Stefan Braatz & Virgo Four - "Everyman Jack" (6:13)
Stefan Braatz & Virgo Four - "Everyman Jack" (Rough dub) (6:13)
Rheji Burrell - "XTC" (6:08)
Rheji Burrell - "Gimme Ya Luv" (6:07)
Review: Classic deep house movements from Stefan Braatz, Virgo Four and Rheji Burrell, coming through with the maximized, wally acid heat. 'Everyman Jack' on the A-side orders punters to shake, albeit whoever recorded the vocal sample is clearly so confident of their floor-command that they barely needed to do more than whisper. Burrell helms up two new ones on the B, meanwhile, with 'XTC' remaining soulful, autotuned and piano-phasey, and 'Gimme Ya Luv' leaning towards low-end-theoretic hip-house.
Review: Three years after launching as a digital-only imprint, Vinny Villbas's Badabing Diskos label finally makes it to wax. In keeping with the label's desire to promote homegrown talent - an approached pioneered by his old pal Prins Thomas via the long-running Full Pupp imprint - all three showcased cuts come from Oslo-based artists. The legacy of synth-heavy, off-kilter Norwegian 'space disco' can be heard across the EP, but especially on Jarle Brathen's 'No Restaurants', which conjures memories of Lindstrom and Todd Terje's work of the late 2000s and Vilbas's dreamier and more loved-up 'Just In Time'. Bolder, bigger and even more life-affirming thrills come to the fore on the flip, where label regular Sommerfeldt delivers the epic breakdowns, driving bass, restless cowbells, winding acid lines and shimmering synth chords of 'The Everlasting Frog'.
Peter Seiler - "Timebend" (feat Sheryl Hackett) (4:32)
Eoism - "Ultraverse" (5:00)
Voertuig - "Cego" (5:19)
Voertuig - "808 Ambient Jazz" (3:45)
Eoism - "Even Flow" (5:45)
Review: Colkin from Raw Soul and Mauke Club sets the tone on this new FUTUR compilation, which has been curated by Benedikt Meger with a spherical acid house meditation. Peter Seiler's track, a standout from the reissue of his debut album Flying Frames, features Sheryl Hackett's soulful vocals and merges song structure with jazz improvisation. Eoism from Pulse Drift, Undersound, and Inch By Inch delivers low-swung electro flavours perfect for sunset vibes while the B-side opens with Voertuig of Tonal Oceans and Cobra Club who presents a seriously raw acid jam followed by an experimental, jazzy piece, reminiscent of the 90s downtempo era. 'Eoism' closes things with a floating, futuristic banger, going to make a well rounded (in more ways than one) and ultimately very useful piece of vinyl.
Review: Earlier this year, Latvian label Micronica Records made its debut on wax after years spent serving up digital-only delights. Here the Riga-based imprint delivers a second limited-edition vinyl sampler. Blurring the boundaries between deep house, minimal house and tech-house, all four cuts are well worth checking. Costin RP sets the tone with 'Kiss This', where sci-fi bleeps, modem noises and spacey synth sounds rise above a chunky, hypnotic tech-house groove, before Yansima delivers a tougher and more thickset tech-house workout in the shape of 'Jisula'. Venda's 'Underwater' is a deep, dubby, head-soothing minimal house box jam, while DIN & CKB's 'Duby' brilliantly blurs the boundaries between dub techno, ultra-deep house, and smooth European tech-house.
Review: Adam Collins has proven his mettle with his work for Omni A.M. and Euphoria Records but now he branches out once more with the new label Aquarius Rising. It kicks off with a four-track various artists EP of next-gen talents Cromie, Dylan Payne, Sasha Zlykh, and Collins himself. 'The Knuckle' opens up with a bouncy and dense house sound that's got a sweet garage shuffle to it. Volume Channel's 'Tony Jacal' is a stripped-back and minimal sound with dubby drums, Sasha Zlykh's contribution gets more raw and abstract with whirring machine sounds and Collins shuts down with 'Andrea 3' complete with warped vocal stabs and high-speed drum funk.
Mo'Funk - "Bring Together" (feat Roland Clark) (5:37)
Review: Robsoul Recordings has continue on the rich tradition of superb France deep hose for many years after the first wave of artists and labels came and went. This third edition of its Classic Sampler series is another joyous one that opens up with the jazzy loops and soul-drenched house grooves of Demuir's 'From Paris To Strasbourg'. Vincent Caira's 'Back Again' is more solid and raw but no less heartfelt then Mo'Funk & Roland Clark cut lose with an unabashed piano sound on 'Bring Together' that will get hands in the air. Three timeless tracks that really tap into the original spirit of house music.
Review: Be Strong Be Free debuts a new series here, Mellow Magic Worldwide, which will offer up a series of DJ weapons that have been produced by "worldwide studio buds." The first one opens with some superb tackle from Gold Suite whose brilliant 'Crush' is a slow-burning 80s jam and emotive rollercoaster that has made a real impact during road testing experiments. On the flipside is the mysterious Mancunian Visions Of Eden who debuts on vinyl with a lush deep house jam 'When It Has Past that has a subtle Balearic charm. Lastly comes Murrin who heads up the Puca Sounds label and co-runs Berlin party Fandango. His 'Maybe Tonight' is a late-night cosmic delight.
Review: Ruvenzori makes the move to vinyl with four artists breaking new ground in the field of organic, spiritual house music. There's a Balearic tint to these harmonious jams, which melt into each other like one extended blend for the terraza of your dreams. 'Uluwatu' features Stan Tone and Izhevski collaborating on a swirling masterpiece with the steady tick of minimal tech house as an undercurrent for ascendant chimes, fluttering guitar licks and vocal murmurations. On 'Ayomi' Talemates joins the pair as they match emotive piano chords with sampled vocal loops, capturing an endearing, eyes-closed vibe in the process.
Review: Based in Reykjavik, Iceland, since 2012 and established by by Jonbjorn Finnbogason & Viktor Birgisson, Lagaffe Tales celebrates a decade in the game with this terrific various artists compilation. Label staple Felix Leifur serves up the slo-mo balearic bliss of 'Cohen Social Club', Moff & Tarkin get some emotive sunset breaks in effect on the mood music of 'Pure Fury' while Jonbjorn - on point as always - contributes the glassy-eyed electro cut 'We're Not Alone' and finally Viktor Birgiss delivers the deep and dubby afterhours cut 'Ad Handan'.
Elaine Mai, MuRli Vs Dave Spoon & Nick Reach Up - "Ready" (Mark Knight remix) (6:54)
CASSIMM - "Wanna Feel Something" (5:27)
Superchumbo & Victoria Wilson James - "Revolution" (Crusy remix) (6:07)
Arthur Baker & James Hurr - "Powder In The Nose" (5:12)
Review: Here's a heavyweight suite of club cuts from the Toolroom Trax stable, featuring a whole squad of names linking up for some big room belters that should go down very nicely indeed with any medium-to-megasized party experience. Mark Knight's extended mix of 'Ready' is a proper epic, not least when the 'Insomnia'-esque stabs kick in. CASSIMM's 'Wanna Feel Something' is a heads-down sexy workout, while Superchumbo and Victoria Wilson James get remixed by Crusy for an equally brooding, high-end production. James Hurr and Arthur Baker round things off with chunky monkey 'Powder In The Nose', which teases a whole lot and then delivers even more on the drop.
Review: The inimitable Santonio Echols/Next Generation have penned many a great soulful house hit and one of them is 'Bad For Me' which now arrives as a remix package on the NCM Label out of Detroit. First up is Eddie Fowlkes's dub which brings nice warm, smeared chords and allows the vocal to pop out of the mix and bring the sunshine. Ron Carroll's club mix has a little more direct energy in the drums, then the Emanuell Groove mix is a funky one with steamy sax notes up top and nice loose drums. Last of all, the Mannywya Deep dub mix slows things right down to a late-night crawl.
Review: It has been a rather remarkable three years since Yuko dropped its first release, but finally, they are back with more. It is co-founder Emo Omar who features both solo and in collaboration with Luje from Club Pizza while two exciting new French talents Chud and Vivant also make their mark. 'Pollen' is a bright and hooky melodic electro sound then 'You & Me' gets more percussive, with old school cow bells staying busy next to all sorts of wonky synth work. 'Tomorrow's Made Of Breaks' is built on rigid funk and trippy synth bleeps and 'Zeus' shuts down with some retro-future vocoder vocals. This is a great return from a label we hope now pushes on.
G-Connection - "Free Your Spirit" (Spirit mix) (6:12)
Snare Dream - "LaLaLa" (Deep Ambient) (5:26)
TiEs - "Trying To" (5:59)
Review: Rebirth invites us to go back, way back, to the Italian underground techno scene of the 90s with this new selection of alternate versions, unheard gems and certified classics. Oneiric & Vortex open up with a tune that brings to mind the warmth of Motor City techno on 'Oasi' before GNMR layer up supersized hi hats and seriously weighty beatdown drums, Populous offers the loopy melodic delight of 'Barragan' and G-Connection heads into the cosmos with the dreamy ambient of 'Free Your Spirit', a perfect mood build if ever we heard one. Two further gorgeously blissed-out post-rave comedown sounds close out this gem of an EP.
Review: France has always had a distinct time take on deep house ever since the 90s and greats like DJ Gregory, Alan Braxe and co. It remains a fertile scene, too, with several new artists and labels always coming through and the latest is Capybara which kicks off with this fresh new various artists EP. Sasha Pervukhin opens up with 'Oh No!' which brings jacked up drums and frazzled pads. Amadeo Savio then brings some nice acid mutations on 'Faces' and Varhat kicks off the flip with 'Alright' which is a loose, rickety house cut with balmy pads. Salmanazar shuts down with a slinky and loopy offering in the form of 'Last Night.'
Review: The No Fuss label has been busy of late and is now dropping the many fruits of their labours with several EPs landing in quick succession. The 13th outing is a various artists affair that features two cuts from Saison on the A-side, though it's a Ross Couch remix of 'The Riff' that opens up. It's feelgood house with nice dancing piano chords and a Balearic feel while 'Feel This' brings more summery chords and dusty drum loops for some open-air dancing fun. Vertigini then offers the 90s-tinged 'Box Of Pandora' and Mo'Cream closes out with the already classic 'I'm Sure.'
Review: Two years ago, Italy's Balearic Gabba Soundsystem switched from remixing and re-editing their favourite cuts to curating compilation style EPs of similarly minded fare. They're in that mode again here, presenting a trio of cuts that combine the saucer-eyed warmth and loved-up musicality of Balearic music culture with grooves and rhythms firmly focused on the dancefloor. They begin by showcasing Wallace's sublime remix of Sewell & The Gong's 'Better Worlds', a locked-in, hypnotising fusion of semi-organic deep house grooves, new age melodic motifs and the dreamiest of ambient chords. Over on the flip they dip into slo-mo Italo-disco/acid house fusion via SIRS fine revision of My Friend Dario's 'Tell Aro', before treating us to a Pedro Bertho remix of Verdo's 'Belvourdier' in which sparkling Balearic house piano riffs, undulating acid lines and mid-80s "chorus" synth sounds rise above a fluctuating synthesiser bassline and hustling beats.
Bessa Simmons - "Sii Nana" (JKriv Fit rework) (7:11)
Vincenzo - "Love Accurate" (6:54)
Ilija Rudman - "Discoteka Parmida" (5:25)
Yasmin - "Real High" (4:59)
Arnau Obiols - "Pagan Mambo" (5:04)
Review: On this sampler EP for the Razor N Tape label's latest Family Affair compilation, the Brooklyn based imprint showcases previously unheard cuts from a mixture of new artists and long-established names. In the latter camp you'll find long-serving deep house don Vincenzo, who delivers the gorgeous, tactile and loved-up deliciousness of 'Love Accurate', and Croatian nu-disco don Ilya Rudman (the acid-heavy dancefloor squelch of 'Discoteka Parmida'). Elsewhere, Yasmin impresses with the neo-soul/nu-disco fusion warmth of 'Real High', Arnau Obiols slams down the Fela-influenced Afrobeat excellence of 'Pagan Mambo', and label co-founder J Kriv turns Bessa Simons 'Si Naana' into an Afro-tinged analogue house treat
Floyd Vader - "Smoke & Mirrors" (12' version) (8:59)
DJ Solid - "I Like To Kiss" (feat Sarah Lyons - Shukie & Never Warm Chills Remake) (8:52)
Mikekon - "It's Yours" (feat Novakane Omega - Mike Lost In The Rhythm Redub) (6:15)
Guerilla Science - "First Time" (Yes mix) (6:48)
Review: The first vinyl release to grace the freshly-decked halls of the newly minted Lost In The Rhythm label, the EP known by no name other than 'EP' is a promising debut sampler of a new curative effort and community-first initiative, helmed up by Rob Coley aka. RevolutionsLDN. With the express aim of blending the soulful, intestinal feelings of deep and Chicago house with its ancestral roots, the EP achieves a rawly hewn yet neatly knitted sound; one first laid down by Floyd Vader and DJ Solid on the A, the latter of whom especially dazzles with the saw-washed amapiano-ish melancholy of 'I Like To Kiss', whose machinic dunduns serve to taper off our inhibitions to a sunset vanishing point. The pace is lifted on the B-side's choice, Mikekon's 'It's Yours', which indulges a sparse Afro-driven palette, as we're treated to a suggestive, therapeutic monologue from vocalist Novakone Omega: "I'm giving you... *the*... license... to get you some... break you off some... take you some... come get it... it's here... it's waiting..."
Review: Samosa Records is back with a summer edition titled Afrikano Vol. 1, featuring four tracks from various artists. On the A-side, Vagabundo Club Social kick things off with the life-affirming boogie vibes of 'Mr. Mista', while by C. Da Afro & De Gama are equally uplifting on 'Sweet Dance' that's all about the beat and horn breakdowns.Over on the flip, Atchoum & Grincheux appear with the spiritual life music of 'Demokousse' remixed by Les Inferno who underpins the track with infectious breakbeats and finally Lego Edit provides goes poolside and sunset on the low slung 'Afromaniaco'.
Review: The Valley and the Mountain aka TVTM aka Josh Dahlberg makes a bold return with 'A Number of Northwests', an EP which tells the tale of an artist in transition. Quite literally, that is, as he moved from Detroit's westside to the very far edges of the Pacific Northwest. Musical this is a stylistically diverse offering with four cuts starting with the mid-tempo smooth grooves of 'Bretton Drive' and glistening synths and pads of the cosmically minded 'Grand River Slide'. The chugging 'Ramps to Nowhere' is a dubbed out afters classic and then the one and only dusty deep house don DJ Aakmael remixes it into another cuddly classic.
Review: Take Me For A Ride is the latest from Luuk Van Dijk on his own label Dark Side Of The Sun. The title track is a peak time tech house workout that is lively and energetic. Reminiscent of house at raves during the mid 90s, the combination of the vocals and rhythm makes this a fun track to listen to. The remix adds a New York house sound to it for a nice alternate version depending on how your set is trending. For the B-side, 'Doin' It' is a more mellow, dreamy and laid back affair while 'Sexy Motherf*cker' is a mid-set groover, all making for a versatile 12" that house music heads should get plenty of plays out of.
Review: Daniela La Luz is no stranger to Rawax's stable of labels - she's previously released on most of them at different points over the last decade- though Global Transformation marks the first time she's appeared on any of them as Vanilla. The Berlin-based artist sets her stall out with the raw, punchy and occasionally sparkling title track - all woozy keyboard riffs, weighty electro-meets-house beats, tipsy chords and heavy bass - before opting for a deep, druggy, acid-fired and percussively propulsive vibe on 'The Last Window of Time'. Elsewhere, 'Animal Queendom' sees her wrap echoing, dubbed-out and reverb-laden synth riffs around a tough and locked-in beat, while 'All Together' is built around the twin attractions of sturdy, slightly off-kilter machine drums and jazzy electric piano motifs.
Review: Chris Stussy is very much one of the contemporary scene's most prominent producers. He has emerged from the Dutch underground to take the global circuit by storm as a DJ but also a studio slickster who fuses tech, minimal, house and breaks. His own label deals in just that and here it offers up a trio of trippy and future facing dance floor delights from Varhat. 'Nobody' is a turbocharged tech cut with freewheeling cosmic melodies and 'Mopho' takes a more deep and breezy approach while 'Breaking Out' (Paolo Rocco remix) is balmy and deft minimal lushness.
Review: Released on Cinthie's 803 Crystal Grooves sub-label, Collective Cuts, Valerio Vaudano's latest offering is an exploration of house music's classic influences, filtered through a contemporary lens. Vaudano's commitment to a hardware-based production process, utilising a 90s sampler, lends a distinct warmth and texture to the four tracks.The title track, 'Lose My Mind', immediately grabs attention with its crisp, saturated drums and crunchy stabs. The track builds dynamically, layering choppy vocal hooks and bright strings to create a compelling dancefloor experience. It's a track designed to move bodies with an energy that's both infectious and sophisticated. 'Sunday Remedy' takes a different approach, incorporating bumpy breaks and a weighty kick drum. The track's core lies in its clever amalgamation of vocal samples, which intertwine seamlessly with gritty bass stabs and classic piano chords. It encapsulates the essence of house music, blending raw energy with melodic sophistication. On the flip side, 'Down The Street' delves into deeper territory. Airy chords and breathy vocal chants create an atmospheric backdrop, while bouncy bass stabs and a reduced rhythm section add raw intensity. It's a track that's both introspective and groove-driven, inviting listeners to lose themselves in its hypnotic rhythms. The EP concludes with 'Smooth As Butter', a clear nod to the Detroit house sound where shimmering keys, jazzy drums, and twinkling chime melodies create a lush and sophisticated sonic landscape. Low-pitched vocals add soulful depth, completing the track's near-five-minute journey. His skillful blending of 90s nostalgic melodies with Detroit, Chicago and Italo influences creates a sound that's both familiar and fresh - not to mention, highly playable.
Review: Southern Magic is a sub-label of Secret Society Chile, but there is nothing submissive about the sounds of this new various artists 12". Valerio Vaudano soundtracks the end of the party with a big house bouncer full of vamping chord energy and euphoric little vocal stabs that cannot fail to send people home happy. Luca Piermattei then welcomes you to the after party with scuffed up and frazzled deep house drums under mind melting synth modulations on 'Quilmes.' Flip it over for VICARI's fizzing but feel good tech house on 'Residual Bitterness' and Lootbeg's brilliantly futuristic 'Transitions,' which is alive with alien lifeforms and a crispy tech beat.
Review: Berlin's Yore Records lovingly reissue Andy Vaz's 2012 release 'Imaginary Beings', originally out on Chiwax. Elevated to the status of "the best authentic Chicago acid house (EP) heard in a very long time" by at least one sovereign tastemaker, we can attest to this assessment. At first, A-sider 'Minimal Acid' only barely teases its charm - its "Chi-style" snap-beats and naked acid line signaling only a minimal investment in the dance - but not long before a momentous vocal line broadens the mix's aural consciousness to shockingly simple but movingly efficacious effect. Then there's the mathematic movements of 'He Used To Be An Asian' and the shamelessly mindful mistral of 'Imaginary Beings', which sound like two sides of the same brain (one calculating, one quelling). Finally, 'Still On Time' returns to the well-planted root and scapular sways of Chicago house, its warping filter cutoffs and salubrious saws serving as only two of many possible glimpses of and over a Michigan lakeside rave.
Review: Long-time quality deep house operator Andy Vaz has a classically inclined sound that is infused with his own European perspective. Never has that been more obvious than with this EP on I'm In Love which assembled some of his best work. A Collection Of Trax Vol 1 is a limited 12" that opens with 'Only', a lively rhythm with jazzy chords and smooth vocal hooks, while 'Balances' strips it back to deep, warm, diffuse basement house. 'Deutz Motorcity (From The D)' channels the best of the Motor City with its balmy pad work and 'Little Acid' brings some raw 303 lines to a twisted house sound for the freaky after-hours.
Review: Andy Vaz shares a fresh Detroit-flavoured deep house EP, fenced through one of many production studio complexes lying in the heart of Cologne, Germany. With slurred streetwise vocals sounding spreadeagled over modal chords and bodying beatwork, this one hits different. A rarefied soul vibe emerges especially on 'The New Germans', which fleshes an immensity of feeling out of a simple kicks n' claps mix alone and 'Hometown CGN' does similarly with its trombone-esque lead parp and brain-fogged puff-around synths.
Review: The staff at Paris record shop Yoyaku have scored something of a coup for their curated YYK No Label imprint, snaffling a collaborative cut from French house stalwart Ben Vedren and legendary Chicago producer Chez Damier. In its original A-side form, 'Majestic' is bold and beautiful, with heady synth stabs, melodic motifs and electronic flourishes riding a driving deep house groove and Ron Trent style Latin percussion. Over on the flip, they opt for a darker and more marauding, tech-tinged vibe on the similarly outstanding 'Club Mix', before rounding things off with the colourful, immersive and more light touch 'Dub Feel Mix'.
Music Is My Life (Masters At Work remix dub) (4:44)
Review: Louie Vega continues to offer up fresh remixes of tracks from his epic 2023 album Expansions In The NYC. The latest cut to get the rework treatment is Unlimited Touch hook-up 'Music Is My Life', a joyous and gently soulful fusion of disco instrumentation and house nous. There are two mixes from Vega and long-time studio partner Kenny 'Dope' Gonzalez as Masters at Work: an A-side full-vocal remix that gently beefs up the house elements and adds some tasty Rhodes licks, and an EP-closing dub in which the storied duo reach for spacey synth sounds, rolling grooves and selected vocal snippets. To complete a strong package, British veteran Dave Lee doffs a cap to his popular 'Remixed with Love' series and re-imagines the track as a punchy disco-funk workout.
The Masters At Work (Keep It Comin' Now) (One take Tito mix) (5:08)
The Masters At Work (Keep It Comin' Now) (Masters At Work dub) (4:59)
The Masters At Work (Keep It Comin' Now) (bonus beats) (3:35)
The Masters At Work (Keep It Comin' Now) (The Kenlou mix) (5:38)
The Masters At Work (Keep It Comin' Now) (Eddie Mood dub) (6:33)
The Masters At Work (Keep It Comin' Now) (LP version) (4:21)
Review: Rather significant as old-school house releases go, the chain of influences behind Masters At Work’s ’The Masters At Work (Keep It Comin’ Now)’ is an elusive one. In 1991, Louie Vega and Marc Antony remixed new jack swing titan Keith Sweat’s own ‘Keep It Comin’, a timeless B3 side to round out Sweat’s original Elektra Records release. The track was a snowballer indeed, as it evolved into a standalone B-side in its own right, complementing the garage house classic release ‘Ride On The Rhythm’ on Atlantic Records. Now promoted once again to an A-side, we hear three new and exclusive mixes of thee original dub as well as two variations: Latinesque backing fills and programmable melodics twaddle away in the background of One Take Tito’s mix, while Kenlou and Eddie Mood bring twin yogic, myofibril relaxations to an already contracted sound.
Review: The "fool's paradise" is a classic device, espoused by many a luminary from Milton to Dante, referring to a special kind of metaphysical plane reserved for those too foolhardy to reflect on their lived misdeeds in any of the main three afterlives: heaven, hell or purgatory. It stands to reason, then, that a small band of nu-disco and house proponents should name their label after it, not least for the stupefying power of disco, and/or the sense of having evaded our sins when compelled to dance! A spin-off of Toolroom, head soundsmith Mark Knight gathers four guardian expiators to lead us into the vainest of all discotheques - Joey Vegas, Tenacious, Sgt. Slick, and Tommy Glasses - for a lulling set of automotive power-disco dreams, in which many a familiar sample from our fleshly lives - from the 70s and 80s, to be exact - filter in and out.
Review: Small Hours from the Berlin-based Brit Youandewan is a young and already cult label that does things well, if not fast. Yet here we get a second EP in quick succession with the sixth outing again offering up four vital names from the house and tech underground. Velvet Velour opens up with squelchy, funky bass on 'Show You The Door' before Liquid Earth melts the mind with impossibly bendy synths and stiff drums on 'Gummo Hardrive.' Flip this 12" over and you'll find some cosmic tech in the form of The Honda Boys's 'Funghi Pie' and gurgling, gritty, metallic deep space house from Dreaming Mind who offers up 'Mid-Bozz.' Top tackle for sure.
Review: Another Face launches with a fierce various artist affair here that showcases some of Italy's finest production talent. Luca Vera kicks off with 'Feel Better', a raw and texturally rich cut that brings angst and energy to the dancefloor. DJ Rocca explores a much more horizontal and heady house groove steeped in classic dreamy Italo melodies on 'Epsylon Club' then Rame's 'Bow Down' carries on with colourful synths bringing to mind a sunset dance by the Med. Luca Distefano shuts down with shuffling, dusty, jazzed-up deep house funk on 'Be Kind' to close out a diverse first EP.
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