New releases last two weeks: Psych/Garage Rock

Review: Originally released at the turn of the new millennium, America's Volume Dealer marked the sixth full-length from North Carolina sludging southern metal legends Corrosion Of Conformity, and would be the last to feature longtime drummer Reed Mullin before his return a decade later in 2010. Noted for being the band's most accessible or "radio-friendly" project due to the more polished production and increased reliance on melody, there's no denying that while the dank stoner-heft grooves of old are largely absent, the more alternative rock-leaning approach to their signature brand of metallic, southern blues, in hindsight, was a remarkable breath of fresh air within their back catalogue.

Review: Message From The Country marks a pivotal moment for The Move in 1971, signaling changes on the horizon. The album showcases the band pushing their sound to its limits, incorporating intricate harmonies, lush arrangements, and Beatles-esque influences. Led by Jeff Lynne's songwriting and arranging, the record exhibits a charmingly ornate yet accessible blend of rock and pop-psych elements. Despite facing challenges as a reduced trio and shifting away from live performances, the Move delivered their most complex and cohesive album. From the post-psychedelic title track to the driving energy of 'Ella James' and the airy pop-psychedelia of 'No Time,' each song contributes to a unified and powerful listening experience. Message From The Country holds its own against the White Album with its blend of musical innovation and accessibility. While it may have been overshadowed by the emergence of Electric Light Orchestra, the album remains essential for fans of the Move, ELO, and Roy Wood alike.