yukiko and his piano laced bongo workout '526'. Taelue sets off on a deep and heavy bassline pulse that will make floors march and Nemanja Krstic's 'Aquae Sulis' brings some jazzy chord work and bubbling funk bass for a nice heartfelt vibe. Gnork shuts down with a skittish, stripped back broken beat that makes this another diverse offering.

Review: Few artists in electronic music are as legendary as Laurent Garnier. It is only right then that he finally makes his entry into the equally titanic and influential Fabric Presents series. His mix is a real doozy that here gets the full deluxe edition treatment and comes on 4 x12"s with a hefty booklet. The House Odyssey mix opens with afro house from South African producer Mr. Blase, leading into vibrant cuts from Cape Verde to Chicago. Newer faces like Culoe De Song, Neinzer, and Tal Fussman join stalwarts DJ Spen, DJ Lady D and Mike Dunn. The Rhythmic Resonance mix delivers high-impact techno moments from Red Axes, John Tejada, Electric Rescue, and more. Garnier's UK-focused Into The Low-End session includes Skrillex, MC GQ and more and all in all offers up a diverse mastery, from luminous house to bass-heavy techno.