Back in stock: Studio Equipment

Notes: Easily connect your modular system to the rest of your setup with Out, a compact 2HP stereo line output and headphone module. Despite its small size, it includes everything you need for clear, convenient listening.

The top section features stereo modular-level inputs with LED indicators for quick level monitoring. From there, the signal is routed to both a stereo line output and a dedicated headphone jack, each with independent volume control. Whether you're sending your modular through external effects, recording into an interface, or just monitoring with headphones, Out keeps things simple and efficient.

Notes: Presenting the new AJHSynth Matrix VCF - this may well be the most versatile Eurorack VCF ever.

This amazing multimode filter and VCA offers sixteen different filter types, and two different resonance models on each, totalling an incredible thirty two assorted resonant filters to choose from. AJH Synth have also included manual and CV control of filter type selection, along with 16 LED's that give a clear visual indication of which filter type is currently selected.

The filter core circuitry is based on that of the rare and highly sought after Oberheim Matrix 12 synthesiser, and of course has an all analogue signal path. The Matrix 12 VCF originally offered fifteen filter types, however AJH Synth have expanded this to 16 with the addition of AP4, a full four pole all pass phaser mode.

AJH Synth have added a unique P-Vox resonance distortion and overdrive circuit that changes the character of the resonance completely, and can force all of the filter modes into self oscillation. This effectively doubles the filter variants and hugely broadens what is already a very impressive sound pallet.

Other features include an inbuilt VCA with Input and Output Level controls, a Peak level LED, CV control of resonance, and of course the legendary AJHSynth build quality.

The Matrix VCF in depth

After two years of development AJH Synth have finally released what they consider to be the most versatile Eurorack VCF & VCA ever. Like many other AJHSynth modules it uses the very best vintage analogue circuitry as the starting point for the design, and in this case, the filter was chosen from the rare and very desirable Oberheim Matrix 12 synthesiser. AJH Synth expanded this from the original fifteen filter compliment to sixteen distinct filter types by adding in a really useful four pole phaser!

So, behind the compact 14hp front panel lies sixteen distinct filter types, including all of the favourites: Low Pass filters with a choice of one, two, three or four poles, Band Pass filtering with two or four poles, High Pass filtering with one, two or three pole options, along with Notch filtering and four complex, combination filter types. Finally, a four stage phaser with two types of emphasis that can be forced into tuneful self-oscillation!

However, this is far from the end of the story. AJH Synth decided to use their design expertise to add in some crazy resonance distortion circuitry, that could be switched on from the front panel. This was inspired by the filter from the Soviet Polivoks synthesiser, but again the implementation used here is considerably changed, improved, and best of all this can be applied to all filter types! This completely changes the filter character when engaged, and it forces all of the filters into self-oscillation at higher resonance settings. Better still, the oscillation waveforms are more harmonically rich than the usual sine waves - everything from gloriously fat to screaming and angry! Best of all, this takes the number of different filters up to a massive thirty two variations!

AJH Synth put a lot of thought into the ergonomics and how to select the individual filter type. Filter type can be changed either with the front panel Mode knob, or by using a control voltage patched to the MODE CV input. The selected filter mode is displayed by the LED next to the filter in use. This is also very helpful when using a step sequencer to change filter mode as it gives a real time display of the filter chosen as you take the step CV voltage up or down, while setting up each individual step.

Lastly, AJH Synth have also included a VCA hard-wired to the output - simply patch an envelope or an LFO to the VCA input, connect a VCO to the audio input and you have a synth voice (with a choice from 32 different filters!) using only three modules!

Thirty two Eurorack VCF's and a VCA would most certainly take up a lot of rack space - AJH Synth have got all of this into 14hp and managed to have a really finger-friendly user interface, without it feeling cramped.


Sixteen distinct filter modes to choose from

Here's a list of the different filter modes that are available:
1 - Four Pole Band Pass
2 - Three Pole High Pass combined with One Pole Low Pass
3 - Three Pole All Pass combined with One Pole Low Pass
4 - Two Pole Notch combined with One Pole Low Pass
5 - Two Pole Low Pass
6 - Four Pole All Pass (Phaser)
7 - Four Pole Low Pass
8 - Two Pole Band Pass
9 - Two Pole High Pass combined with One Pole Low Pass
10 - Three Pole High Pass
11 - Three Pole All Pass
12 - Two Pole Notch
13 - One Pole Low Pass
14 - Two Pole High Pass
15 - Three Pole Low Pass
16 - One Pole High Pass

All of the above filter types can be further altered by switching in P-Vox mode, this doubles the list up to thirty two different filter variants!

P-VOX MODE

Transforming the resonant character of every filter type

This magical switch completely transforms the resonance of the filter core by overdriving it in a similar fashion to the filter from the Soviet Polivoks synthesiser, which was renowned for it's powerful, aggressive character.
In common with the Oberheim Matrix 12 VCF, some of the sixteen filter types will not normally go into self-oscillation, however when you switch on P-Vox mode all sixteen filter types can be forced into self-oscillation at higher resonance settings. But that isn't the only change, the self-oscillation waveform is not the usual sine waveform, it is a rather more interesting and harmonically rich waveform that varies according to the filter type chosen - generally Low Pass modes produce the nearest to regular sine waves, whereas other filter types can produce very much more complex waveforms as can be seen in the diagrams below. It does not require any audio input for this, it can be a stand alone oscillator. Most of the filter types will track 1V/Oct reasonably well over a three to five octave range, so it can be used as a VCO with a few interesting waveshapes!

Of course, P-Vox mode isn't just useful for self-oscillation, it adds lots of character to any audio signal as P-Vox resonance is switched in.

Module Width: 14hp
Module Depth: 29mm (Including power lead)
Current Usage: 56mA Positive, 36mA Negative

Notes: ***B-STOCK: Box opened, product in perfect working order***


'Beast's Chalkboard' is dual channel stepped voltage source and adder for your eurorack modular synthesizer system. It primarily is intended as a dual octave switcher for VCO's but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.

Technical Specifications:

Supply: +/-12V (Reverse voltage & polyfuse protection)
Current Draw: ~30ma
Size: 6 HP
Depth: 22mm (including power header)
Offset Error: +/- 10mV

Notes: ***B-STOCK: Box opened, product in perfect working order***


'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.

Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.

Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!

Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Chroma version of Arturia's flagship KeyStep Pro, a brilliantly versatile sequencer and controller keyboard capable of controlling MIDI synths, drum machines and analogue gear via CV.

Supplier's Notes:
KeyStep Pro Chroma

Sequencing mastermind recoloured

KeyStep Pro Chroma is a special-edition version of the unparalleled 4-track sequencer & keyboard, embellished with a sleek dark grey finish, great-feeling knob caps and customizable track colours. The same all-in-one power, with more edge.

The future is sequenced

Rediscover the controller keyboard that changed the sequencing game, upgraded with a futuristic exterior and supercharged with unique creative functionality.

Chroma aesthetic

Retrofit your musical setup with sleek cyberpunk attitude. KeyStep Pro Chroma features a dark grey casing, vivid blue LEDs, and striking knob caps.

Customize your flow

Exclusive to KeyStep Pro Chroma, you can customize the LED colours for each of your tracks - so every project and composition looks as unique as it sounds.

The must-have sequencer

KeyStep Pro remains the benchmark for hardware & software sequencing and creative performance alike. Chroma is no exception: your sequencing mastermind

Abundant connectivity

From Eurorack modules, to analogue synths and VST's, synchronize all your gear and unleash your creativity in style.

Enterdark mode

Fusing utility with aesthetics, creativity with beauty, and sleek design with vivid colour, KeyStep Pro Chroma delivers next-level performance with pure style.

Exterior

A dark grey shell simultaneously gives this controller space station futurism and classic car attitude.

Lights

Icy blue LEDs illuminate Chroma's metal exterior, while customizable track colours inject perfectly-contrasting vibrancy.

Controls

Complementing the cool grey shell and vivid LEDs, Chroma's controls feature premium, great-feeling stylish caps.

Control hardware, software & DAW at the same time

Looking for the best modular sequencer?

How about a MIDI controller for Ableton? Or a live performance keyboard that can sync all of your favourite synths to a DAW click track? KeyStep Pro's extensive list of controls, connections, and creative functions are designed to tick every box - let's take a closer look:

The ultimate multi-function controller

Command complex hardware setups, entire DAW setlists, modular racks, and more - all with a user-friendly workflow that prioritizes creativity.

KeyStep Pro remains unique and unmatched in its balance of performance-oriented playability, massive connectivity, and creative depth.

Main Features

Unique dark grey design with blue LEDs and stylish knob caps

Customizable track colours

37 note slim keys, velocity and aftertouch sensitive
LED above each key for efficient visual feedback

Four track step sequencer
16 step buttons, up to 64 steps per sequence
Up to 16 notes of polyphony per step

Melodic sequencer
Real-Time recording, step recording, step editing
Pitch, velocity, gate length, time shift and probability for each note
Scale quantization with user scales
Polyphonic CV outputs

Drum sequencer

24 part drum sequencer
Polyrhythm

Performance-oriented sequencer
Forward and two random playing modes
Pattern randomization
Quantized or unquantized recording
Looper

Arpeggiator

7 arpeggiator modes, 5 octave range

What's in the box

Box content

KeyStep Pro unit
Registration card
Quick Start
USB cable
Power supply

Dimensions
Size : 23.2 x 8.2 x 1.5 inches (589 x 208 x 38mm)
Weight : 5.9 lbs. (2.7 Kg)

Notes: ***B-STOCK: Box opened, product in perfect working order***


Solid experimentalism at an excellent price, the vocoder-equipped version of Arturia's hybrid MicroFreak offers 14 digital oscillator options, analogue filters and 16 vocoder modes, plus a uniquely expressive polyphonic touch keyboard.

Supplier's Notes:
The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

The Vocoder engine

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Tim-bre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing.

Step up to the mic

A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings.

A new dress code

First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already.

The Freak within

Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Included Software: MIDI Control Center

Notes: A smaller, more affordable version of the excellent Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's Notes:
The ASM Hydrasynth Explorer takes the now legendary Hydrasynth into new territories. The Hydrasynth Explorer offers the same 8-voice sound engine as the Hydrasynth Keyboard and Desktop, but in a compact and portable battery powered form factor. The 37-note mid-sized PolyTouchr keybed features polyphonic aftertouch, offering great playability and expression but in a reduced footprint. The extremely deep yet easy to use sound engine features the famous WaveScan oscillators, Mutator waveshaping, flexible dual Filter section, 32-slot modulation matrix, and dual Insert and dual Master effects allowing a lifetime of sonic explorations. The CV/GATE outputs provides for easy integration with equipment such as modular synthesizers and the USB MIDI and full-sized MIDI DIN connectors takes care of standard connectivity without the need for special cables. The ASM Hydrasynth Explorer can also be powered by 8xAA batteries for true on-the-go mobile operation. Simply put, this is one very powerful compact-sized synthesizer and controller all-in-one for the modern musician.

Tech Specs

Type: Polyphonic Wave Morphing Synthesizer
Sound Engine Type(s): Wavescan
Analog/Digital: Digital
Number of Keys: 37 mid-sized keys
Type of Keys:ASM POLYTOUCH Polyphonic Aftertouch Keyboard, On/Off Velocity-sensitive
Other Controllers: Pitch Bend, Mod Wheel
Polyphony: 8 voices
Number of Presets: 640
Oscillators: 3 x Wavescan oscillators (219 Waveforms), 4 x Mutator wave shapers (8 Types), Noise (7 Types)
Mutators: 8 Types (FM-Lin, WaveStack, PW-Orig, PW-Squeeze, PW-ASM, Harmonic Sweep, Hard Sync, PhazDiff)
Noise: 7 Types (White, Pink, Brown, Red, Blue, Violet, Grey)
LFO: 5 per Voice (Sine, Triangle, Saw Up, Saw Down, Square, Pulse27%, Pulse13%, S&H, Noise, Random, Step), Tempo syncable, Semitone Lock
Envelopes: 5 per voice, Tempo syncable, Variable trigger sources
Filter Types: 1 Multimode Filter (16 types) and 1 Variable LP-BP/Notch-HP filter, series or parallel routing
Filters: Filter 1 (LP Ldr12, LP Ldr24, LP Fat12, LP Fat24, LP Gate, LP MS20, HP MS20, LP 3-Ler, BP 3-Ler, HP 3-Ler, LP Stn12, BP Stn12, HP Stn12, LP 1 Pole, LP 8 Pole, Vowel), Filter 2 (LP-BP-HP, LP-Notch-HP)
Effects: 9 Insert Effects, 5 Delays, 4 Reverbs.
Effects Types: Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor, Distortion, Delay, Reverb
Arpeggiator: 8 types (Up, Down, Up&Down, Up/Down, Order, Random, Chord, Phrase)
Other: Mod Matrix (32 slots), Macro Controllers (8), Favorites (32), Randomizer (Patch and Module), MPE Compatibility, Warm Mode, Microtuning
Audio Outputs: 2 x 1/4" Balanced (L/Mono, R)
Headphones: 1 x 1/4"
USB: 1 x Type B
MIDI I/O: In/Out
Pedal Inputs: 1 x 1/4" (sustain)
Other Outputs: 5 x 1/8" Outputs (CV, Gate, Mod1, Mod2, Clock)
Power Supply: 12V DC switchable power supply
Height: 2.28" / 5.8cm
Width: 21.81" / 55.4cm
Depth: 9.72" / 24.7cm
Weight: 7.63lbs / 3.46kg
MPN: HSMK

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


In collaboration with 4ms Befaco have designed this custom pod to achieve the perfect match of your Oneiroi with your desktop synthesizers, effects pedals, modular synthesizer or any kind of music gear.

A small and portable modular system to exploit the full potential of Oneiroi.

Notes: Enjoy high-speed MIDI data transmission without latency thanks to the ultra-thin, high-performance plug design. The right angled plugs fit seamlessly into tight spaces and is easy to connect with convenient protrusions.

Seamlessly connect your MIDI devices - keyboards, synthesizers, controllers and guitar pedals - using TRS 3.5mm (1/8") Type A and 5-pin DIN MIDI In, Out & Thru ports, following the MIDI Association standard.

Nickel-plated connectors and oxygen-free copper core endure frequent plugging and unplugging. Integrated shielding prevents interference, ensuring error-free MIDI data transfer of all your MIDI messages.

Notes: Enjoy high-speed MIDI data transmission without latency thanks to the ultra-thin, high-performance plug design. The right angled plugs fit seamlessly into tight spaces and is easy to connect with convenient protrusions.

Seamlessly connect your MIDI devices - keyboards, synthesizers, controllers, guitar pedals - using TRS 3.5mm (1/8") Type A and 5-pin DIN MIDI In, Out & Thru ports, following the MIDI Association standard.

Nickel-plated connectors and oxygen-free copper core endure frequent plugging and unplugging. Integrated shielding prevents interference, ensuring error-free MIDI data transfer of all your MIDI messages.

Notes: Enjoy high-speed MIDI data transmission without latency thanks to the ultra-thin, high-performance plug design. The right angled plugs fit seamlessly into tight spaces and is easy to connect with convenient protrusions.

Seamlessly connect your MIDI devices - keyboards, synthesizers, controllers, guitar pedals - using TRS 3.5mm (1/8") Type A and 5-pin DIN MIDI In, Out & Thru ports, following the MIDI Association standard.

Nickel-plated connectors and oxygen-free copper core endure frequent plugging and unplugging. Integrated shielding prevents interference, ensuring error-free MIDI data transfer of all your MIDI messages.

Notes: Ultra-thin and high performance plug design allows you to enjoy high-speed MIDI data transmission without delay. Mirrored 45 degree angle output fits seamlessly into tight spaces and conveniently connects to the nibs.

Seamlessly connect MIDI devices (keyboard, synthesizer, controller, guitar pedal) using 5-pin DIN MIDI input, output and through port according to the standard of MIDI association.

Nickel-plated connectors and oxygen-free copper core withstand frequent plugging and unplugging. Built-in shielding prevents interference and ensures error-free MIDI data transfer for all MIDI messages.

Notes: 4-pack of low-profile 5-pin DIN MIDI cables, male-male, 3 ft/90cm

Notes: Experience the perfect balance of power and form with the H2MIDI Pro.

Advanced features, engineered for excellence, designed for your workflow.

Seamlessly connect USB MIDI keyboards, controllers, and devices to traditional MIDI hardware without the need for a computer. Compatible with USB class-compliant MIDI instruments, including digital pianos, drum machines, portable keyboards, guitar pedals, EWIs, synthesizers, and more.

Accommodate up to 8 USB MIDI devices via an optional USB hub, providing flexibility for complex setups.

Enjoy bidirectional MIDI communication via 5-pin DIN MIDI ports, perfect for interfacing with MIDI hardware.

Easily connect to your computer via USB-C, offering 2 inputs and 2 outputs of virtual MIDI ports.

Compatible with leading operating systems, including MacOS, Windows, iOS, Android, Linux, and ChromeOS.

Master your MIDI setup with precision using the HxMIDI Tools software, available for macOS, Windows, Android, and iOS. Customize routing, apply intelligent MIDI filtering, and perform robust message remapping effortlessly.

Notes: This is the world's smartest MIDI-to-USB cable compatible with all major operating systems via USB. Easily configure MIDI split/thru, merge and filter out any MIDI message via the free UxMIDI Tools software (Win/Mac).

USB-A with up to 1-in-1-out, compatible with all major operating systems
5-pin DIN MIDI with 1-in-1-out MIDI I/O compatible with most MIDI hardware
Advanced router, filter and mapper options via free UxMIDI Tools software with 2 MIDI assignable presets

Notes: Super affordable but fun analogue synth, the LORE does two-oscillator FM synthesis to create experimental tones, drones and textures. Power via USB-C, output over 3.5mm jack socket.

Supplier's notes:
Lore takes two of the lush all-analogue oscillators from OVUM, and adds frequency modulation to unlock a wild new range of sounds. It's designed for exploring tones, drones, and frequency modulated textures. Each voice is made of an independently controlled triangle-core oscillators, with separate control for volume, pitch, and can be crossfaded between a bright square wave and a crisp triangle wave.

Lore is frequency modulation. The left oscillator can be sent to the audio output, where it will create harmony or dissonance with the right oscillator, or it can be switched to modulate the frequency of the right oscillator. This is a simplified and analog version of the kind of FM synthesis you'll find in digital synthesizers like the DX7 and it's descendants. It's hand-built from 100% analog circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

Lore is enclosed in a sturdy transparent-green petroleum-free bioplastic case. It has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default Lore comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. Lore is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: Versatile Sinevibes software power in Eurorack form, the Radiant offers six powerful algorithms: dub delay, pole phaser, chord wrapper, feedback shifter, distortion and re-trigger. Filter, morph between presets and add optional reverb to all algorithms.

Supplier's Notes:
The Radiant, developed in collaboration with Sinevibes, is a powerful and highly creative multi-effect processor designed to bring unique and dynamic sound-shaping capabilities to modular synthesis setups.

Multi-Effect Processor with Six Selectable Core Algorithms

Radiant offers a versatile collection of six distinct core algorithms, designed to be both familiar and experimental:

Dub Delay

Pole Phaser

Chord Wrapper

Feedback Shifter

Distortion

Re-Trigger

These algorithms contribute to a wide range of sonic possibilitiesifrom ambient soundscapes and subtle modulations to complex, evolving textures and otherworldly effects.

Morphing Between Presets

One of Radiant's standout features is its ability to morph between presets. This allows for seamless transitions between different effect states, creating evolving and dynamic sounds. The morphing feature makes it ideal for live performances, as users can shift smoothly between various sonic textures.

Three-Band Filter

Radiant includes an onboard three-band filter that lets users shape their sound by adjusting the low, mid, and high frequencies. This is particularly useful for fine-tuning the effects or isolating specific frequency ranges for more controlled sound sculpting.

Reverb and Sound Reverse

In addition to the core algorithms, Radiant provides a built-in reverb, adding space and depth to the sound. The sound reverse function allows for experimental sound manipulation by reversing the audio signal, creating eerie, backward effects that can be synced to the external clock.

Preset System and Save Function

Radiant features a straightforward preset system that allows users to save and recall different effect configurations across 3 available slots. These presets can be morphed in real-time, offering expanded creative possibilities.

User-Friendly Interface

Despite its complex capabilities, Radiant is designed with a simple and intuitive user interface. The module offers easy-to-use controls, allowing for quick adjustments and real-time tweaking of effects. This makes it accessible for both experienced modular users and those new to modular synthesis, providing a powerful yet approachable tool for creative sound design.

Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.

Notes: ***B-STOCK: Slight surface marks ***


Module A-192-2 contains two independent CV/Gate-to-Midi/USB interfaces. For each of the two sub-units these inputs are available:

- Gate Input (min. +5V)
- CVN Input (defines the Midi note number), 1V/octave standard, range 0...+10V (i.e. 10 octaves)
- CVV Input (defines the velocity value assigned to the Midi note message), can be used alternatively for Midi volume (CC#7), range 0...+5V
- CVC Input (free assignable to any Midi control change number), range 0...+5V

For both sub-units a common CV Transpose input is available (1V/octave, range 0...+10V). The voltage applied to this input is added internally to CVN before the Midi note number is generated. It can be used e.g. to transpose two sequences simultaneously by one voltage.

How it works:

Whenever the rising edge of the Gate input is recognized a Midi note on message is generated. The note number corresponds to the sum of the voltages applied to the CVN input and the common CV Transpose Input that is present at the rising edge of the gate signal.

Notes: An evolution of the monophonic Typhon synth concept, the Artemis applies similar interface design to a six-voice analogue synth module with Sinevibes digital effects. Lots of power and typically classy Dreadbox sound.

Supplier's Notes:
Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!

From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.

At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.

These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.

Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.

This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.

Notes: ***B-STOCK: Box opened, product in perfect working order***


An evolution of the monophonic Typhon synth concept, the Artemis applies similar interface design to a six-voice analogue synth module with Sinevibes digital effects. Lots of power and typically classy Dreadbox sound.

Supplier's Notes:
Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!

From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.

At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.

These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.

Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.

This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.

Notes: To end the frustration of limited space on your pedalboard, EBS have designed the truly unique, super compact, and affordable EBS Flat Patch Cables. Cables that won't let you down on sound and flexibility, and at the same time reduce the space needed between pedals to a minimum. The elegant Premium Gold (PG) series is the most compact and features 24K gold-plated contacts with even smaller housing than the original EBS PCF-Deluxe (PCF-D) cables.

Double-shielded cables and very low resistance keep your signal path clean and strong through the pedalboard.

Extremely compact size and flexible cables ensure effective use of ALL space on your pedalboard.

*** Please note: the pedalboards are not included, they are shown for demonstration purposes only. ***

Notes: Soft bag for synthesizer SOLAR 42 / SOLAR 42 F. With a compartment for wires, power supply and cartridges. The compartment holds the entire set with a reserve. Good quality from the manufacturer of bags for synthesisers SOMA.

Notes: Eventide's legendary MicroPitch effect, as found in the H910 and H949 Harmonizers, packaged into a compact pedal format, suitable for guitar, bass, synth and other line level signals.

Supplier's Notes:
Savor the secret sauce simmered into countless hit records with the MicroPitch Delay Pedal. By utilizing subtle pitch shifts to create a rich stereo spread, MicroPitch Delay makes anything you cook up sonically delectable. This pedal is the key ingredient for serving up flavorful tone: Instantly harness soaring leads that jump out of the mix, add distinct lushness to a compelling clean passage and get your fill of vibey modulation that's sure to sweeten any pot with the push of a button.

Sample a bite of the newly baked up Positive and Negative Envelope modulation sources and you'll be sure to come back for seconds; and major and minor thirds. MicroPitch Delay adds unparalleled dimension to any source; it's not just a guitar pedal.

Use it to thicken vocals, keyboards, drums, strings, brass, winds and more.

What's the recipe for the MicroPitch Delay pedal? It's a unique flavor profile of dual pitch-shifters with fine-resolution de-tuning and modulation combined with delay in a delicious red package. The pedal is the latest incarnation of a legendary effect that originated in the H910 and H949 Harmonizers, and later popularized with the H3000. It can be utilized for chorusing and savoury repeating delays. It's a creative sonic design tool. It's effective whether used subtlety as a thickening tone-enhancer or dialed to the extremes for special effects. The simplicity of the pedal's ability to make things sound bigger is what makes it so tasty! With the MicroPitch Delay pedal, you can easily harness the power of this iconic Eventide effect that helped shape musical history.

The MicroPitch Delay algorithm has been a mainstay of audio production and musical performance since it was first introduced within the legendary H910 and H949 effects processors. Its subsequent appearance in the H3000 Harmonizerr further popularized the effect and cemented its place in musical history as a quintessential studio tool. Now players can harness the power of this iconic Eventide effect with the MicroPitch Delay pedal, which offers a unique combination of dual pitch-shifters with fine-resolution de-tuning, delay and modulation - including new positive envelope and negative envelope modulation sources. Its distinctive architecture yields a wide breadth of sonic applications ranging from subtle tone thickening to creating a rich stereo spread to a host of creative sound design special effects. The rugged, gig-ready red MicroPitch Delay pedal is not just for guitars the pedal brings unparalleled dimension to any source from vocals to keyboards to drums, strings, brass and winds.

Users can choose from dozens of Eventide presets to load via MIDI, which are also accessible in the preset list on the Eventide Device Manager (EDM - a Windows or Mac OS X application for software updates, system settings and creating/saving presets).

The pedal can store up to 127 presets in memory, with five presets loaded at a player's feet for access from a latching/momentary dual-action Active Footswitch with a Catch-up mode to help players dial in their sound when toggling between presets/parameters. A single Aux switch can be deployed to Tap Tempo, or a triple Aux switch can be used for easy preset changing (up/down/load). The MicroPitch Delay Pedal offers multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry. MIDI capability is available over TRS (for use with a MIDI to TRS cable or converter box) or USB. The rear-panel Guitar/Line Level switch allows level-matching with guitars, synths, FX loops or DAW interfaces. Any combination of MicroPitch Delay parameters can be mapped to an Expression pedal.

Notes: The QSlider black is an analogue CV source with four 60 mm faders.

The control range of the four sliders can be defined with two min/max controls.

The Min controller determines the output voltage at zero position of the slider and the Max controller determines the output voltage at the end position of the slider.

The slider now regulates between these two voltages. This allows you to restrict the control range and still have the entire control path of the slider available.

The reverse voltage is available at a second output socket (min and max are reversed). This means that the slider can also be used as a crossmix fader.

Two common channels can be operated unipolar or bipolar. The voltage ranges are 0..+10V or +/- 5V.

The output sockets are located on an extra 4HP panel for mounting at any point (with approx. 40cm long connection cable). This means that several modules can also be mounted seamlessly next to each other.

Power consumption: 30mA at +12V and 20mA at -12V and 12mA at +5V

Depth: 28mm

18 HP

Notes: The Flame u16MCC is a compact MIDI interface, which converts received MIDI control change commands on 16 outputs into CV voltages between 0 and + 5V. The resolution of the data bytes is 7bit. The outputs each have a passive lowpass filter, which smoothes the output voltages.

Each of the outputs can be assigned a separate control change number between 0 and 127 on its own MIDI channel. The module is programmable via the LEARN function with a MIDI keyboard and MIDI controllers, or via SYSEX commands. Some SYSEX files with default settings already exist.

The module has two MIDI sockets (mini jacks in TRS-B standard) INPUT and THRU. The data received at MIDI-IN is forwarded via MIDI-THRU. Additional MIDI modules can then be connected there.

MIDI/USB to CV/Gate/Sync

Features:

16 ControlChange to 16 CV outputs 0..+5v
programmable via MIDI keyboard/DAW/computer
MIDI start/stop trigger outputs
MIDI input and THRU (TRS MIDI B standard)

Power consumption: 50mA at +12 V and 30mA at -12 V
Depth: 40mm
5 HP

Notes: About as good as closed-back studio headphones get. The Lensys Pros feature 40mm aluminium-magnesium 'M' dome drivers for flat frequency response, exceptional sound isolation and ergonomic memory foam earpads for comfort during long sessions.

Supplier's Notes:
Closed-Back Headphones of Excellence

Experience limitless possibilities with Lensys Professional. Whether you're in the studio or on the move, these headphones provide the comfort and durability you need. Their closed design, meticulous ergonomics, and robust materials make them the ideal choice for any environment. With Focal drivers delivering extremely accurate sound, you can trust these headphones for professional use. Plus, the included case and two cables add further convenience and flexibility to your experience.

Comfort & Insulation

Comfort is essential for headphones used during extended work sessions. The Lensys Professional headphones are designed to be lightweight and feature memory foam ear cushions for a comfortable fit and excellent sound insulation. Additionally, the aerated fabric headband provides a consistent curvature, making it perfect for extended wear.

Accuracy. Anywhere.

The Lensys Professional headphones are designed to offer a neutral tonal balance and high accuracy, making them an excellent choice for mixing. Their versatility and reliability make them a valuable tool in any setting, instilling confidence when working with audio. Additionally, they provide an immersive experience for binaural work.

Focal Expertise

The 40mm aluminium-magnesium 'M' dome drivers provide linear frequency response, low distortion, and improved sound dispersion, resulting in highly accurate sound. Their slightly angled position in the earcups enhances the stereo image, while their acoustic load has been optimized for operation similar to that of a bass-reflex loudspeaker.

Notes: High-end digital synthesis from this boutique German brand. The Manatee combines distinctive spectral synthesis with virtual analogue and FM methods, creating multi-layered polyphonic sound with MPE control.

Supplier's Notes:
Manatee is the most advanced multitimbral synthesizer from Fred's Lab.

This project has been a labour of love, with 3 years of meticulous engineering work put into every aspect of its creation.

Powered by 2x dual-core DSPs and high-fidelity DACs, Manatee offers a minimum of 16 voices of pure digital sound shared between 4 parts. Coupled with a hands-on user interface putting all important synthesis parameters at fingertips reach, Manatee is a joy to explore and play with.

Fred's Lab new Spectral Engine, bolstered by a selection of modern VA Algorithms, delivers a beautifully unpolished raw sound, calling to be refined with the smooth multimode filter.

Manatee offers numerous per-voice and per-part complex modulation sources and wiring, including 'Meta Envelopes' and 'Custom LFOs'. MIDI expression controllers, such as polyphonic aftertouch, can shape modulation amounts at will. The additional 3-slot modulation matrix offers extra flexibility to the default routing options.

The multi-part architecture includes a dedicated stereo delay module and 2x equalizer sections for each part, providing up to 8 seconds of delay and various equalizer shapes like low cut, low shelf, high cut ... Additionally, a global insert reverb with various algorithms is there to add spaciousness to the entire mix.

Finally, the sturdy, powder-coated steel chassis of Manatee is full of robust parts, including metal potentiometers screwed to the panel, high-endurance switches, and high-reliability audio connectors. Built to withstand the rigors of touring and endless hours of use, Manatee is a durable choice for musicians and sound designers.

Connectivity

1x Line Level Main Bus - 6.35mm TR jacks
1x Line Level Aux Bus - 6.35mm TRS jacks (with return path)
1x Headphones Output - 3.5mm TRS jack
1x MIDI DIN5 Trio (IN, OUT, THRU)
1x Clock input - 3.5mm TRS jack (with start / stop)

Mechanics

Powder coated steel chassis
23x Metallic Potentiometers (panel screwed)
18x Illuminated Switches
8x Tactile Switches
Dimensions: 265 x 140 x 50 mm
Weight: 1.60kg

The Spectrum Generator

The Spectrum Generator uses pre-defined reference spectra and various harmonic manipulation tools to provide precise control and alteration of the timbre. Adjust formant, rotation of bins, the waveform used for signal reconstruction and more to craft the raw character. These parameters can be modulated for some complex soundscape creation.

The Sub-Oscillator

The Sub-Oscillator is designed to complement the Spectrum Generator, providing a wide range of sonic material to choose from. It features modern Virtual Analog Algorithms for classic waveform generation and super-saw and super-square waveforms. Additionally, it can play user-imported short waveforms for even greater versatility in sound creation.

The Noise Module

The Noise Module is an advanced source including a built-in continuous low-pass to high-pass filter for precise control over the noise spectral content. The noise sample rate can be programmed to generate crackles, glitches, or pure white noise, depending on the needs.

The Ring Modulator

The Ring Modulator is an iconic tool that multiplies the outputs of the two oscillators, making it perfect for generating inharmonic tones, special effects, and percussive sounds.

The Multimode Filter

The Multimode Filter uses hand-written assembly algorithms based on latest research on analogue modeling technology. It offers classic shapes in 12 and 24dB/octave, with filter tracking and self-resonance capabilities. The built-in saturations add subtle warmth and colour to the sound. The filter has a very smooth & natural ground character and react very fast to cutoff changes handling filter FM and fast envelopes with style.

The Overdrive

The Overdrive is a post-filter effect with a range of models, from gentle saturation and tube overdrive to more aggressive signal destruction through bitcrushing and clipping. It adds grit, warmth, and distortion to the sound for a dynamic and expressive performance. Algorithms are very natural sounding, analogue-like.

Meta-Envelopes
The Meta-Envelopes share their Attack, Sustain, and Release parameters, while each Decay stage is independent. Envelope stages can be switched on or off, allowing for a variety of shapes from a full ADSR to a simple gate. MIDI Velocity can be set to influence the Attack and Decay times, and envelope amplitude can be scaled with aftertouch. Envelopes can be looped and reset on triggering or set to keep its previous value.

Custom-LFOs

The Custom-LFOs provide an eclectic set of more than 16 waveforms, including noises and other algorithms, waveforms which can be chained together to create complex modulation sequences. Each LFO has its own AR envelope with Rise and Fall controls, and can be MIDI clocked and restarted for precise synchronization. Additionally, some MIDI parameters can influence the LFO amplitude.

The Modulation Matrix

The Modulation Matrix consists of 3x slots for each voice, providing extensive routing options to enhance the hardwired connections. The matrix offers a large selection of sources and destinations that cover almost all sound parameters. The modulation amount can be scaled by common MIDI parameters such as Aftertouch, Velocity, and more, allowing for expressive playing styles.

The Delay Module

The Delay Module offers Mono, Stereo, and Ping-Pong modes, with MIDI clock synchronization and adjustable feedback, mix, and colour controls. It supports a range of delay lengths, from very short - resonator-like - to free delay length up to 8 seconds. Each part has its own independent delay module.

The Equalizer Section

The Equalizer Section features two independent equalizers for each part, offering cut, boost, or shelf modes and adjustable corner frequencies. This is a powerful tool for blending the sounds of the different parts.

The Part Mixer

The Part Mixer provides flexible routing (audio buses), volume and panning controls for each part. It also defines the amount of signal sent to the master Reverb.

The Master Reverb

The Master Reverb is a high-quality algorithmic reverberation unit with a pleasant not bright but clean sound. It offers multiple programs with rooms and halls. This reverb is a handy mixing tool, making the overall sound more cohesive and polished.

Electronics

Manatee is powered by 2x 200MHz dual-core DSPs, offering advanced audio synthesis capabilities and an impressive dynamic range. Included too are 128 MBit of SRAM, 512 kBit of EEPROM, 4x 24-bit Burr Brown DACs, and transparent line and headphone drivers.

User Interface

The interface offers hands-on controls over all major synthesis parameters for all sound modules. The strong torque potentiometers feature Nylon knobs that provide a satisfying haptic feel. The high contrast 16x2 LCD screen clearly displays feedback through both text and small graphics.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.

The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.


OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.

Notes: Iconic Genelec sound quality in a classic nearfield format, the 8050B offers 32 Hz - 25 kHz response (-6 dB), 110 dB max SPL and exceptional accuracy. Modern classics for good reason.

Supplier's Notes:
Class-leading performance from Genelec's compact monitors, packing huge power into a small footprint. 32 Hz - 25 kHz frequency response and 110 dB maximum SPL for true professional sound in a tiny package.

Nearfield monitoring with real muscle. The 8050B has power in abundance, making it ideally suited to larger spaces and longer listening distances.

The 8050B represents a class-leading balance of extraordinary SPL output, expansive dynamic range and an intensely detailed, transparent performance. With superb directivity and a wide sweet spot, you're free to move position and still trust what you're hearing.

With its neutral performance and ability to adapt to your room via simple rear-panel room compensation switches, the 8050B ensures a flat playback response to help you really analyse the spectral balance of a recording and produce mixes that always translate reliably.

Notes: If there's a tool that vinyl record lovers must have, it's an effective brush to clean the needle! The GrooveWasher SC1 Stylus Brush is the choice of thousands of audiophiles- who say it's the best darn stylus brush on the market!

This listing includes:

SC1 Stylus Cleaning Brush (4.6" long curved handle. Best stylus brush on the market.)
Stylus cleaning instructions
Ideal handle shape--4.6" long and curved to fit your hand. Easy to control while brushing the stylus and underside of the cartridge. Dense but soft nylon bristles, trimmed to a dome shape. Gentle on the stylus and cantilever. Can be used dry or with a couple of drops of GrooveWasher SC1 Stylus Fluid.

To clean your stylus safely, pull the brush straight back, from the back of the cartridge to the front.

*** Please note: cleaning fluid and turntable are not included, they are shown for demonstration purposes only. ***

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A total music production system in a controller:
The iRig Keys I/O series evolves the concept of traditional controllers as the only one available on the market that integrates 25 or 49 full sized keys together with a fully-fledged professional audio interface featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input (with Phantom power.)

Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicoloured pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow.

Both iRig Keys I/O 25 and 49 are also the smallest full sized keys on the market making them the best solution for working in small spaces and ideal when it comes to having a controller for traveling musicians, in addition to the consideration that they are the only truly mobile devices that can also work on AA batteries.

Being certified Apple MFi keyboard controllers ("Made for iPod, iPhone, iPad,") iRig Keys I/O are guaranteed to work out of the box with all iOS devices including the latest generation of iPhone 7, that does not have an audio output, thanks to the on-board audio interface. The included Lighting cable allows for straight plug-and-play with Apple iOS devices, the USB cable connects Mac and PC computers.

Plus with over $/€550 (25) and $/€750 (49) worth of IK full software and apps they include an unmatched selection of everything that is needed to make complete, finished productions out of the box like the full SampleTank 3 sound and groove workstation, Miroslav Philharmonik 2 CE orchestral workstation, Syntronik Pro-V vintage synthesizer, T-RackS Deluxe mix and mastering suite and more, as the ultimate music production station.

The only controller with an audio interface:
Having a professional 24-bit / 96kHz capable complete audio interface built-in with iRig Keys I/O presents many advantages versus regular controllers for today's musicians. The system becomes self-contained taking up minimal space in any situation whether on a small studio desk or when playing live and traveling. The set-up is also kept to a minimum and is as fast and easy as just plug and play. The work environment becomes clean and tidy, without a bunch of extra cables.

In a recording studio, everything can be connected directly to the keyboard ensuring the best possible quality with a Class A preamp for dynamic and condenser mics (including those requiring 48V Phantom power, which works under battery power as well,) to line instruments and even Hi-Z guitars and basses. The built-in headphone output allows for convenient silent playing when studying or practicing. Plus, when used in live performances the balanced stereo output allows for long cable runs directly from the keyboard to the PA or mixer which is useful for performing keyboard players or DJs.

Take control with touch controls:
Despite their ultra-compact dimension, iRIg Keys I/O include all the tactile controls you would expect from a fully-fledged controller and more. Starting with a fast synth-action key bed that improves on all preceding IK keyboards and it's a joy to play. Both the models feature one volume/ data push knob, 4 touch sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicoloured, velocity sensitive pads. Plus, there are 2 fully programmable touch control strips acting by default as Pitch and Mod controls allowing for dramatic performances in any genre and double as fully programmable sliders.

A complete touch sensitive transport and button control section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.

Perfect for mobile, great with computer:
iRig Keys I/O work universally with all types of devices whether mobile, laptop or regular desktop computer. They are ideal for iPhone and iPad thanks to the included Lighting cable connections and certified MFi compatibility. Additionally, they offer more iOS friendly features that can't be found with any other controller like the included mobile device stand and the possibility to keep the device charged during long playing session using an optional power supply adapter, and of course the included audio interface that makes them perfect when used with the latest generation iPhone 7 that lacks a mini jack audio output.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Combining vintage sound with modern features, the S2400 draws heavily on the iconic Emu SP1200 to create a new instrument with a distinctive character. One of the best samplers money can buy.

Supplier's Notes:
A legend, reborn.

The S2400 is nothing short of a passion project. Along with a small team of talented Software Engineers, CAD Engineers and revered artists, Isla Instruments have developed a future classic.

The S2400 is a passion project - to recreate the sound of one of the world's most iconic sampling drum machines, and bring it up-to-date with modern features. The result is the very best of old school and new school technology coming together.

Brad has been obsessed with drum machines for many years - owning, repairing, restoring, modifying countless makes and models (see his HR-16 mods on YouTube).

Staying true to form in both sonic characteristics and design aesthetic were the main drivers in the realisation of this project, while bringing the hardware into the 21st Century and keeping the same 'instant gratification' and intuitiveness of its spiritual pre-predecessor at heart.

A machine built for the now and the future.

S2400 Specifications

Sampler / Audio:
16-Bit 48Khz 'Hi-Fi' Sampling/Playback Engine
12-Bit 26Khz 'Classic' Sampling/Playback Engine
Engine type assignable to each of the 32 sample slots
Sample up to 21.5 minutes per slot (Classic / Mono),
5.5 minutes (Hi-Fi / Stereo)
Simultaneous (Full Duplex) playback and record with 8 channel LiveLooping functionality.
On-screen waveform display (slice audio, set loop-points with ease)
128 MB of built-in factory drum kits (from some of our featured beta team)
Independent Headphone output for monitoring (effectively 2 extra channels)
DSP based LP/HP Filtering per track (more FX planned for future)

Sequencer:
Multiple sequence entry methods: Live recording, Step Sequence, Piano Roll GUI, TR x0x Style
32 Stereo Audio Tracks w/ 16 Voice polyphony
32 MIDI Tracks (for sequencing external equipment)
96 PPQN Clock
Per track quantization and swing (including classic mode)
Patterns are up to 100 measures, any time signature
All parameters (level, pitch, envelope, filters) configurable per pattern step
Song mode

Hardware

Bright 128 × 64 pixel OLED display (viewable from any angle)
Ultra High quality Grayhill Optical Data Entry Encoder
8 x 60mm Professional Dual Rail Faders
8 x Dual 'concentric' Pro-Audio rotary pots
Broadcast Equipment grade A/V backlit pushbutton switches
Tactile silicone pads backlit with RGB LEDs
SD Card storage (up to 1TB currently tested)
Classic (OG) input and output analogue filtering circuitry.

I/O

MIDI In/Out/Thru (Standard 5-pin DIN)
2 × 1/4" Stereo Mix Out jacks (psuedo balanced)
8 × 1/4" Individual audio out jacks (psuedo balanced)
4 × 1/4" External input jacks (with adjustable pre-amp modes)
2 × Stereo RCA Line/Phono Inputs (with dual phono pre-amps)
Hi-speed USB 2.0 device port. (USB Audio/MIDI)
USB Host port (connect external USB peripherals, MIDI controllers etc).
3.5mm Clock/trigger in and out jacks (to sync/trigger vintage equipment or modular synths)
Universal Voltage100-250V AC Mains powered.

Physical

Rock Solid 16Ga Cold Rolled Steel enclosure with 6mm Anodised aluminium sidewalls.
Aluminium knobs
Dimensions: (Including knobs, jacks, feet)
Imperial: W18" x D12" x H5" (back) 3" (front)
Metric: W460mm x D310mm x H130mm (back) 80mm (front)
Weight: approximately 13lbs / 6Kgs (metric)

*** Please note: This product does not come with the three-pin PSU kettle leads required, please purchase separately. ***

Notes: The NDE-1 is JMT Synth's flagship synthesiser, capable of a wide range of sounds. Consisting of two VCOs, a sample & hold function, a noise generator, a low-pass filter, a LFO, VCA, and an envelope generator. This combination can create a powerful and variable sound. The 4-pole filter works very smoothly, and an external audio input. It can be paired with a sequencer for live performance and a wider range of sounds.

Notes: The NVO-1 is an analogue noise synthesizer that's capable of producing a wide variety of sounds. Adjust the Main Frequency and Sub Frequency knob to create deep textures and flip the noise switch to bring out even more tones.

Notes: Nice experimental stuff from JMT. Dual oscillators and noise circuits interact to create unique drones, soundscapes and synth tones. Knobby front panel gives plenty of hands-on control.

Supplier's Notes:
Two VCOs with different circuit configurations are used, each with two types of waveform conversion circuits, one of which is a noise synthesis circuit created by the VCO input, to design complex interactions.

The output is input to a sustain circuit, a delay, via a distortion circuit that emphasizes bass, mid, and treble.

4 mixed CV/GATE sends the gate to the sustain circuit at the timing when it is mixed with the four rate knobs, and pronounces it at the timing of the gate like a drum synth. . The sustain length can be set with a knob. At the same time, the CV is also sent to the two VCOs (adjusted with the LV knob). The delay can be turned on and off with a switch.

Fine-tuning the numerical values of the circuit components and fine-tuning the knobs can obtain not only intense distortion but also delicately varied sounds.

CV IN is input to the VCO.

It is driven by a center minus DC 9V adaptor. A 12 V DC adapter can also be used for the power supply.

Increasing the voltage changes the range and setting range. Up to 12V

Two VCOs with different circuit configurations, each with two different waveform conversion circuits, one with a noise synthesis circuit created by the VCO input, a very complex interaction is designed.

The output is routed to the sustain circuit and delay via a distortion circuit that emphasizes lows, mids, and highs. 4 MIXED CV/GATE sends GATE to the SUSUTAIN circuit at the timing mixed by the 4 RATE knobs to produce a GATE timing like a drum synthesizer. Sustain can be set with the knob. At the same time, CV is sent to the two VCOs (adjustable with the LV knob) by this circuit.

Delay can be turned on and off with a switch.

Fine tuning of the values of the circuit components and fine adjustment of the knobs allows you to obtain not only intense distortion but also subtle variations. cv in is input to the VCO.

It is powered by a center-minus DC 9V - DC12V adapter.

A 12 VDC adapter can also be used for power supply.

Increasing the voltage (up to 12 V ) changes the sound range and setting range.

Features:

2 VCOs
Noise Generator
Gate Generator
Distortion for highs, mids, and lows
VCA with sustain envelope
Delay
9V power supply (center negative) is included

Notes: Part of JMT's no-frills synth range, the SNB-2b offers a single voltage-controlled oscillator with three sub-oscillators, allowing you to blend and distort harmonics to create thick, juicy tones.

Supplier's Notes:
The SNB-2b is powered by a centre negative DC 9V adapter or a single 9V battery.

The SNB-2b is a noisy analogue synth oscillator with a distortion function that can emphasize HI, MID, and LO.

The oscillator can be input to the MAIN VCO with a wide range, and the three complex input SUB oscillators can be adjusted at LEVEL and input to the MAIN VCO.

Each of the three SUB oscillators is designed to affect each other, so a wide range of settings are possible with subtle knob position combinations.

The three oscillators are directly input to the waveform of the MAIN VCO, and different waveform changes can be added by adjusting the input level with the LEVEL knob.

It is a model that expands the variety of sounds by fine-tuning the knob and emphasizing the high, mid, and low frequencies of various tones such as noisy dense sounds and intermittent sounds.

From CV IN, you can input CV OUT (sequencer, analogue synth, modular synth) of other equipment and change the MAIN VCO. Since it is a 6.5mm jack, please use a conversion plug when using a 3.5mm cable.

Runs on DC9V negative centre or a 9V battery.

3 sub oscillator effect each other go to main VCO with LEVEL knob.

The main VCO goes to DISTORTION circuit with HI,MID,LO knobs.

The SNB-2b makes a variety of sounds.

CV IN is for VCO pitch. It accepts+-9V voltages.

Notes: ASCOLTA is a dual high fidelity input preamp with envelope follower and peak detector output for each channel.

Ascolta consist of two individual high quality preamp connected to an envelope follower and a peak detector output.

On the back of the module you can select the behaviour of its internal normalization when no cable is plugged into I2:

S: the first input I1 will accept stereo 3.5mm standard cables from any source and split L and R to output O1 and O2 respectively. This way you can directly amplify stereo signals without the need of external splitters and regulate the gain of each channel individually.

G: the second amplifier will double the amplification of the first totalling a gain range of 80dB - 10.000x.

Envelope E and peak P outputs are strictly related to the gain level of their corresponding amplifier and will follow the dynamic of any input plugged.

Features

Two high quality 40dB amplifiers.
Customizable internal normalization.
Envelope and Peak output following the input signal
Audio graded potentiometers.
"Whatever" power connector a.k.a. don't mind the polarity.

Technical Specs

Width: 4HP
Depth: 25mm
50mA +12V
30mA -12V

Notes: GETREKT is a full analogue waveshaper - an aggressive one.

Why:

To add saturation and harmonics.
To disrupt - folding - and cut into pieces - clipping.
To generate square waves from other control voltage signals or audio sources.
To invert the polarity of a trigger or other kind of pulses.

With:

Sine waves - hear them scream.
Human voices - fracture them in pieces with clipping as a good ol' broken tape would do.
Complex audio sources - to control and flatten them.
Envelopes going to a drum module - rectify or fold that decay tail.

Dimensions:

4 HP
18 mm deep

Current Draw
35 mA +12V
30 mA -12V

Notes: GITGUD is a pack of 9 chained LFOs.

Why:

To move stuff all around.
To creatively trigger drums and voltage-controlled gates.
To change the whole vibe of a composition with just a slide on the skin-sensitive panel.
To create dependencies on a group of modulations and defuse them un-chaining the LFOs on the fly.

With:

Filters - create a relation between the cutoff and the resonance.
Drums - send a pulse to the trigger input and a ramp to modulate another parameter.
LPGs - squares to make them BONG and ramps for slow linear increments.
FM or any other CV inputs you want it to take care of.

Dimensions:

8 HP
18 mm deep

Current Draw:

135 mA +12V

Notes: ***B-STOCK: Box opened, product in perfect working order***


Sampling meets the internet in the intriguing WoFi, a WiFi-enabled polyphonic instrument based around samples, granular synthesis and the online mywo.fi community platform.

Supplier's Notes:
WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

Notes: A passive multiple that fits nicely with the Klavis range.

Notes: The ComPair is a versatile yet compact and affordable tool to expand your sonic arsenal. Voltage comparison is used to trigger events, reshape and mangle waveforms and realize level-dependent logic functions.

Two sections can be used independently as voltage against manual setting comparison. Additionally, the first section allows voltage against voltage comparison with offset adjustment.

When used globally, the module offers a powerful window comparator with CV-controlled top setting.

The outputs benefit from three triple-position switches, allowing independently settable polarity and muting.

Three LEDs indicate the output logic to keep track of what's happening.

Notes: Mixer & CV/clock-controlled Switcher

Focused versatility seems an oxymoron when describing the features that led to the design of the Mixwitch.

With only a pinch of mixing, inverting and controlled switching, Klavis Electronics brew up a plethora of combinations and uses.

This is voltage processing magic!

The Mixwitch design comes from a frustration with attenuvertors (bipolar attenuators-inverters) whose off (neutral) position is difficult to retrieve, especially in live situations.

Klavis went for a digitally-controlled analogue path where polarity inversion would be at the touch of a button. So, the usefulness of attenuating/inverting can be realized by turning the pot down, swiftly pressing the inversion button and reopening the level. The zero level is where you expect it, with the pot full down.

Once a clean polarity control was established, a mute function was added, offering the benefit of pre-adjusted pot settings ready to be activated at will.

The next step was to bring something extra, useful and creative. There are plenty of analogue switches controlled by a clock; but arbitrarily selecting an input with a voltage is less known. Having both control capabilities combined with Klavis' specific mixer features creates a unique fusion: welcome to the Mixwitch!

Dimensions
8 HP
25 mm deep

Current Draw
39 mA +12V
24 mA -12V
0 mA 5V

Notes: The Quadigy is a complex envelope generator focused on live play.

The goal is to allow the user setting up rich, interactive and dynamically evolving envelopes without the risk of breaking up a subtle and intricate patch once on stage.

This is achieved by offering two main modes, one where full control is available and a Live mode where only the settings that are sensible using on stage are accessible.

The user interface offers an intuitive access for otherwise complex settings.

Advanced features such as automatic time-stretching, multiphase clocking and full morphing put the Quadigy in a category on its own.

Dimensions
14 HP
21 mm deep

Current Draw
24 mA +12V
10 mA -12V
40 mA 5V

Notes: Two oscillators independently set as VCO, LFO, or random generator

This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)

Features in VCO mode:

V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter

Features in LFO mode:

Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

Dimensions
8 HP
21 mm deep

Current Draw
52 mA +12V
17 mA -12V
0 mA 5V

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


E7 is the MOOER Polyphonic Guitar Synth Pedal is the second pedal of MOOER New Micro series. As a brand-new design Micro series, we have added 7 LED indicators on the right side of the shell, providing more possibility to the New Micro series.
E7 can transform your guitar into a typical electronic synthesizer, without the need for special pickups or instrument modifications. It is named as E7, for its seven different MOOER custom synthesizer tones. Each tone with an individual arpeggiator, high/low frequency cut, attack, speed function, allow users to shape the tone in their mind easily, explore the horizon of tone with the E7.

Features:
*7 different types of brand-new MOOER SYNTH tones
*Individual Arpeggiator for each tone
*7 slots for storing users' presets
*Firmware upgradeable via USB

Specifications:
*Input: 1/4" mono jack (impedance 2.2M Ohms)
*Output: 1/4" mono jack (impedance 100Ohms)
*Power supply: 9V DC transformer (internal negative external), MOOER Micro Power is recommended
*Current Draw: 150mA
*Dimensions: 93.5mm(D) x 42mm(W) x 52mm(H)
*Weight: 155g
*Accessories: User Manual

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Based on Mooer's extensive experience producing looper pedals, the GL100 offers affordable, powerful dual looping options and drum machine features. Two foot switches provide hands-free control for guitarists and keyboard players.

Supplier's Notes:
Throughout MOOER's track record of producing electric guitar pedals, the company has put a lot of its innovative prowess into its range of loop pedals, including 2023's VP3 Loopation. Ever since, MOOER's engineers have been hard at work designing the GL100, a feature-packed dual-footswitch stereo phrase looper and drum machine that has far more on offer than its younger looper siblings.

Perhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.

The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.

In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.

Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.

As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.

Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.

Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.

2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g

Notes: CEQ is an analogue 3-band Equalizer and Compressor module in 4HP. Enhance your synth voices, get some punch and have fun playing with the DJ-style EQ.

CEQ is perfect for your final live mix or you can even use several on individual synth voices.

Great versatility.

CEQ Compressor can be used to subtly tune the dynamics of your voice, saturate or distort it heavily and everything in between. Want to sound a little fatter? This one is for you.

Synth tracks will love it.

Thanks to a switch on the back of the module, you can adjust the compression speed between FAST and SLOW depending on your needs.

CEQ is an analogue module.
NO digital noise.
BIG headroom.

Specifications:

EQ Cuttoff Frequency
High: 2567Hz
Mid: 256Hz to 2567Hz
Low: 256Hz
Filter type Sallen Key configuration.
Filter Q 0.5

Dimensions 4HP - 20×128,5mm

Notes: ST.FONT is a stereo liquid filter that takes the beloved core of our FONT module and expands it into a powerful stereo filtering tool.

With a dual filter core (one for each channel), it offers a massive liquid sound with smooth resonance, adding warmth and depth to any audio signal.

Independent filter cores for left and right channels with Low Pass, Band Pass, and High Pass modes, plus seamless crossfading between filter outputs.

Built-in VCA with soft clipping for rich sound shaping, plus CV control.

Switch between Mild for traditional resonance or Wild for extreme distortion and aggressive filtering.

Dedicated FREQ Span, RES Span, and MODE Span knobs allow you to create a wide, immersive stereo field by adjusting the spread of parameters across both channels.