Review: Acid Sessions Vol. 3 is another white-knuckle journey into the world of acid with five top talents in the field all pushing their own limits. Acidulant opens with "Serpentacid' featuring hypnotic 303 grooves and relentless energy, then Sarufaromeo & Papaverhof deliver 'Acid Nihonshu' which blends atmospheric depth with chaotic acid vibes. G303 takes you beyond with 'Live Long and Prosper,' an interstellar anthem filled with cosmic acid and resonant grooves. Paul Renard closes with 'SO36' which is all about the fat rhythms and powerful dancefloor drive. Long live acid is what we say.
Review: It's a sizzling seven up for Moiss Music here as they draw together four different artists to offer up one cut each for this new various artists collection. Boogietraxx goes heavy on the filter vibes on 'S N T' which is French touch disco-house of the highest order. Kellit's 'Pryscoks Sockin Socks' is all about sultry sax lines and loose-limbed disco house beats while C Da Afro gets heads up with the streaming sunshine synths of 'Don't Be Quiet.' Groovemasta shut down with the funky Afro-disco stylings of 'Gonna Make U Rock.'
B-STOCK: Sleeve damaged but otherwise in excellent condition
Philipp Boss - "Die Schone" (feat Gianluca) (6:52)
Gabriel Belabbas - "Dance With The Speaker" (6:57)
Muelsa - "The Future Is A Trap" (5:36)
Nico Lampariello - "Antes De Tiempo" (7:16)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
The second release on 3 Mats features a cast of emergent artists dealing in the vibrant seam where electro synthesis and techno focus collide. If you rate labels like Partisan and EYA you'll be into this record, without a doubt. Frankfurt producer Philipp Boss opens up the record with 'Die Schone', a collaboration with Gianluca, while Gabriel Belabbas creates a rolling warm-up delight of electro breaks with an iconic sample on 'Dance With The Speaker'. Muelsa's 'The Future Is A Trap' is a raw, boxy machine workout and Nico Lampariello finishes the record off with an acid laced workout for the darker side of the dance.
Review: Big Strick's 7 Days Entertainment welcomes the boss man's own off-spring Butterbandz and Generation Next to the label and both serve up a fresh pair of cuts. Butterbandz opens up with 'Perfect Numb' which is a deep Detroit house jam with signature dusty drums and menacing basslines. 'Rain Man' lifts its head with broad chord work swirling around a more suspensory house cut with steely tech drums. The same lovable lo-fi aesthetic defines the flip with Next's 'Roxbury' layering up piano chords and lush pads over crispy drums and 'Whatever Major Loser' then closes out in raw, punchy fashion. Acid lines and simple but effective chords take centre stage as the pulsing bass never lets up. Pure Motor City goodness all around.
Review: Massive jazzdance and UK bass fusions on the new e-glowup from Eglo (though the record is also released physically). Celebrating 15 years of the nominal "post-dubstep" label, this limited 12" EP hears four exclusive, unreleased tracks from an upcoming label-definer compilation, the third in a series. Born from the basement of Plastic People, the pressure has remained continuously on Eglo to keep the same foment of bass musical innovation that the club nurtured alive. Plastic People is a routinised object of nostalgia, and it is often deemed the last proper place for innovation in bass music before austerity Britain militated against it. Zed Bias's remix of Chunky's 'Dancing On Tables' with Metrodome - and the deep, bruk-inspired track, 'Minerals,' from Liverpool's rising star Sticky Dub - both prove this assessment totally wrong. Genius thrives. On the flip, we've also house legend Giles Smith (formerly of Secretsundaze) delivering fresh material, as well as label boss Alexander Nut making his official debut with the lo-fi electro house track 'Arcade Fun Pt. 1.' The full compilation, featuring artists like Shy One, Steve Spacek, and Fatima, drops in April.
Review: This latest is a reissue of a Congress Productions EP featuring their seminal 'Neptune'. The much-sampled early 80s jazz-funk classic comes in original form next to two unreleased cuts. The first is a rare boogie cut 'Live It Up' that has been extended for more dancefloor heft having first been dropped under the D'aile' alias as a B-side. Then comes 'Kevin's Funk' which is named in reference to Incognito trumpet player Kevin Robinson, who played as part of a Congress-associated line-up for this session.
Review: The always naughty Sneaker Social Club label taps up D3U5E for this fresh bass fiver tracker. It's a celebration of the UK's rich heritage of electronic music with the plunging bass and massive thwacking hits of 'Quasar' kicking off. There are dusty jungle breaks to 'Dust Particle', twisted dubstep contortions on 'HAL9000' and fizzing broken beats with a real urban menace on 'Deckman.' Closer 'The Abyss' is a collab with Gav that rides a more zoned-out and atmospheric groove and completes a varied and vital EP once more from this crucial underground label.
Chez Damier - "Speechless" (Chez Damier Panorama Bar remix) (5:04)
Makez - "Rocket Music" (5:15)
Alkalino - "Rio" (Alkalino rework) (5:30)
Gledd - "Sere Yo" (5:31)
Review: Adeen Records returns with a superb EP that blends a classic with three new and fresh unreleased tracks. Deep house don Chez Damier's Panorama Bar Remix kicks off and is a a 2021 standout with a killer baseline and Spanish guitar that brings some sunny soul and makes for some top level house grooves. Makez then shines with 'Rocket Music' which has a chunky low end and glistening, golden piano chords making it a late night favourite. On the B-side, Adeen regular Alkalino delivers a tropical-infused edit for the peak time and Gledd closes with a classy cut 'Sere Yo' that is all about the drums. Lovely stuff.
DJ Shufflemaster & Go Hiyama - "Salasa Geometric" (5:20)
Bartig Move - "Asistencia" (5:12)
Tensal - "Esbar" (6:54)
Aocram - "Dreams In NYC" (6:41)
Review: Mord has put together a bumper collection of 17 searing techno cuts as part of its Herdersmat compilation but is also seeing up four at a time on individual 12"s. There is no messing with Part 41 which opens with DJ Shufflemaster & Go Hiyama's ear-splitting, brain frazzling 'Salasa Geometric'. Bartig Move opts for a much more minimal and roomy sound on the rolling 'Asistencia' then Tensal picks up the pace once more with the rusty loops and broken beats of 'Esbar'. Aocram's 'Dreams In NYC' is a swamp, depraved closer for late night mischief.
Review: For the sixth edition of Sleazy McQueen's limited run on Whiskey Disco, you can bet that he's gonna serve up some serious disco deviance - and he sure as hell doesn't disappoint! First up on the A side, come and dance (a little bit closer!) with Tromso's Doc L. Junior on the very familiar hooks of "Closer", GOD (Grumpy Old DJs) from Colombia deliver some sexy late night mood lighting on "Chicha D'Humo" and newcomer Just Baker plays it well rolled (low slung!) on the irresistibly groovy "You Make Me Feel So Fine".
Review: Zodiak Commune Records kicks off a new series dedicated to cutting-edge electro with The Electro Guide 1 featuring four artist at the top of their game. Dust Devices opens proceedings with 'Strain & Reason' which is built on searing acid lines and kinetic drum programming, all with a turbulent cosmic bent. Norwell's 'Clang' los down a little so the manic acid has room to shine and Human Behind Pluto then comes through with the occult pairing of mysterious flirting keys and kicking electro drums on 'Talisman.' G303's 'Riverbank Telescopes' closes with a barrage of breakbeats and prickly 303 madness.
Review: It's coming home, it's coming home - house music is coming home! A second instalment of the Groove Access: series Chicago Is Home offers us five fresh tracks from the windy city landing in a glorious cavalcade of razor edged snares and hypnotic jack house. Ed Nine & Kid Enigma's 'Bandleaders' opens side one in spectacular fashion with spoken mantras lying deep in the mix, distinctive phasing arpeggios, poking keyboard riffs and ringing cymbals. JSquare's 'Get Wicked' kicks with even more power, tribal rhythms bouncing of bleepy melodies, before 'Move' by Geto Mark rounds off the side with the strutting, beautifully brutal 'Move', a proper 3AM peak time pleaser. Steve Noah's 'The Hater' opens side two, a wily acid line worming its way across a raw, stripped down backing before exploding into serious gnarliness when you least expect it. AFTR's 'Undercover' rounds things off with another knuckle duster of a tune, leaving no doubt that Chicago is still the place to be when it comes to house.
Review: Acid Machines Vol 1 by G303 is the latest release by the long time Dutch label Zodiak Commune and these four tracks, combined, add up to one heck of a wicked acid techno record. 'Acid Dropping' is a crushing piece of acid trance. 'Power Corrupts' is a breakneck speed techno killer - you've got to love the classic Belgium sounding doom to it, it takes us right back to 1992. ' Beelzebub Rising' is a nasty breakbeat heater that is sure to pound down some doors when played loudly. The Squarepusher like 'Walk On By' adds a nice comedown IDM touch to the close of this vinyl. This release includes a poster and is limited to 200 copies only.
Review: Stingray's Micron Audio carries the clout of its CEO, meaning you know you're going to get only the most uncompromising updates on the electro template. Galaxian is exactly the kind of artist you want to tap up for such duties, and he's sounding on fierce form letting the metallic tones ping around 'Overshoot' with glee. Loka has a captivating, jacking sound which somehow also manages to be supremely deep cover despite its fierce beat. CTRLS, who have enjoyed previous outings on Micron, bring a dense and knotty kind of machine funk to 'Transfer', and 6siss brings a dense maelstrom of synthetic energy to bear on 'React'.
Review: Gilmer Galibard has made waves on labels like Lobster Theramin via the sub-label Mork and now steps out with his own new self titled label. 'Novaturient' (Rainforest Spiritual dub) is a deep and hypnotic dub roller with squidgy bass and rubbery drums. It's perfect for those zoned out 5am slots lost in the moment. On the flip is something just as heady, with more alien sound effects panning across the groove, ambient pads drifting up top and the slippery bass forming puddles down below. A truly meditative EP for sure.
Review: It has been a while now since Gilmer Galibard minted his own self-titled label - back in June 2020 was the debut release in fact. Thankfully the man who has also dropped heat on the likes of Lobster Theramin via the sub-label Mork is now back with a trio of quite different but equally effective cuts. 'Anam Cara' is all sludgy sounds, muffled rhythms and distant suggestive darkness, while 'Henko' (Tapasya mix) is a bright, trippy and progressive techno tunnel that leads you into the next dimension. 'Henko' (Ethereal Reshape) then takes a more dark, hypnotic approach and is full of unsettling synth mystery.
Review: Daniel Stefanik and Andre Galluzzi team up for four new, lost-highwayed night-drives in techno form. Debuting for Gregor Tresher's Frankfurt label Break New Soil, the likes of 'Passages' and 'Don't Panic' lay down both fertile techno grounds and noxious synthetic fogs, adding up to a compellingly bleak picture of the many motorways that encircle the German city. 'Out Of The Past' and its remix from Pan-Pot are its highlights; these are two uplifting tech-trance versions that satisfy the moods of both ill-advised partying and ring-road hurtling.
Review: Jagged textures, ghostly tones and frenetic notes are omnipresent on "Filterealism", a highly experimental 9-track odyssey of warbling, jittering, metallic sounds that's quite possibly going to be like nothing you've heard before. Or at least that's the case on "Aluminium Dub", where tribalism meets futurism, or "Kosmaj", which could be read as an exercise in spatial awareness - a series of echoed synth stabs and whirring sounds where gaps say as much as the keys. Elsewhere things are less mind-bending, although only slightly. "All This Is Not A Dream", for example, might be an experiment designed to see what happens when freeform jazz meets feint touches of jungle percussion. "Continental Outcome" chugs without dropping a real beat, "Photon Garden" treads close to a prototype of electro while remaining staunchly eccentric.
Review: Few labels in techno are as consistent as Planet Rhythm. This latest 12" comes on flame red vinyl and Federico Gandin is the man stoking the fires. There is no messing about here as 'The Storm' soon takes off on classically inclined loopy minimal techno grooves with urgent calls and synth pulses. 'Les Intrepides' then pairs a bendy, elastic baseline with scuttling sound FX and tunnelling beats. 'The Hideout' is more glitchy with broken loops and underlapping drums carrying you away while 'The Arrival' actually marks the end in serene, deeply cosmic techno style.
Review: Danny Krivit's fine re-edit of Gary's Gang classic "Let's Lovedance Tonight" first surfaced on Nervous Records back in 2007, and has been something of an in-demand item with disco DJs ever since. This, then, is a more than welcome reissue. The genius of Krivit's scalpel job is that it merely emphasizes the sections of the original that dancefloors want to hear; specifically, the acoustic guitar and organ-heavy groove, killer drum breaks and winding saxophone lines. It's simple but devilishly effective. For those seeking the full vocal experience, the original 1979 12" version is included on the flip.
Review: You probably weren't expecting the return of Gary's Gang, but the much-loved disco group are back after a prolonged absence with a new single. Produced by Eric Matthew (aka Joe Tucci), the OG co-founder of the band alongside Gary Turnier, this is a legitimate contemporary update on the Gary's Gang sound. 'Make It Or Break It' is bright and cheery, led by sweet vocals and with a crossover instinct which carried the band to such success in their late 70s heyday. For those who just want the groove, the 'Dub Mix' on the flip should give you plenty to work with, while the 'Nu Disco Mix' gives everything a nip and tuck for the more minimally-minded modern dancefloor.
Review: Gaucho dropped his still classic 'Dance Forever' back in 1983 and this reissue has specially mastered the whole thing ready for deployment on modern dancefloors. It first arrives in its original format and has raw and dusty drum machine energy overlaid with insistent percussion and splashy hits that all build towards the release of some majestic Italo arps. The Club Version is a little more direct and then last of all comes 'Dance Forever' (Musta & Stefano Ritteri remix) which extends the breaks and allows the sci-fi synth work extra room to work its charms.
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